Trivia: Baby-faced Michael Cera first gained fame as the hilariously named George Michael Bluth, son of Michael Bluth (Jason Bateman), and the youngest member of a dysfunctional family of land-tract developers, on the riotous Fox sitcom Arrested Development (2003-2006). No stranger to "difficult" or "awkward" roles, Cera made one of his first marks in 2002, as the sexually overactive "younger version" of game show host Chuck Barris, in George Clooney's biopic Confessions of a Dangerous Mind. A short time after that, he signed for the Arrested part -- which required him to project a deep-seated amorous yen for his character's cousin. Cera's mostly comedic resumé also includes a multi-season turn as the voice of Josh Spitz in the animated series Braceface. In 2007, he co-starred in two highly successful big-screen comedies: SuperBad, opposite Jonah Hill, and Juno (which re-teamed him with Jason Bateman), alongside fellow rising star Ellen Page. In 2008 he starred in the indie-minded romantic comedy Nick and Nora's Infinite Playlist opposite Kat Dennings. 2009 found him in the lead of two comedies, Youth in Revolt and Year One, both of which fell far short of the box office total taken in by his previous work. He took the title role in Edgar Wright's adaptation of the graphic novel Scott Pilgrim vs. The World.

Trivia: Actress Portia Doubleday broke into films during the late '90s and made infrequent on-camera appearances over the following decade. Movies that featured her included the 1997 Legend of the Mummy and the 2009 Michael Cera teen comedy Youth in Revolt. She also appeared in the cross-dressing comedy Big Mommas: Like Father, Like Son and the prison drama K-11.

Trivia: South African-born actor Adhir Kalyan first caught the eye of stateside television viewers when cast in the as a Pakistani Muslim exchange student who came to live with a typical suburban American family in the CW sitcom Aliens in America. Though he had previously appeared in episodes of such U.K. television dramas as Spooks and Holby City, Kaylan's part on Aliens in America was his first regular small-screen role on either side of the pond. In 2009 Kalyan joined the cast of the David Spade sitcom Rules of Engagement, but continued to juggle a feature career with bit roles in such films as Up in the Air, High School and No Strings Attached.

Trivia: Don't let actress Jean Smart's filmography fool you, because though she seems to have a penchant for appearing in fairly light-hearted fare of the family-oriented variety, she possesses all the skill of the most talented dramatic stage and screen actresses around. Unafraid to take the sort of risks necessary to keep her career and her personal life in fair balance, fans balked when Smart left television's hugely popular Designing Women while the series was in its prime, though her subsequent performances have found her sound judgment well justified. A Seattle native who received her B.A. from the University of Washington, it wasn't long before Smart was taking the stage at the 1975 Oregon Shakespeare Festival. Relocating to New York City, Smart's performance in the off-Broadway play Last Summer at Bluefish Cove earned the emerging actress a Drama Desk nomination. Her performance in the Broadway production of Piaf found Smart heading to Hollywood to tape the play for PBS, and it wasn't long before she began appearing in such films as Protocol (1984) and Project X (1987). A pivotal moment came when Smart was cast in the television series Designing Women; following the show's premier in 1986 she would remain a member of the cast until the 1991 season. It was while on that series that friend and fellow castmate Delta Burke set Smart up on a date with actor Richard Gilliland, whom Smart would later wed. The birth of their son Conner prompted Smart to reassess her career; though she would soon depart from Designing Women, she would continue to act in such efforts as the television feature Locked Up: A Mother's Rage (1991) and Overkill: The Aileen Wuornos Story (1992), in which she essayed the role of America's most notorious female serial killer. As the 1990s progressed Smart became something of a television fixture, and performances in The Yearling (1994) and A Change of Heart (1998) found her career continuing to flourish. Roles in such features as Disney's The Kid and Snow Day (2000) found Smart ever more associated with family-friendly fare, an association which she would continue to embrace with a role in the 2002 Disney Channel animated series Kim Possible. Other series in which Smart appeared included Hercules, Frasier, and The Oblongs; and in 2003 Smart teamed with her husband for the Hallmark Hall of Fame presentation of Audrey's Rain.In 2004, Smart joined the cast of the bittersweet romantic comedy Garden State, and made a brief appearance in I Heart Huckabees during the same year. In 2006, Smart was earned nominations for two Emmy awards (Outstanding Supporting Actress in a Drama Series and Outstanding Guest Actress in a Drama Series) for her turn as the mentally fragile First Lady of the United States, whom she portrayed in the fifth season of 24. The actress wouldn't win an Emmy, however, until 2008, when she took home the coveted award for Best Supporting Actress in a Comedy Series for her role on the sitcom Samantha, Who?. Smart played another mother in the film adaptation of C.D. Payne's novel Youth in Revolt in 2009, and took on the role of Hawaii Governor Pat Jameson for Hawaii Five-0, the CBS remake of the popular 1970s police procedural of the same name.

