Trivia: Working as a Disneyland concessionaire in his teens, comedian Steve Martin's first experiences in entertainment were of the party performer variety -- he picked up skills in juggling, tap-dancing, sleight of hand, and balloon sculpting, among other things. He later attended U.C.L.A., where he majored in philosophy and theater before moving on to staff-writer stints for such TV performers as Glen Campbell, the Smothers Brothers, Dick Van Dyke, John Denver, and Sonny & Cher. Occasionally allowed to perform as well as write, Martin didn't go into standup comedy full-time until the late '60s, when he moved to Canada and appeared as a semi-regular on the syndicated TV variety series Half the George Kirby Comedy Hour. As the opening act for rock stars in the early '70s, Martin emulated the fashion of the era with a full beard, shaggy hair, colorful costumes, and drug jokes. Comedians of such ilk were common in this market, however, so Martin carefully developed a brand-new persona: the well-groomed, immaculately dressed young man who goes against his appearance by behaving like a lunatic. By 1975, he was the "Comic of the Hour," convulsing audiences with his feigned enthusiasm over the weakest of jokes and the most obvious of comedy props. His entire act a devastating parody of second-rate comedians who rely on preconditioning to get laughs, Martin became internationally famous for such catch phrases as "Excu-u-use me!," "Happy feet!," and "I am...one wild and crazy guy!" It was fun for a while to hear audiences shout them out even before he'd uttered them, but it wasn't long before Martin was tired of live standup and anxious to get into films. Though Martin had roles in Sgt. Pepper's Lonely Hearts Club Band (1977) and The Muppet Movie, Martin's true screen bow was The Jerk (1979), in which, with the seriousness of Olivier, he portrayed a bumbling, self-described poor black child-turned accidental millionaire. Had he been a lesser performer, Martin could have played variations on The Jerk for the remainder of his life, but he preferred to seek out new challenges. It took nerve to go against the sensibilities of his fans with an on-edge portrayal of a habitual loser in Pennies From Heaven (1981), but Martin was successful, even if the film wasn't. And few other actors could convincingly pull off a project like Dead Men Don't Wear Plaid (1983), wherein, and with utter conviction, he acted opposite film clips of dead movie stars. After a first-rate turn in All of Me (1984), in which he played a man whose body is inhabited by the soul of a woman, Martin's film work began to fluctuate in quality, only to emerge on top again with Roxanne (1987), a potentially silly but ultimately compelling update of Cyrano de Bergerac. Though he participated in a fair amount of misses in the '80s and '90s (Mixed Nuts (1994), Housesitter (1992), Leap of Faith (1992), and Sgt. Bilko (1996), to name a few), Martin was unarguably full of surprises, as witnessed in his unsympathetic portrayal in Planes, Trains and Automobiles (1989), his hilariously evil dentist in Little Shop of Horrors (1986), his angst-ridden father in Parenthood (1989), his smooth-talking Italian in My Blue Heaven, and his callow film producer in Grand Canyon (1991) -- though the public still seemed to prefer his standard comic performances in The Three Amigos (1986), Father of the Bride (1991), and L.A. Story (1991). Martin then went out on yet another artistic limb with A Simple Twist of Fate (1994) -- a film update of that high-school English-class perennial Silas Marner. After starring in a very dark role in David Mamet's The Spanish Prisoner (1997) and an unsuccessful return to comedy in The Out-of-Towners (1999), Martin again won acclaim for Bowfinger, a 1999 comedy-satire that cast him as its titular hero, an unsuccessful movie director trying to make a film without the aid of a real script or real star. Martin -- who also wrote the film's screenplay -- played the straight man against Eddie Murphy, once again impressing critics with his versatility. According to rumor, Martin based Heather Graham's character on former flame Ann Heche.In addition to his Hollywood activities, Martin is well-known for his intellectual pursuits. His play Picasso at the Lapin Agile was produced successfully off-Broadway, and he has contributed numerous humor pieces to The New Yorker magazine, and penned the bestselling novella Shopgirl. Martin was also a featured artist in the PBS documentary series Art 21: Art in the 21st Century and discussed the visual arts as an integral form of self-expression. The 2000's found Martin in a slew of smaller roles, including a cameo as a heckler in Remember the Titans (2000), and a supporting role in director Stanely Tucci's historical comedy drama Joe Gould's Secret (2000). In 2001's Novacaine, Martin found himself playing dentist for the second time in his life, though this dentist would be decidedly less sadistic than the one he had played in camp favorite Little Shop of Horrors (1986). Despite an all-star cast (besides Martin, Novacaine featured Oscar-winner Helena Bonham Carter and Laura Dern) the black comedy was dismally received. Luckily, 2003's odd-couple comedy Bringing Down the House with Queen Latifah, rapper and surprising Oscar nominee for her role in Chicago, fared relatively well in theaters. Martin teamed up with the likes of Brendan Fraser, Jenna Elfman, and Bugs Bunny in Looney Tunes: Back in Action (2003), in which he plays the evil Mr. Chairman, head of the monolithic Acme Corporation. A film version of Shopgirl starring Martin and Claire Danes is currently slated for a 2005 release. Martin would remain a vital comedic actor in the years to come, appearing in films like Baby Mama and It's Complicated.

