Trivia: One of the most prominent female hip-hoppers of the 1990s thanks to her soulful and uplifting rhymes, Queen Latifah has also crafted an increasingly successful screen presence.Born Dana Owens in Newark, NJ, on March 18, 1970, this police officer's daughter worked at Burger King before joining the group Ladies Fresh as a human beatbox. Disgusted at the misogynistic, male-dominated rap scene, Owens adapted the moniker of Queen Latifah (meaning delicate and sensitive in Arabic) and was soon on her way to changing the way many people looked at hip hop. Soon gaining a loyal following due to her unique perspective and role model-inspiring attitude, Latifah recorded the single "Wrath of My Madness" in 1988 and the following year she released her debut album, All Hail the Queen. Making her feature debut three short years later in Spike Lee's Jungle Fever, Latifah began refining a screen persona that would be equally adept in both drama and comedy. After starring as magazine editor Khadijah James on the FOX sitcom Living Single (1993-1998) and landing increasingly prominent film roles in Set It Off (1996), Living Out Loud (1998), and The Bone Collector (1999), she was given her own personal televised outlet in the form of The Queen Latifah Show in 1999. Losing her brother in a motorcycle accident in 1995 (she still wears the motorbike's key around her neck) in addition to grieving a friend who was shot when the two were carjacked the same year, Latifah has persisted in overcoming tragedy to remain positive and creative. The talented songstress has also appeared as both the Wicked Witch of the West (1998's The Wizard of Oz) and Glenda the Good (The O.Z. in 2002), in addition to remaining an innovative and inspiring recording artist. In 2003, Latifah hit a watershed moment in her career and in the public perception of her image: she signed to portray Matron Mama Morton in Rob Marshall's bold cinematization of the Bob Fosse musical Chicago. For Latifah, the turn embodied a breakthrough to end all breakthroughs - it dramatically reshaped the artist's image from that of a hip-hop singer turned actress to that of a multitalented, one-woman powerhouse with astonishing gifts in every arena of performance - voice, drama and dance. Latifah deservedly netted an Oscar nomination for this role, but lost to Catherine Zeta-Jones, who played Velma Kelly in the same film.Later that same year, the multifaceted singer/actress took a dramatic step down in ambition and sophistication, joining Steve Martin for the odd couple comedy Bringing Down the House. That farce tells the occasionally rollicking story of a hyper-anal white lawyer (Martin) who attempts to "hook up" with a barrister he meets online, but discovers that she is (surprise!) actually a slang-tossing black prison escapee with a mad taste for hip hop dancing (Latifah). Ironically - given the seemingly foolproof and ingenious premise - the film collapsed, thanks in no small part to an awkward and craven screenplay that fails to see the logic of its situations through to fruition, and wraps with a ludicrous denouement. The film did score with viewers, despite devastating reviews from critics across the country. (If nothing else, the picture offers the uproarious sight of Martin in hip-hop attire, and does celebrate Latifah's everpresent message of much-deserved respect for black women). Latifah's onscreen activity skyrocketed over the following half-decade, with an average of around 5-7 roles per year. One of her most popular efforts, Barbershop 2: Back in Business (2004), constitutes a sequel to the urban comedy-drama Barbershop (2002). The original picture (without Latifah in the cast) concerned the proprietors and patrons of a (mostly) all-black barbershop on the south side of Chicago, with seriocomic lead characters portrayed by Ice-T, Cedric the Entertainer and others. In the second Barbershop go-round, Latifah plays Gina, the owner of an inner-city beauty parlor who operates her business next door. Those films reached a combined total of around $143 million worldwide, thanks in no small part to a pitch-perfect demographic that flocked to both efforts without abandon. The pictures also generated a Latifah-dominated sequel, Beauty Shop (2005), devoted to the exploits of Gina, her customers, and her employees, particularly the flamboyantly gay stylist Jorge Christoph (Kevin Bacon). The movie expanded the target audience of its predecessors and upped the ante by working in WASPy female characters played by A-listers Andie MacDowell and Mena Suvari and having Gina move her shop to the more audience-friendly Atlanta. Though the picture failed to match the grosses of its predecessors, it did reel in just under $38 million worldwide. Each of the installments generated mixed reviews from critics, Concurrent with Beauty Shop's release, Latifah signed on to collaborate with director Mark Forster and stars Will Ferrell and Emma Thompson in the comedy-fantasy Stranger than Fiction (2006). In that picture - about a man (Ferrell) who discovers he is the character in a book by a washed-up author (Thompson), and due to be killed shortly, Latifah plays Penny Escher, the "assistant" hired to end Thompson's creative block and put her back on track. Though Latifah's constituted a minor role (and, arguably, a throwaway at that), the film itself scored on all fronts, including craftsmanship, audience reactions, box office and critical response. After voicing Ellie in the CG-animated feature Ice Age: The Meltdown (2006), Latifah revisited cinematic song-and-dance (and reteamed with House director Adam Shankman) for the hotly-anticipated musical comedy Hairspray, based on the hit Broadway production (which was, in turn, based on the 1988 John Waters film). Latifah plays Motormouth Maybelle, in a cast that also includes Christopher Walken, Michelle Pfeiffer and an in-drag John Travolta, reprising the role originated by Divine. Latifah signed to star alongside Diane Keaton and Katie Holmes in the crime comedy Mad Money -- a remake of the British farce Hot Money (with echoes of 1976's How to Beat the High Cost of Living) about a trio of female janitors in the Federal Reserve bank who team up to rob the place blind. In addition to music, movies, and television, Latifah also found time to author a book on self-esteem entitled Ladies First: Revelations of a Strong Woman, and to serve as co-chairman of the Owens Scholarship Foundation, Inc., which provides assistance to academically gifted but financially underpriveleged students.