Trivia: Made his feature-film debut in the religious thriller Tribulation (2000). Was nominated for a 2002 Young Artist Award for his work on the CBS drama The Guardian. Landed his first series-regular role on the CBS cult favorite Jericho.

Trivia: Born October 1, 1969, in North Carolina, Zach Galifianakis emerged as one of the more distinct comedic performers to grace the stage during the mid- to late 2000s. A short, slightly stocky presence with a thick outgrowth of beard that quickly became a personal trademark, Galifianakis used his behind-the-mike stints to riff on everything from veganism to multiple personality disorder, while constantly displaying a lightning-flash wit and marked inventiveness. He debuted with feature roles during the early 2000s, in films including Heartbreakers (2001) and Bubble Boy (2001). He also briefly emceed his own short-lived talk show, Late World with Zach (2002), on the VH1 network.By 2003, Galifianakis secured a regular role (as a morgue worker, Davis) on the Fox supernatural drama series Tru Calling (2003-2005). Thereafter, the performer spent many years placing his strongest emphasis on standup and on filmed standup specials, such as the 2005 Zach Galifianakis: Live at the Purple Onion and the 2007 Comedians of Comedy: Live at the Troubador, but continued to tackle occasional feature work from time to time. Among other screen accomplishments, Galifianakis ushered in a rare dramatic turn in Sean Penn's biographical drama Into the Wild (2007) and then played a socially maladroit friend of Ashton Kutcher in the sex farce What Happens in Vegas (2008).It wasn't until his role as a well-meaning but socially lacking participant in a bachelor party horribly gone wrong, however, that the actor would find true mainstream recognition. Alongside Bradley Cooper and Ed Helms, Galifianakis starred in The Hangover, 2009's wildly successful buddy film (the actor reprised the role for 2011's The Hangover Part 2). He would go on to co-star with Robert Downey Jr. in Due Date (2010), which followed the mismatched couple on a wacky road trip to L.A., and take on supporting roles in Dinner for Schmucks, Youth in Revolt, and Up in the Air. He lent his voice to the 2011 animated film Puss in Boots, and co-stars with Will Ferrell in the political comedy Campaign (2012).

