Trivia: The ninth in a family of 18 children, Esther Rolle left her family's Florida home for New York once she came of age. She worked her way through Hunter College, Spellman College and the New School for Social Research. Even after her 1962 New York stage debut in The Blacks, Esther was compelled to hold down a day job in the city's garment district. She appeared in such Broadway productions as The Crucible and Blues for Mr. Charlie, and toured extensively with Robert Hooks' Negro Ensemble Company. Her breakthrough role was Florida the maid in the 1972 Norman Lear sitcom Maude. Though she balked at playing a domestic, Rolle was impressed by Florida's independence and pugnaciousness. In February of 1973, the Florida character was spun off into her own series, Good Times, the saga of a tightly-knit black family surviving in the Chicago projects. Rolle welcomed the series as an opportunity to depict a poor but proud African-American family with a strong father figure (played by John Amos) at the center. But when Amos, upset that co-star Jimmie "J.J." Walker was dominating the series, left Good Times in 1974, Rolle echoed the words of such groups as the National Black Media Coalition in chastising the renovated series, wherein an irresponsible, wisecracking teenaged cut-up was now "head" of the household. When her contract ran out in 1977, Esther joined John Amos in bolting Good Times. After a year of pursuing other projects -- one of which, the made-for-TV film Summer of My German Soldier, won Rolle an Emmy -- she was back on Good Times, having been assured that she would be given full script approval and that the J.J. character had matured. But by this time, audiences had wearied of Good Times, and the series was cancelled in 1979. Since that time, Rolle has hardly wanted for work: her most recent credits include the strong role of Idella in the 1989 Oscar-winner Driving Miss Daisy, the starring part of the black owner of a Jewish deli in the 1990 sitcom Singer and Son, and a guest appearance as the dying Mammy in the 1994 Gone with the Wind sequel Scarlet. In addition, Esther Rolle has been nominated honorary chairperson of the President's Committee on the Employment of the Handicapped, and has been honored with several Image Awards from the NAACP.

Trivia: An actor with hulking presence and a stern countenance, John Amos undercuts his ominous appearance with the kind of warm grin and fun-loving attitude that makes him a natural for comedy. More recognizable as a television actor, the former pro football player has made enough visible forays into film to earn him a reputation in both arenas.After stints in a variety of divergent career fields -- pro sports, advertising, commercial acting, stand-up comedy, comedy writing -- Amos got his big break with the role of Gordy the weatherman on The Mary Tyler Moore Show in 1970. After three years as a side player next to Mary Tyler Moore, Ed Asner, and Ted Knight, Amos thought he'd get the chance for top billing by signing on to the gig for which he is best known: James Evans, the temperamental patriarch of Good Times. But Jimmie Walker, who played son J.J. Evans, soon gave the show a sassy youthful focus with his catchphrase "Dy-no-mite!" stealing the spotlight from Amos and Esther Rolle, who played wife Florida. Amos asked out of his contract after three years, and in 1976, James Evans was killed off in a car accident.The decision to leave a hit series did not squash Amos, as it has some others who have made that bold decision. Instead, Amos stepped into the highly celebrated and widely seen role of the adult Kunta Kinte in the 1977 miniseries Roots. The role challenged the actor's dramatic abilities like none of his previous work had, and he won praise for documenting the travails of a captured African who resists his enslavement.While continuing to turn up in TV series such as Future Cop and Hunter, Amos began making regular appearances in film in the 1980s. Among his more prominent roles were as Seth, companion to Marc Singer's title character in the sword and sorcerer film The Beastmaster (1982); Cleo McDowell, owner of a McDonald's knockoff burger chain and employer of Eddie Murphy and Arsenio Hall's transplanted dignitaries in Coming to America (1988); and the double-crossing Major Grant, who becomes one of the villains opposite Bruce Willis in Die Hard 2 (1990). Settling back into a career of guest shots on TV shows, Amos occupied himself during the 1990s and beyond with recurring roles on The Fresh Prince of Bel Air and as Admiral Percy Fitzwallace on NBC's The West Wing.

Trivia: Thin, jug-eared, and rubber-faced black comedian Jimmie Walker is best remembered for playing J.J. on the sitcom Good Times (1974-1979). His exuberant "Dyno-mite!!" was briefly a popular catch phrase back then. Walker made his feature film debut in Sing Thanksgiving (1974). Following the demise of his show, Walker embarked upon a modest film career and carried on with his standup career. He occasionally showed up on television talk shows and in 70's retrospectives, not afraid to poke fun at his '70s persona.

Trivia: Black supporting actress Ja'net DuBois first appeared onscreen in 1970.

Trivia: In 1970, made his Broadway musical debut at the age of 9 in The Me Nobody Knows. Originated the role of Travis Younger in Raisin, a Broadway musical based on the Lorraine Hansberry drama A Raisin in the Sun. Released his first album, When You're Young and in Love, in 1975.

