Trivia: Born in Brooklyn, NY, on December 29, 1936, actress/dancer/rubberfaced comedienne Mary Tyler Moore went on to star in the definitive television comedies of both the 1960s and the 1970s: The Dick Van Dyke Show (1961-1966) and The Mary Tyler Moore Show (1970-1977). For her performances as Laura Petrie and Mary Richards, Moore won five Emmy Awards, in 1965, 1966, 1973, 1974, and 1976.Moore got her start in television commercials, acting as Happy Hotpoint, the Hotpoint Appliance Elf during The Ozzie and Harriet Show in 1955. She then progressed to a stint as the disembodied voice and legs of Sam, the answering service lady, on Richard Diamond, Private Detective (1957-1960). Three unsuccessful shows and a series of TV specials followed her more notable series: Mary (1978), the Mary Tyler Moore Hour (1979), and Mary (1985-1986). Her dramatic career took off in 1981, when she was nominated for an Academy Award for her portrayal of the repressed mother in Ordinary People. Moore had Broadway success with Whose Life Is It Anyway?, appeared in the highly acclaimed Finnegan, Begin Again with Robert Preston on HBO, and won a CableACE Award in 1993 for her performance as an evil orphanage director in Stolen Babies. In 1996, Moore gained the appreciation of a new generation of fans with her hilarious turn as Ben Stiller's neurotic mother in David O. Russell's Flirting With Disaster. She also experienced a sort of renaissance through her mention in other films, notably Douglas Keeve's 1995 frockumentary Unzipped, which featured a beatific Isaac Mizrahi extolling the virtues of The Mary Tyler Moore Show and singing its theme song. In addition to her television and film work, Moore, as a well-known diabetic, has been a longtime representative of the Juvenile Diabetes Foundation. And though her film and television roles would become more sporadic moving into the new millennium, Moore could still be seen in the occasional theatrical release (Cheats, Against the Current) or made-for-television movie (Miss Lettie and Me, Snow Wonder) while making guest appearances in such popular sitcoms as That 70's Show and Hot in Cleveland. Moore died in 2017, at age 80.

Trivia: Raised in the only Jewish family in his neighborhood, American actor Ed Asner grew up having to defend himself both vocally and physically. A born competitor, he played championship football in high school and organized a top-notch basketball team which toured most of liberated Europe. Asner's performing career got its start while he was announcing for his high school radio station; moving to Chicago in the '50s, the actor was briefly a member of the Playwrights Theatre Club until he went to New York to try his luck on Broadway. Asner starred for several years in the off-Broadway production Threepenny Opera, and, toward the end of the '50s, picked up an occasional check as a film actor for industrial short subjects and TV appearances. Between 1960 and 1965, he established himself as one of television's most reliable villains; thanks to his resemblance to certain Soviet politicians, the actor was particularly busy during the spy-show boom of the mid-'60s. He also showed up briefly as a regular on the New York-filmed dramatic series Slattery's People. And though his film roles became larger, it was in a relatively minor part as a cop in Elvis Presley's Change of Habit (1969) that Asner first worked with Mary Tyler Moore. In 1970, over Moore's initial hesitation (she wasn't certain he was funny enough), Asner was cast as Lou Grant, the irascible head of the WJM newsroom on The Mary Tyler Moore Show. The popular series ran for seven seasons, during which time the actor received three Emmy awards. His new stardom allowed Asner a wider variety of select roles, including a continuing villainous appearance on the miniseries Roots -- which earned him another Emmy. When Moore ceased production in 1977, Asner took his Lou Grant character into an hour-long dramatic weekly about a Los Angeles newspaper. The show's title, of course, was Lou Grant, and its marked liberal stance seemed, to some viewers, to be an extension of Asner's real-life viewpoint. While Lou Grant was in production, Asner was twice elected head of the Screen Actors Guild, a position that he frequently utilized as a forum for his political opinions -- notably his opposition to U.S. involvement in Central America. When Asner suggested that each guild member contribute toward opposing the country's foreign policy, he clashed head to head with Charlton Heston, who wrested Asner's office from him in a highly publicized power play. Although no tangible proof has ever been offered, it was Asner's belief that CBS canceled Lou Grant in 1982 because of his politics and not dwindling ratings. The actor continued to prosper professionally after Lou Grant, however, and, during the remainder of the '80s and into the '90s, starred in several TV movies, had guest and recurring roles in a wide variety of both TV dramas and comedies, and headlining two regular series, Off the Rack and The Bronx Zoo. Slowed but hardly halted by health problems in the '90s, Asner managed to find time to appear in the weekly sitcoms Hearts Afire and Thunder Alley -- atypically cast in the latter show as an ineffective grouch who was easily brow-beaten by his daughter and grandchildren.