Trivia: One of the most important character actors of the 1990s, Steve Buscemi is unmatched in his ability to combine lowlife posturing with weasely charisma. Although active in the cinema since the mid-'80s, it was not until Quentin Tarantino cast Buscemi as Mr. Pink in the 1992 Reservoir Dogs that the actor became known to most audience members. He would subsequently appear to great effect in other Tarantino films, as well as those of the Coen Brothers, where his attributes blended perfectly into the off-kilter landscape.Born in Brooklyn, New York, on December 13, 1957, Buscemi was raised on Long Island. He gained an interest in acting while a senior in high school, but he had no idea of how to pursue a professional career in the field. Working as a fireman for four years, he began to perform stand-up comedy, but he eventually realized that he wanted to do more dramatic theatrical work. After moving to Manhattan's East Village, he studied drama at the Lee Strasberg Institute, and he also began writing and performing skits in various parts of the city. His talents were eventually noticed by filmmaker Bill Sherwood, who was casting his film Parting Glances. The 1986 drama was one of the first feature films to be made about AIDS (Sherwood himself died from AIDS in 1990), and it starred Buscemi as Nick, a sardonic rock singer suffering from the disease. The film, which was a critical success on the independent circuit, essentially began Buscemi's career as a respected independent actor.Buscemi's resume was given a further boost that same year by his recurring role as a serial killer on the popular TV drama L.A. Law; he subsequently began finding steady work in such films as New York Stories and Mystery Train (both 1989). In 1990, he had another career breakthrough with his role in Miller's Crossing, which began his longtime collaboration with the Coen brothers. The Coens went on to cast Buscemi in nearly all of their films, featuring him to particularly memorable effect in Barton Fink (1991), in which he played a bell boy; Fargo (1996), which featured him as an ill-fated kidnapper; and The Big Lebowski (1998), which saw him portray a laid-back ex-surfer. Although Buscemi has done his best work outside of the mainstream, turning in other sterling performances in Alexandre Rockwell's In the Soup (1992) and Tom Di Cillo's Living in Oblivion (1995), he has occasionally appeared in such Hollywood megaplex fare as Con Air (1997), Armageddon (1998), Big Daddy (1999), and 28 Days (2000), the last of which cast him against type as Sandra Bullock's rehab counselor. Back in indieville, Buscemi would next utilize his homely persona in a more sympathetic manner as a soulful loner with a penchant for collecting old records in director Terry Zwigoff's (Crumb) Ghost World. Despite all indicators pointing to mainstream prolifieration in the new millennium, Buscemi continued to display his dedication to independent film projects with roles in such efforts as Alaxandre Rockwell's 13 Moons and Peter Mattei's Love in the Time of Money (both 2002). Of course there are exceptions to every rule, and Buscemi's memorable appearances in such big budget efforts as Mr Deeds and both Spy Kids 2 and Spy Kids 3-D: Game Over served to remind audiences that Buscemi was still indeed at the top of his game, perhaps now more than ever. In 1996, Buscemi made his screenwriting and directorial debut with Trees Lounge, a well-received comedy drama in which he played a down-on-his-luck auto mechanic shuffling through life on Long Island. He followed up his directorial debut in 2000 with Animal Factory, a subdued prison drama starring Edward Furlong as a young inmate who finds protection from his fellow prisoners in the form of an older convict (Willem Dafoe). Moving to the small screen, Buscemi would next helm an episode of the acclaimed HBO mob drama The Sopranos. Called Pine Barrens, the episode instantly became a fan-favorite.In 2004, Buscemi stepped in front of the camera once again to join the cast of The Sopranos, costarring as Tony Blundetto, a recently paroled mafioso struggling to stay straight in the face of temptation to revert back to his old ways. In 2005 Buscemi reteamed with Michael Bay for The Island in the same year that he directed another low-budget film, Lonesome Jim, with a stellar cast that included Seymour Cassel, Mary Kay Place, Liv Tyler, Casey Affleck, and Kevin Corrigan. He also played one of the leads in John Turturro's musical Romance & Cigarettes. His very busy 2006 included an amusing cameo in Terry Zwigoff's Art School Confidential, and continued work in animated films, with vocal appearances in Monster House and Charlotte's Web (2006). His contributions to those projects earned critical acclaim; Buscemi achieved an even greater feat, however, that same year, when he mounted his fifth project as director, Interview (2007). Like Trees Lounge (1996), Lonesome Jim (2005) and other Buscemi-helmed outings, this searing, acerbic comedy-drama spoke volumes about Buscemi's talent and intuition, and arguably even suggested that his ability as a filmmaker outstripped his ability as a thespian. With great precision and insight, the narrative observed a roving paparazzi journalist (Buscemi) during his unwanted yet surprisingly pretension-stripping pas-de-deux with a manipulative, coke-addled prima donna actress (Sienna Miller).At about the same time, the quirky player geared up for a host of substantial acting roles including parts in We're the Millers (2008), Igor (2008) and Keep Coming Back (2008). He appeared as the father of a deceased soldier in The Messenger in 2009, and the next year he landed the lead role of Nucky Thompson, an Irish gangster, in the HBO series Boardwalk Empire. His work on that show would earn him Screen Actors Guild and Golden Globe awards.

