Trivia: One of the most prominent female hip-hoppers of the 1990s thanks to her soulful and uplifting rhymes, Queen Latifah has also crafted an increasingly successful screen presence.Born Dana Owens in Newark, NJ, on March 18, 1970, this police officer's daughter worked at Burger King before joining the group Ladies Fresh as a human beatbox. Disgusted at the misogynistic, male-dominated rap scene, Owens adapted the moniker of Queen Latifah (meaning delicate and sensitive in Arabic) and was soon on her way to changing the way many people looked at hip hop. Soon gaining a loyal following due to her unique perspective and role model-inspiring attitude, Latifah recorded the single "Wrath of My Madness" in 1988 and the following year she released her debut album, All Hail the Queen. Making her feature debut three short years later in Spike Lee's Jungle Fever, Latifah began refining a screen persona that would be equally adept in both drama and comedy. After starring as magazine editor Khadijah James on the FOX sitcom Living Single (1993-1998) and landing increasingly prominent film roles in Set It Off (1996), Living Out Loud (1998), and The Bone Collector (1999), she was given her own personal televised outlet in the form of The Queen Latifah Show in 1999. Losing her brother in a motorcycle accident in 1995 (she still wears the motorbike's key around her neck) in addition to grieving a friend who was shot when the two were carjacked the same year, Latifah has persisted in overcoming tragedy to remain positive and creative. The talented songstress has also appeared as both the Wicked Witch of the West (1998's The Wizard of Oz) and Glenda the Good (The O.Z. in 2002), in addition to remaining an innovative and inspiring recording artist. In 2003, Latifah hit a watershed moment in her career and in the public perception of her image: she signed to portray Matron Mama Morton in Rob Marshall's bold cinematization of the Bob Fosse musical Chicago. For Latifah, the turn embodied a breakthrough to end all breakthroughs - it dramatically reshaped the artist's image from that of a hip-hop singer turned actress to that of a multitalented, one-woman powerhouse with astonishing gifts in every arena of performance - voice, drama and dance. Latifah deservedly netted an Oscar nomination for this role, but lost to Catherine Zeta-Jones, who played Velma Kelly in the same film.Later that same year, the multifaceted singer/actress took a dramatic step down in ambition and sophistication, joining Steve Martin for the odd couple comedy Bringing Down the House. That farce tells the occasionally rollicking story of a hyper-anal white lawyer (Martin) who attempts to "hook up" with a barrister he meets online, but discovers that she is (surprise!) actually a slang-tossing black prison escapee with a mad taste for hip hop dancing (Latifah). Ironically - given the seemingly foolproof and ingenious premise - the film collapsed, thanks in no small part to an awkward and craven screenplay that fails to see the logic of its situations through to fruition, and wraps with a ludicrous denouement. The film did score with viewers, despite devastating reviews from critics across the country. (If nothing else, the picture offers the uproarious sight of Martin in hip-hop attire, and does celebrate Latifah's everpresent message of much-deserved respect for black women). Latifah's onscreen activity skyrocketed over the following half-decade, with an average of around 5-7 roles per year. One of her most popular efforts, Barbershop 2: Back in Business (2004), constitutes a sequel to the urban comedy-drama Barbershop (2002). The original picture (without Latifah in the cast) concerned the proprietors and patrons of a (mostly) all-black barbershop on the south side of Chicago, with seriocomic lead characters portrayed by Ice-T, Cedric the Entertainer and others. In the second Barbershop go-round, Latifah plays Gina, the owner of an inner-city beauty parlor who operates her business next door. Those films reached a combined total of around $143 million worldwide, thanks in no small part to a pitch-perfect demographic that flocked to both efforts without abandon. The pictures also generated a Latifah-dominated sequel, Beauty Shop (2005), devoted to the exploits of Gina, her customers, and her employees, particularly the flamboyantly gay stylist Jorge Christoph (Kevin Bacon). The movie expanded the target audience of its predecessors and upped the ante by working in WASPy female characters played by A-listers Andie MacDowell and Mena Suvari and having Gina move her shop to the more audience-friendly Atlanta. Though the picture failed to match the grosses of its predecessors, it did reel in just under $38 million worldwide. Each of the installments generated mixed reviews from critics, Concurrent with Beauty Shop's release, Latifah signed on to collaborate with director Mark Forster and stars Will Ferrell and Emma Thompson in the comedy-fantasy Stranger than Fiction (2006). In that picture - about a man (Ferrell) who discovers he is the character in a book by a washed-up author (Thompson), and due to be killed shortly, Latifah plays Penny Escher, the "assistant" hired to end Thompson's creative block and put her back on track. Though Latifah's constituted a minor role (and, arguably, a throwaway at that), the film itself scored on all fronts, including craftsmanship, audience reactions, box office and critical response. After voicing Ellie in the CG-animated feature Ice Age: The Meltdown (2006), Latifah revisited cinematic song-and-dance (and reteamed with House director Adam Shankman) for the hotly-anticipated musical comedy Hairspray, based on the hit Broadway production (which was, in turn, based on the 1988 John Waters film). Latifah plays Motormouth Maybelle, in a cast that also includes Christopher Walken, Michelle Pfeiffer and an in-drag John Travolta, reprising the role originated by Divine. Latifah signed to star alongside Diane Keaton and Katie Holmes in the crime comedy Mad Money -- a remake of the British farce Hot Money (with echoes of 1976's How to Beat the High Cost of Living) about a trio of female janitors in the Federal Reserve bank who team up to rob the place blind. In addition to music, movies, and television, Latifah also found time to author a book on self-esteem entitled Ladies First: Revelations of a Strong Woman, and to serve as co-chairman of the Owens Scholarship Foundation, Inc., which provides assistance to academically gifted but financially underpriveleged students.