Trivia: Actor, musician, and cult idol ascendant, Jack Black is known for both the characters he portrays on the screen and as one of the forces behind Tenacious D, a rock band/standup routine that Black has described as "a Smothers Brothers for the Dungeons and Dragons misfits set."A native of Santa Monica, CA, Black attended the University of California at Los Angeles. He got his professional start on the stage, appearing in Tim Robbins' production of Carnage at the 1989 Edinburgh Fringe Festival. He would go on to collaborate with Robbins throughout his career, making his screen debut in the director's 1992 political satire Bob Roberts and appearing in Robbins' Dead Man Walking (1995) and Cradle Will Rock (1999). Black spent the '90s playing supporting and lead roles in a variety of films, including Demolition Man (1993), The Cable Guy (1996), which cast him as the best friend of Matthew Broderick's character, and Jesus' Son (1999), in which Black had a small but extremely memorable role as a pill-popping hospital orderly.In 2000, Black had one of his most recognizable and enthusiastically received screen roles to date in High Fidelity. Stephen Frears' popular adaptation of Nick Hornby's novel of the same name, it featured Black as Barry, a thoroughly obnoxious record-store employee. The part allowed the actor to do some of his own singing, a talent that he had previously inflicted on numerous audience members during his years with the aforementioned Tenacious D. The band, comprised of Black and fellow holy terror Kyle Gass, had existed since 1994, and it had been featured on the TV comedy series Mr. Show and as the subject of their own HBO series entitled (tongue firmly in cheek) Tenacious D: The Greatest Band on Earth. It was only a matter of time before Black stepped up from supporting character to leading man, and with the Farrelly brother's Shallow Hal Black may just have found the ideal vehicle for the successful transition. As a superficial man who falls in love with a 300-pound woman after being hypnotized to see only the "inner beauty" of the opposite sex, Black co-starred alongside Gwyneth Paltrow and Jason Alexander in what promised to be a charmingly offensive addition to the Farrelly canon.Though MTV Films' heavily marketed Orange County (2002) was not a huge commercial success, Black's supporting role as the lead character's slacker brother was well received by critics and long-time fans alike, and the once obscure figure began appearing on media outlets including Saturday Night Live, Primetime Glick, commercials for The Osbournes, and various MTV music and film awards. In 2003, Black starred in his first big hit -- director Richard Linklater's musical comedy School of Rock, which featured Black as a disgruntled heavy metal-guitarist doing a substitute teaching gig for extra cash. Critics were so taken by his performance that he was honored with a Golden Globe nomination.2004 saw Black turn in a cameo in the Will Ferrell vehicle Anchorman, after starring opposite Ben Stiller in director Barry Levinson's black comedy Envy. While the film was a box-office bomb after having its release pushed back several times, Black still had much to celebrate when it was announced he would be taking the lead in Peter Jackson's highly anticipated 2005 remake of King Kong. The epic film helped transition Black from a cult hero to a traditional movie star, though he was still careful to keep his original fans happy. In 2006, he starred in Napoleon Dynamite director Jared Hess' comedy Nacho Libre. The part of a disgruntled monk turned Lucha Libre idol was a perfect fit for the bombastic star, and he followed the performance up with another comic offering for his serious fans as he and Kyle Gass, his partner in Tenacious D, starred in Tenacious D in The Pick of Destiny. This big screen telling of the band's mythical history promised to be full of the over-the-top laughs that rocked fans of the group's HBO series, and also included appearances by rock and metal idols like Ronnie James Dio and Meatloaf, who portrayed Black's dad. Black didn't abandoning straight acting. He would appear in a number of more conventional, and even dramatic roles over the coming years, like in The Holiday and Margot at the Wedding, while still pursuing the broad comedic roles he was known for in full force, with comedies like Be Kind Rewind, Tropic Thunder, Year One, and The Big Year. In 2012, Black reteamed with Richard Linklater for a unique blending of comedy, drama, and crime, playing a congenial southern murder suspect in Bernie.

