Trivia: With her memorably statuesque figure and alluring countenance, African-American model-turned-actress Tracee Ellis Ross (the daughter of chanteuse Diana Ross and Robert Ellis Silberstein) plunged headfirst into print and fashion work with such enthusiasm and vigor that she became a frequent presence on the covers of such magazines as Essence, Jet, and Vibe Vixen, posing for such legends as Herb Ritts and Francesco Scavullo. Within this arena, Ross commandeered attention to rival any of her runway contemporaries. Ross segued into acting in the mid- to late '90s, with contributions such efforts as the low-key, ensemble-oriented psychological drama Far Harbor (1996, her cinematic debut) and Jim Yukich's romantic comedy A Fare to Remember (1999), and hosted the Lifetime talk program The Dish, before making her biggest splash as thirtysomething attorney-turned-restaurant proprietor Joan Clayton on the blockbuster UPN sitcom Girlfriends -- which enjoyed a lengthy run, maintained exemplary ratings, and netted more than a few industry awards for Ross. In 2007, the actress teamed up with writer/director Tyler Perry and actress Gabrielle Union for the big-screen romantic comedy Tyler Perry's Daddy's Little Girls. A recurring role on CSI: Crime Scene Investigation followed in 2011, and that same year Ross starred opposite Cosby Show alumni Malcolm-Jamal Warner in the BET sitcom Reed Between the Lines, which followed a psychiatrist and a professor as they struggled to balance their careers with their roles as parents to three multi-racial children.

Trivia: The lithe and alluring African-American actress Golden Brooks began life in San Francisco in late 1970, and grew up in both the Bay Area and the City of Angels. As a young woman, she attended the University of California at Berkeley as a sociology major, later earning her master's degree from Sarah Lawrence College. Brooks first broke into films in the mid-'90s, with a small role in Spike Lee's phone sex-themed comedy drama Girl 6 (1996); the 2000 series Girlfriends, however, brought Brooks her first recognition in the American press. This rabidly popular sitcom -- which reeled in critical kudos and maintained a broad fan base -- constituted the pet project of Frasier star Kelsey Grammer and producer Mara Brock Akil. It told of four African-American female friends in the Los Angeles -- all white-collar women -- struggling to balance personal and professional demands. Brooks played an assistant at a legal firm and the only woman in the ensemble with a happy marriage and a growing family. After scattered roles in acclaimed features through the first several years of the new millennium, Brooks made the pivotal decision to join the cast of the Queen Latifah-starrer Beauty Shop, about the colorful proprietors and denizens of an Atlanta-based hair salon. The following year, she also starred in Sanaa Hamri's acclaimed dramedy Something New.

Trivia: Texas-born African-American actress and print model Jill Marie Jones (not to be confused with the musician/singer/songwriter Jill Jones, of Prince fame) first landed in the national spotlight for her regular role on the prime-time comedy drama Girlfriends, as Toni Childs, a slightly narcissistic and vociferous mother. Jones also starred in the 2007 black comedy Redrum, as a young woman who learns that she can pep up her flaccid marriage by committing cold-blooded murder. In terms of modeling, Jones maintained her highest profile gracing billboards and print ads for the Bailey's Irish Cream "Serve Chilled" campaign.

Trivia: Born to Indian Muslim parents in New York City; grew up in Stone Mountain, GA, a suburb of Atlanta. Parents didn't allow her to take drama courses in high school, but she was finally able to pursue acting at Boston University's College of Fine Arts; also performed with an Atlanta theater company during summer breaks. After arriving in Los Angeles following graduation, landed a leading role in West Bank Story, a musical comedy that won the 2006 Oscar for Best Live Action Short Film. Made her TV debut in a 2005 episode of CSI: NY. Is fluent in Hindi, Urdu and Gujarati.

Trivia: Born in 1972, Canadian actor Colin Ferguson began his career as a member of the improvisational troupe "On the Spot" in his native Montreal and helped found the Second City chapter in Detroit, MI, before making the leap to feature films in the late '90s. Early filmed projects included the features Rowing Through (1996) and Night Sins (1997) and the television miniseries More Tales of the City, as well as prominent roles in the celebrity-themed telemovie biopics Daydream Believers: The Monkees Story (2000) and Inside the Osmonds (2001). Ferguson is best known, however, for his ongoing lead role as Sheriff Jack Carter on the popular Sci-Fi Channel series Eureka (2006). In the years to come, Ferguson would continue to appear on screen, appearing in movies like Life's a Beach.

