Trivia: When actress Gillian Anderson landed the role of Agent Scully for the Fox television series X-Files (1993- ) she could not have foreseen that within two years she would become an internationally known cult phenomenon. She was born in Chicago, but moved to London at age two and remained there until she was in her early teens. She and her family then moved to Grand Rapids, MI, where she rebelliously got heavily into the punk rock scene complete with spiky, brilliantly colored hair and body piercings with safety pins. When she was 14, she became romantically involved with a 20-year-old punk singer and occasionally sang in his band. Her punk period lasted through high school. Following graduation, she got involved in local theater and from there studied fine arts at the Goodman Theater School of Drama at Chicago's DePaul University. Following graduation, she moved to New York where she waited tables and appeared in off-Broadway plays, most notably in Absent Friends, in which she had a starring role that won her a Theater World Award. Anderson made her film debut in 1992 with the low-budget drama The Turning. She then appeared in a theatrical production of The Philanthropist and after that moved to Los Angeles. Though she was frequently courted for television roles, Anderson disdained the medium until the X-Files audition came along. Though the producers were looking for a brainy version of a Baywatch girl, the beautiful but more natural looking (having long passed her outrageous days) Anderson got the role thanks to the insistence of the show's creator Chris Carter. The show became a smash hit within two seasons and Anderson found herself an international star, as did her co-star David Duchovny, the subject of numerous pages on the Internet, and the recipient of such awards as a Golden Globe, an Emmy, and a Screen Actors Guild Award. In addition to continuing work on the X-Files, Anderson hosted a couple of television specials, including More Secrets of the X-Files and the BBC documentary series Future Fantastic. She also lent her voice as a documentary narrator on Spies Above and as animated characters on shows like The Simpsons and Reboot and films like the English version of Princess Mononoke.Anderson would spend the next several years working extensively in British television, starring in series like Bleak House, Any Human Heart, Moby Dick, and The Fall, as well as appearing in numerous UK films, like The Last King of Scotland and Shadow Dancer.

Trivia: Scottish, versatile, and for a long time underappreciated, Alan Cumming is chameleon-like in both his choice of roles and his ability to inhabit them convincingly. Born January 27, 1965, in Perthshire, Scotland, Cumming studied drama at the Royal Scottish Academy of Music and Drama before embarking on a career that would have its roots on the stage. For years, Cumming worked steadily in the theater as a member of repertory companies, such as the Royal Shakespeare Company. In 1992 he had his film debut in the largely unheard of Prague, which was essentially a historical overview of the city. In 1994 American audiences were introduced to the sound of Cumming's voice thanks to his role as the narrator of Black Beauty, but it wasn't until 1995 (Cumming's other 1994 film, Second Best notwithstanding) that they actually saw him, this time via his small but memorable role as a Russian computer programmer in Goldeneye.Wider exposure followed, thanks to two successful films. The first, Circle of Friends (1995), featured Cumming as Minnie Driver's slimy, unwelcome suitor, and the second, 1996's Emma, saw Cumming playing yet another unwelcome suitor, this time to Gwyneth Paltrow. More sympathetic roles followed in For My Baby, Buddy, and Romy and Michele's High School Reunion (in which he played a sweetly awkward nerd with a crush on Lisa Kudrow), all released in 1997. Work in Spice World came next in 1998, as did the stage role that was to give Cumming critical acclaim, a host of awards, and the wider respect he deserved. That role was Cabaret's Emcee, and Cumming managed to make the character -- previously the sole territory of Joel Grey -- all his own, giving a wickedly delicious performance that was unabashedly dark, sly, androgynous, and altogether terrifying. His performance won him all three New York theater awards: a Tony, a Drama Desk, and an Outer Critics Circle. This triumph resulted in a new range of opportunities for the actor, one of which was the chance to be a part of what was to be Stanley Kubrick's last film, Eyes Wide Shut (1999). Although Cumming's role as a hotel desk clerk was a small one, the actor turned in a sly and insinuating performance that reflected his ability to make the most out of even the most limited opportunities.Cumming was subsequently given almost unlimited opportunities to showcase his flamboyance in Julie Taymor's Titus, her 1999 adaptation of Shakespeare's Titus Andronicus. In his role as the queen's (Jessica Lange) debauched lover, he gave a performance that was as over-the-top and rococo as the film itself, leading some critics to say his portrayal had a little too much in common with a Christmas ham.Fortunately, Cumming surprised critics and audiences alike when he directed, with Jennifer Jason Leigh, The Anniversary Party (2001), a marital comedy-drama that starred him and Leigh as a husband and wife whose anniversary party exposes the many flaws of their fragile marriage. Featuring a cast that included Kevin Kline, Phoebe Cates, Gwyneth Paltrow, John C. Reilly, and Jennifer Beals, the film, which was shot on digital video, earned a fairly warm reception from critics, many of whom praised Cumming for his work both behind and in front of the camera.Cumming took the part of the bad guy in the first Spy Kids movie, a role he would repeat in the film's first two sequels. He also played the evil corporate manipulator in Josie and the Pussycats. He appeared in the musical remake of Reefer Madness in 2004, and that same year voiced a cat in the live action Garfield the movie. He worked steadily in a variety of projects including Gray Matters, Eloise: Eloise in Hollywood, and Dare, but found his biggest critical success on the small screen as part of the cast in the highly-respected CBS drama The Good Wife which began its run in 2009.

Trivia: Blonde-haired, blue-eyed, and possessing a certain bodacious je ne sais quoi, Heather Graham has had one of the more inspiring career trajectories of the 1990s. After debuting in 1988's License to Drive, which featured the two Coreys (Haim and Feldman) and little else, Graham worked in relative obscurity for years before hitting it big in a string of successful films, including Swingers, Boogie Nights, and Austin Powers: The Spy Who Shagged Me. Originally hailing from the Midwest, Graham was born in Milwaukee, WI, on January 29, 1970. The elder of two girls (younger sister Aimee is also an actress), Graham led a fairly itinerant childhood thanks to her father's job with the F.B.I. A quiet, unpopular girl, by her own account, Graham became interested in acting at a young age. She had her first role, as Dorothy, in a school production of The Wizard of Oz and remained active in the theater throughout high school, winning the title of Most Talented from her peers. After high school, Graham packed up and headed to Los Angeles, where she discovered that talented as she may have been, it was no guarantee of employment. She worked a variety of odd jobs, including a stint as an usher at the Hollywood Bowl, before making her 1988 film debut in License to Drive as the object of Corey Haim's desire. The following year, Graham's career began to travel in a more auspicious direction when she was cast as a doomed drug addict in Gus Van Sant's critically acclaimed Drugstore Cowboy. Despite winning raves for her performance, stardom eluded Graham, as her subsequent film roles were largely incidental. However, she did win a recurring role on the TV series Twin Peaks in 1990, and the following year, starred in the widely celebrated made-for-TV movie O Pioneers!. In 1992, Graham had a supporting role in Diggstown, the most notable effect of which was a relationship with co-star James Woods, who was twice her age. After appearing in a few more films of varying quality (Six Degrees of Separation [1993] at one end of the spectrum and 1994's Don't Do It, which paired her with Drugstore boyfriend James LeGros, at the other), the actress finally got a break with the 1996 hit Swingers, appearing in a small but memorable role as the girl of Jon Favreau's dreams. The part marked the beginning of an upswing in Graham's career; in the following year she had a bit part in the movie-within-a-movie in Scream 2, which led to her inclusion on a Rolling Stone cover featuring the movie's assorted Hot Young Things, and also had her breakthrough role in Boogie Nights. As Rollergirl, an underdressed, oversexed, coke-snorting young porn actress, Graham made an indelible impression on audiences everywhere. In 1997 she also starred in Gregg Araki's Nowhere, in which she did little except have copious amounts of sex with the similarly golden-tressed Ryan Phillippe, and Two Girls and a Guy, a critically acclaimed piece that featured her as one of the title's two girls opposite Robert Downey Jr.'s guy.Unfortunately, Graham's first big-budget undertaking, the 1998 sci-fi film Lost in Space, was swallowed in a deep pit of critical and commercial quicksand. The actress more than rebounded the following year, however, earning top billing in two films, the Steve Martin comedy Bowfinger and the eagerly awaited Austin Powers sequel Austin Powers: The Spy Who Shagged Me. The same year Graham earned the 1999 ShoWest convention's Female Star of Tomorrow title.Though she appeared to be on a track toward superstardom as the a new decade and millennium unfolded, a string of duds (From Hell, The Guru, Killing Me Softly, etc.) derailed Graham's career a bit. As many actors in her position often do, she decided to give television a try. Unfortunately, like much of her film work of the period, the ABC comedy Emily's Reasons Why Not was met with little excitement from critics audiences alike, and the heavily hyped series was cancelled after a single episode. Her recurring role on the comedy Scrubs, however, was well received. She continued to work in little-seen movies, but that changed in 2009 when she played a Vegas girl who falls for Ed Helms nerdy dentist in the smash hit The Hangover. Two years later she would play Aunt Opal in Jus Moody and the NOT Bummer Summer, and score a small part in the horror sequel Scream 4.

Trivia: Jack Huston grew up in the lap of show business, as the scion of the legendary Huston directing and acting dynasty -- the grandson of maverick American director John Huston and New York actress-model Ricki Soma, the son of Tony Huston, and the nephew of actress Anjelica Huston and actor-director Danny Huston. He thus seemed predestined for a career in showbiz, especially given his dashing good looks. Though largely of American stock, Huston grew up and came of age in England and quickly acquired a English accent; as a result, the press typically classified him as British, and he often referred to the U.K. with great fondness as "home." He first stepped in front of the camera in his mid-twenties, scoring his breakthrough with a turn as poet-photographer-filmmaker Gerard Malanga in the 2005 Edie Sedgwick biopic Factory Girl, followed that up with a prominent role in director Paddy Breathnach's trippy gorefest Shrooms (2007), and signed for a role as Prince Wulfric, a Viking who takes on a group of invading extraterrestrials, in the sci-fi actioner Outlander (2008). Huston played a recurring role on ABC's quickly-canceled Eastwick, an attempt at updating The Witches of Eastwick for primetime television, and had a small role in a flashback scene in 2010's The Twilight Saga: Eclipse. He then joined HBO's Boardwalk Empire in a recurring role as the disfigured, mask-wearing Richard Harrow in season 1 of the show; the character was later upgraded to a series regular for season 2. Huston also kept busy with movies, playing writer Jack Kerouac in Kill Your Darlings (2013).

