Trivia: Actress Valerie Harper's fame largely rests on her colorful portrayal of television's "New Yawk-er" Rhoda Morgenstern. After growing up in Oregon, Michigan and Jersey City, Harper became a chorus dancer in the Big Apple, hoofing with the Radio City Rockettes and performing in such Broadway musicals as Li'l Abner, Take Me Along, Wildcat and Subways Are for Sleeping. Her first film appearance was in the 1959 movie adaptation of Li'l Abner. While spending her nights on stage, she attended Hunter College and the New School for Social Research, supporting herself between dancing gigs as a telephone canvasser and hat-check girl. During the 1960s, she did comedy-improv work with Second City and Paul Sill's Story Theatre (one of her co-workers during her Sills years was her first husband, comic actor Richard Schaal). In the popular mid-1960s comedy record album When You're in Love, the Whole World is Jewish, Harper can be heard offering an embryonic version of Rhoda Morgenstern, a character she based on her childhood friend Penny Almog. So well-grounded was she in Rhoda-like characterizations by 1970 that she was hired for The Mary Tyler Moore Show (her first regular TV-series gig) on the basis of a one-sentence audition. After winning three Emmies for her Mary Tyler Moore work, Harper was spun off into her own series in 1974, titled Rhoda. Though it opened to excellent ratings (thanks largely to the one-hour episode in which Rhoda married her blue-collar fiance Joe [David Groh]), Rhoda was never as big a hit as Mary Tyler Moore, and it left the air in 1978. During this period, Harper made her formal film debut in Freebie and the Bean (1974), earning a Golden Globe nomination for her portrayal of a Puerto Rican housewife. After toting up several stage and TV-movie credits, she returned to the weekly-series grind in 1986 with Valerie. She walked out on the show over a salary dispute, whereupon the producers fired her and retooled the series into The Hogan Family, which ran without Harper until 1991. She has starred in two series since leaving Valerie (1990's City and 1995's The Office) but has been unable to latch onto a character with the staying power of Rhoda Morgenstern. Additional appearances in Melrose Place, Sex and the City, Desperate Housewives, and Drop Dead Diva followed, Extremely active in prosocial causes off-camera, Valerie Harper was co-founder of an anti-hunger organization called LIFE (Love Is Feeding Everyone).

Trivia: The son of an architect, David Groh entered Brown University as an engineering major, but gradually gravitated to the Fine Arts department. Following a few summers with the American Shakespeare Festival, Groh received a Fulbright scholarship to study acting in England. Returning to New York, he was at first limited to "classical" roles, beginning with his off-Broadway bow in The Importance of Being Earnest. He enrolled at the Actors Studio to get some "modern" grounding: evidently he succeeded, inasmuch as his subsequent Broadway credits included such contemporary efforts as The Hot L Baltimore and Chapter Two. During the 1960s and 1970s, he worked steadily in the soap-opera mills, appearing in a dual role on Dark Shadows and as D L Brock in General Hospital. Told by his friends that he might have a future in Hollywood-based cop shows, Groh moved to LA in 1974--where, within a matter of months, he was cast as Rhoda Morgenstern's fiancé Joe Gerard on the popular sitcom Rhoda. The Joe-Rhoda wedding, telecast October 28, 1974, earned the series its highest-ever ratings; but the chemistry was never really there, and in 1977 the Gerards were divorced (many viewers, assuming that Groh and Harper were really married, sent letters of condolence to the two actors). In April of 1978, Groh was back on the small screen in his own sitcom, Another Day (1978), which lasted but a month. David Groh thereafter concentrated on stage work, with occasional forays into films and such TV miniseries as The Dream Merchants and Tourist.. Groh died at age 68 in February 2008.

