Trivia: Formerly husband to Susan Sarandon, whom he met while attending the Catholic University of America in Washington, D.C., Chris Sarandon spent nearly a decade performing on-stage before making his first television appearance alongside Gene Wilder and Bob Newhart in Thursday's Game in 1974. While that appearance was well received by its audience, Sarandon wouldn't achieve widespread critical recognition from the film industry until his portrayal of an overwrought transsexual opposite Al Pacino in Dog Day Afternoon (1975). Sarandon's performance earned him two prestigious nominations (New Star of the Year - Male from the Golden Globes and Best Actor from the Academy), and by all indications, Sarandon was headed toward a bright future on the silver screen. Rather than jumping into a full-time movie career, however, Sarandon continued his work in theater (he replaced Raul Julia in the Tony-winning Broadway musical The Two Gentlemen of Verona) and appeared in a series of television roles, some of which (such as A Tale of Two Cities in 1980) mirrored his affinity for the classics, while others -- namely The Day Christ Died, in which he played the title role -- offered an opportunity for the actor to get in touch with his religious side. Oddly enough, Sarandon would also appear in a slew of satanic or otherwise horror-themed films, including The Sentinel (1976), Fright Night (1985), and Child's Play (1988). It was his decidedly less grim role as the insidious Prince Humperdinck in Rob Reiner's The Princess Bride, however, that would bring his name back into the hearts of American audiences, albeit his place therein was reserved for fairy tale bad guys. Despite his success, Sarandon was unable to gain mainstream American recognition for a starring role, though his performance as a Holocaust survivor in Forced March (1990) did not go unnoticed by critics. Not long afterward, select U.S. filmgoers were treated to his portrayal of a man obsessed with his deceased ancestor's rumored ability to raise the dead in Alien scriptwriter Dan O'Bannon's The Resurrected (1991). In 1993, Sarandon earned no small amount of approval for giving voice to Jack Skellington, the bony star of Tim Burton's gleefully sinister The Nightmare Before Christmas. After participating in a vampire documentary, an episode of the cult-favorite Tales From the Crypt Presents Bordello of Blood, and, of all things, the film adaptation of Louisa May Alcott's family classic Little Men, Sarandon landed a recurring role as Dr. Burke on NBC's long-running medical drama ER. He continued to work steadily into the 21st century in a variety of projects including Voices in Wartime, Loggerheads, The Chosen One, the remake of Fright Night, and 2012's Safe.

Trivia: Actor James Hong was working as a nightclub comic in San Francisco and Hawaii when he was tapped for his first regular TV role: "Number One Son" Barry Chan in the Anglo-American co-production The New Adventures of Charlie Chan (1957). Hong would later appear as Frank Chen in Jigsaw John (1976) and Wang in Switch (1977-78). In theatrical features, he played characters bearing such flavorful monikers as Chew, Lo Pan and Bing Wong. He was seen as Faye Dunaway's butler in Roman Polanski's Chinatown (1974), repeating the role (minus Faye) in the 1990 sequel The Two Jakes. One of his most sizeable screen roles was Lamont Cranston's brainy assistant Li Peng in The Shadow (1994). James Hong has also directed a brace of feature films, including 1979's The Girls Next Door and 1989's The Vineyard.