Trivia: Entered Miss Black America pageants as a teen, and as Miss Brooklyn eventually won first runner-up in the Miss New York State contest. Auditioned for role of Thelma Evans on the CBS comedy series Good Times while still in college. Won the part and made her TV-series debut when it premiered in 1974. In the late 1990s, appeared in a hip-hop music video for Camp Lo with former Good Times costar Jimmie Walker. Produced several plays, including Whatever Happened to Black Love. In 2006 released first book, Situations 101: Relationships The Good, The Bad & The Ugly.

Trivia: Dynamic African-American actor Moses Gunn was one of the founders of the Negro Ensemble Company. Educated at Tennessee State and the University of Kansas, Gunn made his first New York appearance in a 1961 production of Measure for Measure; he remained active on the off-Broadway scene throughout his career, winning several Obie awards. His 1962 Broadway debut came by way of Jean Genet's The Blacks, which served to introduce many of the powerful black acting talents of the era. In films dating from 1964's Nothing But a Man, Gunn is best-remembered for his portrayal of gangster Bumpy Jonas in the first two Shaft films, and for his brief but telling cameo as Booker T. Washington in Ragtime, a performance which won him an NAACP Image award. On series television, Gunn was top-billed as Jebediah Nightlinger in The Cowboys (1972), played boxing trainer George Beifus in The Contender (1980), was featured as miner Moses Gage in Father Murphy (1981-84) and chewed the scenery as the epigrammatical "Old Man" in A Man Called Hawk (1989). He also played Carl Dixon, the man who married Florida Evans (Esther Rolle) after a whirlwind courtship during the 1976-77 season of Good Times. In 1977, Moses Gunn received an Emmy nomination for his appearance as tribal chieftain Kintango in the groundbreaking miniseries Roots.

Trivia: Began professional stage career in 1952 at a nightclub in Greenwich Village. Originated the role of Ronnie in the 1964 Broadway musical Golden Boy. Made film debut in the 1966 drama A Man Called Adam. Was a cast member on the 1969 CBS variety program The Leslie Uggams Show. Starting in 1970, appeared on the NBC comedy series Rowan & Martin's Laugh-In for two seasons. Appeared alongside mentor Sammy Davis Jr. in the 1975 variety program Sammy and Company. Played Nathan Bookman on the CBS comedy Good Times; appeared on the show from 1977 to the end of the series.

Trivia: Of the many siblings of mega-star Michael Jackson, Michael's youngest sister Janet is one of the few with enough genuine talent to succeed without her family ties. Jackson's fame rests largely on her successful, elaborately produced music videos, wherein the talented singer and dancer projects a more accessible, realistic image than her otherworldly brother. She is also a skilled and agreeable actress, as witness her series-TV stints on Good Times (1977-78), Diff'rent Strokes (1981-82) and Fame (1984). In 1993, Janet Jackson made her movie debut as a South Central L.A. beautician in director John Singleton's Poetic Justice (1993); the film was no classic, but Janet dominated every scene she was in, even those shared with notorious rap artist Tupac Shakur.

Trivia: A descendant of Harriet Powers, an African-American slave who created a series of quilts that are on display in museums like the Smithsonian. Became an actor after an injury ended an aspiring football career. Worked with the Trinity Repertory Theatre in Providence, R.I. First TV role was in 1975, appearing in Robert Penn Warren's "Brother to Dragons" on the PBS series Great Performances. Was cast in the short-lived 1977 revival of NBC's variety show Laugh-In. Appeared in the last season (1978-79) of the iconic CBS comedy Good Times as Keith Anderson. Made film debut in the 1980 comedy Cheech and Chong's Next Movie.

Trivia: Not to be confused with jazz musician Teddy Wilson, African-American actor Theodore Wilson was busy in all aspects of acting. While he toted up significant stage and movie credits (The River Niger and Carny were among the stage performances, while his movies included A Fine Mess [1986] for Blake Edwards and Life Stinks [1991] for Mel Brooks), Wilson rose to prominence as a result of his television efforts. His earliest recurring TV role was as High Strung on Roll Out! (1973), a World War II sitcom about an all-black Army supply outfit. The following year, Wilson played mail carrier Earl Chambers on another black-oriented comedy weekly, That's My Mama, which lasted two seasons. Wilson then headed the cast of Sanford Arms (1977), NBC's feeble attempt to keep Sanford and Son going without its stars, Redd Foxx and Demond Wilson; the actor played Phil Wheeler, who tried to convert the Sanford junkyard into an office and the adjacent property into a hotel. Having failed to replace Redd Foxx, Wilson subsequently found himself working for the ex-Fred Sanford; he succeeded Nathaniel Taylor in the role of Jim-Jam on the short-lived The Redd Foxx Show (1986). Theodore Wilson's final regular sitcom stint was on the syndicated You Can't Take It With You (1987), a comedy series based on the play by George S. Kaufman and Moss Hart; Wilson essayed the role of Mr. Pinner, an amalgam of two of the original play's characters, Mr. DePinna and Donald the handyman.