Trivia: Actor Ted Knight dropped out of high school in order to enlist for World War II service. During the postwar years, Knight studied acting in Hartford, Connecticut. He became proficient with puppets and ventriloquism, which led to steady work as a TV kiddie-show host. Knight spent most of the 1950s and 1960s doing commercial voice-overs and essaying minor TV and movie roles (he was the nonspeaking cop who handed Norman Bates a robe at the end of Hitchcock's Psycho [1960]). Just barely making ends meet with TV guest spots and cartoon voices, Knight was rescued professionally in 1970 when he was cast in the role of vainglorious TV anchorman Ted Baxter on The Mary Tyler Moore Show. Three years into the series, Knight threatened to quit because of the one-note stupidity of his character. He was assuaged when the MTM producers "humanized" him with an understanding girlfriend (played by Georgia Engel) -- and it didn't hurt that the actor later won two Emmy awards for his portrayal of the clueless Ted Baxter. When MTM left the air in 1977, Knight attempted to headline a sitcom of his own. After a couple of false starts, he struck pay dirt in 1980 with Too Close for Comfort, playing a comic-strip artist with two nubile daughters. Too Close left the network for syndication in 1984, then matriculated into The Ted Knight Show in 1985. Though gravely ill, Ted Knight valiantly taped a years' worth of episodes before succumbing to cancer at the age of 62.

Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Actress Valerie Harper's fame largely rests on her colorful portrayal of television's "New Yawk-er" Rhoda Morgenstern. After growing up in Oregon, Michigan and Jersey City, Harper became a chorus dancer in the Big Apple, hoofing with the Radio City Rockettes and performing in such Broadway musicals as Li'l Abner, Take Me Along, Wildcat and Subways Are for Sleeping. Her first film appearance was in the 1959 movie adaptation of Li'l Abner. While spending her nights on stage, she attended Hunter College and the New School for Social Research, supporting herself between dancing gigs as a telephone canvasser and hat-check girl. During the 1960s, she did comedy-improv work with Second City and Paul Sill's Story Theatre (one of her co-workers during her Sills years was her first husband, comic actor Richard Schaal). In the popular mid-1960s comedy record album When You're in Love, the Whole World is Jewish, Harper can be heard offering an embryonic version of Rhoda Morgenstern, a character she based on her childhood friend Penny Almog. So well-grounded was she in Rhoda-like characterizations by 1970 that she was hired for The Mary Tyler Moore Show (her first regular TV-series gig) on the basis of a one-sentence audition. After winning three Emmies for her Mary Tyler Moore work, Harper was spun off into her own series in 1974, titled Rhoda. Though it opened to excellent ratings (thanks largely to the one-hour episode in which Rhoda married her blue-collar fiance Joe [David Groh]), Rhoda was never as big a hit as Mary Tyler Moore, and it left the air in 1978. During this period, Harper made her formal film debut in Freebie and the Bean (1974), earning a Golden Globe nomination for her portrayal of a Puerto Rican housewife. After toting up several stage and TV-movie credits, she returned to the weekly-series grind in 1986 with Valerie. She walked out on the show over a salary dispute, whereupon the producers fired her and retooled the series into The Hogan Family, which ran without Harper until 1991. She has starred in two series since leaving Valerie (1990's City and 1995's The Office) but has been unable to latch onto a character with the staying power of Rhoda Morgenstern. Additional appearances in Melrose Place, Sex and the City, Desperate Housewives, and Drop Dead Diva followed, Extremely active in prosocial causes off-camera, Valerie Harper was co-founder of an anti-hunger organization called LIFE (Love Is Feeding Everyone).