Trivia: Born in the Midwest and educated in the military, actor Fred Willard has proven his talent for improvisational comedy on the stage, television, and the big screen. His characters are frequently grinning idiots or exaggerated stereotypes, but Willard's skillful timing has always added a unique spin. An alumni of Second City in Chicago, he's worked with many of the biggest-named comedians of his time. His early TV credits include a regular stint on The Burns and Schreiber Comedy Hour, a supporting part on the sitcom Sirota's Court, and the role of Jerry Hubbard, sidekick of TV talk-show host Barth Gimble (Martin Mull) in the satirical Fernwood 2Night. He went on to appear in subsequent incarnations of Fernwood and continued to work with Mull and his gang for the next few decades. In the early '80s, he hosted the actuality series Real People and co-hosted the talk show Thicke of the Night. Some of his small, yet memorable, performances in feature comedies included President Fogerty in National Lampoon Goes to the Movies; the garage owner in Moving Violations who's mistaken for a doctor; the air force officer in This Is Spinal Tap; and Mayor Deebs in Roxanne. Doing a lot of guest work on television, he was also involved in Martin Mull's The History of White People in America series and was the only human actor amid a cast of puppets on the strange show D.C. Follies. In the '90s, he worked frequently in the various projects of fellow satirists Harry Shearer, Christopher Guest, and the like. He was travel agent Ron Albertson in Waiting for Guffman, TV announcer Buck Laughlin in Best in Show, and manager Mike LaFontaine in A Mighty Wind. He also appeared in Eugene Levy's Sodbusters, Permanent Midnight with Ben Stiller, and showed up in Austin Powers: The Spy Who Shagged Me. On television, he picked up a regular spots on The Tonight Show With Jay Leno, Roseanne (as Martin Mull's lover), and Mad About You, along with voice-over work on numerous cartoons. He also received an Emmy nomination for his role as Hank McDougal on Everybody Loves Raymond. Since 2000, he has shown up in quite a few mainstream commercial films, including The Wedding Planner, How High, and American Wedding; but he also played Howard Cosell in the TV movie When Billie Beat Bobby. Projects for 2004 include Anchor Man: The Legend of Ron Burgundy and Harold and Kumar Go to White Castle.IHe also joined up with his Mighty Wind and Waiting for Guffman castmates again in 2006 with For Your Consideration, a satire of Hollywood self importance injected with Willard's trademark clever silliness. The next year he appeared in the spoof Epic Movie, as well as the romantic comedy I Could Never Be Your Woman. He was in the Pixar sci-fi film WALL-E, and had a role in the 2009 comedy Youth In Revolt. In 2012 he starred in Rob Reiner's The Magic of Belle Isle opposite Morgan Freeman.

Trivia: A native of Boston, MA, actress Ari Graynor was born in 1983 and attended Trinity College in Hartford, CT. She broke through to acclaim with her supporting role as Caitlin Rucker, a sexually promiscuous, manic-depressive student at Meadow Soprano's college on the HBO mafia drama The Sopranos (during the third season, in 2001), and thereafter moved into features, with contributions to films from a broad cross-section of genres. These included the gritty drama Mystic River (2003), the bittersweet Jeff Daniels/Sigourney Weaver seriocomedy Imaginary Heroes (2004), and the Christopher Guest satire For Your Consideration (2006). In 2008, Graynor portrayed a flighty and befuddled young urbanite with a passion for turkey sandwiches in the teen-oriented romantic comedy Nick and Norah's Infinite Playlist. Alongside her film and television work, Graynor has remained fully active on-stage, landing her most prominent role as Alison in the 2005 Broadway outing Brooklyn Boy.

