Trivia: With her memorably statuesque figure and alluring countenance, African-American model-turned-actress Tracee Ellis Ross (the daughter of chanteuse Diana Ross and Robert Ellis Silberstein) plunged headfirst into print and fashion work with such enthusiasm and vigor that she became a frequent presence on the covers of such magazines as Essence, Jet, and Vibe Vixen, posing for such legends as Herb Ritts and Francesco Scavullo. Within this arena, Ross commandeered attention to rival any of her runway contemporaries. Ross segued into acting in the mid- to late '90s, with contributions such efforts as the low-key, ensemble-oriented psychological drama Far Harbor (1996, her cinematic debut) and Jim Yukich's romantic comedy A Fare to Remember (1999), and hosted the Lifetime talk program The Dish, before making her biggest splash as thirtysomething attorney-turned-restaurant proprietor Joan Clayton on the blockbuster UPN sitcom Girlfriends -- which enjoyed a lengthy run, maintained exemplary ratings, and netted more than a few industry awards for Ross. In 2007, the actress teamed up with writer/director Tyler Perry and actress Gabrielle Union for the big-screen romantic comedy Tyler Perry's Daddy's Little Girls. A recurring role on CSI: Crime Scene Investigation followed in 2011, and that same year Ross starred opposite Cosby Show alumni Malcolm-Jamal Warner in the BET sitcom Reed Between the Lines, which followed a psychiatrist and a professor as they struggled to balance their careers with their roles as parents to three multi-racial children.

Trivia: The lithe and alluring African-American actress Golden Brooks began life in San Francisco in late 1970, and grew up in both the Bay Area and the City of Angels. As a young woman, she attended the University of California at Berkeley as a sociology major, later earning her master's degree from Sarah Lawrence College. Brooks first broke into films in the mid-'90s, with a small role in Spike Lee's phone sex-themed comedy drama Girl 6 (1996); the 2000 series Girlfriends, however, brought Brooks her first recognition in the American press. This rabidly popular sitcom -- which reeled in critical kudos and maintained a broad fan base -- constituted the pet project of Frasier star Kelsey Grammer and producer Mara Brock Akil. It told of four African-American female friends in the Los Angeles -- all white-collar women -- struggling to balance personal and professional demands. Brooks played an assistant at a legal firm and the only woman in the ensemble with a happy marriage and a growing family. After scattered roles in acclaimed features through the first several years of the new millennium, Brooks made the pivotal decision to join the cast of the Queen Latifah-starrer Beauty Shop, about the colorful proprietors and denizens of an Atlanta-based hair salon. The following year, she also starred in Sanaa Hamri's acclaimed dramedy Something New.

Trivia: Texas-born African-American actress and print model Jill Marie Jones (not to be confused with the musician/singer/songwriter Jill Jones, of Prince fame) first landed in the national spotlight for her regular role on the prime-time comedy drama Girlfriends, as Toni Childs, a slightly narcissistic and vociferous mother. Jones also starred in the 2007 black comedy Redrum, as a young woman who learns that she can pep up her flaccid marriage by committing cold-blooded murder. In terms of modeling, Jones maintained her highest profile gracing billboards and print ads for the Bailey's Irish Cream "Serve Chilled" campaign.

Trivia: Best known for playing unapologetically mature, assertive, and intelligent adult women, African-American supporting actress Jenifer Lewis originally launched her career as a vocalist, singing in a church choir in Kinloch, MO. Lewis' passion (and gift) for singing carried her to the Great White Way, where she appeared in a number of sell-out Broadway musicals -- including Ain't Misbehavin' and Dreamgirls. She subsequently migrated to the West Coast for a string of appearances in TV programs such as Roc, A Different World, Murphy Brown, Hangin' with Mr. Cooper, Touched by an Angel, and The Fresh Prince of Bel-Air, and graduated to features in 1992. The films in which Lewis has appeared run the gamut of quality, from outstanding (What's Love Got to Do With It?, 1993) to satisfactory (Sister Act, 1992; The Preacher's Wife, 1996) to downright abominable (Frozen Assets, 1992); many, however, demonstrated her fine gifts. More recently, Lewis attained some much-deserved recognition (and ascended to higher than usual billing) with her multi-season portrayal of Lana Hawkins in the prime-time medical drama Strong Medicine (2000).