Trivia: Whether he's acting or co-writing brilliantly quirky character studies with director/writing partner Wes Anderson, Owen C. Wilson's work exudes an insouciant yet earnest charm and eccentric comic sensibility, making him one of the most promising new talents to emerge in the 1990s.Born in Dallas on November 18th, 1968, Wilson raised enough hell in high school to get expelled from one institution in tenth grade, but he managed to attend college at the University of Texas in Austin and graduate in 1991. Along with his degree, Wilson's Austin years resulted in a budding partnership with a like-minded creative classmate, aspiring filmmaker Wes Anderson. Their first film together, a short about a bookstore heist called Bottle Rocket, played at the 1993 Sundance Film Festival, attracting the attention of producer Polly Platt and writer/director James L. Brooks. With Brooks' support, Wilson and Anderson expanded the short into a feature, indie cult favorite Bottle Rocket (1996). Though it made little impression at the box office, Anderson and Wilson's distinctly offbeat, wry, and optimistic tale about aspiring criminal Dignan and his best friend Anthony (played by Wilson's brother Luke Wilson) earned ardent fans among cinéastes. Wilson's inspired performance as Dignan, not to mention his blond hair, large grin, and affable drawl, became his Hollywood calling card. That same year, Wilson also began a fertile association with actor/director Ben Stiller, appearing in one memorable scene as a smooth, ill-fated date in Stiller's black comedy The Cable Guy (1996).Alternating between supporting roles in Hollywood spectacles, collaborations with Anderson and Stiller, and smaller independent projects, Wilson worked steadily for the rest of the 1990s. Though he always seemed to fill the generic slot of Guy Marked for Death, Wilson still managed to bring a reliably laid-back, humorous spark to the bombastic proceedings in Anaconda (1997), Armageddon (1998), and The Haunting (1999). On a more artistically successful front, Wilson's next script with Anderson resulted in the lauded coming-of-age film Rushmore (1998). With its singular cast of characters, distinctive combination of deadpan humor and true emotion, and superb performances by Jason Schwartzman as teen prodigy Max Fischer and Bill Murray as depressed millionaire Blume, Rushmore earned prizes from the critics (if not the Academy) and proved that Bottle Rocket was no fluke. As far as acting, Wilson's ability to suggest complexity beneath a breezy surface earned positive notice for his unsettling performance as a laconic, self-styled Good Samaritan serial killer in indie thriller The Minus Man (1999).By 2000, Wilson began to take center stage in larger Hollywood projects as well. Though it was another Jackie Chan vehicle, Wilson's hilarious co-starring turn as a surfer dude-tinged outlaw in the chop socky Western Shanghai Noon (2000) nearly stole the movie. Wilson's brief appearance as a Jesus-loving, super rich romantic rival to Ben Stiller's put-upon Greg Focker was a comic highlight of the hit Meet the Parents (2000). Stiller's supermodel farce Zoolander (2001) further sealed Wilson's status as a superlative comic actor. As Zoolander's rival Hansel, Wilson's offbeat timing made him the ultimate bubble-headed mannequin; his catwalk competition with Stiller provided the biggest laughs in a hit-or-miss movie. Even as he flourished in broad Hollywood comedy, Wilson continued his partnership with Wes Anderson, co-writing with Anderson and co-starring (with his brother Luke and Stiller among others) in the unusual family story The Royal Tenenbaums (2001). Branching out into serious roles, Wilson then co-starred with The Royal Tenenbaums patriarch Gene Hackman in the military drama Behind Enemy Lines (2001). An increasingly prevalent figure in action films following the millennial turnover, Wilson followed Behind Enemy Lines with I Spy (2002) and the Shanghai Noon sequel Shanghai Knights (2003) before appearing opposite Morgan Freeman in the critical and commercial disappointment The Big Bounce and co-starring in the underwhelming big screen adaptation of Starsky & Hutch. He made his third appearance in a Jackie Chan vehicle in the 2004 Disney production Around the World in 80 Days; though poised to be a blockbuster, the mega-budgeted film was one of the biggest flops of the season.A rebound was in order, and if his supporting turn in the 2004 holiday-season blockbuster sequel Meet the Fockers wasn't enough, Wilson found his greatest leading-man success to date as foil to the bawdy Vince Vaughn in 2005's raunchy, runaway hit The Wedding Crashers. The Wilson-Vaughn pairing challenged the Wilson-Stiller hilarity quotient as a pair of divorce consultants who bide their free time crashing weddings to get laid. The $200-million smash was indeed a tough act to follow, and while 2006's You, Me and Dupree - a thematic reprise of his Wedding Crashers role in which he plays an irritating houseguest who refuses to vacate - was something of a letdown, Wilson more than made up for it that same year with a leading voice role in Pixar's Cars and a supporting turn in Stiller's special-effects comedy A Night at the Museum.For the next couple of years, Wilson continued to stick with what worked - collaborations with Anderson (The Darjeeling Limited (2007), Fantastic Mr. Fox (2009) and The Grand Budapest Hotel (2014)) and sequels in his hit franchises (Night at the Museum: Battle for the Smithsonian (2009), Little Fockers (2010) and Cars 2 (2011)). He also starred in Woody Allen's Mightnight in Paris (2011), earning a Golden Globe nomination for Best Actor in a Musical or Comedy.Romantically linked, by turns, with a pre-Ashton Demi Moore, rocker Sheryl Crow, and actress Kate Hudson, Wilson, with his shaggy blond mane, blue eyes, and (as one magazine cited humorously in its front cover headline) "unusual nose," also found himself the unlikely forebear of a new wave of Hollywood sex symbols.

Trivia: After majoring in history at Columbia University, brawny Brian Dennehy (born July 9, 1938) took a string of odd jobs to pay his way through Yale Drama School, and to afford private acting lessons. His first professional break came with the Broadway production Streamers. In films and TV from 1977, Dennehy is a most versatile actor, at home playing Western baddies (Silverado), ulcerated big-city cops (F/X), serial killers (John Wayne Gacy in the made-for-TV To Catch a Killer), by-the-book military types (General Groves in Day One, another TV movie), and vacillating politicos (Presumed Innocent). One of his most rewarding film assignments was as dying architectural genius Stourley Kracklite in Peter Greenaway's The Belly of an Architect (1987).In addition to his many TV-movie roles (one of which, good-old-boy Chuck Munson in 1993's Foreign Affairs, won him a Cable Ace Award), Dennehy has starred in the weekly series Big Shamus, Little Shamus (1977), Star of the Family (1981), and Birdland (1994), as well as the sporadically produced Jack Reed feature-length mysteries. It was in one of the last-mentioned projects, Jack Reed: A Search for Justice (1994), that Dennehy made his directorial debut. Aside from his work in film and television, Dennehy has also had considerable success on the stage, particularly with his Tony-winning portrayal of Willy Loman in the 1998 Broadway revival of Death of a Salesman.The actor continued to show his range in the 1995 comedy Tommy Boy (starring David Spade and the late comedian Chris Farley), in which he became well known for his role as Big Tom Callahan, and for a voice role in Ratatouille (2007) as Django, the father of rat and aspiring chef Remy.Dennehy joined Robert DeNiro and Al Pacino in Righteous Kill, a 2008 police drama, and worked alongisde Russell Crowe in the 2010 suspense film The Next Three Days. In 2011, Dennehy played the pivotal role of Clarence Darrow in Alleged, a romantic drama set during the infamous Scopes Monkey Trial.