Trivia: After several years in secondary film roles, the skeletal, menacing Christopher Lee achieved horror-flick stardom as the Monster in 1958's The Curse of Frankenstein, the second of his 21 Hammer Studios films. Contrary to popular belief, Lee and Peter Cushing did not first appear together in The Curse of Frankenstein. In Laurence Olivier's Hamlet (1948), in which Cushing plays the minor role of Osric, Lee appears as the cadaverous candle-bearer in the "frighted with false fires" scene, one of his first film roles. In 1958, Lee made his inaugural appearance as "the Count" in The Horror of Dracula, with Cushing as Van Helsing. It would remain the favorite of Lee's Dracula films; the actor later noted that he was grateful to be allowed to convey "the sadness of the character. The terrible sentence, the doom of immortality...."Three years after Curse, Lee added another legendary figure to his gallery of characters: Sherlock Holmes, the protagonist of Sherlock Holmes und das Halsband des Todes. With the release eight years later of The Private Life of Sherlock Holmes, Lee became the first actor ever to portray both Holmes and Holmes' brother, Mycroft, onscreen. Other Lee roles of note include the title characters in 1959's The Mummy and the Fu Manchu series of the '60s, and the villainous Scaramanga in the 1974 James Bond effort The Man With the Golden Gun. In one brilliant casting coup, the actor was co-starred with fellow movie bogeymen Cushing, Vincent Price, and John Carradine in the otherwise unmemorable House of Long Shadows (1982). Established as a legend in his own right, Lee continued working steadily throughout the '80s and '90s, appearing in films ranging from Gremlins 2: The New Batch (1990) to Tim Burton's Sleepy Hollow (1999).In 2001, after appearing in nearly 300 film and television productions and being listed in the Guinness Book of World Records for being the international star with the most screen credits to his name, the 79-year-old actor undertook the role of Saruman, chief of all wizards, in director Peter Jackson's eagerly anticipated screen adaptation of J.R.R. Tolkien's Lord of the Rings. Thought by many to be the millennial predecessor to George Lucas' Star Wars franchise, audiences thrilled to the wondrous battle between Saruman and Gandalf (Ian McKellen) atop the wizard's ominous tower, though Lee didn't play favorites between the franchises when Lucas shot back with the continuing saga of Anakin Skywalker's journey to the dark side in mid-2002. Wielding a lightsaber against one of the most powerful adversaries in the Star Wars canon, Lee proved that even at 80 he still had what it takes to be a compelling and demanding screen presence. He lent his vocal talents to Tim Burton's Corpse Bride in 2005, and appeared as the father of Willy Wonka in the same director's adaptation of the Roald Dahl classic. He appeared as Count Dooku in Revenge of the Sith, and voiced the part for the animated Clone Wars. He appeared in the quirky British film Burke & Hare in 2010, and the next year he could be seen Martin Scorsese's Hugo. In 2012 he teamed with Tim Burton yet again when he appeared in the big-screen adaptation of Dark Shadows.Now nearly into 90s, Lee returned to Middle Earth in 2012 with Jackson's Hobbit trilogy, appearing in the first (The Hobbit: An Unexpected Journey) and third (The Hobbit: The Battle of the Five Armies) films. He also reprised the role in a number of video games based on the two series. Lee was still actively working when he died in 2015, at age 93.

Trivia: The daughter of a high-born British military major, actress Joanna Lumley was a model before entering films with 1968's Some Girls Do. In 1976, she took on the Diana Rigg-like female lead on the British TV action series The New Avengers, costarring Patrick MacNee of the old Avengers. Joanna also costarred in two of Blake Edwards' Pink Panther movies of the '80s. Thoroughly jettisoning her previous cool-glamour image, Joanna Lumley costarred with Jennifer Saunders in the 1993 British TV sitcom Absolutely Fabulous as a pair of boozing, bawdy functionaries in the '90s fashion world (the series was picked up by the American cable network Comedy Central in 1994). So popular was Ms. Lumley's characterization of potty-mouthed, cheap-thrill-seeking Patsy that, shortly after the premiere of Absolutely Fabulous, she was being imitated in TV commercials by comic actor John Cleese!On the big screen she appeared in Cold Comfort Farm, James and the Giant Peach, and The Cat's Meow before returning to her signature role as Patsy Stone for another run of Absolutely Fabulous in 2001. After that she could be seen in Eurotrip, and provided voiceover work in both Doogal and Tim Burton's Corpse Bride. She starred in the series Clatterford, and had a prominent part in the 2011 project Late Bloomers.

Trivia: Englishman Simon McBurney enjoyed two distinct phases of his screen career; he began as a character player, who excelled at playing ruddy-faced, wizened, vaguely sinister types, often of a European or Eastern European origin. His resumé -- in this capacity -- includes such films as Kafka (1991), Eisenstein (as the famous Russian director), and Jonathan Demme's political thriller remake The Manchurian Candidate (2004). As of 2007, however, McBurney shifted gears somewhat by stepping behind the camera, when he executive produced and authored the screen story of the Rowan Atkinson vehicle Mr. Bean's Holiday.

Trivia: Born in England circa 1945, actress Charlotte Rampling is the daughter of a British colonel who went on to become a NATO commander and relatively successful painter. After attending the Jeanne d'Arc Académie pour Jeunes Filles in Versailles and the prestigious St. Hilda's school in Bushley, England, Rampling worked as a model before making her film debut as a water skier in The Knack...and How to Get It (1965), director Richard Lester's acclaimed sex comedy. Her breakout role, however, wouldn't come until a year later, when she performed opposite Lynn Redgrave as the bitchy but beautiful roommate of the title character in Georgy Girl (1966). Georgy Girl set the standard for Rampling's further work, which, while not always popular with mainstream audiences, could never be conceived of as mundane. Quite the contrary, in fact -- from her role as a hitchhiker in Vanishing Point (1971) to her portrayal of Ann Boleyn in Henry VIII and His Six Wives (1972) to her performance as a woman in love with a chimpanzee in Max My Love (1986), Rampling became notorious for her bold, meaningful characters. Luchino Visconti's The Damned (1969) is no exception to the rule (the incestuous political drama was originally rated X in the United States); neither was her work with Sean Connery in John Boorman's sci-fi adventure Zardoz (1973). That said, Rampling's most intense role was, arguably, that of a concentration camp survivor who is reunited with the Nazi guard (Dirk Bogarde) who tortured her throughout her captivity in 1974's The Night Porter.In 1975, Rampling starred opposite Robert Mitchum in the post-noir detective thriller Farewell, My Lovely, and offered a passionate rendering of a violent heiress confined to a mental institution in the French/Italian/German collaboration La Chair de l'Orchidée. The actress' success continued to grow throughout the latter half of the 1970s, and in 1980, Rampling played a lead role alongside Woody Allen in Stardust Memories, the follow-up to the much-hailed Manhattan. Shortly afterward, Rampling could be seen as the deceitful Laura in director Sidney Lumet's courtroom drama The Verdict (1982) with Paul Newman. Rampling spent much of the mid-'80s filming in Europe; one of her most notable performances during that time was as the mysterious mistress of a murder victim in the French crime thriller On Ne Meurt Que Deux Fois, though she would return to America for Alan Parker's Angel Heart. The heavily praised voodoo-themed crime thriller featured Rampling as an ill-fated woman whose heart is irrevocably extracted from her body.Though her fondness for murder mysteries and historical political dramas still manifested itself through her performances in Paris by Night (1989) and Invasion of Privacy (1996), Rampling also found luck in several moderately well-received comedies, including Time is Money (1994) and Asphalt Tango (1997). However, her name was launched back into the A-list after her performance as a complicated aunt in the multi-award-winning The Wings of the Dove with Helena Bonham Carter. In 2000, Rampling was nominated for her own Oscar; her portrayal of a phenomenally distraught widow in Under the Sand was praised by critics and audiences alike as one of the best performances of the year. After participating in several documentaries and the espionage thriller Spy Game (2001), Rampling starred as a conservative mystery writer in director François Ozon's Swimming Pool -- the role would win her an award for Best Actress from the European Film Academy in 2003. After her success with Swimming Pool, Rampling went on to play supporting roles in The Statement (2003) and Immortel Ad Vitam (2004).Rampling continued to work in both English and French language projects, playing the Countess Spencer in The Duchess (2008), and later reunited with co-star Keira Knightley for Never Let Me Go (2010). In 2011, she appeared in Lars von Trier's Melancholia; the following year, she earned an Emmy nomination for her work in the BBC miniseries Restless. In 2015, she nabbed her first Academy Award nomination for her work in 45 Years.

Trivia: Wide-eyed actress Amanda Seyfried is best known to audiences for her hilarious performance as slow-witted but popular Karen Smith in the 2004 film Mean Girls. The former child model had graduated from high school the year before, though throughout her secondary education Seyfried had been acting on the popular soaps As the World Turns and All My Children, and by the time Mean Girls producers cast her for her big break, she was an experienced performer. She followed up the film's success with a role on the popular series Veronica Mars, playing the title character's murdered best friend in a series of "Laura Palmer-esque" flashbacks. She also took a role on the popular and controversial series Big Love before signing on to star in the big-screen adaptation of the popular Broadway play Mamma Mia!, a musical about a bride-to-be searching for her real father, set to the tunes of the popular Swedish disco group ABBA. She stretched her range with the 2009 erotic drama Chloe, and starred opposite Channing Tatum in the Nicholas Sparks adaptation Dear John the next year. In 2011 she was the lead in Red Riding Hood, and played opposite Justin Timberlake in the sci-fi film In Time.