Trivia: Cloris Leachman seems capable of playing any kind of role, and she has consistently demonstrated her versatility in films and on TV since the 1950s. On the big screen, she can be seen in such films as Kiss Me Deadly (1955), Butch Cassidy and the Sundance Kid (1969), The Last Picture Show (1971), for which she won an Oscar; and Young Frankenstein (1974). On TV, she played the mother on Lassie from 1957-58, and Phyllis Lindstrom on both The Mary Tyler Moore Show (1970-77) and her own series, Phyllis (1975-77). She was a staple on many of the dramatic shows of the '50s, and a regular on Charlie Wild, Private Detective (1950-52), and The Facts of Life. Leachman has won three Emmy Awards and continues to make TV, stage, and film appearances, including a turn as Granny in the film version of The Beverly Hillbillies (1993) and supplying her voice for the animated Beavis and Butt-Head Do America (1996) and The Iron Giant (1999). In 1999, she could be seen heading the supporting cast in Wes Craven's Music of the Heart.

Trivia: Actress Lisa Gerritsen embarked on a dramatic career for a very brief albeit memorable period of time -- from around 1969 (at the age of 12) to 1978 (at the age of 21), when she finally hung up her acting gloves and moved out of the spotlight. The world first took notice of Gerritsen when she signed for a role in the short-lived NBC sitcom My World and Welcome to It (1969-1970). Loosely adapted from the writings of humorist James Thurber, the program starred William Windom (She's Having a Baby) as John Monroe -- a husband and father of one who worked as a writer and cartoonist, suffered from an enormous sense of insecurity, and lived in his daydreams. Gerritsen co-starred as Lydia Monroe, John's preteen daughter. Unfortunately, despite a cover article in TV Guide circa 1969 and an abortive attempt by CBS to revive the series in 1972, it never connected with a substantial audience. Several months after a big-screen debut as a terrified airline passenger in the star-studded epic Airport (1970), Gerritsen then cropped up in another regular supporting role on a series, this time on the still-influential sitcom The Mary Tyler Moore Show. On that program, she played Bess Lindstrom, the teenage daughter of Phyllis Lindstrom (Cloris Leachman), the landlady of Mary Richards' (Moore) building. The series as a whole ran until 1977, but five years in, producer Grant Tinker decided to spin off the characters of Phyllis and Bess into their own sitcom, simply and elegantly titled Phyllis; as a result, Leachman and Gerritsen promptly left the program to head up the new show. The premise of that outing (which debuted in 1975 and ran for two years) had Phyllis and Bess moving to San Francisco following the sudden death of husband and father Lars, where Phyllis took a job in a commercial photography studio. Phyllis represented Gerritsen's last major acting role, and thereafter, she moved into an unrelated field. Her resumé also includes guest appearances on such programs as Gunsmoke, The Odd Couple, and Bonanza.