Trivia: Born July 8th, 1961, he daughter of director John Huston and his fourth wife, ballerina Ricki Somma, Anjelica Huston spent a privileged but troubled childhood in Ireland. Although her father didn't really want her to be an actress, he gave her substantial roles in his films Sinful Davy and A Walk With Love and Death (both 1969). The actress did little movie work during the '70s, choosing instead to pursue a successful, albeit short-term, career as a model before returning to films with a vengeance in the '80s, diligently studying with famed drama coach Peggy Feury.In 1985, Huston earned an Oscar for her performance as the vengeful girlfriend of hit man Jack Nicholson in Prizzi's Honor, making her the first third-generation Academy winner in history. Other worthwhile roles followed in her father's final directorial effort, The Dead (1987), and Woody Allen's Crimes and Misdemeanors (1989). She was also rewardingly directed by her half-brother Danny Huston in Mr. North (1988). Huston earned additional Oscar nominations for her outstanding dramatic work in Enemies: A Love Story (1989) and The Grifters (1990). On a lighter note, she was ideally cast as Morticia Addams in the two Addams Family movies in the early '90s; neither was recognized by the Academy, although both earned her Golden Globe nominations. Despite her breakup with long-time companion Nicholson (she went on to marry Robert Graham in 1992), Huston still occasionally acted opposite him, most notably in Sean Penn's The Crossing Guard (1995). Other notable roles for the actress during the late '90s included her turn as the wicked stepmother in Ever After (1998) and a hilarious portrayal of a football-obsessed, dysfunctional mother in Buffalo '66.In addition to her work on film, Huston accumulated an impressive roster of television credits during the 1980s and '90s, including her powerful performances as frontier woman Clara Allen in the 1989 miniseries Lonesome Dove and the beleaguered mother of an autistic child in the two-part Family Pictures (1993). She also had a supporting role in the widely acclaimed 1993 production of And the Band Played On. In 1996, Huston made her directorial debut with Bastard out of Carolina, a praised adaptation of Dorothy Allison's novel of the same name, and followed that up with another behind-the-camera effort, Agnes Browne, in 1999. She played Gene Hackman's estranged wife in the critically-acclaimed The Royal Tenenbaums in 2001. She appeared opposite Clint Eastwood in his police drama Blood Work. She continued to appear in a wide variety of films including an officious antagonist in Daddy Day Care. In 2004 she reteamed with Wes Anderson for The Life Aquatic with Steve Zissou, and played in the made for cable historical drama Iron Jawed Angels. In 2006 Huston took on a small role in Terry Zwigoff's Art School Confidential, and appeared in Martha Coolidge's Material Girls opposite Hilary and Haylie Duff.In 2008, Huston joined the cast of the made-for-HBO period film Iron Jawed Angels, in which she played an activist opposed to the National Woman's Party, which encouraged rewarding American women with the right to vote and hold citizenship. After participating in several films throughout 2006 (Material Girls, Art School Confidential, Seraphim Falls), Huston reunited with Wes Anderson to play a supporting role in the multi-award winning comedy The Darjeeling Limited in 2007. The actress took on another supporting role in the critically acclaimed psychological drama The Kreutzer Sonata (2008). In 2011, she co-starred in the complex comedy drama 50/50, in which she played the overbearing mother of a public radio employee diagnosed with cancer at 27-years-old.

Trivia: The sons and daughters of the rich and famous may have a reputation for being embarrassing, vapid fodder for the paparazzi and reality TV, but Rashida Jones has nothing in common with her peers. The daughter of music mogul and world-famous songwriter Quincy Jones, Rashida began working hard to make herself educated and accomplished from the time she was five years old, when her father would catch her reading with a flashlight after he'd put her to bed. She attended Hebrew school and excelled academically at the Buckley School in Los Angeles, an independent school known for tiny class sizes and a sharp focus on students' development both as people and as scholars. Jones then attended Harvard, where she studied religion and philosophy while pursuing her musical gifts as a member and music director of the a cappella group The Harvard Opportunes. After graduating, she continued to include singing in her list of projects, singing backup on tracks for the band Maroon 5, in major ad campaigns for The Gap, on tracks for hip-hop legend Tupac Shakur (who was engaged to Jones' sister), and on various film soundtracks. Jones also tried her hand at modeling, strutting her stuff for clothing lines like Triple 5 Soul and The Gap, as well as appearing in editorials for Vogue and In Style. Jones had studied theater in college, but acting was only a hobby for her until she was cast in 1997's The Last Don and realized what inspiration she got from the craft. She was later cast as a regular on the hit TV drama Boston Public, and appeared as a guest star in one episode of the fanatical cult favorite Freaks and Geeks. She also lent her talents to appealing independent films like Death of a Dynasty before being cast as Karen in the third season of the much-adored comedy series The Office. Despite the fact that Jones was playing the third point in an awkward love triangle, audiences took to her immediately, not only for her expert comic timing and ability to handle the show's mockumentary format, but for maintaining a realness and likability throughout the story. Jones next signed on to appear in co-star John Krasinski's movie Brief Interviews with Hideous Men. She appeared in the comedy The Ten which featured many members of the comedy troupe The State. In 2009 she landed a part on the new show Parks & Recreations, which turned into a well-respected sitcom for NBC. That same year she had a hit on the big screen as Paul Rudd's fiancé in I Love You, Man. The next year she played a lawyer in The Social Network. She worked with Rudd again in 2011's Our Idiot Brother, and appeared as a TV executive in The Muppets.

Trivia: To be deceived by actress Rosamund Pike's seemingly fragile beauty and theatrical background may indeed be a fatal mistake, especially if your name is James Bond. As the mysterious Miranda Frost, Pike proved a fierce fencing competitor to the screen's most beloved spy in her feature debut Die Another Day (2002). Though English television viewers may be familiar with Pike for her numerous small-screen roles during the millennial crossover, stateside filmgoers were blind-sided by her role as a Bond girl in the super-spy's 20th outing. Pike, born in London, England, in January 1979, is the child of professional opera singers. As a student studying English literature at Oxford, the bookish Pike began to discover her passion for theater and would subsequently appear in many of the school's plays. After refining her talents on-stage, the burgeoning actress would abandon her field of study upon graduation to appear in a series of BBC productions. Making her television debut in 1998 with A Rather English Marriage, Pike soon began accepting a steady stream of roles consisting mostly of period dramas before making the journey stateside as a prospective Bond girl. Though admittedly intimidated by appearing alongside such luminaries as Pierce Brosnan, Judi Dench, and Halle Berry in her mainstream debut, the confident actress seemed well fit for her role in one of the longest-running celluloid franchises in cinematic history. Though Pike raised a few eyebrows by remaining relatively silent during the press conference for Die Another Day, the actress' decision to let her well-known co-stars do most of the talking indicated that she is a smart actress who chooses her words, as well as her roles, with careful consideration. In the coming years, Pike would maintain a steady presence on screen, appearing in everything from Pride & Prejudice to Doom, from An Education to Surrogates. She would also find particular success in Wrath of the Titans. However, she had her true breakthrough with American audiences in 2014 when she was given the plum role of Amy Dunne in David Fincher's adaptation of the best-selling novel Gone Girl. The movie was a hit at the box office, and Pike earned a number of year-end accolades including an Oscar nomination for Best Actress.