Trivia: Actor Ray Liotta's intense demeanor and fondness for edgy roles quickly established him as one of the most interesting and respected supporting players of his generation. Born in Newark, NJ, on December 18, 1955, he was adopted at the age of six months, by Alfred and Mary Liotta, and raised in Union Township, New Jersey. (His parents adopted another child, Linda, three years later.) As a gifted high school athlete, Liotta played varsity basketball and soccer, while working a side job in his father's auto supply shop. After graduation, he left home to attend the University of Miami, where he cultivated an interest in acting and majored in Drama. Liotta appeared in a number of collegiate productions, including a surprising number of musicals (Cabaret, The Sound of Music). Within a year of graduation, Liotta scored a one-shot commercial and a recurring three-year role as Joey Perrini on the daytime soap opera Another World; he also joined the cast of several short-lived prime-time network TV series, including Crazy Times (1981) - with David Caruso and Amy Madigan - and Casablanca (1983) - featuring David Soul in the role Humphrey Bogart made famous, and Liotta as Sacha. Liotta signed for his first film role in the 1983 Pia Zadora vehicle The Lonely Lady, but didn't break into the big time until 1986, when Jonathan Demme cast him as the psychotic Ray Sinclair in the comedy-drama Something Wild. Liotta's well-received performance won him a number of Hollywood offers playing over-the-top villains, but, determined to avoid typecasting - , Liotta rejected the solicitations and traveled the opposite route, with gentle, sensitive roles in Dominick and Eugene and Field of Dreams (as the legendary "Shoeless" Joe Jackson). His determination to wait for the right role paid off in 1990, when he was cast as mobster Henry Hill in Martin Scorsese's masterful crime drama GoodFellas. However, while the success of GoodFellas raised Liotta's profile considerably, he clung to his high standards, waiting for the right part (and wary of compromise). While he still found himself playing tough and/or scary guys in the likes of Unlawful Entry and No Escape, in Corrina, Corrina showcased Liotta's talent as a a romantic lead, and he catered to "family friendly" audiences with Disney's Operation Dumbo Drop (1995) and Tim Hill's Muppets From Space (1999). After a productive 2001, with key roles in the blockbuster hits Blow, Hannibal, and Heartbreakers, the actor formed his own production company to ensure a greater diversity of roles and more interesting material. For his debut as a producer, Liotta developed and released the critically acclaimed Narc; he also appears in the film, as a hot-headed ex-cop. Liotta hosted an episode of Saturday Night Live in 2003, the same year he cameo'd in director Peter Segal's Anger Management, starring Adam Sandler and Jack Nicholson. But that year also marked the beginning of a downswing for the gifted thesp. His activity ostensibly crescendoed through the end of 2004 - but, despite scattered encouraging reviews - his trio of major films from that year (a sociopath in Tim Hunter's Control, a corrupt cop in Matthew Chapman's Slow Burn, a bit part in Jeff Nathanson's Tinseltown satire The Last Shot) saw extremely limited release and fell just ahead of going straight to video. As 2005 dawned, he restrategized by sticking with higher-profile directors - specifically, Guy Ritchie for Revolver (second billing, as a casino owner targeted by a vengeful ex-con) and Mark Rydell for the sports gambling drama Even Money. This plan proved uneven: the Ritchie film tanked amid widespread accusations of directorial pretentiousness, while the Rydell film seemed destined to score given the talent in the cast (Danny de Vito, Kim Basinger, Tim Roth, Forest Whitaker).As 2006 rolled around, Liotta returned to the glitter box - for the first time in twenty-five years - with the action-laced ensemble crime drama Smith. Slated with a September '06 premiere, this CBS series follows the adventures of a collective of high-rolling thieves who execute dazzling crimes with cunning and adroitness; Liotta plays one of the criminals. That same year, Liotta continued his big screen forays with appearances in the gentle coming-of-age drama Local Color, as a dad who passionately objects to his son's desire to apprentice a master painter, and Bruce McCulloch's buddy comedy Comeback Season, as a down-and-outer, rejected by his wife, who makes a close friend in prison. These projects suggested a turn away from tough guy roles and Liotta's harkening back to the gently understated work that he perfected in Dominick and Field of Dreams. Working steadily over the next few years -- albeit frewquently in lower-profile productions -- Liotta followed his Emmy-winning 2005 guest appearance on ER with playful turns in the comedies Observe and Report (2009), Crazy on the Outside (2010), and opposite Toby Maguire in The Details (2012). Liotta married actress Michelle Grace (Narc, Baseball Wives) in 1997, who co-produced his dance drama Take the Lead (2006) with him. The couple divorced in 2004.