Trivia: An actor with hulking presence and a stern countenance, John Amos undercuts his ominous appearance with the kind of warm grin and fun-loving attitude that makes him a natural for comedy. More recognizable as a television actor, the former pro football player has made enough visible forays into film to earn him a reputation in both arenas.After stints in a variety of divergent career fields -- pro sports, advertising, commercial acting, stand-up comedy, comedy writing -- Amos got his big break with the role of Gordy the weatherman on The Mary Tyler Moore Show in 1970. After three years as a side player next to Mary Tyler Moore, Ed Asner, and Ted Knight, Amos thought he'd get the chance for top billing by signing on to the gig for which he is best known: James Evans, the temperamental patriarch of Good Times. But Jimmie Walker, who played son J.J. Evans, soon gave the show a sassy youthful focus with his catchphrase "Dy-no-mite!" stealing the spotlight from Amos and Esther Rolle, who played wife Florida. Amos asked out of his contract after three years, and in 1976, James Evans was killed off in a car accident.The decision to leave a hit series did not squash Amos, as it has some others who have made that bold decision. Instead, Amos stepped into the highly celebrated and widely seen role of the adult Kunta Kinte in the 1977 miniseries Roots. The role challenged the actor's dramatic abilities like none of his previous work had, and he won praise for documenting the travails of a captured African who resists his enslavement.While continuing to turn up in TV series such as Future Cop and Hunter, Amos began making regular appearances in film in the 1980s. Among his more prominent roles were as Seth, companion to Marc Singer's title character in the sword and sorcerer film The Beastmaster (1982); Cleo McDowell, owner of a McDonald's knockoff burger chain and employer of Eddie Murphy and Arsenio Hall's transplanted dignitaries in Coming to America (1988); and the double-crossing Major Grant, who becomes one of the villains opposite Bruce Willis in Die Hard 2 (1990). Settling back into a career of guest shots on TV shows, Amos occupied himself during the 1990s and beyond with recurring roles on The Fresh Prince of Bel Air and as Admiral Percy Fitzwallace on NBC's The West Wing.

Trivia: Actress Joyce Bulifant clocked in as a television mainstay for several decades, nearly always in small supporting roles or guest spots, on series such as Perry Mason, Bonanza, Gunsmoke, and Dr. Kildare. Beginning in 1971, one year into the eight-season run of The Mary Tyler Moore Show, Bulifant landed an assignment as a regular on that program; she played Marie Slaughter, the wife of amiable newswriter Murray Slaughter (Gavin MacLeod) -- an assignment that carried her through the final season of the series. During the 1970s, she also appeared as a regular contestant/participant on the game show Match Game, alongside such "Me Decade" stars as McLean Stevenson and Mary Tyler Moore Show co-star Betty White. Bulifant's small-screen work continued unabated for several decades; in time, she also moved into occasional bit parts and supporting roles in features. She was particularly memorable (and visible) as Mrs. Davis, the mother of a sick child whose IV is knocked out by a klutzy singing nun, in the farce Airplane! (1980), and then, around 20 years later, experienced a career resurgence thanks to her son, director John Mallory Asher (the child of Bulifant and beach movie director William Asher), who cast her in the road comedy Diamonds (1999) and the critically reviled sex farce Dirty Love (2004).

Trivia: Supporting actress Priscilla Morrill spent most of her career on television, appearing in telemovies, as a semi-regular, and a guest star. Fans of The Mary Tyler Moore Show may remember her for playing Edie, the estranged wife of newsroom chief Lou Grant. She made her first professional appearance on stage in an off-Broadway production of Julius Caesar opposite John Carradine. While on Broadway, Morrill appeared in such dramas as Still Life, Night of the Iguana, and The Relapse. Though she had been on television since the early '60s, she did not make her feature film debut until she landed a small role in Clint Eastwood's Breezy (1973). After that, she rarely appeared in feature films; she did, however, appear in many television movies, including The Love Canal and The Trial of Jean Harris. Morrill's guest-starring appearances include such shows as Newhart, The Outer Limits, and Bagdad Cafe. Morrill occasionally landed regular roles on television sitcoms such as And Baby Makes Five, but none of these lasted more than a few months.