Trivia: Tall, chiseled-face character actor Robert John Burke has been acting since the 1970s, but he is best known to art house audiences as a regular member of New York-based director Hal Hartley's stock company of decidedly non-Hollywood actors. Born on Long Island, Burke studied acting at S.U.N.Y. Purchase in the early '70s. After he graduated from college, Burke began acting in TV, appearing on such shows as As the World Turns and Happy Days. Though he made his feature film debut in The Chosen (1981), Burke devoted his energies in the early '80s to an experimental teaching program designed to involve students directly in the arts. Burke returned to movies and TV in the latter half of the 1980s with roles in actioner Wanted Dead or Alive (1986), TV movie comedy Pass the Ammo (1989), and late-'80s dance trend vehicle Lambada (1989). Burke's fortunes began to change when he was cast in the lead role of an enigmatic ex-con who returns to his Long Island hometown in the then-unknown Hartley's first feature, The Unbelievable Truth (1990). Shot on a shoestring budget in 11 days, The Unbelievable Truth garnered positive notice for Hartley's distinctly offbeat, dark comic sensibility and his stars' deadpan, wry performances. Burke followed The Unbelievable Truth with a supporting part in the Oscar-nominated 1930s coming of age film Rambling Rose (1991) and a high-profile starring role replacing Peter Weller as the imposing eponymous cyborg law enforcer in Robocop 3 (1992). Burke stayed busy from then on, alternating between independent movies and Hollywood projects. Working with Hartley again, Burke starred as one of a pair of brothers searching for their ballplayer-turned-anarchist father in the quirky yet appealing Simple Men (1992); he played a smaller role in Hartley's troubled romance triad Flirt (1995). Burke also acted more than once with the far less celebrated independent filmmaker Eric Schaeffer, appearing in Schaeffer's industry insider comedy My Life's in Turnaround (1993) and self-indulgent romantic comedy If Lucy Fell (1996). Outside of the New York independent scene, Burke played Reese Witherspoon's African gamekeeper father in the children's adventure A Far Off Place (1993), joined the distinguished cast populating Tombstone (1993) (the Kurt Russell version of the Wyatt Earp Western legend), appeared in Oliver Stone's third Vietnam movie, Heaven and Earth (1993), and starred as the cursed obese lawyer in Stephen King's horror yarn Thinner (1996). Continuing to show his versatility in both comedy and drama, Burke joined the supporting cast of the light-hearted buddy chase movie Fled (1996) and starred as Natasha Gregson Wagner's father in the bayou love story First Love, Last Rites (1997). Burke returned to TV in the late '90s in two acclaimed HBO productions, the ambitious miniseries From the Earth to the Moon (1998) and the wrenching Vietnam War docudrama A Bright Shining Lie (1998). At the start of the 2000s, Burke reunited with Hal Hartley for the Cannes Film Festival entry No Such Thing (2001). Drawing upon his varied experience, not to mention his formidable mien, Burke played the mammal/lizard Beast to Sarah Polley's Beauty in Hartley's singular reworking of the fairy tale romance.

Trivia: British director Guy Ritchie frequently attributes the success of his unorthodox crime films -- 1998's Lock, Stock, and Two Smoking Barrels, 2000's Snatch -- to the fact that his offbeat miscreants are more than believable, they are real. Preferring to cast for authenticity rather than resumé, Ritchie handpicks many of his actors from the true-life cult figures and rascals of London's underbelly. Actor Jason Statham is among the best of them.A one-time Olympic diver, fashion model, and black-market salesman, Statham came to acting by way of commercials and "street theater" -- a euphemism for hustling tourists on London's Oxford Street. Raised in Syndenham, London, he was the second son of a lounge singer and a dressmaker turned dancer. Although Statham had the familial background to go immediately into entertainment, he excelled first on the high dive. He was a member of the 1988 British Olympic Team in Seoul, Korea, and remained on the National Diving Squad for ten years. In the late '90s, a talent agent specializing in athletes landed Statham a gig in an ad campaign for the European clothing retailer French Connection. This led to an appearance in a Levi's Jeans commercial and a fledgling modeling career. Meanwhile, Statham had also earned local fame as a street corner con man, selling stolen jewelry and counterfeit perfume out of a briefcase. Thus, when French Connection's owner became one of the biggest investors in Lock, Stock, and Two Smoking Barrels, he naturally introduced the diver/model/hustler to knave-hunting Ritchie.Intrigued by Statham's past and impressed by his modeling work, Ritchie invited him to audition for a part in the film. The director challenged Statham to impersonate an illegal street vendor and convince him to purchase a piece of imitation gold jewelry. Statham was evidently so persuasive that Ritchie bought four sets. When the director attempted to return his worthless acquisition -- pretending that the gold had turned to stainless steel -- Statham was so graciously inflexible that Ritchie hired him.This unorthodox audition resulted in Statham's big screen debut as Bacon, one of Lock, Stock, and Two Smoking Barrels' four primary characters engaged in a risky get-rich-quick scheme to repay a massive gambling debt. Bacon supplies a streetwise discipline and restraint that the other characters lack and a sense of humility crucial to Ritchie's film. In the director's follow-up crime comedy, Snatch, Ritchie rehired Statham to play Turkish, a