Trivia: A Swedish actor who has become known to American audiences thanks to roles in Breaking the Waves and Good Will Hunting, Stellan Skarsgård is one of Scandinavia's best-known and most well-respected performers. Renowned for giving measured characterizations that draw their strength from a delicate complexity, Skarsgård is one of those rare actors who is able to do strong work regardless of the quality of the material he is in, displaying the sort of quiet fortitude that allows him to survive even the worst screen fiascos.Born in Gothenburg on June 13, 1951, Skarsgård became a star in his country, when, as a teenager, he was cast on the TV series Bombi Bitt och jag. After his film debut in 1972, he did years of stage work with Stockholm's Royal Dramatic and made a number of dramas with the director Hans Alfredson, the most notable of which, Den Enfaldige Mordaren, featured Skarsgård in a Silver Berlin Bear-winning performance as a misunderstood man with a deformity. In 1988, Skarsgård got a tentative introduction to a transatlantic audience with a small role in Philip Kaufman's The Unbearable Lightness of Being; two years later, he had a similarly minor role in another international hit, The Hunt for Red October.Skarsgård's true international breakthrough came courtesy of his role as Emily Watson's husband in Lars Von Trier's highly acclaimed Breaking the Waves (1996). The actor more than held his own opposite Watson, who gave one of the year's most lauded performances, and he found previously unimagined opportunities available to him in Hollywood. In 1997, he starred as a frustrated mathematician in Gus Van Sant's award-winning Good Will Hunting and was also featured in Steven Spielberg's Amistad; his work in both films culminated in an Outstanding European Achievement in World Cinema award from the European Film Academy. Later that same year, the actor appeared in My Son the Fanatic as a German businessman with the unfortunate surname of Schitz -- he also gave a stellar portrayal of a detective who slowly loses his mind while investigating a murder in the Norwegian film Insomnia.A prolific actor, Skarsgård appeared in a number of small ambitious projects in 2000, including Passion of Mind with Demi Moore, Mike Figgis' Time Code, and Harlan County War. The following year, while he showed up in the poorly-received thriller The Glass House, Skarsgård gained critical praise for his performance in Taking Sides.2003 saw Skarsgård taking a role in Lars von Trier's highly anticipated Dogville and signing on for the oft-plagued The Exorcist: The Beginning. After several debacles, the prequel to the horror classic finally found its way to movie theaters in 2004, the same year the actor costarred in Antoine Fuqua's King Arthur. After going toe-to-toe with the Devil himself in 2005's Exorcist: The Beginning (as well as Paul Schrader's alternate cut Dominion: Prequel to the Exorcist), Skarsgård joined the crew of the Flying Dutchman in Pirates of the Caribbean: Dead Man's Chest and its follow-up Pirates of the Caribbean: At World's End, and went medieval in the Swedism Arn films. A chilling turn as the ruthless warden in the fact-based King of Devil's Island showed a downright malevolent side to Skarsgård, though it was subsequent roles in the Marvel Comics features Thor and the Avengers, as well as a turn as the mysterious Martin Vanger in David Fincher's The Girl with the Dragon Tattoo, that offered the veteran actor the most international exposure in the wake of his voyage on the high seas.

Trivia: In 2008, made her catwalk modelling debut for Vivienne Westwood. Made her theatre debut in Fastest Clock in the Universe at the Hampstead Theatre in 2009. Shared the screen for the first time with her father Ray Winstone in the horror film Elfie Hopkins (2012), her first title role. Went to Barbara Winsor's home for tea and cakes to study her mannerisms before playing her in the biopic Babs (2017).

Trivia: Had a small role, with sister Lily Allen, in Oscar-nominated Elizabeth (1998), on which their mother, Alison Owen, was a producer. Is the subject of "Alfie," a song on Lily's debut album, Alright, Still (2006). Claims to be one of the first children in the United Kingdom to be given Ritalin after being diagnosed with attention deficit disorder (ADD). In 2008, succeeded Daniel Radcliffe in the role of troubled teen Alan Strang of Peter Shaffer's Equus for a revival tour of the 1973 play.

Trivia: Rose to prominence playing Lisa Hunter in the Channel 4 soap opera Hollyoaks. Embarked on a parallel career as a glamour model, posing for men's magazines such as FHM, Loaded and Arena. Took part in a charity event walking along a 228 kilometre stretch of the Great Wall of China to raise money for breast cancer awareness in April 2008. Has taken part in multiple Great Manchester Runs, raising money for a variety of charities.

Trivia: Singing voice is baritone.Is highly skilled in aerobics.Made his film debut in the 1987 action comedy Three Kinds of Heat.

Trivia: Charming, handsome, and easy-going, lead actor and megastar Burt Reynolds entered the world on February 11, 1936. He attended Florida State University on a football scholarship, and became an all-star Southern Conference halfback, but - faced with a knee injury and a debilitating car accident - switched gears from athletics to college drama. In 1955, he dropped out of college and traveled to New York, in search of stage work, but only turned up occasional bit parts on television, and for two years he had to support himself as a dishwasher and bouncer.In 1957, Reynolds's ship came in when he appeared in a New York City Center revival of Mister Roberts; shortly thereafter, he signed a television contract. He sustained regular roles in the series Riverboat, Gunsmoke, Hawk, and Dan August. Although he appeared in numerous films in the 1960s, he failed to make a significant impression. In the early '70s, his popularity began to increase, in part due to his witty appearances on daytime TV talk shows. His breakthrough film, Deliverance (1972), established him as both a screen icon and formidable actor. That same year, Reynolds became a major sex symbol when he posed as the first nude male centerfold in the April edition of Cosmopolitan. He went on to become the biggest box-office attraction in America for several years - the centerpiece of films such as Hustle (1975), Smokey and the Bandit (1977) (as well as its two sequels), The End (1978), Starting Over (1979), The Best Little Whorehouse in Texas (1982), and The Man Who Loved Women (1983). However, by the mid-'80s, his heyday ended, largely thanks to his propensity for making dumb-dumb bumper-smashing road comedies with guy pals such as Hal Needham (Stroker Ace, The Cannonball Run 2). Reynolds's later cinematic efforts (such as the dismal Malone (1987)) failed to generate any box office sizzle, aside from a sweet and low-key turn as an aging career criminal in Bill Forsyth's Breaking In (1989). Taking this as a cue, Reynolds transitioned to the small screen, and starred in the popular sitcom Evening Shade, for which he won an Emmy. He also directed several films, created the hit Win, Lose or Draw game show with friend Bert Convy, and established the Burt Reynolds Dinner Theater in Florida. In the mid-'90s, Reynolds ignited a comeback that began with his role as a drunken, right-wing congressman in Andrew Bergman's Striptease (1996). Although the film itself suffered from critical pans and bombed out at the box office, the actor won raves for his performance, with many critics citing his comic interpretation of the role as one of the film's key strengths. His luck continued the following year, when Paul Thomas Anderson cast him as porn director Jack Horner in his acclaimed Boogie Nights. Reynolds would go on to earn a Best Supporting Actor Oscar nomination, and between the twin triumphs of Striptease and Nights, critics read the resurgence as the beginning of a second wind in the Deliverance star's career, ala John Travolta's turnaround in 1994's Pulp Fiction. But all was not completely well chez Burt. A nasty conflict marred his interaction with Paul Thomas Anderson just prior to the release of Boogie Nights. It began with Reynolds's disastrous private screening of Nights; he purportedly loathed the picture so much that he phoned his agent after the screening and fired him. When the Anderson film hit cinemas and became a success d'estime, Reynolds rewrote his opinion of the film and agreed to follow Anderson on a tour endorsing the effort, but Reynolds understandably grew peeved when Anderson refused to let him speak publicly. Reynolds grew so infuriated, in fact, that he refused to play a role in Anderson's tertiary cinematic effort, 1999's Magnolia. Reynolds's went on to appear in a big screen adatpation of The Dukes of Hazzard as Boss Hogg, and later returned to drama with a supporting performance in the musical drama Broken Bridges; a low-key tale of a fading country music star that served as a feature debut for real-life country music singer Toby Kieth. Over the coming years, Reynolds would also enjoy occasional appearances on shows like My Name is Earl and Burn Notice.