Trivia: An actor whose wide, affable grin and heavy eyebrows lend him an uncanny resemblance to Tim Allen, Justin Long unwittingly became a footnote to the illustrious history of Britney Spears' ascent to world domination when he appeared with the post-pubescent entertainer in her 2002 film debut, Crossroads. Cast as Britney's prom date, Long shared a kiss with the singer that earned him breathless adulation on Britney websites everywhere.Three years before he locked lips with the peppy pop star, Long made his screen debut as a sci-fi geek in Galaxy Quest, a quirky genre parody that starred Sigourney Weaver, Alan Rickman, and Long's would-be doppelganger, Allen. He then landed a role on the TV sitcom Ed (2000), which he followed in 2001 with a part as a lonely bunkmate in Happy Campers. That same year, he starred in Jeepers Creepers, a sleeper comedy-horror outing that cast him as one of two siblings terrorized by an inhuman monster. Long subsequently appeared in Crossroads, sealing his newfound popularity among teenage girls with a kiss.In 2003, Long popped up briefly in the sequel Jeepers Creepers 2 while continuing to appear on Ed. However, the following year saw the conclusion of Ed and Long embarked on his film career full-time. First up was the sports comedy Dodgeball: A True Underdog Story. Stealing scenes while co-starring with the likes of Vince Vaughn and Ben Stiller, Long proved to critics and audiences alike that his comedic skills could translate from the small-screen to the big one with ease. In the wake of Dodgeball's box-office success, audience's could next find the actor starring in the independent films Raising Genius and Waiting... and adding his voice to the Bill Plympton film Hair High. He appeared opposite Linday Lohan in Herbie: Fully Loaded, executing a perfect pratfall worthy of silent film comics in once scene. In 2006 he was one of the two leads in a series of witty television advertisements for Apple computers directed by Junebug's Phil Morrison. With Accepted, about a high-school graduate who starts his own college after being rejected by the institutions to which he applied, Long was finally allowed to take the lead in a big-screen comedy. The following year found the rising star voicing everyone's favorite singing squirrel in Alvin and the Chipmunks (a role that he would reprise in both the 2009 and 2011 sequels), and in 2001 Long returned to the small screen for a recurring role in FOX comedy series New Girl.

Trivia: Actress Rooney Mara didn't exactly come from a show business family. One great-grandfather founded the Pittsburgh Steelers; another founded the New York Giants. Despite her heritage, Mara opted to go into acting instead of sports, and made her professional debut with a bit-part in the direct-to-video Urban Legends: Bloody Mary (which starred her older sister, Kate). She followed this with a handful of appearances on episodes of shows like Law & Order: Special Victims Unit and The Cleaner, eventually scoring a number of film roles, appearing in 2009's Tanner Hall, Youth in Revolt, and Friends (With Benefits).Her career changed forever when David Fincher cast her in a small but key part in The Social Network, and then trusted her to play Lisbeth Salander in his English-language adaptation of the international best-seller The Girl With the Dragon Tattoo, a part that earned young performer Golden Globe and Oscar nominations for Best Actress. She appeared in Spike Jonze's Her and Steven Soderbergh's Side Effects, both in 2013. In 2015, Mara was controversially cast as Tiger Lily in Joe Wright's Pan. She followed that up with Todd Haynes' Carol, playing opposite Cate Blanchett; Mara nabbed her second Oscar nomination for her work in the film.

