Trivia: The son of actor Richard Cusack and younger brother of comic actress Joan Cusack, John Cusack started his career at the age of eight, under the guidance of his theatrically active mother. He made his stage bow with Evanston's Pivan Theatre Workshop and quickly went on to do commercial work, becoming one of Chicago's busiest commercial voice-over artists.Although Cusack began to emerge as an actor during the heyday of the Brat Pack, and appeared in a number of "teen" movies, he managed to avoid falling into the narrowly defined rut the phenomenon left in its wake. After making his film debut in 1983's Class, he had a brief but painfully memorable appearance as a member of Anthony Michael Hall's nerd posse in Sixteen Candles (1984). Bigger and better opportunities came Cusack's way the following year, when he achieved a measure of stardom with his portrayal of a sexually anxious college freshman in The Sure Thing (1985). The same year, he gained further recognition with his starring roles in Better Off Dead (which also granted him a degree of cult status) and The Journey of Natty Gann.Cusack spent the rest of the 1980s carving out a niche for himself as both a solid performer and something of a lust object for unconventional girls everywhere, a status aided immeasurably by his portrayal of lovable underachiever Lloyd Dobler in Cameron Crowe's 1989 ....Say Anything. He also began winning critical acclaim for his parts in more serious films, notably as a disgraced White Sox third baseman in John Sayles' Eight Men Out (1988) and as a con artist in Stephen Frears' The Grifters (1990).Cusack enjoyed steady work throughout the 1990s, with particularly notable roles in Woody Allen's Bullets Over Broadway (1994), which featured him as a struggling playwright; Midnight in the Garden of Good and Evil (1997), in which he starred as a journalist investigating a murder; Grosse Pointe Blank (1997), which cast him as the film's protagonist, a neurotic hit man; and the impressively cast The Thin Red Line, in which he played a World War II soldier. Just about all of Cusack's roles allowed him to showcase his quirky versatility, and the films he did to close out the century were no exception: in 1999 he first starred as an air-traffic controller in the comedy Pushing Tin and then appeared as Nelson Rockefeller in Cradle Will Rock, Tim Robbins' exploration of art and politics in 1930s America; finally, in perhaps his most unique film to date, he starred in Spike Jonze's Being John Malkovich as a puppeteer who discovers a way to enter the mind of the famous actor. The wildly original film turned out to be one of the year's biggest surprise hits, scoring among both audiences and critics. Cusack had yet another triumph the following year with High Fidelity, Stephen Frears' adaptation of Nick Hornby's novel of the same name. The actor, who co-wrote the script for the film in addition to starring in it, earned some of the best reviews of his career for his heartfelt comic portrayal of Rob, the film's well-meaning but oftentimes emotionally immature protagonist. The next year he played opposite Julia Roberts in the showbiz comedy America's Sweethearts. In 2002 he took a lead part in the controversial Hitler biopic Max, and he did a brief cameo for Spike Jonze in Adaptation.The next year he had a couple of hits with the John Grisham adaptation The Runaway Jury, and the psychological thriller Identity. In 2005 he was the lead in the black comedy The Ice Harvest opposite Billy Bob Thornton, as well as the romantic comedy Must Love Dogs.He earned solid reviews in 2007 for the Iraq War drama Grace Is Gone, playing the husband of a woman who dies while serving in the military., and in that same year he starred in the Stephen King adaptation 1408. In 2008 he appeared in and co-wrote the political satire War, Inc. The next year he was the lead in the disaster film blockbuster 2012.Cashing in on his status as an eighties icon, he had a hit in 2010 with the R rated comedy Hot Tub Time Machine, and in 2012 he portrayed Edgar Allan Poe in The Raven.