Trivia: Boasting talent, versatility, and one of the most distinctive heads of hair in Hollywood, Julianne Moore has proven herself equally adept in both mainstream blockbusters and smaller, more intelligent films. The daughter of a military judge and a Scottish social worker, Moore was born in Fayetteville, NC, on December 3, 1961. After attending Boston University, she began her acting career via the taxing world of soap opera. From 1985 until 1988, she was best-known for her role as Franny Hughes on As the World Turns. The part, which on occasion required her to play twins, won Moore a 1988 Daytime Emmy Award.The actress made her entrance into the big-screen arena with a 1990 debut in the schlocktastic Tales From the Darkside: The Movie (which also featured Steve Buscemi). Two years later, after making various TV movies, Moore reappeared in feature films with supporting parts in Curtis Hanson's tale of a babysitter gone bad, The Hand That Rocks the Cradle, and the comedy The Gun in Betty Lou's Handbag. The following year, her exposure increased further thanks to roles in four different films that ranged from the half-baked thriller Body of Evidence to the sweetly quirky Benny and Joon to the big-budget smash The Fugitive to Robert Altman's epic Short Cuts. The last film gave Moore literal exposure in addition to the more figurative kind: she was required to play one scene naked from the waist down, something that predictably won the attention of critics and filmgoers.The intermittent praise that had been afforded Moore was amplified in 1994 with her performance as Yelena in Vanya on 42nd Street. The object of adjectives ranging from "luminescent" to "radiant" to "revelatory," the actress went on to play a very different character in Todd Haynes' Safe (1995). Moore won an Independent Spirit Award nomination for her portrayal of a woman (literally) sickened by the environment around her and further proved that she was an actress of distinct versatility. The same year she again demonstrated this ability with a starring role opposite Hugh Grant in the comedy Nine Months.Following a turn as one of Picasso's numerous lovers in Surviving Picasso (1996), a lead in the family drama The Myth of Fingerprints (she would later have a son with the film's director, Bart Freundlich), and a substantial part in The Lost World: Jurassic Park, Moore nabbed what was one of the plum roles of her career in Paul Thomas Anderson's Boogie Nights. For her portrayal of a porn actress, she won Golden Globe and Academy Award nominations. A substantial role as an erotic artist in Ethan Coen's and Joel Coen's The Big Lebowski followed in 1998, along with a turn as Marion Crane's sister in Gus Van Sant's Psycho remake. The next year, Moore starred in a number of high-profile projects, beginning with Robert Altman's Cookie's Fortune, in which she was cast as the dim sister of a decidedly unhinged Glenn Close. A portrayal of the scheming Mrs. Cheveley followed in Oliver Parker's An Ideal Husband, with a number of critics asserting that Moore was the best part of the movie. The actress then enjoyed another collaboration with director Anderson in Magnolia, an epic telling of nine interweaving stories inspired by Short Cuts and featuring an impressive cast that included Anderson regulars Philip Seymour Hoffman, Philip Baker Hall, and John C. Reilly. The same year, Moore also starred in the drama The End of the Affair, with Ralph Fiennes and Stephen Rea, and portrayed a grieving mother in A Map of the World, which premiered at the 1999 Toronto Film Festival.2001 found the popular actress stepping into dark territory with the role of FBI Agent Clarice Starling in Ridley Scott's Hannibal, the long-awaited and eagerly anticipated follow-up to Jonathan Demme's numbingly suspenseful Silence of the Lambs. A few short months later, Moore lightened the mood substantially with her humorous turn as a bumbling government scientist in the sci-fi comedy Evolution. Increasingly comfortable alternating between big-budget features and more personal art-house films, Moore bowled over audiences with a pair of powerhouse performances in both Far From Heaven and The Hours. A detailed throwback to the forgotten Hollywood melodrama, the former featured Moore's Oscar nominated role as a housewife who enters into a controversial relationship after discovering her husband's homosexuality and provided audiences a dose of Douglas Sirk that hadn't been tasted since the mid-1950s. A variation on the themes presented in Virginia Woolf's Mrs. Dalloway, the film version of Michael Cunningham's Pulitzer prize winning novel The Hours once again found Moore Oscar nominated for her role as a repressed 1950s era housewife, this time taking a special shine to Mrs. Dalloway while pondering an escape from her stifling marriage. In the wake of arguably her most successful year to date, Moore began to dabble behind the scenes for the first time, serving as executive producer on the 2003 independent adaptation of Wallace Shawn's play Marie and Bruce, a film that she also starred in. The following year, audiences could find Moore onscreen opposite Pierce Brosnan in the romantic comedy The Laws of Attraction and in the poorly-received thriller The Forgotten. In 2005 she earned good reviews for The Prize Winner of Defiance, OH, but the film failed to catch on with audiences. She continued to work steadily starring opposite Sam Jackson in the adaptation of Richard Price's Freedomland, and starring opposite Clive Owen in Alfonso Cuaron's futuristic thriller Children of Men. She once again teamed with her director husband Bart Freundlich in the relationship comedy Trust the Man. Shortly after returning to television with a recurring role on the hit comedy series 30 Rock, the talented actress earned numerous positive reviews for her nuanced performance in The Kids Are All Right, and while she failed to earn a BAFTA Award as one half of a same sex couple attempting to help their children come to terms with being adopted, Moore's memorable performance as a frustrated housewife in 2011's Crazy, Stupid, Love. showed an actress still capable of balancing drama and comedy to striking effect. On the heels of her performance in Paul Weitz's Being Flynn the following year, it was announced that Moore would be following in the formidable footsteps of Piper Laurie in the 2013 remake of the Stephen King's Carrie starring Chloe Grace Moritz (Let Me In, Hugo). One year later she earned a slew of year-end accolades, including an Oscar nomination for Best Actress, for her work playing an accomplished professor deteriorating from Alzheimer's in Still Alice.

Trivia: Before he started acting, Mark Wahlberg was best known as Marky Mark, the pants-dropping rapper who attained fame and notoriety with his group the Funky Bunch. In the tradition of Will Smith and Ice Cube, Wahlberg has made a successful transition from music to film, garnering particular early praise for his role in Boogie Nights.Born June 5, 1971, in Dorchester, MA, Wahlberg had a troubled early life. One of nine children, he dropped out of school at 16 (he would later earn his GED) and committed a number of minor felonies. After working various odd jobs, Wahlberg briefly joined brother Donnie and his group New Kids on the Block before forming his own, Marky Mark & the Funky Bunch. The group had widespread popularity for a time, most notably with its 1992 hit single "Good Vibrations." However, it was Wahlberg himself who received the lion's share of attention, whether it was for the homophobia controversy that surrounded him for a time, or for the 1992 Calvin Klein ad campaign featuring him wearing nothing more than his underwear, Kate Moss, and an attitude. In 1993, Wahlberg turned his attentions to acting with a role in The Substitute. The film, co-starring a then-unknown Natasha Gregson Wagner, was a critical and commercial failure, but Wahlberg's next project, 1994's Renaissance Man, with Danny De Vito, gave him the positive notices that would increase with the release of his next film, The Basketball Diaries (1995). Although the film received mixed reviews, many critics praised Wahlberg's performance as Mickey, Leonardo Di Caprio's friend and fellow junkie. Following Diaries, Wahlberg appeared in Fear (1996) in the role of Reese Witherspoon's psychotic boyfriend.It was with the release of Paul Thomas Anderson's Boogie Nights in 1997 that Wahlberg finally received across-the-board respect for his commanding yet unassuming performance as busboy-turned-porn-star Eddie Adams/Dirk Diggler. The film was nominated for three Oscars and a slew of other awards by associations ranging from the British Academy to the New York Film Critics Circle to MTV. The positive attention landed Wahlberg on a wide range of magazine covers and gave him greater Hollywood pulling power. He had, as they say, arrived. Wahlberg's follow-up to Boogie Nights was 1998's The Big Hit, an action comedy that, particularly in the wake of Boogie Night's acclaim, proved to be a disappointment. This disappointment was hardly lessened by the relative critical and commercial shortcomings of Wahlberg's next film, The Corruptor (1999). An action flick that co-starred Chow Yun-Fat, The Corruptor showcased Wahlberg's familiar macho side and indicated that success in Hollywood is a strange and unpredictable thing. Though he gained positive notice for his role in David O. Russell' s unconventional war film Three Kings the same year, the film was only a moderate success, paving the way for an even more dramatic turn in the downbeat true story of the ill-fated Andrea Gail, The Perfect Storm, in 2000.The following year found Wahlberg filling some big shoes -- and receiving some hefty criticism as a result -- with his lead role in Tim Burton's much-anticipated remake of Planet of the Apes. Taking over the role that Charlton Heston made famous, Wahlberg found himself pursued onscreen by sinister simians, as well as offscreen by critics who decried the lack of depth that the actor brought to the role. Late that summer, Wahlberg came back down to Earth -- specifically to the everyday-Joe-rises-to-fame territory of Boogie Nights -- with Rock Star, the story of a tribute-band singer who gets a chance to sing for the band he idolizes. Though his noble attempt to fill the considerable shoes of Hollywood legend Cary Grant in the 2002 Charade remake The Truth About Charlie would be only slightly exceeded by his assumption of the role originally played by Michael Caine in the following year's remake of The Italian Job, Wahlberg would subsequently prove that there's nothing like the fresh breeze of an original script in director David O. Russell's existential 2004 comedy I Heart Huckabees. Of course, Wahlberg was never one to let a crowd down, and after riling audiences alongside Tyrese Gibson and André Benjamin in the Detroit-based revenge flick Four Brothers, the athletic actor would take to the gridiron to tell the inspirational story of one football fan whose dreams of playing in the NFL actually came true in the 2006 sports drama Invincible. Also released in the fall of 2006, The Departed allowed Wahlberg to act opposite such heavy hitters as Jack Nicholson, Matt Damon, Alec Baldwin, and his old Basketball Diaries co-star Leonardo Di Caprio under the direction of Martin Scorsese. Not only did Wahlberg hold his own against the cast of critics' darlings, he landed the film's only acting Academy Award nod. In 2007, Wahlberg starred in the suspense actioner The Shooter, as well as in director Peter Jackson's adaptation of The Lovely Bones. Wahlberg starred as the leader of a ragtag group trying to survive amidst murderous plant life in M. Night Shyamalan's so-bad-it's-good The Happening (2008), and played the titular role of Max Payne, which was adapted from a video game of the same name. In 2010 the actor starred in the inspirational docudrama chronicling the life of brothers Micky and Dicky Ecklund as they take on the world of boxing. Wahlberg earned an Academy Award nomination for producing the film; that same year, he began producing a new show for HBO, Boardwalk Empire. Wahlberg had a huge hit in 2012 with Seth MacFarlane's Ted, and joined the Transformer franchise in Transformers: Age of Extinction in 2014. Wahlberg continued his steady work, starring and producing both Deepwater Horizon (which was nominated for two Oscars) and Patriots Day (about the Boston Marathon bombing) in 2016.