Trivia: An actress best known as Dorothy "Tootie" Ramsey, the lone African American student and consummate gossip at the exclusive Eastland Preparatory School for Women on NBC's sitcom The Facts of Life (1979-1988), Kim Fields actually appeared on several popular series in the 1970s-2000s. The Big Apple native grew up in a single-parent household and began acting in commercials well before she reached her teens, making her most widely seen appearance on an advertisement for Mrs. Butterworth's syrup. She made her foray into acting with scattered guest appearances on Good Times in 1978 and signed for the Facts of Life role one year later, at the age of 10, when Norman Lear (the producer of both Times and Facts) tapped her for that part. Fields remained with the program for its entire nine-year run, a run that witnessed numerous changes in the show's lineup and format, including the replacement of star Charlotte Rae with Cloris Leachman, and a change of venue in 1985. About five years after Facts folded in 1988, Fields scored her second major coup with a much different multiseason role as Regine Hunter, a loose, money-hungry employee of a clothing boutique on the urban-oriented Queen Latifah sitcom Living Single (1993-1998). Fields spent the following years appearing in scattered features, such as the 2000 telemovie Hidden Blessings and the 2001 telemovie Facts of Life Reunion (which reunited her with several of her ex-costars), and making guest appearances on programs including The Drew Carey Show and The Division; she also took time out to start a family.

Trivia: The son of a Cleveland Baptist minister, African American entertainer Arsenio Hall would often escape his bleak inner-city surroundings by imagining that he was a talk show host like his idol, Johnny Carson. He emulated Carson to the point that he briefly became an amateur magician in junior high school. His friends and teachers laughed at Arsenio's comic patter, but advised him to forget his dream -- because everyone knew that no black man would ever host a talk show. An excellent student, Hall was accepted at Ohio University in Athens, where he originally intended to study law, but at the last moment followed his heart and switched to the communications department. He later transferred to Kent State, working his way through school with gigs at local comedy clubs. After a long upward climb, Hall was hired as the opening act for such entertainers as Dionne Warwick and Nancy Wilson, then moved to Hollywood, where he was befriended by superstar Eddie Murphy. The two comedians co-starred in the 1987 comedy Coming to America, where Hall was permitted to display his versatility in a wide variety of quickie characterizations (one of which, a flamboyant minister, was ostensibly based on his own father). Comedienne Joan Rivers was also fond of Arsenio, and secured him several guest spots on her Fox network gabfest, The Late Show. When Rivers was axed by Fox in 1987, Hall took over as Late Show host. This led to his most prestigious assignment to date: The Arsenio Hall Show, a latenight entry syndicated by Paramount television, which premiered in January of 1989. With his unbounded energy, his ingratiating smile, his trademarked "Whoop Whoop Whoop" and his willingness to book guests that were deemed "chancy" by others (e.g. rap and soul artists), Hall quickly rose to the top of the ratings heap. In June of 1990, TV Guide singled out Arsenio Hall as the magazine's first "TV Person of the Year." Unlike the play-safe Johnny Carson, Hall courted controversy as often as possible, usually by attacking racism -- sparing no one, not even other black entertainers. Hall's program peaked in popularity in 1991, then seemed to run out of gas. When NBC made its announcement early in 1992 that Jay Leno would be replacing Johnny Carson as host of the Tonight Show, Hall reacted with inexplicable hostility, railing against Leno (who had always regarded Hall as a friend) and declaring that The Arsenio Hall Show would "whip Jay's ass." While Leno's ratings trailed against his CBS rival David Letterman, his program easily trounced the flagging Arsenio Hall. In 1994, after five years, Arsenio Hall and Paramount Television parted company, and Hall kept a low profile, all but disappearing from public view. In March of 1997, Hall emerged from his self-imposed exile to star, opposite Vivica Fox, in the ABC sitcom Arsenio as Michael Atwood, a cable network sportscaster in Atlanta. After that short-lived series left the air, Hall again disappeared from screens for a period of years. He could be seen in 2003 taking over for Ed McMahon as the host of a relaunched version of Star Search, and he provided a voice for the animated film Igor in 2008. The next year he appeared in the blaxploitation martial-arts comedy Black Dynamite.