Trivia: Professionally, Ron Howard has come a long way from the tousle-haired, barefoot sheriff's son who trod the byways of idyllic Mayberry to reside in the heady company of Hollywood's most elite directors. Howard's films are pure entertainment; they are well-crafted efforts, frequently technically challenging from a production standpoint, and aimed at mainstream audiences. Though some of his lesser works have been criticized for possessing formulaic scripts, Howard's films approach even hackneyed subjects in fresh ways. Though he does not characterize himself as a risk taker, he loves the challenge of exploring different genres; therefore, his filmography includes B-movie actioners, domestic comedies, fantasies, sci-fi, suspense-thrillers, historical dramas, and big-budget action films. The son of actors Rance and Jean Howard, he made his theatrical debut at age two in a Baltimore production of The Seven Year Itch. He made his screen debut at age five in the suspenseful political drama The Journey (1959). The youngster became a hot property after that and appeared in several features, including The Music Man and The Courtship of Eddie's Father (both 1962). Through this period his father was a strong ally who kept Howard from being exploited by filmmakers. In a November 1996 interview with the Detroit News, Howard describes an incident in which he was six years old and during rehearsal could not cry on cue (Howard doesn't name the production), causing the director to threaten to flog him. Other children may have been terrified, but Howard felt secure because his father was on the set and would protect him. When producer Sheldon Leonard approached Rance Howard about casting Ronny (as he was billed during childhood) as Opie, the son of widowed sheriff Andy Taylor in The Andy Griffith Show (1960-1968), the elder Howard stipulated that his son be allowed time off for a normal childhood. It was as the mischievous but guileless Opie that Ronny Howard became famous. During the popular show's long run, Howard occasionally appeared in other feature films. While a series' demise often signals the death of a child actor's career, particularly if that child is obviously maturing, Howard managed the transition gracefully and continued working steadily. He was cast in a new television series, The Smith Family, in 1971 and starred opposite Henry Fonda, who became one of Howard's mentors, encouraging Howard to strive for creative growth and to take periodic risks to keep himself vital. The series lasted one season, but again Howard landed on his feet, making a bigger name for himself starring as a callow youth in George Lucas' smash hit American Graffiti (1973). The film spawned Garry Marshall's long-running hit, the '50s revival sitcom Happy Days (1974). Essentially reprising his role from the film, Howard (now billed as Ron Howard) starred as all-American youth Richie Cunningham. Again, Howard also worked simultaneously in films, notably in The Shootist (1976), where he played a teen who worshipped dying gunslinger John Wayne. Though playing a teenager on the series, Howard was in his early twenties and felt it was time to follow his longtime dream of becoming a director. Producer Roger Corman, who had recently starred Howard in Eat My Dust! (1976), let Howard helm the similarly themed Grand Theft Auto (1977). Howard also co-wrote the screenplay with his father and starred in the film. While not exactly an original masterpiece, the film earned praise for its fast-paced, high-energy action scenes. After leaving Happy Days in 1980, he directed Bette Davis in a television movie, Skyward, and managed to earn the great lady's respect with his filmmaking skills. Howard had his first big hit in 1982 with the black comedy Nightshift. It was to be the first of many instances in which he would work with producer Brian Grazer, who eventually became his partner and the co-founder of Howard's production company, Imagine Films Entertainment (established in 1985), and screenwriters Lowell Ganz and Babaloo Mandel, who formerly wrote for Happy Days. Howard had even greater success with the Tom Hanks/Darryl Hannah vehicle Splash (1984), which launched Disney's Touchstone Pictures and became the company's most successful live-action film to date. He followed this up with sentimental favorite Cocoon (1985). He had his first misstep after hitting it big with Willow, a George Lucas-produced fantasy extravaganza that never clicked with audiences, though it has since developed a devoted cult following. During the early '90s, Howard worked on a series of big-budget films such as Backdraft (1991) and Far and Away (1992), and Apollo 13 (1995), a gripping account of a failed moon mission. Apollo 13 was a huge international hit, nominated for nine Oscars (it won for Best Sound and Best Editing), and earned Howard the coveted Director's Guild award. In 1996, Howard attempted a new genre with the violent, bloody thriller Ransom, starring Mel Gibson. While an effective suspense thriller in it's own right, Ransom didn't darken Howard's sensibilities in any permanent terms, and after a few stints as producer on both the small screen (Felicity, Sports Night and the silver screen (Inventing the Abbots (1997) and Beyond the Mat (1999)), Howard was back in the director's chair for Ed TV in 1999, but itsuffered immediate and fatal comparisons to the more popular and strikingly similar Jim Carrey vehicle, The Truman Show. Undaunted, Howard next teamed with the rubber-faced star of Truman for How the Grinch Stole Christmas, which became a box-office smash. Once again turning back to reality after the marked departure of The Grinch, Howard helmed the sensitive real-life tale of paranoid schizophrenic mathematician turned Nobel Prize winning genius John Forbes Nash Jr. in A Beautiful Mind (2001). With Russel Crowe essaying the role of Nash and Jennifer Connelly as his faithful and enduring wife, the film gained generally positive reception upon release, and only seemed to cement Howard's reputation as one of the most versatile and gifted director's of his generation as the film took the Best Picture award at both the that year's Golden Globes and Oscars. Academy Award night proved to be an even bigger night for Howard as the film also took home awards for Best Actress, Best Adapted Screenplay and, of course, Best Director. Howard followed up his Oscar wins with the dark Western drama The Missing starring Tommy Lee Jones and Cate Blanchett. Unfortunately, neither critics or audiences were too fond of the over-long film. Lucky for Howard, his next project would see him re-team with A Beautiful Mind's Russell Crowe. The Depression-era boxing film Cinderella Man starred Crowe as real-life boxer Jim Braddock and was released in 2005 to positive reviews and Oscar-buzz. Next, he helmed the adaptation of Dan Brown's novel The Da Vinci Code, casting his old Splash leading man Tim Hanks in the lead. The film was as big a worldwide success as the book that inspired it. Howard followed the massive success with an adaptation of Peter Morgan's hit play Frost/Nixon. The film captured five Academy Award nominations including Best Picture, Best Actor, and Best Editing, as well as a nod for Howard's direction.As the 2000's continued to unfold, Howard would remain an extremely active filmmaker, helming movies like The Dilemma.