Trivia: The son of a Spanish waiter and an Italian housekeeper, Molina was born in London on May 24, 1953. Educated at London's Guildhall School of Music and Drama, he began his career as one half of a street-corner comedy team but then turned to acting. While most thesps start at the bottom and ascend the ladder, Molina is an anomaly: he began at the top of the heap, first earning professional credibility (and his pedigree) as a member of the Royal Shakespeare Company, and debuting cinematically in no less than Steven Spielberg's Raiders of the Lost Ark (1981), as the devious South American guide who leaves Harrison Ford for dead in an ancient temple before meeting his own end, courtesy of a particularly nasty booby trap. His subsequent resume for the rest of that decade reads like a "best of 1980s International Film": supporting roles in Mike Leigh's Meantime (1981), Peter Yates's Eleni (1985) , Richard Donner's Ladyhawke (1985),Chris Bernard's Letter to Brezhnev and Dusan Makavejev's Manifesto (1989), to name only a few. His contribution to Chris Bernard's gently underplayed, low-budget comedy Brezhnev (1985) (which, like Raiders, takes advantage of his slightly dark, Mediterranean complexion) is particularly a standout. He plays a Russian sailor who picks up Margi Clarke's Liverpool blue-collar worker Teresa King during leave, and whose only comprehensible line gives the film its biggest laugh: "Leeverpool. Bittles... Ahhhhh." Molina would spend the next several years appearing in a number of films, like An Education, as well as a number of TV projects like Harry's Law, Law & Order: L.A., and Roger & Val Have Just Got In.But Molina's most impressive contribution to cinema came in 1986, when he joined two fellow Brits, director Stephen Frears and actor Gary Oldman - and turned everyone's head in the process - in Prick Up Your Ears. That film, adapted from eccentric playwright Joe Orton's autobiography, casts Molina as Kenneth Halliwell, Orton's homosexual lover and eventual murderer, opposite Oldman. Practically unrecognizable as the bald, severely unhinged Halliwell, Molina is at once terrifying and pathetic, and gleaned a number of positive notices for his performance, though, for some odd reason, it was criminally overlooked at awards ceremonies and failed to earn Molina any acting laurels. A few years later, Molina joined the cast of Not Without My Daughter (1990). In this true-life account (adapted from Betty Mahmoody's memoir), he plays Moody, a Persian husband who takes his American wife (Sally Field) and daughter to Iran under the guise of "vacation," and virtually imprisons them, forcing her to plot escape. The role (and film) gleaned some controversy for its portrayal of Islam, but (the bearded) Molina glistened with dark, brooding intensity characteristic of the actor's finest work. Molina offered more sympathetic portrayals in such films as Mike Newell's Enchanted April (1992), Species (1995), and Mira Nair's The Perez Family (1995), as a Cuban immigrant struggling to make a new life for himself in Miami. In Paul Thomas Anderson's Boogie Nights, Molina evoked a deranged playboy precariously teetering on the edge of insanity - a role that further evinced boundless courage. 1999's ridiculous Dudley-do-Right, however (in which Molina) played the villain), didn't serve him as well; neither he, nor Brendan Fraser, nor Sarah Jessica Parker managed to rise above the silly script. Far more impressive (albeit smaller in scope) was the actor's sophomore collaboration with Anderson, that year's Magnolia, in a fleeting role as Solomon Solomon, the owner of the electronics shop where William H. Macy's Donnie Smith works. During 1999 and thereafter, Molina attempted to break into television sitcoms (1999's Ladies Man, 2002's Bram and Alice), but none of these efforts panned out. He continued to garner positive notices during this period, however, for his roles in such films as 2000's Chocolat and 2002's Frida. Molina earned a Screen Actors Guild Award nomination (finally!) in the latter, for his portrayal of chronically unfaithful painter Diego Rivera. In 2004, the actor traveled to megaplexes again, as the infamous Doc Oc in the critically-acclaimed box-office smash Spider-Man 2, and although ostensibly a defiantly commercial piece of Hollywood fluff, the film performed well on all fronts - critically and commercially. Considered by some to be the greatest example of the superhero genre ever produced, no small amount of the rave reviews given to the film were directed at Molina for his spot-on portrayal of the maniacal comic-book villain; The Los Angeles Times's Kenneth Turan rhapsodized, "As played by Alfred Molina with both computer-generated and puppeteer assistance, Doc Ock grabs this film with his quartet of sinisterly serpentine mechanical arms and refuses to let go."That same year (albeit in a much different cinematic arena and catering to a much different audience --- such is the magic of Molina's versatility), the actor played opposite John Leguizamo as Victor Hugo Puente, a sensationalism-hungry news anchor willing to do almost anything for ratings, in Sebastian Cordero's well-received psychological thriller Crónicas. Molina highlighted the cast of no less than six features throughout 2005 and 2006, but his highest-profile film from this period was Ron Howard's The Da Vinci Code, in which he plays the obese Bishop Aringarosa This May '06 release (adapted from Dan Brown's bestseller) sharply divided critics (most found it average). That same year, Molina contributed to two films by major directors: Kenneth Branagh drew on his background as a trained RSC member by casting Molina as Touchstone in his screen adaptation of Shakespeare's comedy of errors As You Like It, and he receives second billing (after Richard Gere) in Lasse Hallstrom's docudrama The Hoax. The picture tells the early-1970s story of Clifford Irving's (Gere) attempt to write and market a phony autobiography of Howard Hughes, with the assistance of right-hand man Richard Susskind (Molina). Molina married British actress Jill Gascoine (Northern Exposure, BASEketball) in 1985, who is sixteen years his senior. They have two sons.

Trivia: A well-respected character actor who specializes in playing tough guys with a heart, Luis Guzman has appeared in a dizzying array of film and television productions since he began his professional acting career in the early 1980s.Born August 28, 1956, Guzman graduated from City College and worked for some years as a youth counselor at the Henry Street Settlement House. During his time as a social worker, he began performing in street theatre and independent films. Guzman got his first big break in the early '80s with a role on the popular TV series Miami Vice. He went on to work sporadically in film and television throughout the rest of the decade, appearing in such films as Sidney Lumet's Family Business and Ridley Scott's Black Rain (both 1989).Guzman's work schedule grew increasingly crowded as the 1990s progressed; kicking off the decade with an appearance in another Lumet piece, Q & A (1990), the actor began popping up in films ranging from romantic comedy (Anthony Minghella's Mr. Wonderful, 1993) to crime drama (Brian De Palma's Carlito's Way, 1993) to gay and lesbian historical docudrama (Nigel Finch's Stonewall, 1995). Thanks to directors Steven Soderbergh and Paul Thomas Anderson, Guzman became more readily recognizable in the late 1990s. For Soderbergh, he had substantial roles in Out of Sight (1998), which cast him as a prisoner whose planned escape is ruined by George Clooney; and The Limey (1999), in which he played Terence Stamp's gruff but good-hearted partner in revenge. For Anderson, Guzman appeared in both Boogie Nights (1997) and Magnolia (1999), playing a wannabe porn star in the former and a game show contestant in the latter. 2002 proved Guzman's busiest year to date as the increasingly visible actor appeared in no less than five films, including a prominant role in the caper comedy Welcome to Collinwood and a re-teaming with director Anderson with Punch-Drunk Love. On television, Guzman became a regular presence thanks to a recurring role on the HBO prison drama Oz, as well as appearances on such shows as Law and Order, NYPD Blue, and Walker, Texas Ranger.

Trivia: One of the screen's most versatile and woefully under-appreciated character actors, John C. Reilly has appeared in a series of films united only in their complete lack of similarity. To date, he has been used most intelligently by director Paul Thomas Anderson, who has cast him in Hard Eight, Boogie Nights, and Magnolia.A native of Chicago, where he was born May 24, 1965, Reilly broke into film in 1989, the year he starred in Casualties of War and We're No Angels, both of which featured Sean Penn and a less than stellar reception. Reilly subsequently spent the early '90s appearing in films of every conceivable genre, from the Tom Cruise testosterone extravaganza Days of Thunder (1990) to Woody Allen's Shadows and Fog (1992) to What's Eating Gilbert Grape (1993). Thanks to his unglamorous appearance, Reilly also did an obligatory turn as a backwoods psycho, popping up alongside Kevin Bacon in The River Wild (1994) long enough to freak out Meryl Streep and her family.1996 marked the beginning of Reilly's collaboration with director Anderson. That year, he starred as a none-too-bright loser stranded in Vegas in Hard Eight, Anderson's feature-length directorial debut. Reilly earned wide praise for his work in the film, which went largely unseen by audiences. The same couldn't be said of Reilly and Anderson's second collaboration, Boogie Nights, the following year. One of the most critically lauded films of 1997, it featured Reilly as another loser, a dim porn actor with dreams of becoming a magician/songwriter.Thanks to the film's success, Reilly finally earned a bit of long-overdue recognition, as was evidenced by his subsequent casting in Terrence Malick's adaptation of The Thin Red Line (1998). The actor's visibility further increased the following year, thanks to prominent roles in no less than four films. One of these was Magnolia, Anderson's follow-up to Boogie Nights. Like his previous film, Magnolia boasted a large ensemble cast of first-rate actors; among them, Reilly stood out as a lonely police officer who becomes involved with an emotionally unstable woman.With his career continuing to build momentum, Reilly was next cast alongside George Clooney and Mark Wahlberg in the 2000 big-budget adaptation of the best-selling book The Perfect Storm. However, his biggest year to date came in 2002. Not only could Reilly be seen in prominent roles in four high-profile films, but his scene-stealing turn in the musical Chicago netted him his first Academy Award nomination. Riding high on his escalating stardom, Reilly spent 2003 hard at work on three big releases, The Aviator, Dark Water, and Criminal. Of Reilly's 2004 projects, Criminal arrived first - in September of that year. A remake of the late Argentinian director Fabian Bielinsky's debut crime, the American version tells the story of a couple of scammers (Reilly and Diego Luna) who con members of the Beverly Hills upper-crust, the picture (brought to fruition by Steven Soderbergh) received average to positive reviews. On the enthusiastic end, The Los Angeles Times's Carina Chocano called the picture "funny, original and very well observed," and The Philadelphia Inquirer's Carrie Rickey remarked, "Gregory Jacobs' zircon remake of that glowing Argentine gem Nine Queens is the film equivalent of Chinese boxes or Russian matrushka dolls. If you've never played with them before, then there's a prize inside for you." Less enthused was The Charlotte Observer's Lawrence Toppmann, who compared the film somewhat unfavorably to its original: "a watered-down version of the same pleasures." Issued in December 2004, Martin Scorsese's The Aviator fared immeasurably better (with critics and at the box) and left in its wake the most enduring legacy of Reilly's 2004 efforts. As Noah Dietrich, the individual who manages Howard Hughes's (Leonardo di Caprio) business affairs, Reilly contributed to a strong ensemble cast that included Cate Blanchett and the splendid Alan Alda. Dark Water, Walter Salles's gothic horror opus, hit cinemas in July 2005. As the real estate agent who leases young mother Jennifer Connelly a possessed New York City apartment, Reilly delivers effective and substantial menace, even as the motion picture divided critics. In 2006, Reilly starred in two key A-list releases. Released in June 2006, Bob Altman's Garrison Keillor cinematization A Prairie Home Companion lays out a "genial" Altmanesque tapestry of the backstage shenanigans at a fictionalized version of Prairie, that transpire between the cast members. Reilly (who established himself with such force in Altman protege Paul Anderson's similar films) portrays Lefty, one half of a cowboy duo opposite Woody Harrelson's Dusty; they bicker throughout the film and ultimately perform a dirty-lyrics musical number together. The picture opened, almost unanimously, to glowing reviews. The supporting cast includes Keillor, Meryl Streep, Lindsay Lohan, and Kevin Kline. Reilly showcased his versatility by following up his work in the Altman film by co-starring opposite Will Farrell in the NASCAR comedy Talladega Nights: The Ballad of Ricky Bobby.In 2007 he was the lead in the musical biopic spoof Walk Hard: The Dewey Cox Story, also singing a number of song spoofs for the movie. The next year he reteamed with Will Farrell in Step Brothers. He had a major role in Cirque Du Freak in 2009. It was easy to find the well-respected character actor on screen in 2011, a year in which he appeared in the winning comedy Cedar Rapids, Roman Polanski's adaptation of the award-winning play Carnage, and the husband of Tilda Swinton in the psychological drama We Need to Talk About Kevin.