Trivia: When the decision was made in 1974 to transform Rhoda Morgenstern (Valerie Harper) from frumpy kvetcher to desirable bachelorette on the TV series Rhoda, somebody had to inherit all those self-deprecating jokes told by Rhoda on The Mary Tyler Moore Show. The decision was made to create a new character: Rhoda's pudgy, insecure younger sister, Brenda. The actress chosen for the role sounded as though she'd been a New Yorker since the womb, but in fact Julie Kavner was born and raised in California. A theatre student at USC-San Francisco, Kavner came to Rhoda with no professional experience, but before the series ran its course, she had won an Emmy for her portrayal. With her performance in the 1986 film Hannah and Her Sisters, Kavner became one of the most prominent members of director Woody Allen's stock company, essaying very un-Brendalike roles in Radio Days (1987), the "Oedipus Wrecks" segment of New York Stories (1989), Alice (1990) and Shadows and Fog (1992). Kavner's regular stint as an ensemble player on the Fox TV network's Tracy Ullman Show led to her long-running assignment as the gravelly voice of Marge Simpson on the weekly animated series The Simpsons. Even as she continued to work on The Simpsons for the nex twenty years, she would make occasional big-screen appearances in projects as diverse as I'll Do Anything, Forget Paris, Judy Berlin, and Click.She also maintained an ongoing working relationship with Woody Allen appearing in Deconstructing Harry and in the 1994 made-for TV adaptation of the famous director's play Don't Drink the Water.

Trivia: The daughter of vaudevillians, 4'11" entertainer Nancy Walker had wanted to establish herself as a serious singer. But when Nancy auditioned for Broadway impresario George Abbott, he burst out laughing at her reading of the line "Is this where the aliens go to register?" and immediately cast her as the hoydenish Blind Date in his 1941 musical production Best Foot Forward. She went on to make her Hollywood debut in the film version of this production, then returned to Broadway, where she skyrocketed to stardom in such productions as On the Town (1944) and Look, Ma, I'm Dancin' (1948). She continued headlining on Broadway throughout the 1950s, occasionally showing up on television variety series, most memorably as the teen-aged president of the Milton Berle fan club. Despite her enormous success as a comedienne, Walker was the archetypal "laughing on the outside, crying on the inside" type in private life, undergoing several years of therapy to purge herself of her insecurities. When theatrical opportunities began drying up in the late 1960s, Nancy relied more and more on television for a living. She was featured as Rosie the waitress in a series of paper-towel commercials ("It's the quicker picker upper"), co-starred as Mildred the maid on MacMillan and Wife (1971-75), and, most memorably, was cast as Ida Morgenstern, the Jewish mama to end all Jewish mamas, on The Mary Tyler Moore Show (1970-77) and Rhoda (1974-78). Though nominated for five Emmies, she never won the coveted statuette, a fact that seemed to bother her husband David Craig (a vocal coach whom she'd met when she lost her voice during Look Ma, I'm Dancing) more than Walker. Banking on her renewed celebrity, she attempted several TV starring vehicles of her own, but none lasted beyond the first season. She had better luck as a stage director, helming such theatrical productions of UTBU and A Pushcart Affair. In 1980, Walker made her film directorial debut with the Village People starrer Can't Stop the Music, produced by her then-manager Alan Carr. Nancy Walker's final regular TV-series stint was on the 1990 Fox Network weekly True Colors; two years later she died of lung cancer at the age of 71.

Trivia: Possibly in defiance of the old adage "those that can't do, teach," American actor Harold Gould gave up a comfortable professorship in the drama department of the University of California to become a performer himself. Building up stage and TV credits from the late '50s onward, Gould made his first film, Two for the Seesaw, in 1962. He divided his time between stage and screen for the rest of the '60s, winning an Obie Award for the off-Broadway production Difficulty of Concentration. Gould was prominently cast in such slick '70s products as The Sting (1973), Woody Allen's Love and Death (1975), and Mel Brooks' Silent Movie (1976) (as a classically gesticulating villain). Often nattily attired and usually comporting himself like a wealthy self-made businessman, Gould was generously employed on TV for three decades. He co-starred with Daniel J. Travanti in the 1988 American Playhouse production of I Never Sang for My Father, played WASP-ish Katharine Hepburn's aging Jewish lover in the TV movie Mrs. Delafield Wants to Marry (1986), and had regular stints on such series as The Long Hot Summer (1965), He and She (1967), Rhoda (1974) (as Rhoda's father), The Feather and Father Gang (1977), Washington: Behind Closed Doors (1977), Park Place (1981) Foot in the Door (1983), Spencer (1984) and Singer and Sons (1990). However, when the time came in 1974 to make a series out of the pilot film for Happy Days, an unavailable Harold Gould was replaced by Tom Bosley.