Trivia: A graduate of the Yale School of Drama, American actor Henry Winkler, born October 30th, 1945, first appeared on Broadway and in films (Crazy Joe, The Lords of Flatbush [both 1974]) before making the guest-star rounds on TV sitcoms. He worked several times for MTM productions, appearing in such roles as Valerie Harper's date on Rhoda and a charming thief undergoing psychoanalysis on The Bob Newhart Show. In 1973, Winkler was selected among hundreds of candidates (including ex-Monkee Micky Dolenz) to play the small recurring role of Arthur "Fonzie" Fonzarelli, a leather-jacketed auto mechanic, on the new TV sitcom Happy Days. Though the series' stars were ostensibly Ron Howard, Anson Williams, and Donny Most, the bulk of the fan mail sent to Happy Days during its first season was addressed to "the Fonz." By the time the second season rolled around, Winkler was afforded second billing and a larger slice of screen time on each week's episode. Soon the more impressionable TV fans of America were parroting such Fonzie catchphrases as "Aaaaay" and "Sit on it!," while the nonplussed Winkler, who always regarded himself as a Dustin Hoffman-esque character actor, climbed to teen-idol status, complete with fan magazine interviews, posters, and Fonzie dolls. He also enjoyed a substantial salary boost, from 750 dollars per episode to (eventually) 80,000 dollars. At first, the off-stage Winkler could be as testy and sarcastic as his on-stage persona, but as Fonzie assumed "role model" proportions, the actor began comporting himself in as polite and agreeable a manner as possible. Accordingly, Fonzie became less of a Marlon Brando-type hoodlum and more of a basically goodhearted, moralistic young fellow who happened to be a motorcycle-racing dropout. By the time Happy Days ended in 1983 (by which time Winkler was elevated to top billing), Fonzie was a "drop-in," with a good job as a high school shop teacher and the possibility of a solid marriage. During his Happy Days heyday, Winkler was determined to prove he was capable of playing parts above and beyond Fonzie by taking film roles as far removed from his TV character: the troubled Vietnam vet in Heroes (1977), the vainglorious actor-turned-wrestler in The One and Only (1981), a '30s-style Scrooge in An American Christmas Carol (1982), and the timorous morgue attendant in Night Shift (1983). Following the example of his Happy Days co-star Ron Howard, Winkler also began working his way into the production and direction end of the business. In addition, Winkler used his name value for the benefit of others, remaining active in charitable and political causes. After several years away from the camera, Winkler returned to acting in the 1991 TV-movie Absolute Strangers, playing the husband of a woman caught in the middle of a volatile pro-life/pro-choice argument. And in 1993, Henry Winkler starred in the brief TV sitcom Monty, portraying a bombastic Limbaugh-type conservative TV personality. Winkler appeared in Little Nicky (2006) and You Don't Mess With the Zohan (2008), both times playing himself. Winkler continued to take small roles and guest spots on television and film throughout the 2000s.