Trivia: In contrast to the insufferably intellectual characters he has played so often and so well, David Ogden Stiers wasn't much of a student while growing up in Eugene, Oregon. Like many another "underachiever," Stiers excelled at the things he was truly interested in, such as music (he played piano and french horn) and acting. After flunking out of the University of Oregon, Stiers stepped up his amateur-theatrical activities, and at age 20 was hired by the California Shakespeare Festival at Santa Clara, where he spent the next seven years performing the Classics. After briefly working with the famous San Francisco improv group The Committee, Stiers attended Juilliard, in hopes of improving his vocal delivery. Evidently his training paid off: in 1974, Stiers co-starred with Zero Mostel in the Broadway production Ulysses in Nighttown, then went on to appear opposite Doug Henning in the long-running musical The Magic Show. Despite his success, Stiers detested New York, and at the first opportunity he "ran screaming" back to the West Coast. He was cast in the short-lived sitcom Doc in 1975, and the following year played an important role in the 90-minute pilot for Charlie's Angels, though he passed when offered a regular assignment in the Angels series proper. Stiers' performance as a stuttering TV executive in a 1976 Mary Tyler Moore Show episode led to his being cast as the overbearing Major Charles Emerson Winchester on the ever-popular M*A*S*H; at first signed to a two-year contract, Stiers remained with the series until its final episode in February of 1983. Before, during and after his tenure on M*A*S*H, Stiers kept busy in made-for-TV films, lending his patented authoritativeness to such real-life characters as Dr. Charles Mayo (in 1977's A Love Affair: The Eleanor and Lou Gehrig Story), critic and social arbiter Cleveland Amory (1984's Anatomy of an Illness) and President Franklin D. Roosevelt (1987's J. Edgar Hoover). He was also seen as pontificating DA Michael Reston in several of the Perry Mason TV-movies of the late 1980s. Disney animation devotees will remember Stiers for his voiceover work as Cogsworth in Beauty and the Beast (1988) and Lord Ratcliffe in Pocahontas (1995). Stiers continued his work in film, voiceover work and television, appearing in projects like Woody Allen's The Curse of the Jade Scorpion (2001), voicing Jumba in Lilo & Stitch (2002) and playing the recurring role of Oberoth on Stargate Atlantis in 2007. Parlaying his lifelong love of classical music into a second career, David Ogden Stiers has served as guest conductor for over 70 major U.S. symphony orchestras.

Trivia: Kim Darby's assertive acting style was likened by one film historian to "a 1938 Judy Garland forever waiting to burst into song." The daughter of "The Dancing Zerbies," Kim was a stage performer from childhood, when she was billed as Derby Zerby. Her short stature and cherubic face enabled Kim to play teenagers well into her twenties. After several TV appearances, she began her film career in 1965, reaching a peak with the role of Maddie Ross in True Grit (1968). Forever feisty, Kim earned one of the biggest laughs in 1977's The One and Only when she decked Henry Winkler with a one-two punch. Kim Darby has continued in secondary roles into the 1990s, recently making a guest appearance on that crowded way-station for former celebrities, TV's Murder She Wrote.

Trivia: American actress Amanda Wyss has been active since the early '80s. Wyss started out with teenaged supporting roles in such efforts as Fast Times at Ridgemont High (1981) and A Nightmare on Elm Street (1984). On a more adult level, she made an excellent impression as an imperiled homesteader in the 1985 "retro" Western Silverado. TV fans know Amanda Wyss best as reporter Randi McFarland on the first season (1992-1993) episodes of the syndicated favorite Highlander.

Trivia: American character actor Curtis Armstrong is best known in films for playing Dudley "Booger" Dawson in the Revenge of the Nerds series of feature films and TV movies. On television he is best remembered for playing Herbert Viola in the ABC series Moonlighting (1985-1989). When he was just starting out, Armstrong founded his own theater company in Michigan. He continued working in theater until 1983 when he made his film debut playing opposite Tom Cruise in Risky Business. He appeared in Revenge of the Nerds the following year. In addition to playing Booger, Armstrong appeared in other features, including The Clan of the Cave Bear (1986) and The Adventures of Huck Finn (1993). He would remain extremely active for decades to come, appearing in movies like Southland Tales and Beer for My Horses, and on shows like Boston Legal, The Closer, and Dan Vs.

