Trivia: Angela Lansbury received an Oscar nomination for her first film, Gaslight, in 1944, and has been winning acting awards and audience favor ever since. Born in London to a family that included both politicians and performers, Lansbury came to the U.S. during World War II. She made notable early film appearances as the snooty sister in National Velvet (1944); the pathetic singer in The Picture of Dorian Gray (1945), which garnered her another Academy nomination; and the madam-with-a-heart-of-gold saloon singer in The Harvey Girls (1946). She turned evil as the manipulative publisher in State of the Union (1948), but was just as convincing as the good queen in The Three Musketeers (1948) and the petulant daughter in The Court Jester (1956). She received another Oscar nomination for her chilling performance as Laurence Harvey's scheming mother in The Manchurian Candidate (1962) and appeared as the addled witch in Bedknobs and Broomsticks (1971), among other later films. On Broadway, she won Tony awards for the musicals Mame (1966), Dear World (1969), the revival of Gypsy (1975), Sweeney Todd (1979) and, at age 82, for the play Blithe Spirit (2009). Despite a season in the '50s on the game show Pantomime Quiz, she came to series television late, starring in 1984-1996 as Jessica Fletcher in Murder, She Wrote; she took over as producer of the show in the '90s. She returned to the Disney studios to record the voice of Mrs. Potts in Beauty and the Beast (1991) and to sing the title song and later reprised the role in the direct-to-video sequel, The Enchanted Christmas (1997). Lansbury is the sister of TV producer Bruce Lansbury.

Trivia: Michael Woods was a lead actor who appeared on television and in films throughout the 1980s and '90s.

Trivia: Born in Alaska, blonde actress Michelle Johnson had to journey to an entirely different hemisphere to attain screen stardom. Cast as Michael Caine's topless teenaged amour in 1984's Blame it On Rio, Johnson received excellent notices, most of which forecast a long and fabulous career for the 19-year-old actress (reviewers barely paid attention to Johnson's young co-star Demi Moore). Since Rio, however, Johnson has made do with a number of forgettable potboilers, with a few scattered appearances in such A-pics as Gung Ho (1986) and Far and Away (1992). On television, Michelle Johnson was seen in the pilot for the 1987 Fox Network series Werewolf (1987), and has evinced a predilection for appearing in TV movies based on spectacular murder trials: she was cast in both films based on the Betty Broderick case, as well as the 1994 dramatization of the Mendendez Brothers imbroglio.

Trivia: Forceful, solidly constructed Australian actor Keith Michell had been an art teacher before climbing upon the stage in 1947. In films from the early 1950s, Michell's best movie effort was the 1961 swashbuckler The Hellfire Club. Blessed with a robust singing voice, he has starred in several London stagings of Broadway musicals, notably Irma La Douce, Man of La Mancha and On the 20th Century. From 1973 through 1977, Michell was artistic director of the Chichester Theatre Festival. In 1971, Michell won several international awards (including an American Emmy) for his virtuoso star turn in the BBC TV miniseries The Six Wives of Henry VIII. Devotees of TV's Murder She Wrote will recall Keith Michell's recurring role as avuncular reformed jewel thief Dennis Stanton during the series' 1990-91 season. He reprised his role of Henry VIII in the 1996 miniseries The Prince and the Pauper. Michell died in 2015.

Trivia: American character actor Jon Cypher is best known to daytime-drama devotees as Dr. Alex Keith on CBS' As the World Turns. Those who prefer NBC's soap-opera lineup will recognize Cypher as Dr. Arthur Donnelly on Santa Barbara. In the nighttime TV hours, the actor has been seen as such self-important characters as Chief Fletcher P. Daniels on Hill Street Blues (1981-1987), Jeff Munson on Knot's Landing (1982-1983 season), and Maj. Gen. Marcus Craig on Major Dad (1990-1993). Jon Cypher has also played similarly authoritative roles in his film work, beginning with his portrayal of land baron Frank Tanner in 1971's Valdez Is Coming.

Trivia: Progressing from Miss San Francisco to Miss California, LA-born brunette beauty Lee Meriwether recited a monologue written by Irish playright John Millington Synge and won the 1955 Miss America contest. Lee's first television job was as Dave Garroway's "girl Friday" on NBC's The Today Show. She played small parts on such prime time TV series as Leave It to Beaver and Sergeant Bilko before securing her first recurring role on the 1960 daytime drama Clear Horizons. Subsequent series-TV assignments included Dr. Ann McGregor on Irwin Allen's 1966 sci-fier The Time Tunnel, the star's homespun housewife on 1971's The New Andy Griffith Show, and a regular panelist on the syndicated 1974 edition of Masquerade Party. Lee played The Catwoman in the 1966 theatrical feature Batman (she also appeared on the TV series of the same name, but not in the same part). While in the 1968 cinematic wallow Legend of Lylah Clare she essayed one of her favorite screen parts: a vituperative lesbian who beats the snot out of Kim Novak. Her best-known role was as Betty Jones, daughter-in-law and general factotum of folksy detective Buddy Ebsen, on the long running (1975-82) TV series Barnaby Jones. More recently, Meriwether exhibited a heretofore underexploited gift for broad comedy in the role of the ghoulish Lily Munster on the syndicated 1988 "retro" sitcom The New Munsters. For many years, Lee Meriwether was married to actor Frank Aletter.