Trivia: A beloved comedic actress whose breakthrough performance in the Mary Tyler Moore Show helped convince a disgruntled Ted Knight to stick with the series despite disappointment with his character, Georgia Engel's golden comic talents are only matched by her unmistakable blonde locks and remarkable zeal for her craft. A native of Washington, D.C., who studied her craft at The University of Hawaii, Engel appeared in Milos Forman's Taking Off and Jacques Deray's The Outside Man before joining the cast of The Mary Tyler Moore Show in a one-time role that was quickly expanded when producers made note of her comic abilities. Engel remained with the series until the end of its run in 1977, during which time she was nominated for two Emmy awards for her winning performances. If subsequent appearances on such short-lived sitcoms as The Betty White Show and Goodtime Girls found Engel's career floundering somewhat in the late-'70s/early-'80s, post-Mary Tyler Moore era, a six-year stint in the popular television series Coach in the early '90s found her back in top form. Of course that was only the beginning to Engel's comeback period, and following the cancellation of Coach in 1997, her success carried over into the new millennium with a recurring role on Everybody Loves Raymond. Minor voice work in Dr. Dolittle 2 preceded a return to the big screen in the 2002 comedy The Sweetest Thing, after which she made an appearance in theater opposite I Dream of Jeannie's Barbara Eden in The Odd Couple: The Female Version.

Trivia: Actress Betty White got her start in local Los Angeles television as the "telephone girl" for video emcee Al Jarvis. By early 1950 she was one of the stars of the daily, five-hour series Hollywood on Television. One of the highlights of this program was a husband and wife sketch titled "Life With Elizabeth," which when committed to film and syndicated nationally in 1953 became White's first starring TV sitcom. She went on to headline her own network variety series in 1954, then co-starred with Bill Williams in the weekly TV domestic comedy Date With the Angels (1957), which without Williams was retitled The Betty White Show in early 1958. For the next 15 years she made guest appearances on various variety and quiz show efforts, and toured the straw-hat theatrical circuit in such plays as Critics Choice and Who Was That Lady, often appearing opposite her husband, TV personality Allen Ludden. Two years after hosting the 1971 syndicated informational series The Pet Set, she guest-starred as libidinous "Happy Homemaker" Sue Ann Nivens on the fourth season opener of The Mary Tyler Moore Show. This Emmy-winning episode led to White being cast as an MTM regular; she remained with the series until its final episode in 1977. She then starred on her own short-lived sitcom (again titled The Betty White Show) before returning to the guest-star circuit. In 1985, she joined the cast of TV's The Golden Girls as middle-aged grief counselor Rose Nyland. This top-rated program lasted seven seasons before metamorphosing into the rather less successful Golden Palace (1992). White was a regular on the 1995 series Maybe This Time, and in 1997 she won an Emmy for her one-shot appearance on The John Laroquette Show. She was in the films Hard Rain and The Story of Us, as well as Lake Placid. In 2003 she was cast in Bringing Down the House, and in 2008 provided a voice for the American version of Ponyo. White developed a new generation in fans when she became the subject of a successful online campaign to get her to host Saturday Night Live - which she did in 2010, along with winning the SAG award for Life time Achievement. The year before, she had a part in the hit Sandra Bullock vehicle The Proposal. She also became the star of year another successful TV show when she was cast in the female-centric sitcom Hot in Cleveland. She lent her voice to the 2012 adaptation of The Lorax.

Trivia: A performer who achieved fame and recognition as a child star, Robbie Rist first gained audience identification thanks to two key television roles, held on a recurring (and occasionally seen) basis: Cousin Oliver on The Brady Bunch and David Baxter, the eight-year-old boy (actually, Rist was 12 at the time) adopted by Ted and Georgette Baxter in the final season of The Mary Tyler Moore Show. In subsequent years, Rist landed occasional roles in features with a marked emphasis on action, fantasy, and children's entertainment. Projects included Iron Eagle (1985), Teenage Mutant Ninja Turtles: The Movie (1990) and its two sequels (where he voiced one of the turtles), and the animated adventure Balto (1996). Meanwhile, on the side, Rist remained extremely active as a musician and music producer, and played in numerous "indie" bands.