Trivia: William H. Macy came to acting by way of Bethany and Goddard Colleges. At the latter school, Macy studied under playwright David Mamet, with whom he would be frequently associated throughout his career. After college, Macy was a member of Mamet's theater troupe, the St. Nicholas Company. The actor performed in a number of productions, many of them written by Mamet, until 1978 when he left the company and headed to New York. Some of his earliest work there included commercial voice-overs, such as the now infamous "Secret: Strong enough for a man, but PH balanced for a woman." Macy also continued his theater work, forming the Atlantic Theatre Company with Mamet in 1985 and acting in Broadway and off-Broadway shows. In addition, he worked in television and began doing feature films, debuting in '80s Foolin' Around. He continued to act in supporting roles throughout the decade, appearing in such films as Mamet's directorial debut, House of Games (1987) and Woody Allen's Radio Days (1987). In 1991, he won a more substantial role, in Mamet's Homicide, and subsequently began to find work in more well-known films, including Benny and Joon and The Client.Macy finally got a shot at a leading role with his turn in Mamet's Oleanna. He won positive notices and an Independent Spirit Award nomination for his portrayal of a professor accused of sexual harassment. More acclaim followed with his starring role as a hapless car salesman in Joel Coen and Ethan Coen's Fargo (1996), for which he garnered a Best Supporting Actor Oscar nomination. The next year, Macy's star rose a little higher, thanks to his work in three high-profile films, Wag the Dog, Air Force One, and Paul Thomas Anderson's Boogie Nights. He was similarly lauded for his versatility through work in such films as Psycho and Pleasantville, and in 1999 he continued his winning streak as an unconventional superhero in Mystery Men, a gay sheriff in Happy, Texas, and a member of the ensemble cast of Paul Thomas Anderson's Magnolia. Despite the fact that Macy drew praise for his turn as a reluctant hit man in the 2000 drama Panic, the film went largely unseen, and his next substantial role found him running from dinosaurs in Jurassic Park III. As always Macy continued to intercut his more commercial efforts with such decidedly non-mainstream fare as Focus and Stealing Sinatra. Surprisingly, it was just such work that netted Macy some of his most glowing reviews. Case in point was a memorable performance as a disabled traveling salesman in the 2003 drama Door to Door; a role that earned its convincing lead an Emmy. After sticking to the small screen with the Showtime miniseries Out of Order, Macy went wide with the theatrical hit Seabiscuit and the breathless Larry Cohen-scripted thriller Cellular. That same year, the actor would continue to nurture a succesful ongoing collaboration with famed writer/director David Mamet in the widely-praised but little-seen crime drama Spartan. Macy has also continued to do television work, appearing on such series as Spencer, Law & Order, and ER. For his role in the 2004 made for television drama The Wool Cap (which also found him teaming with writer Steven Schachter to adapt a story originally written by Jackie Gleason), Macy was nominated for multiple awards including a Best Actor at the Golden Globe and an Emmys. In 2005, Macy returned to home turf with the Mamet-scripted thriller Edmond, directed by Stuart "Reanimator" Gordon. The picture reunited the actor and director, who originally collaborated in the early eighties on the stage version of the playwright's Sexual Perversity in Chicago. Adapted from Mamet's 1982 one-acter, Edmond dramatizes the descent of a seemingly normal man (Macy) from sanity to unbridled psychosis. While Edmond didn't exactly bomb critically or commercially after its July 14, 2006 premiere, it fell below the bar of previous Mamet efforts on two levels: first, the studio opened it to decidedly more limited release than Mamet's directorial projects over the previous several years (such as Spartan and Heist), thus ensuring that fewer would see it, and it also suffered from somewhat lackluster reviews. Surprisingly, those who did complain of the work attacked Mamet's script in lieu Gordon's direction. Variety's Scott Foundas observed, "The problem is that, too often, we don't fully understand what motivates Edmond, and many of Mamet's efforts toward explanation -- that life is one big shell game, that we're all latent racists at heart -- feel like specious armchair philosophizing." Macy produced that same year's Transamerica, and graced the cast of Jason Reitman's hearty satire Thank You For Smoking, with a funny turn as senator and anti-tobacco promulgator Ortolan Finistirre. At around the same time, he also voiced a crooked, baseball bat-swiping security guard in that year's family friendly animated feature Everyone's Hero. Meanwhile, audiences geared up for Macy's contribution to the ensemble of actor-cum-director Emilio Estevez's semi-fictional, Altmanesque docudrama Bobby, which recounts the events that preceded RFK's assassination by Sirhan Sirhan at the Ambassador Hotel. As the hotel manager, Macy joins a line-up of formidable heavyweights: Helen Hunt, Elijah Wood, Harry Belafonte, Martin Sheen, Estevez himself, Anthony Hopkins, Sharon Stone, and many others. The picture had journalists and moviegoers across America whispering 'Oscar contender' long before its initial release on November 22, 2006. Shortly after production wrapped, Macy made headlines in mid-late 2006 for a comment that involved his allegedly berating Bobby co-star Lindsay Lohan's on-set behavior, in reference to her constant tardiness. Meanwhile, the trades reported the everpresent Macy's involvement in two 2007 features: the animated Bee Movie (with a lead voice by Jerry Seinfeld), about a honeybee who decides to sue mankind for its use of honey, and Wild Hogs, a farce with Tim Allen, Martin Lawrence and John Travolta as a trio of Hell's Angels. Over the coming years, Macy would appear in movies like Shorts, Dirty Girl, and The Lincoln Lawyer, as well as the critically acclaimed series Shameless.In 1997, William H. Macy married Felicity Huffman, with whom he appeared in Magnolia.

Trivia: An offbeat renaissance man, Ricky Jay had distinguished himself as a magician, a sleight-of-hand artist, an author, and an archivist of unusual information, but he's become increasingly visible to filmgoers thanks to a series of choice supporting roles in notable motion pictures. Born in Brooklyn, NY, in 1948, Ricky Jay spent most of his childhood in New Jersey, where his grandfather, a professional magician, first showed him how to do card tricks. Jay made his first appearance on-stage at the age of four, when his grandfather brought him out during a performance for the Society of American Magicians. As he grew older, Jay developed a passionate interest in both magic and cardistry, as well as the stranger tributaries of entertainment history, and after graduating from Cornell University, he worked for a time as a barker and sideshow performer with a traveling circus. In the 1970s, Jay moved his act from the sideshow to night spots and theaters, performing his tricks and stunts (including spearing a watermelon with a playing card which was thrown at over 90 miles an hour) in comedy and magic clubs, and opening shows for the likes of Tina Turner and the Nitty Gritty Dirt Band. Jay also began sharing his historical research with the world in a series of books: Cards As Weapons (a history of card tricks as well as a guide to performing them), Learned Pigs and Fireproof Women (about odd and anomalous figures in the history of entertainment), and Jay's Journal of Anomalies, a compendium of information about "conjurers, cheats, hustlers, hoaxters, pranksters, jokesters, imposters, pretenders, side-show showmen, armless calligraphers, mechanical marvels, and popular entertainments." In the 1980s, Jay made the acquaintance of playwright and director David Mamet, with whom he shared an interest in the workings of confidence games; Jay became a consultant for the original stage production of Mamet's play The Shawl in 1985, and two years later Mamet called on Jay to play an unscrupulous card shark in his film House of Games. Jay soon became a regular in Mamet's screen productions, and appeared in six films he's directed, including The Spanish Prisoner and Heist. Mamet also gave Jay's offscreen career a boost, serving as director for Jay's one-man show Ricky Jay and his 52 Assistants, which became a major hit both off-Broadway and on the road. (The show was later videotaped for broadcast on HBO in 1996; a year later, Jay would host another TV special on the history of magic.) Jay's acting work also caught the eye of filmmaker Paul Thomas Anderson, who cast him in small but showy roles in two of his films, Boogie Nights and Magnolia (the latter featured Jay narrating a sequence on odd and anomalous crimes which could have come from one of his books...one of which was later shown on a library table). And Jay's research in magic has also given him another connection to the film industry: He runs a small company called Deceptive Practices, which specializes in creating trick props and illusions for the movies (their work as been featured in such pictures as Forrest Gump, Leap of Faith, and Congo).