Trivia: Rarely garnering a lead role, M. Emmet Walsh has become one of the busiest character actors in Hollywood, using his ruddy, seedy appearance to embody countless low-life strangers with unsavory agendas. In his rare sympathetic roles, he's also capable of generating genuine pathos for the put upon plight of struggling small-timers. His effortless portrayals have made him a welcome addition to numerous ensembles, even if many viewers can't match a name to his recognizable mug. In fact, his work is so well thought of that critic Roger Ebert created the Stanton-Walsh Rule, which states that no film featuring either Walsh or Harry Dean Stanton can be altogether bad.Contrary to his frequent casting as a Southerner, Walsh is a native New Yorker, born on March 22, 1935, in Ogdensburg, NY. As a youth he attended the prestigious Tilton School in New Hampshire, and went on to share a college dorm room with actor William Devane. He graduated from the Clarkson University School of Business, but it was not until his thirties that he discovered his true calling: acting. He first popped up in Midnight Cowboy (1969), and has worked steadily ever since, some years appearing in as many as eight motion pictures, other years focusing more on TV movies. Working in relative anonymity through the '70s and early '80s, appearing in films ranging from Serpico (1973) to Slapshot (1977) to Blade Runner (1982), Walsh landed his meatiest and most memorable role in Joel and Ethan Coen's remarkable debut, Blood Simple (1984). Without batting an eye, Walsh exuded more casual menace as the amoral private detective doggedly pursuing his own self-interest than a host of typecast villains could muster in their entire careers. His role was key to creating a stylish noir that would launch the careers of two modern masters. It earned him an Independent Spirit Award.Blood Simple did not markedly alter Walsh's status as a supporting actor, as he went on to appear in this capacity in Fletch (1985), Back to School (1986), and Raising Arizona (1987), his next collaboration with the Coens, in which his bull-slinging machinist scores riotously with less than a minute of screen time. One of the first appearances of the kindly Walsh was in 1988's Clean and Sober, in which he plays a recovering alcoholic helping Michael Keaton through the same struggle.As he crept into his late fifties and early sixties, the stature of Walsh's films diminished a little, if not his actual workload. Continuing to dutifully pursue his craft throughout the early '90s, Walsh again returned to a higher profile with appearances in such films as A Time to Kill (1996), William Shakespeare's Romeo + Juliet (1996), and My Best Friend's Wedding (1997). More as a reaction to the ineptitude of the movie than Walsh's performance, Ebert called into question his own Walsh-Stanton Rule in his review of Wild Wild West, the 1999 Will Smith-Kevin Kline debacle in which Walsh is one of the only tolerable elements. In the years to come, Walsh would remain active on screen, appearing in films like Youth in Revolt and providing the voice of Olaf on the animated series Pound Puppies.

