Trivia: One of the most prominent female hip-hoppers of the 1990s thanks to her soulful and uplifting rhymes, Queen Latifah has also crafted an increasingly successful screen presence.Born Dana Owens in Newark, NJ, on March 18, 1970, this police officer's daughter worked at Burger King before joining the group Ladies Fresh as a human beatbox. Disgusted at the misogynistic, male-dominated rap scene, Owens adapted the moniker of Queen Latifah (meaning delicate and sensitive in Arabic) and was soon on her way to changing the way many people looked at hip hop. Soon gaining a loyal following due to her unique perspective and role model-inspiring attitude, Latifah recorded the single "Wrath of My Madness" in 1988 and the following year she released her debut album, All Hail the Queen. Making her feature debut three short years later in Spike Lee's Jungle Fever, Latifah began refining a screen persona that would be equally adept in both drama and comedy. After starring as magazine editor Khadijah James on the FOX sitcom Living Single (1993-1998) and landing increasingly prominent film roles in Set It Off (1996), Living Out Loud (1998), and The Bone Collector (1999), she was given her own personal televised outlet in the form of The Queen Latifah Show in 1999. Losing her brother in a motorcycle accident in 1995 (she still wears the motorbike's key around her neck) in addition to grieving a friend who was shot when the two were carjacked the same year, Latifah has persisted in overcoming tragedy to remain positive and creative. The talented songstress has also appeared as both the Wicked Witch of the West (1998's The Wizard of Oz) and Glenda the Good (The O.Z. in 2002), in addition to remaining an innovative and inspiring recording artist. In 2003, Latifah hit a watershed moment in her career and in the public perception of her image: she signed to portray Matron Mama Morton in Rob Marshall's bold cinematization of the Bob Fosse musical Chicago. For Latifah, the turn embodied a breakthrough to end all breakthroughs - it dramatically reshaped the artist's image from that of a hip-hop singer turned actress to that of a multitalented, one-woman powerhouse with astonishing gifts in every arena of performance - voice, drama and dance. Latifah deservedly netted an Oscar nomination for this role, but lost to Catherine Zeta-Jones, who played Velma Kelly in the same film.Later that same year, the multifaceted singer/actress took a dramatic step down in ambition and sophistication, joining Steve Martin for the odd couple comedy Bringing Down the House. That farce tells the occasionally rollicking story of a hyper-anal white lawyer (Martin) who attempts to "hook up" with a barrister he meets online, but discovers that she is (surprise!) actually a slang-tossing black prison escapee with a mad taste for hip hop dancing (Latifah). Ironically - given the seemingly foolproof and ingenious premise - the film collapsed, thanks in no small part to an awkward and craven screenplay that fails to see the logic of its situations through to fruition, and wraps with a ludicrous denouement. The film did score with viewers, despite devastating reviews from critics across the country. (If nothing else, the picture offers the uproarious sight of Martin in hip-hop attire, and does celebrate Latifah's everpresent message of much-deserved respect for black women). Latifah's onscreen activity skyrocketed over the following half-decade, with an average of around 5-7 roles per year. One of her most popular efforts, Barbershop 2: Back in Business (2004), constitutes a sequel to the urban comedy-drama Barbershop (2002). The original picture (without Latifah in the cast) concerned the proprietors and patrons of a (mostly) all-black barbershop on the south side of Chicago, with seriocomic lead characters portrayed by Ice-T, Cedric the Entertainer and others. In the second Barbershop go-round, Latifah plays Gina, the owner of an inner-city beauty parlor who operates her business next door. Those films reached a combined total of around $143 million worldwide, thanks in no small part to a pitch-perfect demographic that flocked to both efforts without abandon. The pictures also generated a Latifah-dominated sequel, Beauty Shop (2005), devoted to the exploits of Gina, her customers, and her employees, particularly the flamboyantly gay stylist Jorge Christoph (Kevin Bacon). The movie expanded the target audience of its predecessors and upped the ante by working in WASPy female characters played by A-listers Andie MacDowell and Mena Suvari and having Gina move her shop to the more audience-friendly Atlanta. Though the picture failed to match the grosses of its predecessors, it did reel in just under $38 million worldwide. Each of the installments generated mixed reviews from critics, Concurrent with Beauty Shop's release, Latifah signed on to collaborate with director Mark Forster and stars Will Ferrell and Emma Thompson in the comedy-fantasy Stranger than Fiction (2006). In that picture - about a man (Ferrell) who discovers he is the character in a book by a washed-up author (Thompson), and due to be killed shortly, Latifah plays Penny Escher, the "assistant" hired to end Thompson's creative block and put her back on track. Though Latifah's constituted a minor role (and, arguably, a throwaway at that), the film itself scored on all fronts, including craftsmanship, audience reactions, box office and critical response. After voicing Ellie in the CG-animated feature Ice Age: The Meltdown (2006), Latifah revisited cinematic song-and-dance (and reteamed with House director Adam Shankman) for the hotly-anticipated musical comedy Hairspray, based on the hit Broadway production (which was, in turn, based on the 1988 John Waters film). Latifah plays Motormouth Maybelle, in a cast that also includes Christopher Walken, Michelle Pfeiffer and an in-drag John Travolta, reprising the role originated by Divine. Latifah signed to star alongside Diane Keaton and Katie Holmes in the crime comedy Mad Money -- a remake of the British farce Hot Money (with echoes of 1976's How to Beat the High Cost of Living) about a trio of female janitors in the Federal Reserve bank who team up to rob the place blind. In addition to music, movies, and television, Latifah also found time to author a book on self-esteem entitled Ladies First: Revelations of a Strong Woman, and to serve as co-chairman of the Owens Scholarship Foundation, Inc., which provides assistance to academically gifted but financially underpriveleged students.