Trivia: A major figure in American soul music, Isaac Hayes also enjoyed a long and memorable career as an actor and film composer. His score for the motion picture Shaft made him the first African-American to win an Academy Award for music, and was one of the first examples of a pop-based film score that developed a life of its own in the marketplace. Isaac Hayes was born in Covington, TN, on August 20, 1942. Born to a family of sharecroppers, Hayes was raised by his grandparents, and developed an interest in music early in life, joining the church choir at the age of five. By the time he was a teenager, Hayes had also learned how to play piano, organ, and saxophone, but he was forced to drop out of school after the family had moved to Memphis when his grandfather developed a disability. Hayes began performing with a variety of local R&B groups in Memphis, including the Teen Tones, Sir Calvin and His Swinging Cats, and Sir Isaac and the Doo-Dads, as well as working a variety of day jobs. In time, Hayes began attending night school, and received his high-school diploma at the age of 21.In 1962, Hayes cut his first record for a local label, and in 1964 he'd worked his way up to playing keyboards with the house band at Stax Records, just then establishing themselves as one of the South's premier soul music labels. At Stax, Hayes began writing songs with David Porter, and together they penned a long string of hits for Sam & Dave, including "Soul Man," "Hold On, I'm Coming," and "When Something Is Wrong With My Baby," as well as hits for Johnnie Taylor and Carla Thomas. Having established himself as a songwriter, Hayes began to step into the spotlight as a recording artist in 1967 with his first solo album, Presenting Isaac Hayes. While the album was reasonably well received, it was Hayes' second effort, Hot Buttered Soul, that established him as a unique talent in soul music, with its lush, lengthy, and languidly funky interpretations of such songs as "Walk on By" and "By the Time I Get to Phoenix" (the latter clocking in at an epic 18 minutes). Several more successful albums followed, and in 1970, Hayes was approached to write his first film score by, of all people, Norman Mailer; Mailer went through a brief fling as an experimental filmmaker, and he hired Hayes to provide music for his third cinéma vérité feature, Maidstone.In 1971, Hayes would write his second film score, which would make a much greater impact. Shaft, directed by famed photojournalist Gordon Parks, was a gritty tale of a tough private eye squaring off against both the cops and the mob in New York City, but with a primarily African-American cast, an unusual thing in 1971, and Hayes' score, which blended streetwise grooves with a brassy orchestral backing, became an instant sensation. Shaft's soundtrack album, as well as the single "Theme From Shaft," were major chart successes, and Hayes won an Academy Award for Best Musical Score.While Hayes was certainly proud of his achievements, at one point he'd shown an interest in playing the lead in Shaft as well as writing the music, and after displaying an estimable amount of screen charisma in several concert films (including Wattstax and Save the Children), he was cast alongside Fred Williamson and Lino Ventura in the Italian blaxploitation-style drama Uomini Duri (released in America as Three Tough Guys); Hayes also wrote music for the film. Later that same year, Hayes scored a solo starring role in Truck Turner, but just as his acting career began taking hold, the bottom began to fall out of the blaxploitation market, and Hayes went back to making music, not scoring another film role until Escape From New York in 1981.In the mid-'80s, Hayes returned to acting, and appeared in no fewer than 25 theatrical and television features between 1986 and 1996; most were low-budget genre fare, but several more notable films appeared on his resumé, including the blaxploitation parody/tribute I'm Gonna Git You Sucka!, Mel Brooks' Robin Hood: Men in Tights, Mario Van Peebles' African-American Western Posse, and Once Upon a Time...When We Were Colored, a evocative look at life in a small Southern town in the 1940s. Hayes' acting career got an unexpected boost in 1997, when he was asked to provide the voice of Chef on the animated television series South Park. Originally intended to appear in one episode, Chef went over so well that he became a regular character on the series, and remained with the show for nine years. Hayes also continued to land a number of higher profile film roles in films like Reindeer Games, the 2000 remake of Shaft, and the independent venture Hustle & Flow, for which he was nominated for a Screen Actors' Guild Award. When not busy with acting projects, Hayes continued to play concerts and record new material; he was also a literacy activist, a supporter of children's charities around the world, and operated a pair of successful restaurants in Chicago and Memphis. Hayes died on August 10, 2008.

Trivia: Was signed as a teen to Motown Records as part of the East Coast Family group, which included Boyz II Men. Brown performed on the mildly successful single "1-4-All-4-1" from the album The East Coast Family, Vol. 1. Moved to Los Angeles after college and landed her first big role appearing in the gospel play His Woman, His Wife. Secured her first television role---a two-episode appearance on Girlfriends---after sending a postcard to the show's casting director. Worked on Nickelodeon's Drake & Josh for four years, even though her character, Helen, was originally supposed to be a one-time role.

Trivia: The youngest of two siblings.Practiced gymnastics, volleyball and basketball.Studied at a military school.Learned Mandarin Chinese for her role in American Fusion (2005).Mentor at the youth center A Place Called Home, and volunteer at My Friend's House Foundation and Union Rescue Mission in Los Angeles.

Trivia: Character actor Lou Wagner has been visible in movies and television since the mid-'60s, but his most visible big-screen part was played under such heavy makeup that audiences can be forgiven for not remembering him. Wagner was one of a handful of actors carried over from the original Planet of the Apes (1968) to its sequel, Beneath the Planet of the Apes (1970), playing Lucius, the young assistant to chimpanzee scientists Cornelius (Roddy McDowall and David Watson) and Zira (Kim Hunter) in the two movies. Born in San Jose, CA, in 1948, Wagner's short stature (reportedly five feet, two inches) and youthful features made him a natural to play young teenagers, and across the late '60s and into the start of the 1970s he often did just that, on series such as Lost in Space and Dragnet, in addition to appearances in feature films, including Hello Down There (1969) and Airport (1970, in which he had three very funny scenes as a know-it-all boy passenger). In his television debut in the Lost in Space episode "The Haunted Lighthouse," Wagner managed to squeeze some pathos out of the role of a lonely alien boy with a secret, while on the Dragnet episode "The Big Departure" he made the most of his role as a pseudo-intellectual teenage rebel. By the 1970s, in addition to showing up in Conquest of the Planet of the Apes, Wagner had settled into character and supporting roles, mostly in television, with the occasional movie role here and there. He has worked regularly into the 21st century, with an occasional bigger part to highlight his career, such as his starring role in Starry Night (1999).