Trivia: While growing up in Chicago, Tom Bosley dreamed of becoming the star left-fielder for the Cubs. As it turned out, the closest Bosley got to organized athletics was a sportscasting class at DePauw University. After additional training at the Radio Institute of Chicago and two years' practical experience in various dramatic radio programs and stock companies, he left for New York in 1950. Five years of odd jobs and summer-theater stints later, he landed his first off-Broadway role, playing Dupont-Dufort in Jean Anouilh's Thieves' Carnival. Steadier work followed at the Arena Theatre in Washington, D.C.; then in 1959, Bosley landed the starring role in the Broadway musical Fiorello!, picking up a Tony Award, an ANTA Award, and the New York Drama Critics Award in the bargain. In 1963, he made his film bow as Natalie Wood's "safe and secure" suitor Anthony Colombo in Love With the Proper Stranger. Occasionally cast as two-bit criminals or pathetic losers (he sold his eyes to blind millionairess Joan Crawford in the Spielberg-directed Night Gallery TV movie), Bosley was most often seen as a harried suburban father. After recurring roles on such TV series as That Was the Week That Was, The Debbie Reynolds Show, and The Sandy Duncan Show, Bosley was hired by Hanna-Barbera to provide the voice of flustered patriarch Howard Boyle on the animated sitcom Wait Til Your Father Gets Home (1972-1973). This served as a dry run of sorts for his most famous series-TV assignment: Howard Cunningham, aka "Mr. C," on the immensely popular Happy Days (1974-1983). The warm, familial ambience of the Happy Days set enabled Bosley to weather the tragic death of his first wife, former dancer Jean Elliot, in 1978. In addition to his Happy Days duties, Bosley was narrator of the syndicated documentary That's Hollywood (1977-1981). From 1989 to 1991, he starred on the weekly series The Father Dowling Mysteries, and thereafter was seen on an occasional basis as down-to-earth Cabot Cove sheriff Amos Tupper on Murder, She Wrote. Reportedly as kind, generous, and giving as his Happy Days character, Tom Bosley has over the last 20 years received numerous honors for his many civic and charitable activities.

Trivia: Marian Ross dreamed of stardom from childhood, going so far as to change the spelling of her first name to Marion because she thought it would look nicer on a marquee. When her family moved from Minnesota to California, the 16-year-old aspiring actress plunged into the busy world of amateur theatricals in the San Diego area. She was voted Outstanding Actress at San Diego State University in 1950, then went on to work at the prestigious La Jolla Playhouse. Mel Ferrer, La Jolla's resident director, recommended that Ross try her luck in Hollywood. She worked steadily in TV and films from 1953 onward, but stardom was still outside her reach. Ross played a succession of maids, nuns, nurses, and that nebulous classification, the Heroine's Best Friend. She showed up in small roles in such films as Forever Female (1953), Lust for Life (1955), and Operation Petticoat (1959), earning the respect of her fellow workers but very little in the way of public recognition. "I've always had a way of not attracting attention," she would note with resignation later in life. On television, Marion played unstressed recurring roles on such series as Life with Father, Mrs. G Goes to College and Mr. Novak. She finally achieved stardom as Marion Cunningham, mother of 1950s high-schooler Richie Cunningham, on the weekly sitcom Happy Days. What started out as a shaky midseason replacement in January of 1974 ended up ABC's number-one hit; Ross hitched her wagon to the ever-rising Happy Days star until its final episode in 1983. During this period, she reactivated her stage career, with considerably more success than she'd enjoyed in the 1950s. Ross' post-Happy Days TV gigs included a 1986 guest shot as the new bride of Captain Stubing (Gavin MacLeod) on The Love Boat and the brief 1989 series Living Dolls. In 1991, Marion Ross earned an Emmy nomination for her portrayal of archetypal Jewish mother Sophie Berger on the TV "dramedy" Brooklyn Bridge. In the decades to come, Ross would find ongoing success with recurring roles on TV series like The Drew Carey Show and Gilmore Girls, as well as providing voice acting for animated series such as SpongeBob SquarePants and Handy Manny.

