Trivia: Gaining notice in the early '90s for his Emmy-winning portrayal of Detective Francis Xavier "Frank" Pembleton on the popular television police drama Homicide: Life on the Street, tireless Chicago native Andre Braugher remained with the show through 1998 while simultaneously building a feature career with roles in such theatrical releases as Primal Fear (1996) and City of Angels (1998). A graduate of Stanford University who also received a M.F.A. from the prestigious Juilliard School, Braugher claims to have originally taken up acting to meet girls. He later changed his major after realizing his true calling during a production of Hamlet, and his first professional role came in a performance at the Berkley Shakespeare Festival. Making the leap from stage to screen with the 1989 civil war drama Glory proved an eye opening experience, and following numerous appearances as Detective Winston Blake in a series of made-for-TV Kojak features, Braugher held onto his badge by joining the cast of Homicide in 1993. Later alternating successfully between film and television, Braugher was voted one of the "50 Most Beautiful" people in a 1997 issue of People magazine; the following year, the handsome actor turned down a prominent role in the sci-fi drama Sphere in order to spend more time with his family. Jumping back into features in 2000, roles in Frequency, Duets and A Better Way to Die proved that Braugher was still in top form, and, in 2002, he turned back to the small screen with the made-for-TV feature Hack (and later reprised his role when the feature was turned into a weekly series). Following a role in the made-for-TV feature A Soldier's Girl (2002), Braugher joined the cast of the television remake of the Stephen King vampire chiller Salem's Lot (2004), then returned to television - and changed camps to tap into the underground element - on the weekly crime drama Thief. As Nick Atwater, one of the most genial and principled of all television criminals (!), Braugher evoked an unusual ethical balance in his character and tapped into the fence's deep-seated devotion to his family, even as he drummed up a fiery intensity from episode to episode. Successive years found the actor moving into supporting roles in Hollywood A-listers with a heightened emphasis on effects-heavy action, adventure and fantasy-themed material; projects included Poseidon (2006), Fantastic Four: Rise of the Silver Surfer (2007) and Stephen King's The Mist (2007).Braugher would star in the TV mini-series The Andromeda Strain in 2008, before taking on a role in the cult favorite comedy series Men of a Certain Age from 2009-2011. He would also enjoy a recurring role on House M.D., and play a memorable supporting role in the Angelina Jolie action flick Salt.

Trivia: Launching his career as a standup comic, American performer Richard Belzer entered the 1970s as a member of an odd New York-based comedy troupe called Channel One. Anticipating the home video explosion by over a decade, Channel One staged satirical, scatological routines lampooning the banalities of television -- and staged them in front of TV cameras, which transmitted the routines to little TV monitors, which in turn were watched by the live audience. Some of the best sketches were assembled into an X-rated comedy feature, The Groove Tube (1970), which featured Belzer, Ken Shapiro, and a brash newcomer named Chevy Chase. For the next decade, Belzer played the comedy-club circuit, popped up as a talkshow guest, and appeared in occasional films like Fame (1982). He joined still another comedy troupe in 1983, which appeared nightly on the syndicated interview program Thicke of the Night. The host was Allan Thicke, and Belzer's comic cohorts included such incipient stars as Charles Fleischer, Chloe Webb and Gilbert Gottfried. Thicke of the Night was one of the more notorious bombs of the 1983-84 season, but it enabled Belzer to secure better guest-star bookings, and ultimately a hosting job on his own program, debuting in 1986 over the Lifetime Cable Service. It was on this series that wrestler Hulk Hogan, demonstrating a stranglehold on Belzer caused the host to lose consciousness -- which prompted a highly publicized lawsuit instigated by Belzer against the Hulkster. In the early 1990s, Richard Belzer could be seen as a non-comic regular on the TV series Homicide. His Homicide character, John Munch, would become one of the longest-running fictional creations on TV appearing in more than a half-dozen other television shows, most notably Law & Order: Special Victims Unit.

Trivia: Lead actor, onscreen from the late '80s.