Trivia: Is Jewish.Gave $100 to Jennifer Aniston for her first headshots in L.A.Made her television debut in the series finale of The Facts of Life in 1988, playing Ashley Payne.Served as music supervisor in the 1997 romantic comedy I Love You, Don't Touch Me!Feature film directorial debut was the 1999 romantic comedy Standing on Fishes.

Trivia: Born in Houston in 1949, actress Loretta Devine rose to fame on-stage in the original Broadway production of Dreamgirls before parlaying her acclaim into a career in film and television. Her first major onscreen role came in 1987, when she was cast as a resident advisor on the Cosby Show-spin-off A Different World. Though she left the series after the first season, it was far from her final gig as a TV series regular.Throughout the early '90s, Devine appeared in small supporting roles in features films such as Class Act and Amos & Andrew as well as a number of TV guest spots on shows ranging from Roc to Picket Fences. In 1995, Devine's career was given a shot in the arm when she was cast as one of the leads in Waiting to Exhale, an ensemble film that proved to be a success with both critics and audiences. More supporting work followed, and in 2000 she was cast as a lead on David E. Kelley's Fox drama Boston Public, a show that would go on to be nominated for multiple Emmys over the course of its four seasons on the air.Devine's career came full-circle in 2006 when she was cast in a small role in the film adaptation of Dreamgirls, the stage musical that launched her career. The following year, she was cast as a regular on ABC's supernatural legal drama Eli Stone.In 2010 she appeared in the American remake of Death at a Funeral, the comedy Lottery Ticket, and Tyler Perry's ambitious For Colored Girls. In 2011 she appeared in Tyler Perry's Madea's Big Happy Family, and the next year she had a role on the TV series The Client List.

Trivia: The son of a black Chicago tailor, Melvin Van Peebles attended West Virginia State College, then earned a BA from Ohio Wesleyan. Van Peebles served three years in the Air Force as a navigator/bombardier. Out of uniform, Van Peebles pursued a painting career, made a handful of amateur films, and held down jobs as a postal worker and San Francisco cable-car grip. Refusing ever to allow grass to grow under his feet, he spent some time in Mexico, attended graduate school in Holland and picked up spare change (and a few overnight jail terms) as an unlicensed street entertainer in Paris. Still a relatively young man, he remained in Paris to write five novels (all in English, because he never bothered to learn any French); one of these was La Permission, the story of a star-crossed interracial romance. On the strength of his book, Van Peebles became eligible for admission to the French Cinema Center as a director. Unexpectedly receiving a grant of $70,000, he converted La Permission into his first feature film, The Story of a Three-Day Pass (1968). On the strength of this film, Van Peebles was courted by several Hollywood studios, who had no idea he was African American and assumed he was a French auteur. While few studios in 1968 were willing to take a chance on a black director (couldn't offend any bigots, you know), Columbia Pictures gave Van Peebles carte blanche to direct a satirical comedy-fantasy on the topic of black-white stereotyping, Watermelon Man (1970). He kept the costs low on this project so that he could invest his salary into a privately financed labor of love, Sweet Sweetback's Baadassss Song (1970). Crude and offensive by "establishment" standards, this tale of a black fugitive's one-man vendetta against Whitey proved to be an enormous hit with African American audiences. It also proved that Hollywood had itself a genuine "renaissance man" in Van Peebles; he not only produced, directed, wrote and starred in Sweet Sweetback, but also edited and scored the film. Having briefly satiated his filmmaking aspirations, Van Peebles turned to Broadway, writing and scoring the 1971 musical Ain't Supposed to Die a Natural Death. His next theatrical project was 1972's Don't Play Us Cheap, which won first prize at the Belgian Film Festival when a hastily produced movie version was offered in competition. Since that time, VanPeebles has developed a TV-movie pilot, Just an Old Sweet Song (1977), and has written and acted in a number of movie and TV projects, frequently in collaboration with his actor/director son Mario Van Peebles. As of this writing, Melvin Van Peebles' only movie directorial effort of the past two decades has been the hit-and-miss fantasy Identity Crisis (1990).