Trivia: After several years in secondary film roles, the skeletal, menacing Christopher Lee achieved horror-flick stardom as the Monster in 1958's The Curse of Frankenstein, the second of his 21 Hammer Studios films. Contrary to popular belief, Lee and Peter Cushing did not first appear together in The Curse of Frankenstein. In Laurence Olivier's Hamlet (1948), in which Cushing plays the minor role of Osric, Lee appears as the cadaverous candle-bearer in the "frighted with false fires" scene, one of his first film roles. In 1958, Lee made his inaugural appearance as "the Count" in The Horror of Dracula, with Cushing as Van Helsing. It would remain the favorite of Lee's Dracula films; the actor later noted that he was grateful to be allowed to convey "the sadness of the character. The terrible sentence, the doom of immortality...."Three years after Curse, Lee added another legendary figure to his gallery of characters: Sherlock Holmes, the protagonist of Sherlock Holmes und das Halsband des Todes. With the release eight years later of The Private Life of Sherlock Holmes, Lee became the first actor ever to portray both Holmes and Holmes' brother, Mycroft, onscreen. Other Lee roles of note include the title characters in 1959's The Mummy and the Fu Manchu series of the '60s, and the villainous Scaramanga in the 1974 James Bond effort The Man With the Golden Gun. In one brilliant casting coup, the actor was co-starred with fellow movie bogeymen Cushing, Vincent Price, and John Carradine in the otherwise unmemorable House of Long Shadows (1982). Established as a legend in his own right, Lee continued working steadily throughout the '80s and '90s, appearing in films ranging from Gremlins 2: The New Batch (1990) to Tim Burton's Sleepy Hollow (1999).In 2001, after appearing in nearly 300 film and television productions and being listed in the Guinness Book of World Records for being the international star with the most screen credits to his name, the 79-year-old actor undertook the role of Saruman, chief of all wizards, in director Peter Jackson's eagerly anticipated screen adaptation of J.R.R. Tolkien's Lord of the Rings. Thought by many to be the millennial predecessor to George Lucas' Star Wars franchise, audiences thrilled to the wondrous battle between Saruman and Gandalf (Ian McKellen) atop the wizard's ominous tower, though Lee didn't play favorites between the franchises when Lucas shot back with the continuing saga of Anakin Skywalker's journey to the dark side in mid-2002. Wielding a lightsaber against one of the most powerful adversaries in the Star Wars canon, Lee proved that even at 80 he still had what it takes to be a compelling and demanding screen presence. He lent his vocal talents to Tim Burton's Corpse Bride in 2005, and appeared as the father of Willy Wonka in the same director's adaptation of the Roald Dahl classic. He appeared as Count Dooku in Revenge of the Sith, and voiced the part for the animated Clone Wars. He appeared in the quirky British film Burke & Hare in 2010, and the next year he could be seen Martin Scorsese's Hugo. In 2012 he teamed with Tim Burton yet again when he appeared in the big-screen adaptation of Dark Shadows.Now nearly into 90s, Lee returned to Middle Earth in 2012 with Jackson's Hobbit trilogy, appearing in the first (The Hobbit: An Unexpected Journey) and third (The Hobbit: The Battle of the Five Armies) films. He also reprised the role in a number of video games based on the two series. Lee was still actively working when he died in 2015, at age 93.

Trivia: Imperious, intellectual-looking British actor Peter Cushing studied for a theatrical career under the guidance of Cairns James at the Guildhall School of Music and Drama. Cushing supported himself as a clerk in a surveyor's office before making his first professional stage appearance in 1935. Four years later, he came to America, where he was featured in a handful of Broadway plays and Hollywood feature films. He had a small part in The Man in the Iron Mask (1939) and also doubled for Louis Hayward in the "twin" scenes; he was among the rather overaged students in Laurel and Hardy's A Chump at Oxford (1940); and he was second male lead in the Carole Lombard vehicle Vigil in the Night (1940). After closing out his Hollywood tenure with They Dare Not Love (1941), he returned to stage work in England. His next film appearance was as Osric in Laurence Olivier's Hamlet (1948), which also featured his future co-star Christopher Lee in a nonspeaking bit (Cushing and Lee's paths would cross again cinematically in Moulin Rouge [1952], though, as in Hamlet, they shared no scenes).In the early '50s, Cushing became a TV star by virtue of his performance in the BBC production of George Orwell's 1984. Still, film stardom would elude him until 1957, when he was cast as Baron Frankenstein in Hammer Films' The Curse of Frankenstein. It was the first of 19 appearances under the Hammer banner; Cushing went on to play Van Helsing in Horror of Dracula (1958) and Sherlock Holmes in The Hound of the Baskervilles (1959), roles which, like Baron Frankenstein, he would repeat time and again. Though his horror film appearances brought him fame and fortune, Cushing ruefully commented that he'd prefer not to be so tightly typecast: It is significant that his entry in the British publication Who's Who in the Theatre lists all of his theatrical credits, but only one title -- Hamlet -- in his film manifest. In 1975, after a decade's absence, Cushing made a return to the theater in Washington Square, ironically playing the role originated on Broadway by fellow Sherlock Holmes interpreter Basil Rathbone. Many of Cushing's later film assignments were in the tongue-in-cheek category, notably his sneeringly evil Governor Tarkin in Star Wars (1977) and his backwards-talking librarian in Top Secret! (1984). Retiring from the screen in 1986, Peter Cushing penned two volumes of memoirs: An Autobiography (1986) and Past Forgetting (1988).