Trivia: One of Hollywood's more well-established and often underrated actresses, Dianne Wiest possesses a versatility that has allowed her to go from playing hookers to flamboyant stage actresses to some of the most memorable matriarchs this side of Barbara Billingsley. Born in Kansas City, Missouri, Wiest decided to forgo a ballet career in favor of the theatre while attending the University of Maryland. She made her off-Broadway debut in 1976's Ashes; three years later she won the coveted Obie and Theatre World awards for her work in The Art of Dining. She made her first film, It's My Turn, in 1980, then returned to the stage, appearing with Joseph Papp's New York Shakespeare Festival and on Broadway in 1982's Frankenstein. In the mid-1980s, Wiest returned to films, where (except for the occasionally foray into live performing) she has remained ever since. Often as not, Wiest has been cast in maternal roles, most memorably in Footloose (1984), The Lost Boys (1987), Parenthood (1989), Edward Scissorhands (1990) and The Birdcage (1996). Some of her best screen work can be found in her neurotic, self-involved characterizations for director Woody Allen. Beginning with a cameo as a hooker in The Purple Rose of Cairo (1985), she has been generously featured in five Allen films, winning Academy Awards for her dazzling performances as unlucky-in-love Holly in Hannah and Her Sisters (1986) and hyperbolic stage actress Helen Sinclair in Bullets Over Broadway (1994). Wiest could be seen playing another motherly figure in Robert Redford's 1998 adaptation of The Horse Whisperer; that same year, she appeared as one of Sandra Bullock and Nicole Kidman's otherworldly aunts (along with Stockard Channing) in Practical Magic. In 1999, she could be seen in the made-for-TV The Simple Life of Noah Dearborn, starring alongside Sidney Poitier. Her big-screen career continued with I Am Sam, A Guide to Recognizing Your Saints, Dan in Real Life, and Synecdoche New York. She also found interesting work on television playing a DA on Law & Order for a couple of seasons, and playing the psychiatrist of a psychiatrist on HBO's In Treatment. She appeared in Rabbit Hole in 2010, and was Diane Keaton's flighty sister in Darling Companion.

Trivia: Born December 6th, 1948,, JoBeth Williams launched her acting career on the East Coast repertory theater circuit. Williams made her Broadway bow in 1980's A Coupla White Chicks Sitting Around Talking and gained a TV following as a regular on the daytime serials The Guiding Light and Somerset. She made an impressible film debut in a "flash part" in the Oscar-winning Kramer vs. Kramer (1979). Williams' star ascended with such roles as the mother of long-suffering Heather O'Rourke in the first two Poltergeist films and the sixties activist-cum-housewife in The Big Chill (1983). While she hasn't always been well-served by Hollywood, she has managed to show up in a number of worthwhile assignments, ranging from 1984's Teachers (in which she spontaneously performing the most dramatically justifiable striptease in movie history) to 1994's Wyatt Earp (as Bessie Earp) Her TV-movie credits are even more impressive: she had several memorable moments in the post-apocalyptic The Day After (1983) and was brilliant as the anguished mother of the murdered title character in Adam (1983). She has also participated in series television, lending her voice to the character of Angel in the animated nighttimer Fish Police (1992) and essaying the Susan Sarandon role in the 1995 weekly TV adaptation of The Client. In addition, she served as executive producer of the 1991 TV movie Bump in the Night, and as co-producer of the Oscar-nominated documentary On Hope (1994). JoBeth Williams is married to director John Pasquin. In 2005 the actress worked with Drew Barrymore and Adam Sandler for the baseball comedy Fever Pitch, and appeared in four episodes of Showtime's hit series Dexter in 2007. In 2011, Smart worked with Steve Martin, Owen Wilson, and Jack Black in the comedy The Big Year.

