Trivia: With the sort of GQ looks that command attention both onscreen and off, longtime actor Steven Bauer has come a long way since making an impression in Brian De Palma's controversial 1983 crime drama Scarface. A native of Cuba whose family fled to Miami shortly after Fidel Castro came to power in 1956, Bauer began his education at Miami-Dade Community College, where a walk-on role in the play Summer and Smoke sparked a lifelong love of acting. He transferred to the University of Miami and continued to hone his craft in such plays as Of Mice and Men, and by the time he moved to New York, Bauer was ready to study under the tutelage of acclaimed acting coach Stella Adler. It was during this time that auditions for Scarface were announced, and with his confidence bolstered by a handful of supporting roles in film and television, Bauer proved that he could hold his own opposite Al Pacino. Cast as the titular character's close friend and partner in crime, the young actor's powerful performance drew a Golden Globe nomination for Best Supporting Actor. Although the film's notable violence and profanity ultimately provoked a backlash from both Hollywood and the viewing public, Bauer's career maintained its upward trajectory when, the following year, the handsome rising star took the lead in the romantic thriller Thief of Hearts.Throughout the '80s, roles in such high-profile films as Running Scared (1986) and Gleaming the Cube (1989) helped maintain Bauer's presence on the big screen, but it was a role in the 1990 television miniseries Drug Wars: The Camarena Story that earned him his second Golden Globe nomination and proved he could give a commanding lead performance. Increasingly relegated to low-budget thrillers and forgettable, straight-to-video fare, he had occasional roles in such films as Raising Cain (1992) and Wild Side (1995). In 2000, Bauer shared a Screen Actor's Guild award for Best Ensemble Performance in the acclaimed Steven Soderbergh crime drama Traffic, in which the actor portrayed jailed drug kingpin Carlos Ayala. The roles that immediately followed, however, seemed to offer Bauer little room to expand his talent, though his performance in the popular, but short-lived TV series UC: Undercover at least served to keep him in the spotlight before joining an impressive cast in the 2003 Bob Dylan drama Masked and Anonymous. Married to actress Melanie Griffith for the majority of the '80s, the couple divorced in 1987. Bauer married Ingrid Anderson in 1989.

Trivia: Maximilian Schell may not be a household name, but he is internationally respected, particularly in Europe, as an award-winning actor/director of stage and screen. He was born in Vienna, Austria, on December 8, 1930, but raised in Switzerland after his parents, Swiss author/poet Hermann Ferdinand Schell and Austrian actress Margarethe Noe von Nordberg, fled there to escape the effects of Nazi Germany's forcible annexation of Austria in 1938. As a young man, Schell studied at three universities -- Zurich, Basel, and Munich -- before making his professional stage debut in 1952. In 1955, he appeared in his first film, Kinder, Mütter und ein General. He next debuted on Broadway and then in Hollywood, playing a German officer who befriends fellow soldier Marlon Brando in The Young Lions (1958). Schell earned an Oscar in 1961 for his intriguing performance as a defense attorney in Judgment at Nuremberg, and would subsequently be nominated for Oscars for his work in The Man in the Glass Booth (1975) and Julia (1977). In 1968, he produced Das Schloss (The Castle) and made his feature film directorial/screenwriting debut with Erste Liebe (First Love) in 1970. The latter film earned him an Oscar nomination for Best Foreign Film, as did his 1973 effort Der Fussgänger. The latter also won him a Golden Globe for Best Foreign Film. As a director and producer, Schell distinguished himself on the international stage with productions such as the remarkable Tales From the Vienna Woods and the modern opera Coronet. In addition to film and stage work, he has occasionally worked on television, winning a Golden Globe for his supporting role as Lenin in the HBO miniseries Stalin (1992) and additional acclaim for his work in Peter the Great (1986) and Joan of Arc (1999). Schell's screen appearances became sporadic in the later 1980s, and he rarely branched out from acting. Notable films from the '90s included a rare comic role opposite Marlon Brando in The Freshman (1990), a dramatic turn as a stern patriarch in screenwriter Joe Eszterhas' autobiographical Telling Lies in America (1997), Tea Leoni's father in Deep Impact (1998), and a cardinal in John Carpenter's Vampires (1998). When not busying himself on stage, screen, and television, he distinguished himself as a concert pianist and conductor. He performed with Claudio Abado, the Berlin Philharmonic, the Vienna Symphony, and Leonard Bernstein.In his later years before his death in 2014 he appeared in Fisimatenten, and in 2002 he directed My Sister Maria. In 2008 he appeared in both House of the Sleeping Beauties, and the con-artist comedy The Brothers Bloom.

Trivia: Marc Macaulay is an actor who's just got one of those faces -- you know you've seen it somewhere before but you just can't seem to put your finger on it. Of course, one glance at the screen veteran's credit list and movie fanatics will instantly realize that they have indeed seen Macaulay numerous times on screens both large and small, it's just that he has a way of immersing himself in the role so effectively that it's difficult to distinguish which performance stood out the most. It was during his junior year of college that the aspiring commercial illustrator accepted a dare to audition for an upcoming play, yet while the friend who issued that challenge was well on his way to becoming a professional actor, Macaulay himself had never even considered a career in the performing arts. When the cast list was posted and Macaulay discovered that he had landed one of the lead roles, however, the course of his entire life would suddenly be altered by the decision of one single casting director. After receiving a scholarship for acting and graduating with a BFA in theater, Macaulay relocated to Jupiter, FL, in order to attend the Burt Reynolds Institute of Theatre Training. While a move to New York seemed only natural for Macaulay upon finishing his training in Florida, acting gigs in the Big Apple were few and far between. After racking up a few film credits and continuing his studies at H.B. Studios, Macaulay eventually returned to the Sunshine State to audition for a new series called Miami Vice (1984). Over the course of the following decade, Macaulay was swept up in a whirlwind of supporting roles. From short-lived series like B.L. Stryker and Wiseguy to major motion pictures such as Edward Scissorhands, Passenger 57, Contact, and The Truman Show, the workman-like actor could always be counted on to deliver a convincing, well-mannered performance. While frequent roles in such shows as Matlock, Walker, Texas Ranger, and Nash Bridges provided a bit of stability in a notoriously volatile industry, the increasingly busy actor largely earned his keep by continually leaping from the big screen to the small -- all the while displaying impressive footing on both. By the year 2000, casting directors were finally wising up to the true talent at their disposal, and Macaulay was landing consistent work in feature films. Never tied to just one genre, Macaulay turned in impressive performances in films as diverse as From Justin to Kelly, Monster, Transporter 2, and The Hawk Is Dying (opposite Academy Award-nominee Paul Giamatti). A minor role in the 2006 feature film Miami Vice served well to bring Macaulay's career full circle. In 2006, Macaulay could be seen in a recurring role on the popular Fox drama Prison Break, with subsequent parts in the feature films Premonition and Walking Tall 2 preceding yet another small-screen recurring role in the weekly USA Network thriller Burn Notice in 2007.