Trivia: UCLA graduate Lamont Johnson entered show business as an actor. He was busiest on radio, playing the role of Tarzan in a popular syndicated series of the late 1940s. During the first decade of the TV era, Johnson launched a second career as a director, contributing first-rate work to such series as Twilight Zone and Alfred Hitchcock Presents. Although he directed several theatrical features (which wildly varied in quality - everything form the reprehensible Lipstick to the fine, overlooked western Cattle Annie and Little Britches), Johnson was best known for his TV efforts, notably the Richard Levinson/William Link-produced TV movies My Sweet Charlie (1969) and The Execution of Private Slovik (1974) and his Emmy-winning projects Wallenberg: A Hero's Story (1984) and Gore Vidal's Lincoln (1988).

Trivia: Played basketball at NYU and had a tryout for the New York Knicks (but never played in the NBA); made theatrical-movie debut in White Men Can't Jump (1992). Produced and starred in the 1998 Fox sitcom Getting Personal; was a regular on the 1992-93 NBC sitcom Out All Night. Was nominated for a 1998 Daytime Emmy for Different Worlds: A Story of Interracial Love. Wife Tisha Campbell-Martin played his sister in a recurring role in his 2003-06 UPN/CW sitcom All of Us. Cowrote, coproduced and starred in the 2003 crime drama Ride or Die and the 2004 comedy Seat Filler (he also distributed Seat Filler and cowrote it with Campbell-Martin). Founded Impact Sports, an agency that represents pro athletes, in 1987; other business interests have included real estate and a Beverly Hills beauty salon.

Trivia: Born in Georgia and raised in a black Long Island ghetto, Jim Brown distinguished himself in high school athletics. Recruited from Syracuse University, Brown was signed with the Cleveland Browns in 1957, remaining with that organization as star fullback for ten years. Breaking any number of NFL records, Brown was named Rookie of the Year in 1958 and Player of the Year in 1960; he played in every Pro Bowl game from 1958 through 1965, and in 1971 was elected to the Football Hall of Fame. While still with Cleveland, Brown made his film debut in the 1963 Western Rio Conchos, an event deemed worthy of a four-page color spread in Life magazine. He became a full-time actor upon his retirement from the NFL in 1967, co-starring that year in The Dirty Dozen. Though he had trepidation about the climactic scene in which he blew dozens of helpless Nazi officers and their sweethearts to bits with hand grenades, it was this uncompromising sequence that truly "socked" Brown over with the audience. He rapidly rose to leading roles in such actioners as Ice Station Zebra (1968) and 100 Rifles (1969); in the latter film, he stirred up controversy by sharing several steamy scenes with white actress Raquel Welch. Brown also headlined the above-average crime capers Kenner (1969) and Black Gunn (1972) as well as the ultraviolent Slaughter series. He cut down on his film appearances in the late '70s, devoting most of his time to his many civic activities and business concerns; during this period, he also founded the Black Economic Union. After several years' absence from the screen, Jim Brown co-starred with fellow blaxploitation icons Fred Williamson, Pam Grier, and Richard Roundtree in the delightfully "retro" action-fest Original Gangstas (1996).

Trivia: An actress best known as Dorothy "Tootie" Ramsey, the lone African American student and consummate gossip at the exclusive Eastland Preparatory School for Women on NBC's sitcom The Facts of Life (1979-1988), Kim Fields actually appeared on several popular series in the 1970s-2000s. The Big Apple native grew up in a single-parent household and began acting in commercials well before she reached her teens, making her most widely seen appearance on an advertisement for Mrs. Butterworth's syrup. She made her foray into acting with scattered guest appearances on Good Times in 1978 and signed for the Facts of Life role one year later, at the age of 10, when Norman Lear (the producer of both Times and Facts) tapped her for that part. Fields remained with the program for its entire nine-year run, a run that witnessed numerous changes in the show's lineup and format, including the replacement of star Charlotte Rae with Cloris Leachman, and a change of venue in 1985. About five years after Facts folded in 1988, Fields scored her second major coup with a much different multiseason role as Regine Hunter, a loose, money-hungry employee of a clothing boutique on the urban-oriented Queen Latifah sitcom Living Single (1993-1998). Fields spent the following years appearing in scattered features, such as the 2000 telemovie Hidden Blessings and the 2001 telemovie Facts of Life Reunion (which reunited her with several of her ex-costars), and making guest appearances on programs including The Drew Carey Show and The Division; she also took time out to start a family.