Trivia: An actress best known as Dorothy "Tootie" Ramsey, the lone African American student and consummate gossip at the exclusive Eastland Preparatory School for Women on NBC's sitcom The Facts of Life (1979-1988), Kim Fields actually appeared on several popular series in the 1970s-2000s. The Big Apple native grew up in a single-parent household and began acting in commercials well before she reached her teens, making her most widely seen appearance on an advertisement for Mrs. Butterworth's syrup. She made her foray into acting with scattered guest appearances on Good Times in 1978 and signed for the Facts of Life role one year later, at the age of 10, when Norman Lear (the producer of both Times and Facts) tapped her for that part. Fields remained with the program for its entire nine-year run, a run that witnessed numerous changes in the show's lineup and format, including the replacement of star Charlotte Rae with Cloris Leachman, and a change of venue in 1985. About five years after Facts folded in 1988, Fields scored her second major coup with a much different multiseason role as Regine Hunter, a loose, money-hungry employee of a clothing boutique on the urban-oriented Queen Latifah sitcom Living Single (1993-1998). Fields spent the following years appearing in scattered features, such as the 2000 telemovie Hidden Blessings and the 2001 telemovie Facts of Life Reunion (which reunited her with several of her ex-costars), and making guest appearances on programs including The Drew Carey Show and The Division; she also took time out to start a family.

Trivia: Born Clerow Wilson. A comedian who was enormously successful on TV for a few years in the '70s, Wilson was TV's first black superstar. One of 24 children, he spent much of his youth in foster homes and ended up in a reform school. He quit high school at 16 and, lying about his age, joined the Air Force. After leaving the service at 21 he worked as a bellboy in a San Francisco hotel, where he started performing stand-up comedy. Soon he was on the road with his act; at first playing small black clubs, he ended up in major black theaters such as the Apollo, the Howard, and the Regal, gradually building up a following within the black community. He got his big break in 1965: comedian Redd Foxx, appearing on The Tonight Show, was asked whom he considered the funniest comic around; he answered "Flip Wilson," and Wilson was soon booked on the show. Other TV appearances followed and he recorded several comedy albums. In 1970 he was signed by NBC to host his own variety show, The Flip Wilson Show, and it quickly soared in the ratings; the show remained on the air until 1974, and Wilson's characters (Geraldine, Reverend Leroy, etc.) and his catch-phrases ("The devil made me do it," "what you see is what you get," etc.) became nationally famous. After he quit the show his TV work was sporadic. He debuted onscreen in Uptown Saturday Night (1974) but has few other movie credits. He starred briefly in the '80s in the sitcom Charlie & Company.

Trivia: "Professional sidekick" Ed McMahon attended 15 schools while growing up in Detroit, New Jersey, New York City and Massachusetts; his father was a part-time plumber and entertainer, whose work in both fields kept the family forever on the go. The 15-year-old McMahon's first appearance before a microphone was as the "caller" at a bingo game in Maine; he was 15 years old. He spent the next three years touring the state fair and carnival circuit then worked his way through Boston College as a jack-of-all-trades at a Lowell, Massachusetts radio station. After World War II service, McMahon found work as a sidewalk pitchman, which paid his tuition at Catholic University in Washington D.C. As a journeyman television performer in the 1950s, McMahon delivered vegetable-slicer TV commercials, hosted a late-night interview show in Philadelphia and briefly appeared as a clown on the CBS kiddie show Big Top. In 1959, MacMahon was hired as the announcer/straight man on Who Do You Trust?, a daytime quiz program hosted by Johnny Carson. When Carson succeeded Jack Paar on NBC's Tonight Show, he took MacMahon with him; both men remained with Tonight until Carson's retirement in 1992. On his own, MacMahon has continued making commercial appearances for a multitude of products, starred in straw-hat theatre productions (The Music Man is his favorite), played straight supporting roles in such films as The Incident (1967) and Slaughter's Big Rip-Off (1973), lent a comedic turn to the Larry Cohen horror comedy Full Moon High (1982), and hosted the popular TV talent contest Star Search. McMahon died in June 2009 at age 86; though no cause of death was officially given, he had been suffering from cancer and pneumonia.