Trivia: African American actor Yaphet Kotto was one of the most prominent beneficiaries of the upsurge in black-oriented theatrical pieces of the late 1950s; he appeared in many prestigious Broadway and off-Broadway productions, taking regional theatre work rather than accept stereotypical "mainstream" roles in movies and TV. Kotto's first film was Nothing But a Man (1964), an independently produced study of black pride in the face of white indifference. Though he vehemently steered clear of most of the '70s blaxploitation fare, in 1972, Kotto produced, directed and wrote the feature film Speed Limit 65 (aka The Limit and Time Limit), a one-of-a-kind "black biker" film. The biggest production with which Kotto was associated in the early 1970s was the James Bond film Live and Let Die, in which, as the villainous Mr. Big, he was blown up in the final scene (a similarly grisly fate awaited Kotto in 1979's Alien). On television, Yaphet Kotto was a regular on the TV series For Love and Honor (1983) and Homicide: Life on the Streets (1992), and was seen as Ugandan president Idi Amin in the 1977 TV movie Raid on Entebbe.

Trivia: Black supporting actor, onscreen from the '80s.

Trivia: After supporting roles in a handful of small films and a short stint on the soap opera All My Children, New York-born Melissa Leo gained prominence on the critically-acclaimed Barry Levinson-produced television drama Homicide: Life on the Streets. After leaving the show in 1997, Leo continued to appear in a range of features, including 1999's 24 Hour Woman. But it was her role as Benicio Del Toro's wife in 2003's 21 Grams that gave Leo her first exposure to a wide moviegoing audience. The performance also won her recognition from the L.A. Film Critics Association, who named Leo the runner-up for the Best Supporting Actress honor.Leo continued to work steadily in a series of independent films including American Gun, The Three Burials of Melquiades Estrada, and Stephanie Daley. In 2008 she landed the lead role in Courtney Hunt's debut feature Frozen River. As a financially strapped woman who turns to human-trafficking in order to earn a living, Leo earned thunderous critical praise as well as Best Actress nominations from both the Screen Actors Guild, and the Academy.Frozen River led her to steady work un a variety of projects, but it was as the matriarch of the boxing brothers in The Fighter that Leo had the biggest success of her career capturing numerous year-end critics awards as well as the Oscar for Best Supporting Actress. In the years after that she appeared in works as diverse as the remake of Mildred Pierce for HBO, and Kevin Smith's Red State.