smalltime hood vainly trying to break into the world of underground boxing. As this amateur but respectable hoodlum, Statham is attractive, urbane, immaculate, and smart enough to be bewildered by even his own laughable criminal ineptitude. The role began as a small supporting part in Snatch's star-filled ensemble cast but expanded throughout shooting. By the time of the film's theatrical release, Statham received top billing as its narrator and chief anti-hero.The Guy Ritchie oeuvre that supplied his breakthrough performances is not Statham's only acting arena. In 2000, he made his American film debut as a British drug dealer in Robert Adetuyi's Turn It Up starring Pras Michel. By 2001, he had finished shooting John Carpenter's sci-fi thriller Ghosts of Mars and joined Delroy Lindo in the cast of the Jet Li vehicle The One. A chance to reteam with former Lock, Stock, and Two Smoking Barrel co-star Vinnie Jones proved too fun an opportunity to resist, and Stratham would round out a particularly busy 2001 with his role in the prison-bound sports remake Mean Machine. Just as audiences were finally standing up to take notice of the amiable tough-guy, Stratham stepped into his own as the action lead of the explosive 2002 adrenaline ride The Transporter. A sizable hit that would earn Statham increasingly prominent roles in such high profile pics as The Italian Job, and Cellular, The Transporter established Stratham as a bankable international action star and was eventually followed by a 2005 sequel that miraculously managed the improbable feat of upping the ante of the previous installment's over-the-top cartoon violence. A starring role in Ritchie's 2005 crime thriller Revolver found Stratham re-teaming with the director who launched his career with decidedly mixed results, and the following year it was off to race the clock and rescue the girl as a reformed assassin looking to make good in the hyper-intense action entry Crank. The positively outrageous Crank: High Voltage upped the ante (and the ampage) in every possible way in 2009, but not before Statham got behind the wheel for Resident Evil director Paul W.A. Anderson for the 2008 remake Death Race, discovered just how far a foolproof heist could go awry in The Bank Job, and once again put the pedal to the metal in The Transporter 3. All of this left little doubt that Statham had quickly become one of the most bankable action stars of his generation, and in 2010 he teamed with none other than Sylvester Stallone for the all-star action flick The Expendables. The action just kept coming in The Mechanic, Blitz, Killer Elite (which paired him with screen legend Robert DeNiro), Safe, and the super-sized The Expendables 2 in 2012. Statham next joined another franchise, making a cameo appearance in Fast & Furious 6. He also reprised his role in The Expendables 3. In 2015, Statham appeared in Furious 7 and flexed his comedy chops in Spy, opposite Melissa McCarthy, earning favorable reviews and opening him to another genre.

Trivia: Trained theater actor Anson Mount hesitated to audition for his breakthrough film role in the Britney Spears vehicle Crossroads (2002), fearing that the project was too cheesy and mainstream. Yet, a little prodding from Spears fan Robert De Niro convinced him otherwise and the 29-year-old Mount was soon America's newest teen heartthrob. Born Anson Adams Mount II in Prospect Heights, IL, Mount is the only child of former professional golfer Nancy Smith and late Playboy Magazine sports editor Anson Mount II. He grew up in White Bluff, TN, and attended Dickson County High School in nearby Dickson, where he landed his first acting role as a supporting player in a school play. After graduating in 1991, Mount enrolled at Tennessee's University of the South, joined a fraternity, and dedicated himself to performance art and theater. He went on to earn a master's degree in fine arts and acting from Columbia University and then joined the New York City theater scene. Mount first made headlines in 1998, when he starred as Joshua, a gay character who represents a modern-day Jesus, in playwright Terrence McNally's controversial Corpus Christi. Over 1,000 protesters representing religious groups turned out for the play's much-hyped opening performance, which then received scathing reviews from right-wing and left-wing newspapers alike. In 1999, Mount made his television debut in a guest spot on Fox's Ally McBeal and then took a memorable turn in an episode of HBO's Sex in the City. The part led to a recurring role on the NBC drama Third Watch in 2000. That same year, he appeared on film in Boiler Room with Giovanni Ribisi and Ben Affleck, played the title role in Hillary Birmingham's The Truth About Tully, and portrayed a driven student filmmaker in the sequel to Urban Legends, Urban Legends: Final Cut. After working on 2001's forgettable Poolhall Junkies with Chazz Palminteri and Rick Shroder, Mount earned a part in the star-studded City by the Sea, with Robert De Niro, Patti Lupone, James Franco, Eliza Dushku, William Forsythe, and Francis McDormand. Mount was on the set of City by the Sea, reading the screenplay to Tamra Davis' Crossroads, when De Niro asked about the script. Mount explained that he was up for the part of Britney Spears' love interest in the film, but he had doubts about the project. De Niro told Mount not to be foolish, and agreed to help the young actor rehearse by reading Spears' lines. Mount landed the role, and even appeared in the pages of Teen and Seventeen magazines, but he did not allow himself to be pigeonholed as a mainstream actor: Around the time of Crossroads' highly publicized opening, he sealed a deal to appear in a film to be directed by the notoriously unconventional Peter Greenaway.