Trivia: Born in Malaya (now Malaysia) to British parents, Michael Gough attended Wye Agricultural College before realigning his career goals by taking classes at the Old Vic. Gough made his first theatrical appearance in 1936 and his first film in 1948. He listed King Lear as his favorite stage role, though one suspects that he was equally fond of the character he portrayed in the 1979 Broadway hit Bedroom Farce, for which he won the Tony Award. Movie historian Bill Warren has noted that Gough, by accident or design, adopted two distinct film-acting styles. In such "straight" roles as Montrose in Rob Roy (1954), Norfolk in Henry VIII and His Six Wives (1972), Van der Luyden in The Age of Innocence (1993) and Bertrand Russell in Wittgenstein (1993), he was subtle and restrained; but when starring in such scarefests as Horrors of the Black Museum (1959) and Black Zoo (1962), his eye-bulging hamminess knew no bounds. Most contemporary filmgoers are familiar with Gough through his appearances as Alfred the Butler in the Batman theatrical features. Gough died at age 94 in the spring of 2011.

Trivia: John Van Eyssen wore several hats during his long professional career -- including that of Shakespearean thespian, movie actor, literary agent, producer and studio executive. Born and raised in South Africa, Van Eyssen did not come to Great Britain until after WW II. Once in London, he studied drama at the Central School of Speech and Drama, winning a special prize before he graduated and joined the Royal Shakespeare Company. From there, Van Eyssen branched out into radio, television and, beginning with The Angel with the Trumpet (1950), films. In 1958, he appeared as the world's most famous bloodsucker in Hammer Films' The Horror of Dracula. Van Eyssen abandoned acting in 1961 to become a literary agent for London Management. He proved to have a knack for the job and was quickly promoted to helm the literary department. He became so important that when the company merged with London Artists, he was in charge of handling Franco Zeffirelli, Tennessee Williams, and Arthur Miller. Van Eyssen left the management business in 1965 to work at Columbia Pictures' UK division. Two years after his hiring, Van Eyssen was the managing director and was behind some of the studio's most popular British films, including To Sir With Love (1967), Born Free (1966) and Georgy Girl (1966). He left the studio in 1973 to work as an independent producer in New York, and in 1981, he produced Sidney Lumet's Daniel. Van Eyssen returned to England in 1991 and became an instrumental part of establishing Britain's premiere showcase for talented young filmmakers, the Chelsea Film Festival.

Trivia: Jowly, sharp-nosed British theatrical personality Miles Malleson dabbled in virtually every aspect of the dramatic arts from his 1911 stage debut onward. As a writer (he penned his first play in 1913) he was responsible for the screenplays of such treasured films as Nell Gwyn (1934), Victoria the Great (1937) and Mister Emmanuel (1944). As a producer/director, Malleson staged several notable West End plays, among them the original production of Emlyn Williams' Night Must Fall. And as an actor, Malleson contributed a bottomless reserve of screen characterizations: the childish caliph in Thief of Baghdad (1940) (which he also scripted); the spectral coachman ("Room for one more, sir') in Dead of Night (1946); the cheery hangman in Kind Hearts and Coronets (1949); Reverend Chasuble in The Importance of Being Earnest (1952); and a vast array of family retainers, doddering civil servants, faffling aristocrats, stern judges and rural rustics. Miles Malleson worked into his late 70s, until failing eyesight overtook him.

Trivia: British actor George Woodbridge both looked and sounded like a rural tavern patron, thus was cast accordingly in many of his films. Woodbridge's red-faced characters in movies like Green for Danger (1946), The October Man (1947), and An Alligator Named Daisy (1955) always looked as though they'd just stopped in for a drink after selling their crops and poultry at market. He was also a regular in the Hammer Dracula films of the '50s and '60s, which featured incongruously provincial English in a Transylvania soundstage, as he related tales of "aunts" and "spooks" to his fellow pubgoers. Woodbridge had a weekly job on the '50s TV series Stryker of Scotland Yard, in which he portrayed a hearty police sergeant, just as he had so often before on the big screen. George Woodbridge was also prominently cast in the international TV success The Forsyte Saga (1967), playing Swithin.

Trivia: A British character actor, Bayldon was onscreen from the '50s.