Trivia: The product of a broken home, Cara Williams was still a preteen when she was taken by her mother from her hometown of Brooklyn to Los Angeles. Williams' first professional acting job was supplying vocal impressions of famous movie stars for animated cartoons. At 17, Williams was signed to a 20th Century Fox contract, but few of her subsequent film roles were large enough to attract notice. Her fortunes improved when she replaced Judy Holliday in the Broadway production of Born Yesterday (1950); thereafter, her film and TV roles increased in size and prominence. She was nominated for an Academy Award for her portrayal of a sex-starved farm woman in The Defiant Ones (1958). By virtue of her flaming red hair and acute comic timing, Williams was touted as "the new Lucille Ball" on the CBS sitcoms Pete and Gladys (1961) and The Cara Williams Show (1964). Her TV efforts were not particularly popular, but she had a powerful ally in the form of actor/producer Keefe Brasselle -- who was the best friend of CBS programming head James Aubrey. When Brasselle fell out of favor and Aubrey's regime toppled, Williams' stardom diminished. She went on to play character roles on-stage and in films, and was briefly a regular on the late-'70s TV series Rhoda. From 1952 through 1959, Cara Williams was the wife of actor John Barrymore Jr., by whom she had a son.

Trivia: A graduate of NYU, American actor Richard Masur has been seen in supporting TV and movie roles since the early 1970s. His pliable facial features, boyish demeanor and indeterminate age have enabled Masur to play a rich variety of roles: a mentally retarded stockboy on All in the Family, a hotshot program manager on The Mary Tyler Moore Show, and even a "friendly stranger" child molester in the 1981 TV movie Fallen Angel. Masur's film credits include Semi-Tough (1977); Who'll Stop the Rain (1978); My Girl (1991), as Jamie Lee Curtis' prickly ex-husband; and the deservedly maligned Heaven's Gate (1980). Masur has also been a regular on several TV series: From 1975 through 1976, for example, he was divorcee Bonnie Franklin's much-younger boyfriend (and almost her second husband) on One Day at a Time. In 1987, Masur made his film directorial bow with the Oscar-nominated short subject Love Struck, but he continues to work primarily as an actor in both TV and film.

Trivia: Ron Silver was known for his extraordinary stage presence and high-energy portrayals of a variety of offbeat characters in films and on television. A native New Yorker, Silver studied Chinese at State University of New York at Buffalo and drama at the Herbert Berghof Studio and the Actors Studio. After receiving his bachelor's from S.U.N.Y., Silver earned a master's degree in Chinese history at the College of Chinese Culture in Taiwan and then returned to New York to study at the aforementioned acting studios. 1976 was a big year for Silver who debuted as a comedian in feature films (Tunnelvision), television (The Mac Davis Show), and theater (El Grande de Coca-Cola). He was also a regular cast member between 1976 and 1978 on the sitcom Rhoda, and then appeared in several made-for-television movies before appearing in Semi-Tough (1977). His feature film career picked up in the early '80s, but he did not get his first big break until he starred opposite Anne Bancroft in Sidney Lumet's Garbo Talks (1984). Silver earned critical acclaim in 1989 for starring in Philip Saville's Fellow Traveler as a Hollywood screenwriter forced to flee his family and friends to avoid getting blacklisted during the early '50s. That same year, Silver won a Tony and a Drama Desk Award for starring in David Mamet's Speed-The-Plow and scored a second film coup in Paul Mazursky's adaptation of author Isaac Bashevis Singer's Enemies, A Love Story. In the years to follow,, the busy Silver, who juggled his time between the three entertainment forms, became a respected mid-range star who could be counted on to deliver consistently strong, fine performances. As the '90s progressed, he moved into more lead roles playing everything from psychopaths (Blue Steel [1990]), senators (Time Cop [1994]), sleazy lawyers (in the TV medical drama Chicago Hope [1994- ]), and scientists (The Arrival [1996]). Silver died of esophageal cancer in 2009 at the age of 62.