Trivia: While Anthony Anderson got his start in stand-up, his wide range of genre-spanning credits as a producer and actor in light comedy, pointed satires, food-based reality shows and gritty episodic dramas display his versatility and cross-audience appeal. But even though it's not immediately apparent how the points on his resume connect in one straight line, all of his work harkens back to core values of family, togetherness, responsibility, fairness, justice, and doing right in a sometimes complicated world.Born August 15, 1970, Anderson was one of four kids raised by his mother and stepfather (the man he considered his "only father I knew or cared about") in Compton, Los Angeles, California. While their neighborhood could be rough, his no-nonsense stepfather, who owned three clothing stores, instilled a respect for paternal responsibility and entrepreneurship in Anderson. While Anderson remembers seeing a teenage Dr. Dre perform at Compton's most important hip-hop venue Skateland, U.S.A., his most formative memory of a performer was watching his mother rehearse for an amateur production of A Raisin in the Sun at Compton Community College. Even though both he and his mother agree that she was a terrible actress, the impression of her becoming someone else on stage solidified his ambitions.His ambitions stoked, young Anderson seized every opportunity to perform, whether it was singing at church, competing in spelling bees, or appearing in a commercial at the age of five. After successfully auditioning for Los Angeles County High School for the Arts, he won the top prize in the NAACP's Act-So awards and gained entrance to Howard University's drama program with an audition tape that included monologues from Shakespeare and "The Great White Hope". (Anderson's stepfather, always the pragmatist, took extraordinary measures to push Anderson out of the nest after college by not only insisting he pay rent if he wanted to live at home, but also by padlocking the TV cabinet and freezer, installing a pay phone in the house, and razzing Anderson with Lassie reruns: "That dog's an actor. Where are you acting?")Too-strange-to-be-fiction family lore like that formed the basis of Anderson's stand-up comedy routines that he performed briefly under the name "Tasty Tony" while picking up small roles in TV and movies until 1999, when he landed roles both in the Martin Lawrence and Eddie Murphy comedy Life, and Barry Levinson's cinematic memoir Liberty Heights. A slew of roles in a wide range of genres followed for the next few years, culminating in recurring roles on Treme as actor-waiter Derek Watson, on The Shield as Antwon Mitchell, the drug boss turned community leader who still keeps one foot in the thug life, and on Law & Order as conservative lawman Detective Kevin Bernard, a role for which he earned four consecutive NAACP Image Award nominations for Outstanding Actor in a Drama Series. Anderson's other great passion, for food and cooking, has led to many hosting gigs on shows like Carnival Cravings with Anthony Anderson, Eating America with Anthony Anderson, the web series Anthony Eats America, and his recurring seat at the judge's table on Iron Chef America. While his everyday diet is "vegan-ish" as a way of regulating his type 2 diabetes, he's so devoted to the kitchen arts that he takes weekend classes at famed culinary academy Le Cordon Bleu's Los Angeles outpost. While his first forays into producing the sitcoms All About the Andersons and Matumbo Goldberg (both about domestic life from an African-American perspective) ended after one season, conversations with his screenwriter friend Kenya Barris about their experiences raising their children in affluent, majority-white communities that are so unlike the neighborhoods they grew up in inspired the duo to create and produce black-ish. Taking a page from unflinching sitcoms of the '70s like All In The Family and Good Times that mixed light humor with frank confrontation of social ills, Barris and Anderson folded incidents from their own lives into the show's scripts - such as the time Anderson's teenage son wanted a bar mitzvah party like all his Jewish friends, prompting Anderson to instead offer his son a hip-hop themed "bro mitzvah." Anderson received an Emmy nomination for his role as beleaguered patriarch Andre Johnson in 2015.

Trivia: A television personality most familiar to viewers for his stint as the host of the E! network's satirical pop-culture commentary The Soup (updated and reworked from the channel's original Talk Soup), Joel McHale grew up in the Seattle area and attended the University of Washington as a theater major, where he earned his master's in drama. After relocating to Los Angeles, McHale signed for guest roles and bit parts on series including Will & Grace and Oliver Beene, then landed a small role as Mr. Jacks in the Sam Raimi feature Spider-Man 2, followed by parts in Catherine Hardwicke's Lords of Dogtown and the sketch comedy outing The Onion Movie. On the side, McHale also emceed a series of Burger King commercials. He culled his broadest fan base on The Soup, however, distinguishing himself with sharp sarcasm and a quick wit. He had a breakthrough when he was cast as the lead in the cult hit sitcom Community on NBC, and he continued to act in projects such as The Informant!, Spy Kids: All the Time In the World, and 2012's Ted.

Trivia: An accomplished playwright, screenwriter, director, and actor, former classics major Tim Blake Nelson is perhaps most familiar to the movie audience as the hilariously dim Delmar in Joel and Ethan Coen's goofy Oscar-nominated comedy O Brother, Where Art Thou? (2000).Born in Oklahoma, Nelson attended college at Brown University where he became a Latinist in the classics department. Opting for the arts over academia, Nelson headed to New York after college, studying acting at Juilliard and embarking on an Obie Award-winning career as a stage writer. After making his film debut in Nora Ephron's freshman directorial effort This Is My Life (1992), Nelson occasionally appeared in films throughout the 1990s, playing small roles in Hal Hartley's Amateur (1994), the Al Pacino/Johnny Depp mob drama Donnie Brasco (1997), and Terrence Malick's radiant anti-war anti-epic The Thin Red Line (1998). Along with film acting, Nelson turned to filmmaking with the screen adaptation of his play Eye of God (1997), a somber rural drama about a woman's marriage to a pious ex-con with a violent past, which earned positive notice at the Sundance Film Festival. Because of his ability to handle difficult questions of violence and create an ominous mood out of the everyday, Nelson was asked to helm the modernized, teen version of Shakespeare's Othello, retitled O (2001). Shot in 1999, O languished on the shelf in the wake of a series of high school shootings, deemed an inappropriate release because of its violent denouement. In the meantime, Nelson's friend Joel Coen offered him one of the starring roles in O Brother, Where Art Thou?. As comfortable playing rural comedy as directing rural drama, Nelson shined as the dimmest of a trio of hare-brained fugitives in the Coen brothers' shaggy-dog 1930s Southern Odyssey. After his successful stint with the Coens' light-hearted movie, Nelson returned squarely to downbeat material, directing the screen adaptation of his play The Grey Zone (2001). A drama about the only armed revolt at Auschwitz, The Grey Zone was already hitting the film-festival circuit when Lionsgate removed O from its Miramax purgatory, releasing it in August 2001. Impressing some critics with its central performances and evocative Southern Gothic atmosphere (if not always with all aspects of the adaptation), O confirmed Nelson's ability to translate his concern with the complex motivations for (and fall out from) violence to the film medium. Back to being an actor for hire, Nelson scored a summer 2002 hat trick with roles in one glossy big studio blockbuster and two well-regarded independent releases. In Steven Spielberg's Minority Report (2002), Nelson stood out (albeit a bit too much for some critical tastes) as the oddball, organ-playing guardian of the imprisoned "pre"-killers captured by Precrime hotshot Tom Cruise. Refraining from such theatrical eccentricity, Nelson garnered more positive reviews for his turn as a shy technician charged with servicing house arrestee Robin Tunney's ankle bracelet in the singular indie romance Cherish (2002), and as John C. Reilly's doltish, stoner best friend and co-worker in Miguel Arteta's dark comedy The Good Girl (2002). Nelson's roles proliferated through the first years of the new millennium -- he averaged around six to eight A-list features per year, the number doubtless heightened by Nelson's status as a character actor and his resultant tendency to gravitate to bit parts in lieu of leading roles. For the first several years after The Good Girl, Nelson's roles included, among others: Dr. Jonathan Jacobo, the "pterodactyl ghost" in Raja Gosnell's Scooby Doo 2: Monsters Unleashed (2004); Danny Dalton, a representative of the oil company Killen, in Stephen Gaghan's muckraking drama Syriana (2005); and Tom Loyless, the supervisor of a polio treatment center revitalized by F.D.R., in Joseph Sargent's superior telemovie Warm Springs (2005). Nelson then appeared as Curly Branitt, an entrepreneur determined to build a pancake house and expel the resident animals at the location, in the Jimmy Buffett-produced, family-oriented comedy Hoot (2006). He plays Kevin Munchak in Michael Polish's drama The Astronaut Farmer (2006), starring Billy Bob Thornton, Virginia Madsen, and Bruce Dern; and The North Beach Killer in Finn Taylor's fiendish black comedy The Darwin Awards (2007). He had a major supporting turn in 2008's The Incredible Hulk, and in 2010 he wrote directed and acted in Leaves of Grass. He appeared in the 2011 teaching drama Detachment, and in 2012 he landed a major part in the inspirational drama Big Miracle and appeared in Steven Spielberg's long-planned biopic Lincoln.Nelson is married to the actress Lisa Benavides; they reside in Southern California.