Trivia: American actor Robert Ridgely's first television job was the part of Kimbro in the 1962 wartime drama The Gallant Men. He later played a Ted Baxter-ish anchor man on Domestic Life (1984), and was earlier featured as an unctuous talent-show emcee in Jonathan Demme's Melvin and Howard (1979). Ridgely showed up in a brace of Mel Brooks films during the early '90s, including Life Stinks (1991) and Robin Hood: Men in Tights (1993), and was featured in Michael Keaton's Multiplicity and Tom Hanks' That Thing You Do! Although he was always busy in front of the cameras, the actor was best-known as one of show business' most prolific and versatile voice-over artists. Ridgely's extensive TV-cartoon resumé included the title roles in Flash Gordon: The Greatest Adventure of All (1979), Tarzan, Lord of the Jungle (1980), and Thundarr the Barbarian (1982) Ridgely made his final film appearances in Boogie Nights and Fire Down Below (both 1997). He died of cancer in 1997 at the age of 65.

Trivia: An actor with handsome, everyman good looks and undeniable screen presence, Thomas Jane has turned up in everything from low-budget indies to sprawling, big-budget Hollywood action spectacles. Born January 29th, 1969, the Baltimore native's unusual entry into show business found him cast in a Romeo and Juliet-inspired Bollywood musical while still in high school. At just 17 years old, Jane was spotted by a pair of Indian producers looking to cast a young, fair-haired American to act as Romeo to a young Indian actress' Juliet. Alas, the lure of Bollywood weighed heavier than the prospect of another year in high school, so Jane soon dropped out to film Padamati Sandhya Ragam in Madras, India. When filming wrapped, he quickly returned stateside despite some tempting offers in India, and a year later, the struggling actor was making the move to Los Angeles. Finding work in L.A. didn't prove easy, but thanks to persistence and hard work, Jane eventually made his way into the local theater scene. A small role in the gay-themed drama I'll Love You Forever...Tonight was followed by a small part in the 1992 film Buffy the Vampire Slayer.Two short years later, Jane stepped into the lead for the quirky crime comedy At Ground Zero, and a role in the ill-fated Crow sequel The Crow: City of Angels followed in 1996. The next year, Jane was cast in the major starring role of real-life beatnik Neal Cassady for the independent film The Last Time I Committed Suicide with Keanu Reeves. By late 1997, Jane's star was steadily rising thanks to supporting parts in Face/Off and Boogie Nights. In 1998, he went indie once again with a role as a former heroin dealer looking to go straight in Thursday and then took a small part in the all-star ensemble cast of the war drama The Thin Red Line.With his role as a shark wrangler in the open-water thriller Deep Blue Sea in 1999, Jane graduated to full-on Hollywood action hero. After returning to Paul Thomas Anderson's fold for Magnolia later that year, he portrayed baseball legend Mickey Mantle in the acclaimed, made-for-HBO feature 61* (2001). His role as a quick-tempered detective working alongside Morgan Freeman's character in Under Suspicion (2000) found Jane at the top of his game, and though performances in The Sweetest Thing (2002) and Dreamcatcher (2003) went largely unseen due to poor box-office performances, audiences could rest assured that they would see plenty of the newly buff actor when he donned the famous skull T-shirt and loaded up to rid the streets of crime in the eagerly anticipated comic book adaptation The Punisher (2004). Two years later Jane would continue his onscreen love-affair with firearms as a Federal Witness Protection program particpant whose cover is dangerously blown in the Elemore Leonard adaptation Killshot. While Jane's performance as an infamous gangster was solid in the action thriller Give 'Em Hell Malone, he wouldn't find true success with mainstream audiences until he took on the leading role in HBO's Hung (2009-2012), a dark comedy following a history teacher (Jane) who moonlights as a prostitute.

Trivia: An acclaimed character actor of the stage, screen, and television, Don Cheadle often manages to steal most of the scenes in which he appears. That is no small feat, for the slender African-American actor has, at first glance, a rather unassuming physical presence, particularly when compared to some of his big-name co-stars. An actor whose style compliments rather than overshadows the performances of those around him, Cheadle stands out for his rare ability to bring a laid-back intensity and subtle charisma to his roles.A native of Kansas City, MO, Cheadle was born on November 29, 1964, to a psychologist father and bank manager mother. During his early childhood, his family moved to Denver and then Nebraska. One thing that remained a constant in Cheadle's childhood was his interest in performing, which began around the age of five. In addition to acting, he was interested in jazz music and his parents supported both of these endeavors. By the time he graduated from high school, he had scholarships from both music and acting schools; choosing the latter, he attended the California Institute of the Arts in Valencia. Following graduation, Cheadle made his film debut with a small role as a hamburger server in Moving Violations (1985). He honed his acting skills as a guest star on television series ranging from Hill Street Blues to Night Court, and, in 1992, he landed a regular role as a fussy hotel manager on The Golden Palace. Although the show faltered after only one season, Cheadle landed on his feet, subsequently snagging the plum role of earnest district attorney John Littleton on Picket Fences (1993-1995). While he was building a career on television, Cheadle was also earning a reputation in feature films. He first made an impression on audiences with his lead role in Hamburger Hill (1987), and, in 1994, he had his true screen breakthrough portraying Denzel Washington's best friend in Devil in a Blue Dress. So good was his performance -- which earned him a number of film critics awards -- that many felt an Oscar nomination was inevitable; when the Academy passed him over, many, including Cheadle, wondered why. However, the actor chalked it up to politics and got on with his career, working steadily throughout the remainder of the decade. 1997 proved to be a big year for him: he co-starred in three major films, Volcano, Boogie Nights, and John Singleton's Rosewood. He won particular praise for his work in the latter two films, earning nominations for SAG and Image awards.The following year, Cheadle made a triumphant return to television with his portrayal of Sammy Davis Jr. in The Rat Pack, winning an Emmy nomination and a Golden Globe award. Also in 1998, he did stellar work in Steven Soderbergh's Out of Sight and Warren Beatty's Bulworth, playing a down and dirty ex-con in the former and a drug lord in the latter. Another Emmy nomination followed in 1999, for Cheadle's powerful portrayal of a school teacher sent in to counsel a young man on death row, in A Lesson Before Dying. Cheadle would become something of a fixture in Soderbergh's films, and in fact delivered a stunning performance as a federal drug agent in the director's epic muckraking drama Traffic (2000).Cheadle then turned up in Soderbergh's remake of the Rat Pack classic Ocean's Eleven in 2002.The chasm between Traffic and Ocean's Eleven (not in terms of quality but in terms of intended audience and depth) is instructive; it established a definitive career pattern for Cheadle during the mid-late 2000s. Throughout that period, the gifted actor continually projected versatility by alternating between buttered-popcorn pictures - such as Soderbergh's 2004 and 2007 follow ups to Eleven (Ocean's Twelve and Ocean's Thirteen) - and more complex, demanding, intelligent material. For example, in 2004 (a particularly vital year for Cheadle) the actor delivered a four-barrelled lead portrayal in the heart-wrenching docudrama Hotel Rwanda. In that politically-tinged, factually-charged account, the actor plays the Rwandan manager of a Kigali hotel, so devastated by the surrounding massacres of his fellow countrymen that he turns the establishment into a clandestine refugee camp. Cheadle justly netted an Oscar nomination for his work. That same year, the thespian held his own against lead Sean Penn (no small feat, that) in the depressing and despairing yet critically acclaimed psychodrama The Assassination of Richard Nixon. Cheadle reserved his most formidable coup, however, for 2005, when he both produced and co-starred (opposite many, many others) in Paul Haggis's difficult ensemble film Crash-a searing, biting meditation on racism and the Best Picture winner of its year. In early 2007, Cheadle paired up with actor Adam Sandler and writer-director Mike Binder for Reign Over Me, a two-character drama about a dentist (Cheadle) reunited with his displaced college roommate (Sandler) after the trauma of 9/11. The picture reeled in generally favorable, if not universally positive, reviews. Later that same year, the actor essayed the lead role in Talk to Me. As directed by Kasi Lemmons, this period drama recreated the life and times of the controversial 1960s convict-cum-shock jock Petey Greene (Cheadle) who rides to fame amid the throes of the civil rights movement and Vietnam-era tumult; many critics tagged the portrayal as definitively Oscar worthy.Cheadle would remain a top star over the coming years, appearing in everything from the kid-friendly Hotel for Dogs to the gritty crime thriller Brooklyn's Finest. Cheadle would also take over the role of Lt. James Rhodes in the Iron Man sequel, replacing Terrence Howard. Cheadle would also find success on the small screen, producing and starring in the critically acclaimed comedy series House of Lies.