Trivia: The daughter of an aggressive (but comparatively benign) stage mother, Jane Withers was taught to sing and dance before she was three. At four, Withers was starring on her own radio program in Atlanta, doing imitations of such celebrities as Greta Garbo, ZaSu Pitts, and Maurice Chevalier. Relocating to Hollywood with her mother in 1932, Withers began her film career in bit parts, eventually winning the plum role of the obnoxious brat who bedevils sweet little Shirley Temple in Bright Eyes (1934) (throughout her career, Withers had nothing but nice things to say about Temple; for her part, Temple claimed that she was terrified of Withers, both on and off camera). This role won Withers a contract at Fox Studios (later 20th Century Fox), and for the next seven years she starred in a series of energetic, medium-budget comedies and musicals bearing such titles as Pepper (1936), The Holy Terror (1937), and Arizona Wildcat (1937). The script for her 1941 vehicle Small Town Deb was penned by Withers herself, using the nom de plume Jerrie Walters. After the end of her Fox contract in 1943, Withers attempted to establish herself as an ingenue in such films as Sam Goldwyn's The North Star, but her offbeat facial features and her inclination toward stoutness limited her choice of roles. In 1947, the newly married Withers decided to retire from films, something she was fully prepared to do thanks to her oil-rich husband and the generous trust fund set up by her parents. The collapse of her marriage and a severe attack of rheumatoid arthritis dealt potentially fatal blows to her optimistic nature, but by 1955 she was back on her feet, attending the U.S.C. film school in hopes of becoming a director. Hollywood producer/director George Stevens, a frequent U.S.C. lecturer, cast Withers in a sizeable supporting role in the 1956 epic Giant. Withers' second career as a character actress flourished into the 1970s; during this resurgence of activity she married again, only to be left a widow when her husband died in a 1968 plane crash. To TV viewers of the 1960s and 1970s, Jane Withers will be forever associated with her long-running (and extremely lucrative) stint as Josephine the Plumber in a popular series of commercials for Comet cleanser.

Trivia: While growing up in Chicago, Tom Bosley dreamed of becoming the star left-fielder for the Cubs. As it turned out, the closest Bosley got to organized athletics was a sportscasting class at DePauw University. After additional training at the Radio Institute of Chicago and two years' practical experience in various dramatic radio programs and stock companies, he left for New York in 1950. Five years of odd jobs and summer-theater stints later, he landed his first off-Broadway role, playing Dupont-Dufort in Jean Anouilh's Thieves' Carnival. Steadier work followed at the Arena Theatre in Washington, D.C.; then in 1959, Bosley landed the starring role in the Broadway musical Fiorello!, picking up a Tony Award, an ANTA Award, and the New York Drama Critics Award in the bargain. In 1963, he made his film bow as Natalie Wood's "safe and secure" suitor Anthony Colombo in Love With the Proper Stranger. Occasionally cast as two-bit criminals or pathetic losers (he sold his eyes to blind millionairess Joan Crawford in the Spielberg-directed Night Gallery TV movie), Bosley was most often seen as a harried suburban father. After recurring roles on such TV series as That Was the Week That Was, The Debbie Reynolds Show, and The Sandy Duncan Show, Bosley was hired by Hanna-Barbera to provide the voice of flustered patriarch Howard Boyle on the animated sitcom Wait Til Your Father Gets Home (1972-1973). This served as a dry run of sorts for his most famous series-TV assignment: Howard Cunningham, aka "Mr. C," on the immensely popular Happy Days (1974-1983). The warm, familial ambience of the Happy Days set enabled Bosley to weather the tragic death of his first wife, former dancer Jean Elliot, in 1978. In addition to his Happy Days duties, Bosley was narrator of the syndicated documentary That's Hollywood (1977-1981). From 1989 to 1991, he starred on the weekly series The Father Dowling Mysteries, and thereafter was seen on an occasional basis as down-to-earth Cabot Cove sheriff Amos Tupper on Murder, She Wrote. Reportedly as kind, generous, and giving as his Happy Days character, Tom Bosley has over the last 20 years received numerous honors for his many civic and charitable activities.