Trivia: First noticed by many viewers as Tim -- the Klingon-spouting "knight in training" involved with the mother of Mark (Peter Sarsgaard) in Zach Braff's gently observed comedy drama Garden State (2004) -- American actor Jim Parsons moved from this memorable debut into a sequence of periodic roles in U.S. features. These included Chris Terrio's urban ensemble drama Heights (2004), opposite Glenn Close and Elizabeth Banks, and Brad Silberling's comedy drama 10 Items or Less (2006), opposite Morgan Freeman and Paz Vega. His breakout success came when he was cast as uber-nerd Sheldon on The Big Bang Theory. His work on that show led to him scoring an Emmy win for Outstanding Lead Actor in a Comedy Series, and helped him earn small parts on the big screen in The Big Year and The Muppets.

Trivia: It sounds apocryphal, but it's true: 13-year-old Kevin Pollak did begin his Bar Mitzvah speech with "A funny thing happened on the way to the temple..." In fact, Pollak's rabbi had encouraged him to do so: even at this early stage, the boy evinced a gift for comic timing. By 17, he was doing stand-up in his native San Francisco. He went on to play the West Coast comedy-club and improv circuit, and was briefly teamed with Dana Carvey, a professional collaboration that ended amicably when Carvey was hired by Saturday Night Live. Though Pollak himself didn't make it to SNL, he flourished as an impressionist, writer and film and TV supporting actor. He was given several opportunities to shine in such films as Barry Levenson's Avalon (1990), Mick Jackson's LA Story (1991) and Rob Reiner's A Few Good Men (1992). Reiner went on to team Pollak with Bob Amaral in the weekly TVer Morton and Hayes (1991) a hit-and-miss homage to the 2-reel comedies of the 1930s and 1940s (Pollak had previously played a featured role in the short-lived 1988 sitcom Coming of Age). Kevin Pollak's film career went into warp-drive in the 1990s, with such choice roles as Jacob in the two Grumpy Old Men flicks, Todd Hockney in The Usual Suspects (1995), Phillip Green in Casino (1995), and Boss Vic Koss in That Thing You Do (1996).His film and television career still going strong into the 2000s, Pollak found a way to work his passion for poker into his schedule as host of Bravo's Celebrity Poker Showdown in 2003, and in 2009 he launched a weekly internet series entitled Kevin Pollak's Chat Show.

Trivia: Born on September 7th, 1954, to actress Jeanne Cooper, Corbin Bernsen graduated from UCLA, boasting a BA degree in theatre arts and an MFA in playwrighting. From age 20 onward, Bernsen managed to find work in LA-based movies and TV productions. Things didn't immediately break for him when he moved to New York in the 1980s, so he took carpentry and modelling jobs until landing the part of Kenny Graham in the ABC daytime drama Ryan's Hope. Bernsen achieved celebrity status with his regular role as Arnie Becker in the TV series LA Law (1987-94). The best of his most recent films has been Major League (1990), in which he plays an investment-conscious baseball player. Corbin Bernsen remained more or less in this line of work with his role as an athlete-turned-sportcaster in the 1995 sitcom Whole New Ballgame. In more recent years, Berenger could be seen in a bevy of television series' including Psych, General Hospital, Boston Legal, and The West Wing. He worked with Steve Martin in The Big Year, director David Frankel's comedy based on a book of the same name. The actor also found success in the film 25 Hill, an inspirational drama following a New York fire chief (Bernson) who lost his son in the 9/11 terrorist attacks.

Trivia: After a start that seemed to pigeonhole him on television, with supporting turns in science fiction-oriented longform projects such as Gene Roddenberry's Andromeda and the telemovie Battlestar Galactica, Paul Campbell expanded the scope and breadth of his ambitions. Subsequent projects included director Pat Holden's outrageous, no-holds-barred sex comedy The Long Weekend (2004), director Carl Bessai's gruesome natural horror outing Severed (2005), and the direct-to-video comedy National Lampoon's Bag Boy (2007). Campbell took on a small supporting role in The Fighter, a 2010 sports drama starring Mark Wahlberg, and appeared in The Big Year (2011), a comedy following a quirky group of bird-watchers.He is not to be confused with the Jamaican actor of the same name, who emerged at about the same time.