Trivia: Has three older sisters.Was Senior class president at his high school.After dropping out of Harvard, returned to Memphis and worked at a computer store.Moved to Los Angeles after being discover by a movie producer while attending Memphis State University.Got a job as a pizza delivery boy soon after his move to Los Angeles.Supporter of the St. Jude Children's Research Hospital in Memphis, Tennessee.Owner of the production company Schneider's Bakery.

Trivia: Had he been in Hollywood in the 1930s or 1940s, Vincent Schiavelli's Halloween-mask countenance, shock of unkempt hair and baleful voice might have permanently consigned him to minor roles in horror or gangster pictures. As it happened, Schiavelli became an actor during the 1960s, a period when, thanks to unpretty stars like Elliott Gould and Dustin Hoffman, homeliness opened more career doors than it closed. After several seasons' worth of stage experience, Schiavelli made his first film appearance in Milos Forman's Taking Off (1971) playing a pot-smoking support group leader by the name of...Schiavelli. He would work with Forman again on several occasions, most memorably as Salieri's(F. Murray Abraham) phlegmatic valet in the opening scenes of Amadeus (1984). In 1972, Schiavelli played his first regular TV-series role, gay set designer Peter Panama in The Corner Bar. Fourteen years later, he could be seen as oddball science teacher Hector Vargas in the weekly sitcom Fast Times, repeating his role from the 1982 theatrical feature Fast Times at Ridgemont High. One of his best-known screen roles was the ill-tempered Subway Ghost, who teaches newly dead Patrick Swayze how to move solid objects with sheer "hate power" in the 1990 blockbuster Ghost. Tim Conway fans are most familiar with Schiavelli through his appearances as Conway's dull-witted assistant in the popular Dorf videocassettes. Previously married to actress Allyce Beasley, the couple would part ways in 1988 and Schiavelli would subsequently wed Carol Mukhalian.

Trivia: Character actor Chuck Mitchell is best remembered for playing the rotund title character in the first and last installments of the Porky's series of adolescent comedies during the '80s.

Trivia: Supporting actor, onscreen from the late '80s.

Trivia: Supporting actor, onscreen from the '80s.

Trivia: With her ample animation work and a parallel career as a singer/songwriter, Elizabeth Daily has made the most of her husky yet youthful voice as well as her acting ability. Making her film debut in 1981, Daily starred as a young singer in the independent Street Music. Occasionally billed as "E. G. Daily," Daily played mostly supporting roles in movies throughout the 1980s, including one of the titular types in the clever teen comedy Valley Girl (1983). Her distinctive voice helped make Daily's cheerful Dottie the perfect romantic partner for Paul Reubens' signature man-boy Pee-Wee Herman in Tim Burton's cartoon-esque comedy hit Pee-Wee's Big Adventure (1985). After appearing in the John Hughes-produced Dutch (1991) and Nancy Savoca's unjustly-overlooked romance Dogfight (1991), Daily focused her energies more extensively on TV and animation voice-over work, including Nickelodeon's popular Rugrats series and The Rugrats Movie (1998). When the original voice actress for the 1995 hit Babe demanded too hefty a raise for its sequel, Daily stepped in to voice the irrepressibly upbeat young sheep-herding pig in Babe: Pig in the City (1998) -- and lost to herself at the box office when the far darker Babe 2 opened poorly against Rugrats. Along with acting, Daily's music has been included on the soundtracks of Scarface (1983), The Breakfast Club (1985,) and Better off Dead (1985).

Trivia: Director Rick Rosenthal received a degree in Visual and Environmental Studies from Harvard University in 1971. He started his professional career as a documentarian, working closely with PBS in New Hampshire. In 1989, Rosenthal directed the pilot episode for the television series Life Goes On, which became a very popular and respected part of United States TV history. In addition to his filmmaking, Rosenthal also teaches film with the American Film Institute, as well as with the University of Southern California.