Trivia: One of the most original, versatile, and steadily employed actors in Hollywood, Philip Seymour Hoffman made a name for himself playing some of the most dysfunctional characters in movie history. Although he had been acting for years, most audiences were first introduced to the actor in the award-winning Boogie Nights, where he played a nebbishy soundman with a jones for Mark Wahlberg's Dirk Diggler. Imbuing his character with both humor and poignant complexity, Hoffman was one of the more memorable aspects of an unforgettable film.Born in Fairport, NY, in 1968, Hoffman trained at New York's Tisch School of Drama. Before breaking into film, he did a host of theater work, performing in New York, Chicago, and on a European tour. He made his film debut in the 1992 film Scent of a Woman, a critically acclaimed picture starring Al Pacino and Chris O'Donnell. Roles in a number of films of varying quality followed, including My New Gun (1992) and When a Man Loves a Woman (1994). The actor then nabbed a sizable role in Jan de Bont's 1996 tornado thriller Twister and the same year began an ongoing working relationship with Paul Thomas Anderson by appearing in his directorial debut Hard Eight. The crime drama, which also starred Gwyneth Paltrow and Samuel L. Jackson, received positive critical attention, although it didn't create more than a minor blip at the box office. However, Hoffman's next feature and second collaboration with Anderson, Boogie Nights (1997), was both a critical and financial success, scoring a host of Academy Award nominations and simultaneously reviving the careers of some of its stars, such as Burt Reynolds and Mark Wahlberg, while providing a breakthrough for others, such as Heather Graham and Hoffman himself. He next appeared in the Robin Williams comedy Patch Adams (1998), and the same year starred in two critically acclaimed independent films, Todd Solondz's Happiness and Brad Anderson's Next Stop Wonderland. The prolific actor added an appearance in The Big Lebowski (also 1998) to his already impressive resumé. In addition to his burgeoning acting career, Hoffman won favorable notices for his directing debut with the off-Broadway In Arabia, We'd All Be Kings. Hoffman came into his own with three notable performances in 1999. He reunited with Paul Thomas Anderson to play empathic hospice nurse Phil Parma, one of the emotional anchors in Magnolia. His portrayal of upper-crust snob Freddie Miles in The Talented Mr. Ripley earned him strong notices from many critics. Hoffman's peers awarded him with a Screen Actors Guild nomination for his role as a cross dresser in Flawless opposite Robert De Niro. He returned to the Broadway stage with fellow Anderson regular John C. Reilly to play very different brothers in Sam Shepard's True West. They took a risk by switching the lead roles every three days. Their hard work earned critical raves, and each was nominated for a Tony award. In 2000, Cameron Crowe cast Hoffman as Crowe's childhood hero Lester Bangs in Almost Famous, and David Mamet tapped him to be part of the impressive ensemble in State and Main.Hoffman maintained his status as one of the most respected and hardest-working actors in the new decade by delivering an excellent supporting turn in Red Dragon as an unctuous tabloid reporter. That same year he co-starred in Spike Lee's 25th Hour, and played the bad guy for old collaborator Paul Thomas Anderson in the offbeat romantic comedy Punch-Drunk Love. 2002 also saw the release of Love Liza, a very low-budget film scripted by Hoffman's brother and directed by actor Todd Louiso that starred Phil as a grieving husband addicted to huffing gas fumes. The next year found Hoffman starring as a gambling addict in the small scale Canadian drama Owning Mahowny, and turning in a memorable supporting performance as an amoral preacher in the big screen adaptation of Cold Mountain. Hoffman was in theaters again at the beginning of 2004 as the best friend in the Ben Stiller comedy Along Came Polly. He was also part of yet another outstanding ensemble in the small screen adaptation of Richard Russo's Pulitzer prize-winning novel Empire Falls.In 2005, Hoffman took the role of a lifetime when he assumed the title role in Bennett Miller's Capote. The film had critics in agreement that Hoffman's portrayal of complex and idiosyncratic real-life author Truman Capote was the stuff of Hollywood legend. Hoffman not only mastered the character's distinct body-language and speech but also hauntingly interpreted the subtle psychological and emotional self that made the character whole-leading many to declare that he very nearly made the film everything it was. The performance earned him the Oscar for Best Actor, as well as a Golden Globe and countless other accolades. The attention also provided a boost in profile for the actor who had for so long proved his worth in the background. After playing the bad guy in the third Mission Impossible movie opposite Tom Cruise, Hoffman had a remarkable 2007, a year that saw him play a central part in three well-regarded films. His conniving brother in Sidney Lumet's Before the Devil Knows You're Dead was a model of self-loathing fermenting into fatal action. In addition to a Golden Globe nomination for Best Actor, his highly-educated, emotionally fractured brother to Laura Linney's neurotic sister in The Savages offered him the chance to play numerous subtle and sharply observed scenes with her, the first meeting of these two revered performers. But it was his turn as the intense CIA operative in Charlie Wilson's War that won Hoffman the most widespread praise including Golden Globe and Oscar nominations for Best Supporting Actor.Hoffman continued to solidify his status as one of his generation's finest actors in 2008 with two very different roles. By choosing to play the lead in Charlie Kaufmann's directorial debut Synecdoche, New York, Hoffman again displayed his fearlessness, as well as his desire to work with the very best writers and directors he can find. That willfully difficult film never connected with mainstream audiences, but that was not true at all for Hoffman's other picture of 2008, Doubt. John Patrick Shanley's cinematic adaptation of his own award-winning play earned acting nominations for Hoffman and his three costars (Meryl Streep, Amy Adams, and Viola Davis) from both the Screen Actors Guild, and the Academy.Over the following years, Hoffman would continue to appear in a variety of interesting films, like Pirate Radio, The Ides of March, and Moneyball. In 2012 he again collaborated with Paul Thomas Anderson, playing a cult leader in the drama The Master opposite Joaquin Phoenix. For his work in that movie, Hoffman got a Best Supporting Actor nomination from both the Screen Actors Guild and the Academy of Motion Picture Arts and Sciences. The following year, he appeared in the smash The Hunger Games: Catching Fire as rebel Gamemaker Plutarch Heavensbee. Sadly, personal problems cut his illustrious career short, as Hoffman was found dead in his apartment of an apparent drug overdose at age 46.

Trivia: A graduate of the Tisch School for the Performing Arts as well as a published poet, Nicole Ari Parker began acting in small-stage productions in Harlem before landing her film debut in The Incredibly True Adventure of Two Girls in Love (1995). She would go on to appear in other independent features, such as The End of Violence, Boogie Nights, and 200 Cigarettes. She also began working in television, starring in a Rosie Perez-produced episode of Subway Stories and getting a reoccurring role on The Cosby Show. In 2001, she gained two NAACP Image award nominations: one for her work in the feature film Remember the Titans, and the other for her role as the lawyer Teri on the Showtime original series Soul Food. Parker would go on to play another lawyer a year later in the romantic comedy Brown Sugar, with Taye Diggs. In the years to come, Parker would find ongoing success with movies like Black Dynamite and Pastor Brown and tje TV series The Deep End.

Trivia: Intimidation often looms large for a legendary director's son who wishes to follow in the footsteps of his famous parent; perhaps for this reason, more than a few opt to establish themselves in another field. For Danny Huston, however -- the scion of mythically revered, Academy Award-winning filmmaker John Huston -- it wasn't at all a question of intimidation, merely one of circumstance. After pursuing directorial work fervently and dauntlessly, but encountering mixed success and frustration about his own inability to get studio backing for projects, Danny Huston found himself being drawn, one assignment at a time, into bit roles before the camera. In the process, Huston inadvertently launched himself as one of the most respected character actors of the late 20th and early 21st centuries.Born May 14, 1962, in Rome, as the illegitimate child of John Huston and European actress Zoe Sallis (during the former's separation from his then-wife, the late Ricki Soma), Daniel Huston came of age in Ireland and London. He studied art and cinema as a young adult, often spending a considerable amount of time on his father's movie sets, and honed his skills in his early twenties not in the arena of directing (as might be expected), but in that of painting.Danny Huston's directorial assignments began inconspicuously, at the age of 24, with the 1987 made-for-television comic fantasies Bigfoot and Mr. Corbett's Ghost (the second of which featured John Huston in the cast). The elder Huston -- then riding on the tails of his mid-'80s comeback with Under the Volcano and Prizzi's Honor -- engineered Danny's premier A-list feature. For it, Danny signed to helm a cinematization of Thornton Wilder's picaresque fantasy novel Theophilus North, co-adapted by John Huston, Prizzi's Honor scribe Janet Roach, and James Costigan. The Hustons assembled a dream cast: Anthony Edwards, Lauren Bacall, Harry Dean Stanton, Mary Stuart Masterson, Anjelica Huston (Danny's half-sister), David Warner, and Virginia Madsen, who dated and then married Danny in the fall of 1989. Robert Mitchum replaced John Huston in a key role when he died during production. Mr. North stars Edwards as the title character, a Yale graduate who wheedles his way into the upper crust of Newport, RI, in 1926, thanks to an inherent surge of electricity in his body that enables him to relieve the ailments of locals and thus charm them irrepressibly.Unfortunately, Mr. North -- which took its stateside bows in early August 1988 -- received tepid and lackluster reviews. Perhaps for this reason, Huston found it difficult to lock down a follow-up. Within a decade, the assignments were few and far between, and he occasionally found himself directing embarrassing fare like the 1995 direct-to-video horror exploitationer The Maddening (where psychotic marrieds Burt Reynolds and Angie Dickinson trap a poor woman and her daughter in their home and torture them systematically), and waiting, ever so patiently, for additional projects to take shape. Huston's personal life also decrescendoed during the early '90s, given his separation and divorce from Madsen. With no other immediate options visible to him, Huston started accepting Hollywood friends' invitations to play on-camera bit roles -- and scored tremendous success in this arena to rival anything prior in his career. He debuted as a bartender in Mike Figgis' late-1995 critical smash Leaving Las Vegas, then followed it up with turns in such cause célèbres as Timecode (2000), 21 Grams (2003), Silver City (2004), and The Aviator (2004). Huston was particularly memorable as British agent Sandy Woodrow in Fernando Mereilles' The Constant Gardener (2005), and as sociopath Arthur Burns in John Hillcoat's ultraviolent Western The Proposition (2005). He would go on to appear in films like Robin Hood, Stolen, and on the series Magic City.