Trivia: University of Tulsa graduate Mary Kay Place hightailed it to Hollywood in hopes of becoming a writer and performer of comedy material. She was hired for 1970s The Tim Conway Comedy Hour as a production assistant to both star Conway and producer Norman Lear. It was Conway who gave her her first on-camera break, while Lear saw to it that Place received her first writing credit on his subsequent All in the Family. Lear displayed her to even better advantage in the role of senseless, tactless, and eminently lovable would-be C&W star Loretta Haggers on the satirical soap opera Mary Hartman, Mary Hartman (1976-1977). She won an Emmy for her work as Loretta, and was later nominated for a Grammy for her spin-off musical album, Tonight! At the Capri Lounge...Loretta Haggers. She wrote scripts for such TV sitcoms as The Mary Tyler Moore Show, Phyllis, and MASH, usually in collaboration with her professional partner (and future Designing Women producer), Linda Bloodworth. In films since 1976's Bound for Glory, Place has only occasionally been given a chance to shine on the big screen; the best of her movie roles include the washout nightclub singer who briefly replaces Liza Minnelli in New York, New York (1976), and the reconstituted "child of the '60s" who eagerly volunteers for surrogate motherhood in The Big Chill (1983). Place then continued to work on a variety of projects throughout the 80's and 90's, playing family friend Camille Chersky on the tragically-cancelled dramatic series My So-Called Life, and directing episodes of TV shows like Friends and Arli$$. With the new millennium, Place turned once again towards the big screen, enjoying appearances in films like Being John Malkovich and Girl, Interrupted, but she continued to work in TV as well, with a recurring role on the Showtime series Big Love -- which earned her an Ammy nomination for Outstanding Guest Actress on a Drama Series in 2010.

Trivia: Began taking acting classes at the age of 9. Acted in several commercials and a student film before getting her big break. Played Jennifer Garner's character as a teenager in the 2004 film 13 Going on 30. She again played a younger version of a Garner character in 2009's Ghosts of Girlfriends Past. Sings and plays guitar.

Trivia: A Latino filmmaker with a gift for portraying off-kilter behavior in all shapes and ethnicities, Miguel Arteta emerged as one of the Sundance Film Festival's success stories in the late '90s.Born in Puerto Rico to a Peruvian father and Spanish mother, Arteta grew up all over Latin America due to his father's itinerant existence as a Chrysler auto parts salesman. After he was kicked out of school in Costa Rica, Arteta was taken in by his sister in Boston, where he discovered filmmaking at a local high school for the arts. His aesthetic tastes out of step with their cinema verité ethos, Arteta left Harvard University's documentary program to study film at Wesleyan, where he met future collaborators Matthew Greenfield and Mike White. After he graduated in 1989, Arteta's musical short Every Day Is a Beautiful Day was nominated for a Student Academy Award in 1990. After it was shown to Jonathan Demme, Demme hired Arteta to work on his documentary Cousin Bobby (1991) and recommended Arteta for admission to AFI's graduate film program. He earned his M.F.A. in 1993.Angered by his experience at AFI and the treatment of minorities by Hollywood in general, Arteta spent the next several years struggling to make his first feature, Star Maps (1997). Aiming to make a Latino film that was neither a stereotypical gang story nor an uplifting exercise in positive images, Arteta instead took aim at the family and the Hollywood system in a story about a Mexican teen with dreams of movie stardom who is pimped by his father in Los Angeles. Impoverished by the filmmaking process, Arteta became one of Sundance's Cinderella stories after Star Maps was bought for 2.5 million dollars and earned positive reviews for its tricky mix of comedy, drama, and magical realism. Honing his skills between movies, Arteta turned to directing TV with episodes of Homicide: Life on the Streets, Snoops, and the acclaimed teen series Freaks and Geeks; his deft touch with bizarre family dynamics proved an ideal match for segments of HBO's award-winning drama Six Feet Under. With his TV work earning his living, Arteta remained resolutely independent in his movies. Scripted by and starring White, Arteta's second feature, Chuck & Buck (2000), became another Sundance success even as it divided critics. Shot on digital video for greater intimacy, Chuck & Buck's story of a man-child's obsession with his former childhood friend-turned-uptight executive (Chris Weitz) unnerved some viewers even as it garnered accolades for its eccentric take on male friendship. Continuing their dark yet comically engaging interrogations of adult expectations, Arteta and White scored yet another Sundance hit with The Good Girl (2002), starring a superbly frumpy Jennifer Aniston as a cashier who dramatically reassesses her life.