Trivia: Anne Meara started out and ended up a distinguished dramatic actress--and in between, scored high marks as a comedienne, playwright and screenwriter. Launching her career in summer stock in 1950, Meara won an Obie Award for her intensely dramatic performance in the 1955 off-Broadway production Maedchen in Uniform; during this period, she was also a semi-regular on the NBC TV daytime soaper The Greatest Gift. Auditioning for an opera in 1954, she met another struggling actor, Jerry Stiller; they were married the following year. Forming the comedy team of Stiller & Meara, The team skyrocketed to stardom via their many appearances on such 1960s variety series as The Ed Sullivan Show and The Steve Allen Show. One of their richest sources of material was the difference in their ethnic backgrounds, especially in their famous "Hershey Horowitz/Mary Elizabeth Doyle" routines (an Irish Catholic, Meara converted to Judaism upon her marriage to Stiller). They also appeared together on Broadway, in the supporting cast of the 1971 sitcom The Paul Lynde Show, and in an obscure 1975 syndicated TV comedy "filler" series Take Five With Stiller and Meara. On her own, Meara has provided comic and noncomic support to several films, including Lovers and Other Strangers (1970), The Out-of-Towners (1970) and Fame (1980). She starred in the 1975 TV lawyer series Kate McShane, and co-starred as tavern owner Mae on The Corner Bar (1973), divorced airline stewardess Sally Gallagher on the 1976-77 season of Rhoda, acid-tongued cook Veronica Rooney on Archie Bunker's Place (1979-83), and mother-in-law Dorothy Halligan on Alf (1987). In 1983, Meara won the Writers Guild "outstanding achievement" award for her script for the made-for-TV feature Another Woman, and ten years later was nominated for a Tony Award for her portrayal of Marthy in the Broadway revival of Eugene O'Neill's Anna Christie. Anne Meara is the mother of comic actor Ben Stiller and worked with her son in his directorial feature debut, Reality Bites (1994), Zoolander (2001) and Night at the Museum (2006). She recurred on Sex and the City, playing Miranda's mother-in-law, Mary, and later reprised the role in the feature film. Meara died in 2015, at age 85.

Trivia: American actor Michael de Lano has appeared on television and in feature films. In the former medium, he has worked as a guest star on such series as Taxi, The Rockford Files, and Buck Rogers in the 21st Century. He has also had regular roles in a couple of series, including Rhoda and the short-lived Firehouse (1974). De Lano made his feature-film debut playing a supporting role in Sam Wannamaker's Catlow. Since that time de Lano has played small and supporting roles in a number of feature films.

Trivia: Ruddy-faced, barrel-bellied American actor Kenneth McMillan was a stalwart of the New York Shakespeare Festival, and also appeared in the original Broadway productions of American Buffalo and Streamers. He was the recipient of the Obie Award for his performance in the off-Broadway presentation Weekends and Other People -- the usual "overnight success" after nearly 20 years in the business. Sitcom fans are familiar with McMillan through his recurring role as Valerie Harper's ulcerated boss on Rhoda. Many of McMillan's roles required him to be bully or bigot: Sheriff Bull Connor on the TV miniseries King (1978) the black-baiting fire chief in Ragtime (1979), etc. In real life, Kenneth McMillan was known to be a friendly and generous man, qualities which carried over into such rare comedy roles as the ballclub manager in the little-seen Blue Skies Again (1983).

Trivia: Rafael Campos moved from the Dominican Republic to New York City at the age of fourteen. After appearing in a handful of Spanish-language plays, Campos rose to fame portraying troubled Hispanic youths in such films as The Blackboard Jungle (1955), Trial (1955) and Dino (1957). His gift for comedy was seldom touched upon, save for his role as a college-bound busboy in 1957's This Could Be the Night. Campos both acted and directed on the New York stage, making his Broadway debut in Infidel Caesar. He also essayed important roles in the TV series Rhoda (as Ramon Diaz Jr.) and Centennial (as Nacho) and wrote articles for Manhattan-based Spanish publications. Rafael Campo's last film was 1985's Fever Pitch, directed by his Blackboard Jungle mentor Richard Brooks.