Trivia: Discovered acting was her passion when she won the lead role in the play Alice in Oz in fifth grade.Has training from Anthony Meindl's Acting School in Los Angeles, Meiser Acting Class, in Montreal and Actor's Foundry in Vancouver, among others.Scored her first film and television lead role in the 2006 Canadian biographical mini-series Bethune, playing Lisa.Is an alumnus of The Groundlings in Los Angeles.

Trivia: Studied at the Cleveland Play House and the HB Studio in New York. Made her Broadway debut as a replacement in Gypsy, opposite Ethel Merman, in 1960. Her late husband, Charles Kakatsakis, was an acting coach. First worked with Alexander Payne on his film About Schmidt (2002) before landing her breakout role in Nebraska (2013).

Trivia: Born August 20, 1954, New York native Al Roker double majored in graphic design and broadcast journalism at State University of New York at Oswego. After graduating, he found work as a weatherman at WNBC in New York City, and would continue to work in meteorology for years to come. He began working as the weatherman for Weekend Today, and eventually began filling in for Today Show weatherman Willard Scott on occasion. In 1996, Scott announced that he would be going into semi-retirement, and Roker's position on the Today Show became much more prominent, making him a familiar name and face to millions of Americans. In 2001, Roker underwent gastric bypass surgery and lost 100 lbs. off his 300 lb.-plus frame, and spoke publicly about his decision, hoping to spread awareness about just when and how the operation should be considered. Roker also explored other areas of journalism, hosting the series Al Roker Investigates, as well as the travel series Going Places. Roker lent his voice to several films throughout the 2000s, including Robots (2005), Cloudy with a Chance of Meatballs (2009), and The Pirates! Band of Misfits! (2012).

Trivia: Mention the name Steven Weber to any television fanatic, and odds are their eyes will soon gloss over with fond memories of the popular early-'90s sitcom Wings. Despite the popularity of his small-screen past, though, the handsome actor has gone on to prove his versatility in a number of features, both made-for-television and otherwise. Born in Queens, NY, to a nightclub singer and a comic manager, Weber discovered his love of acting around the age of three while appearing in a series of television commercials. He followed up a stint at New York's High School of the Performing Arts with an education at New York's prestigious State University at Purchase, and after working a series of odd jobs, Weber made his film debut in the 1984 Matt Dillon comedy The Flamingo Kid. A role on the enduring daytime soap opera As the World Turns introduced Weber to his first wife, Finn Carter, a few short years later. After appearing as a rock star in Los Angeles and as John F. Kennedy in The Kennedys of Massachusetts (both 1990), Weber was more than ready to take the lead in his own sitcom. Cast as the half-owner, along with brother Joe (Timothy Daly), of a Nantucket-based airline, Weber's charisma and comic talents went a long way in supporting the show over the course of its enduring eight-year run. Of course, Weber wasn't content to simply sit back and enjoy the success of Wings; in addition to the popular show, the actor turned up in supporting roles in numerous features including Single White Female (1992), Jeffrey (1995), and Leaving Las Vegas (also 1995). By the time the show came to an end in 1997, Weber had divorced Finn Carter and married actress Juliette Hohnen, and was ready to find out what else he had to offer to the worlds of film and television. Though a role in the made-for-television adaptation of The Shining failed to erase the memory of Jack Nicholson's terrifying interpretation of the role, Weber did prove memorable in Seinfeld creator Larry David's bitter-flavored comedy Sour Grapes (1998). The following few years would find Weber playing things relatively low-key onscreen; he returned to the small screen to moving effect with the 1999 made-for-television drama Love Letters. In 2000, Weber essayed a supporting role in director Mike Figgis' experimental comedy drama Timecode, and that same year he would return to sitcom territory with the short-lived Cursed. Though that particular effort may not have quite lived up to potential, Weber did gain positive notice for his role in the little-seen independent thriller Sleep Easy, Hutch Rimes (2000). After appearing opposite Alan Alda in the made-for-television feature Clubland (2001), Weber joined the cast of the popular small-screen drama Once and Again later that same year.Weber's enduring appeal has led to a steady stream of recent television work, both as a guest star and in regular roles. After wrapping up on Once and Again, he appeared as Will's brother Sam on Will & Grace; chairman of the fictional NBS network on the surprisingly short-lived dramedy Studio 60 on the Sunset Strip; a flirtatious co-worker romancing Sarah Walker (Rachel Griffths) during a stint on Brothers & Sisters; a regular role on another short-lived show, 2010's Happy Town; and a recurring role on 2 Broke Girls as Caroline's (Beth Behrs) jailed father, Martin Channing.

Trivia: A native of Berlin, OH, Nate Torrence kick-started his show-business career via a successful audition for Chicago's famed Second City comedy troupe, where he performed in sketches and blackouts alongside future SNL giant Tina Fey and others. Torrence then checked in as a veritable mainstay on American commercials, plugging such brands as Enterprise Rent-A-Car, Capital One, and Volkswagen for years. His amiable presence in those spots, in turn, caught the eye of funnyman Adam Sandler and opened the door to a long and successful acting career on television and (later) in film; throughout, Torrence specialized in playing generally average and affable everymen. He commenced with guest parts on situation comedies and dramas including House, Malcolm in the Middle, and CSI: Crime Scene Investigation, then scored the role of Dylan Killington on the critically lauded but short-lived Aaron Sorkin comedy drama Studio 60 on the Sunset Strip (2006-2007). Torrence moved into features with a small role in Sandler's comic fantasy Click (2006) and played Lloyd opposite Steve Carell and Anne Hathaway in the Peter Segal-directed spy comedy Get Smart. In the years to come, Smith would remain active on screen, appearing in movies like My Best Friend's Girl and on shows like Mr. Sunshine.