Trivia: Often noted for her striking feature debut as a gun-toting seductress in the Coen brothers' noirish gangster crime thriller Miller's Crossing (1990), Marcia Gay Harden has since bounced between disparaging disappointment and critical prosperity, and is commonly praised for her chameleon-like ability to immerse herself in characters that are often the polar opposite of the cheerfully optimistic actress.Born in La Jolla, CA, on August 14, 1959, as the third of five children in a military family, Harden's clan moved constantly. Her passion for drama sparked by a period that the family spent in Greece (when she attended Athenian plays), Harden studied drama in college, earning a B.A. in theater from the University of Texas, and an M.F.A. in theater from New York University. After graduation, Harden continued to hone her acting talents on stage in Washington, D.C. Immediately evincing an innate ability to portray a wide range of characterizations, Harden earned two Helen Hayes Award nominations - one for her role in Beth Henley's Crimes of the Heart and one for her role in The Miss Firecracker Contest. Angels in America brought Harden to Broadway, where she found further success in earning both Tony Award and Drama Desk nominations, as well as winning the Theater World Award for Best Actress. Though she had made an impressive screen debut in Miller's Crossing, disappointment soon followed with a slew of critically shunned successes mixed with a series of creative misfires. Though discouraged in the critics' failure to recognize what Harden considered to be some of her best work, Harden began to focus less on Hollywood validation for happiness, and instead shifted her attention to refining her acting abilities. Moving from quirky dramatic roles, such as her manipulative character in Crush (1992), to quiet dramas like 1996's The Spitfire Grill, and such mainstream efforts as The First Wives Club (also 1996) and Meet Joe Black (1998), Harden felt comfortable in a wide variety of roles. She also occasionally compromised on her choice of material during this period (perhaps out of necessity) - such as the dumb-dumb comedy Spy Hard, with Leslie Nielsen, and the 1997 Absent Minded Professor rehash Flubber (starring Robin Williams).But her fortunes began to turn with a supporting role in Ed Harris' long-anticipated Jackson Pollock biopic Pollock (2000) that finally brought the actress much-deserved, mainstream critical recognition for her work. Reunited with Harris from their pairing in an earlier stage production of Sam Shepard's Simpatico, Harden's role as Pollock's dysfunctional muse earned her the Best Supporting Actress Oscar at the 2000 Academy Awards. The dawning years of the new millennium were undeniably kind to the tireless actress, and after a trio of made-for-television movies in the year 2000 Harden essayed the role of a stylish but enigmatic catalyst to a mystery with decidedly comic undertones in Susan Seidelman's Gaudi Afternoon, and portrayed the NASA engineer love interest of Tommy Lee Jones's crop duster, Hawk, in Clint Eastwood's Space Cowboys; Harden and Eastwood forged a strong professional bond and would work together again, several years later.A brief foray into sitcom territory followed soon thereafter, when Harden co-starred with Richard Dreyfuss in shortlived television series The Education of Max Bickford (2001), and the following year, she stuck to the small screen for the mini-series Guilty Hearts and the made-for-television feature King of Texas (the latter earning her a a Golden Sattelite nomination for Best Actress in a Motion Picture Made for Television). An adaptation of Shakespeare's King Lear set in the Old West, King of Texas found Harden essaying the role of cattle-baron John Lear's (Patrick Stewart) eldest daughter. Equally busy in 2003, Harden abandoned the small screen to work with some of the most acclaimed filmmakers in Hollywood. Following her second onscreen assignment for Clint Eastwood - in his deeply flawed but commendable ensemble piece Mystic River - Harden essayed the role of a mother attempting to adopt a South American girl in longtime indie filmmaker John Sayles' Casa de Los Babys and provided a key supporting performance in Mike Newell's Mona Lisa Smile. She contributed to the disappointing (and eminently forgettable) Gene Hackman/Ray Romano onscreen pairing Welcome to Mooseport (as president Hackman's campaign manager) but fared better by joining the cast of Richard Linklater's remake The Bad News Bears, starring Billy Bob Thornton (Harden plays the mom who brings Thornton's slovenly Morris Buttermaker in to coach the team). After relatively limited work throughout 2005 - including a small-scale voiceover assignment as Willa Cather in Joel Geyer's Willa Cather: the Road is All and Mrs. Merriman in the heartwarming family drama Felicity: An American Girl Adventure - Harden's activity crescendoed over the course of 2006, with appearances in no less than three A-list features. These entailed work in multiple genres, and suggested a broad array of fun and challenging characterizations. In Lasse Hallstrom's late 2006 docudrama The Hoax, Harden plays Edith Irving, the wife of scam artist Clifford Irving (portrayed by Richard Gere) during his notorious early-1970s scheme to forge an autobiography of the late Howard Hughes. In Paul Weitz's American Dreams, she plays yet another matron - this time the wife of American president Dennis Quaid, as the generally clueless fellow (!) is sent on a nationally-broadcast talent program. And Harden joins the celebrity-studded ensemble of the more conventional Dead Girl - a murder mystery directed by Karen Moncrieff, whose cast members include Harden, Giovanni Ribisi, Brittany Murphy, Piper Laurie, Josh Brolin, and Mary Steenburgen. The plot recalls Ray Lawrence's Lantana, in its investigation of several seemingly-unrelated lives that intersect in unforeseen ways as the mystery surrounding a woman's death is gradually disclosed to the characters and audience. In 2007 she acted in both The Hoax and Sean Penn's Into the Wild. She joined the cast of the hit show Damages in the second season. In 2009 she played a concerned mother in the roller derby comedy Whip It, and played a harried school administrator in Detachment for director Tony Kaye in 2011.Offscreen, Harden married property master and occasional location scout Thaddaeus Scheel (Boys on the Side, Houseguest, The Spitfire Grill) in 1996. The couple has three children.