Trivia: Bearing the sort of sensual, androgynous looks that would have landed him in Calvin Klein ads if he hadn't gone into acting, Jonathan Rhys-Meyers has been making a name for himself in roles that call for a certain kind of alluringly deviant behavior. Since 1996, Rhys-Meyers has given trouble a good name in such films as Velvet Goldmine and The Governess. Born July 27, 1977, in Dublin, Ireland, Rhys-Meyers led a tumultuous childhood after his father abandoned his family when the actor was only two and a half. His troubles accumulated as he grew older, culminating with his being kicked out of school at the age of 16. Rhys-Meyers took to hanging about in pool halls, where he was discovered by a casting agent. The agent encouraged him to audition for the film War of the Buttons; when Rhys-Meyers failed to get the part, he gave up on acting. However, he was soon asked to do some commercials, which in turn led to his film debut with a small role in A Man of No Importance (1994). A starring role as an errant runaway in The Disappearance of Finbar (1996) followed, as did a brief but memorable turn as the assassin of the titular hero in Michael Collins (1996). After more film work, including a supporting role as Brad Renfro's nemesis in Telling Lies in America, Rhys-Meyers landed the lead in Todd Haynes' much-anticipated Velvet Goldmine (1998). Despite the hype surrounding the director's celebration of and requiem for the early-'70s glam rock scene, as well as the presence of actors Christian Bale, Toni Collette, and Ewan McGregor, the film was far from a critical or box office smash, despite developing a loyal cult following. However, Rhys-Meyers continued to stay busy, making The Governess with Minnie Driver the same year and Michael Radford's B. Monkey the next (the film would eventually be released the following year). In 1999, he starred in a number of high-profile projects: in addition to Mike Figgis' The Loss of Sexual Innocence, he appeared as part of a "hot young things" lineup in Ang Lee's Ride With the Devil, starring with such up-and-comers as Tobey Maguire and Skeet Ulrich, and then turned his talents to interpreting Shakespeare in Titus, Julie Taymor's adaptation of Titus Andronicus.While continuing to appear in independent, left-of-center films such as Prozac Nation and Happy Now, Rhys-Meyers had a bit of a mainstream breakthrough when the indie comedy Bend It Like Beckham became a surprise hit in 2003. This might have made the actor's unique face more familiar to movie makers, as he was soon seen with Reese Witherspoon in the period movie Vanity Fair, and in the Oliver Stone epic Alexander. These main-stream successes were nothing, however, compared to the coveted role of Elvis Presley that he won in 2005. The high-profile CBS mini series Elvis exposed Rhys-Myers to American audiences like never before, and he picked up a Golden Globe Award for his performance. That same year, the Irish lad starred with Scarlett Johansson in the Woody Allen drama Match Point. Widely regarded as the best movie from the legendary director in well over ten years, the role helped to cement Rhys-Myer's position in American cinema, as evidenced by the fact that he soon afterward joined the cast of action thriller Mission Impossible III.

Trivia: One of the leading actors of his generation and an important figure in world cinema, John Malkovich made the term "icy calm" his trademark. After winning acclaim for his characterization of the scheming Vicomte de Valmont in Dangerous Liaisons, he became associated with a series of roles that, to put it plainly, essentially required him to be an evil bastard.The product of a large, highly intellectual family, Malkovich was born December 9, 1953, in Christopher, IL. Initially a portly youth, he underwent a self-imposed physical transformation, emerging as a star high school athlete. He went on to attend Eastern Illinois University, where he originally aspired to be a professional environmentalist. With his friend Gary Sinise, Malkovich helped co-found Chicago's Steppenwolf Theatre in 1976. Seven years later, he won an Obie award when the Steppenwolf production of Sam Shepard's True West was brought to New York. He next appeared on Broadway with Dustin Hoffman in the 1984 revival of Death of a Salesman; when it was transformed into a television movie a year later, Malkovich won an Emmy for his efforts. While he was working on Broadway, he made his film debut, playing a blind transient in Places in the Heart (1984), which earned him an Oscar nomination. He also had a starring role in The Killing Fields the same year.Although certainly capable of projecting warmth and pathos, Malkovich became best-known for his ice-water-in-the-veins roles. In addition to praise for his performance in Dangerous Liaisons, Malkovich won recognition -- and Oscar and Golden Globe nominations -- for his portrayal of the chameleon-like political assassin in Wolfgang Peterson's In the Line of Fire (1993). Other sinister Malkovich characterizations include Kurtz in the 1994 TV-movie version of Joseph Conrad's Heart of Darkness, the secretive Dr. Jekyll in Mary Reilly (1996), and Isabel Archer's dastardly husband in The Portrait of a Lady (1996). In 1999, Malkovich played what was undoubtedly his most unusual role -- himself -- in Spike Jonze's Being John Malkovich. Both the subject of the film and one of its stars, he had the surreal duty of letting the film's other characters into his mind, something many audience members had no doubt been dreaming of doing for years. The film provided Malkovich's career with a sort of popular resurgence, and the following year found him essaying the role of a wild eyed F.W. Murnau in the dark horror comedy Shadow of the Vampire. The second feature by experimental filmmaker E. ELias Mehrige, Shadow of the Vampire took a magic realism approach to documenting the production of Murnau's legendary 1922 classic Nosferatu. In the years that followed Malkovich continued his trend of alternating roles in high-profile Hollywood fare with more artistically gratifying foreign films, and after turning up in the German miniseries Les Miserables (2000) and Je rentre a la maison Malkovich turned up opposite Vin Diesel in the box office flash Knockaround Guys (2001). In 2002 Malkovich picked up where Matt Damon left off in the thriller Ripley's Game before traveling back in time for the historical adventure drama Napoleon. After cracking up international audiences in Johnny English (2003), fans got to see Malkovich take on the role of a Stanley Kubrick imposter in the fact based Colour Me Kubrick. After a string of decidedly small films, Malkovich surfaced in 2005 in the sci-fi comedy blockbuster The Hitchhiker's Guide to the Galaxy. Based on the cult novel by Douglas Adams, the picture cast Malkovich as an alien guru and gave him a chance to flex some of his sillier chops. Subsequent roles in Art School Confidential, the Coen Brother's Burn After Reading, and Jonah Hex offered a bit of levity between performances in more serious-minded dramas like Disgrace and Secretariat, and on the heels of a memorable comic performance as an unhinged former assassin in the big budget action comedy Red, Malkovich could be spotted amidst an explosion of robot carnage in 2011's Transformers: Dark of the Moon. Maintaining his theatrical ties while tending to his successful film career, Malkovich appeared in the 1993 Broadway production State of Shock, and has periodically returned to Chicago to both act and direct in local presentations. For a number of years, he was married to fellow Steppenwolf alumnus Glenne Headly.