Trivia: The son of actors Fernando Lamas and Arlene Dahl, Lorenzo Lamas' first screen appearance was a bit in 1969's 100 Rifles, in which his father co-starred. Originally planning to become a professional race-car driver (he still enters track competitions from time to time), Lamas inaugurated his career as a "heartthrob hunk" in 1979, when he was cast in the short-lived TV weekly California Fever. A brief stint on the prime-time TV serial Secrets of Midland Heights (1980) followed before Lamas graduated to full stardom as Lance Cumston on the nighttime soaper Falcon Crest (1981-1990). Anxious to demonstrate his musical prowess, Lamas signed on as host of the syndicated variety series Dancin' to the Hits in 1986. Perhaps significantly, Lamas has neither danced nor sung in his current project, the weekly adventure series Renegade. Lorenzo Lamas has starred in a plethora of direct-to-video films, and in 1994 both directed and starred in CIA II: Target Alexa. In the years to come, Lamas would remain an active force on screen, appearing in films like Back to Even and Ash Global, as well as on series like The Bold and the Beautiful.

Trivia: Dependable American character actor Bill Lucking has seldom had any professional "down time" since his 1969 film debut. In 1980 alone, Lucking showed up in four movies, not to mention any number of TV programs. One of his more rewarding film assignments was in Doc Savage (1975) as the doc's trusted cohort Renny. In addition to his many TV-movie appearances (e.g. Brother Matthias in 1991's Babe Ruth) and guest spots, Bill Lucking has had regular weekly roles on Big Hawaii (1977, as ranch foreman Oscar Kalahani), Shannon (1981, as NYPD detective Norm White), The A-Team (1983-84, as the team's nemesis Col. Lynch), Jessie (1984, as Sgt. McClellan) and Outlaws (1986, as bank robber Harland Pike).

Trivia: Few actors possess the range required to craft some of the most colorful villains ever committed to celluloid before turning around to portray such a benevolent and beloved leader as Martin Luther King Jr., and it's a testament to Clifton Powell's skills as a performer that he could be equally believable doing both. It was during the early '90s that Powell first began to rise to prominence in television and film, with standout roles in Bill Duke's Deep Cover and In the Heat of the Night preceding a pair of memorable supporting roles for the Hughes Brothers in Menace II Society and Dead Presidents. Though Powell would continue to appear in features, it was on the small screen that he gained most of his exposure in the early years. After gradually climbing the credits on such shows as Murder, She Wrote, The Jamie Foxx Show, and NYPD Blue, Powell would leave an indelible mark on viewers with his thoughtful portrayal of Martin Luther King Jr. in director Charles Burnett's Selma, Lord, Selma. With versatile, everyman looks that were something of a blessing and a curse, Powell quickly established himself as an actor capable of truly disappearing into his characters -- sometimes to a fault. While a slew of roles on screens big and small kept Powell a considerably busy man in the mid-'90s, later roles in such efforts as Lockdown, Civil Brand, and Never Die Alone proved that his persistence, talent, and dedication were beginning to pay off. In 2004, Powell and the cast of the wildly popular biopic Ray would be honored with a Screen Actor's Guild nomination, and though they didn't take home the prize it was obvious Powell was finally on the verge of breaking big. His dark turn in the T.D. Jakes screen-adaptation Woman Thou Art Loosed was followed by a series of small-screen appearances in House, M.D., CSI, and Day Break, and in 2007 alone Powell's name would be attached to no less than eight films being prepared for the big screen .

Trivia: After excelling in football and track Northwestern University, African-American film star Fred Williamson was drafted by the San Francisco 49ers. He later played for Pittsburgh, Oakland and Kansas City, bringing attention to himself in the latter city by wearing a custom-tailored uniform and white shoes, and developing a karate-based offensive move which he called "The Hammer." In 1969, Williamson moved into acting, playing important roles in the original M*A*S*H (1970) and Otto Preminger's Tell Me That You Love Me, Junie Moon (1970); he also appeared in the recurring part of Diahann Carroll's macho boyfriend on the TV series Julia (1969-71). One of Hollywood's major black stars of the 1970s, Fred Williamson starred in such actioners as The Legend of Nigger Charley (1972), Hell Up in Harlem (1973), Take a Hard Ride (1975) and The Bronx Warriors (1983); in addition, Williamson produced, directed and wrote many of his vehicles.