Trivia: The "watershed moment" for American actor Anson Williams arrived in February 1972. On a seemingly minor and inconsequential note, Williams -- then a 22-year-old, aspiring actor -- signed to appear opposite TV vet Ron Howard on a one-shot episode of the anthology series Love, American Style. Entitled "Love and the Happy Days," the segment featured two characters named Richie and Potsie -- a rather conservative teen and his "experienced" pal, attending high school together and coming of age in 1950s Milwaukee. The ratings for that episode rocketed off the charts, and prompted series producers to spin off a sitcom entirely devoted to the said adolescent friendship. And yet, though Happy Days premiered in January 1974 and ran for 11 seasons to consistently sensational ratings (virtually becoming an American pop-culture phenomenon), Williams and the Potsie character soon paled in comparison to the dynamism of Henry Winkler's rebel Fonzie -- carrying the show off in a much different direction than that originally intended. Williams nevertheless stuck with Happy Days through the end of its tenth season, and continued to pursue additional roles, though subsequent efforts (such as a turn in the dull telemovie I Married a Centerfold) never even came close to generating as much exposure as Days. Perhaps for this reason, Williams (like Henry Winkler, in fact) stepped behind the camera and began helming television projects -- initially, prime-time feature soapers (Little White Lies, All-American Murder), then, as the years rolled on, episodes of hit series including Xena: Warrior Princess, Hercules: The Legendary Journeys, and Star Trek: Voyager. In the early 2000s, Williams also directed episodes of the popular Disney Channel series Lizzie McGuire, starring Hilary Duff.

Trivia: An actor forever associated with his portrayal of Ralph Malph, the wisecracking redheaded pal of Richie Cunningham (Ron Howard) and The Fonz (Henry Winkler) on Happy Days, Don Most (also occasionally credited as Donny Most) grew up in Brooklyn, as the son of a homemaker and an accountant. He bowed on-camera at the age of 16 in an advertisement for Chex cereal, then -- midway through his enrollment at Lehigh University in Pennsylvania -- impulsively dropped out and high-tailed it to Hollywood, where he promptly landed the role of Malph. Most, who harbored serious acting ambitions, remained with the program from 1974 through 1980, four years before it folded; he would later recall that the part (popular though it was) typecast him for decades and made it virtually impossible for him to score weighty dramatic roles. Though the actor certainly tried, he succeeded mainly in supporting himself via residuals from Days and modest parts on-stage and in television. He then turned to directing in the late '90s, with occasional feature efforts such as The Last Best Sunday (1999) and Moola (2006).

Trivia: Fans of the long-running sitcom Happy Days will remember dark-haired, blue-eyed Erin Moran as Joanie Cunningham, the feisty little sister of lead character Richie. A native of Los Angeles, the youngest of six children, Moran was age six when she did her first television commercial. Her first acting experience came from a supporting role on the outdoor adventure series Daktari (1968-1969). She next had a regular part in The Don Rickles Show (1972). During her early career, Moran frequently guest starred on other series, including The Courtship of Eddie's Father and Family Affair. Moran made her feature-film debut in 80 Steps to Jonah (1969). She would only appear a few more times in films. In 1982, she and Happy Days co-star Scott Baio left the show to star in the short-lived spin-off Joanie Loves Chachi. Following the new show's swift cancellation, Moran returned to the original show for its final year. After that, her television career consisted of the occasional guest appearance on other series, including Murder, She Wrote. She mostly retired from acting by the mid-1980s. Moran died in 2017, at age 56.

Trivia: Irish-born actor Gavan O'Herlihy eked out his strongest presence in tough-guy roles, specializing in the action, western, and sci-fi genres. He formally debuted in a guest bit on The Mary Tyler Moore Show, then briefly landed the part of Chuck Cunningham, Richie Cunningham's (Ron Howard) older brother, in the first season of the popular period situation comedy Happy Days. Unfortunately (and for unknown reasons) O'Herlihy was replaced in mid-season by Randolph Roberts after a multi-episode stint, but he grew incredibly prolific in features during the decades that followed; credits included Superman III (1983) , Death Wish 3 (1985), Willow (1988) (which reteamed him with Howard), and the telemovie Conagher (1991).

Trivia: Connecticut native Linda Purl grew up in Japan, where her father, a Union Carbide executive, had been transferred. Under the watchful eye of her mother, a former ballerina, Purl began acting professionally in Japanese stage and TV productions at the age of seven. Ten years later, she made her American film debut in Jory (1972). Never a conventional ingenue, she has played everything from mentally retarded teens to rape victims to psychotic killers, as well as a few real-life personalities like Alice Roosevelt Longworth and globetrotting journalist Nellie Bly. Purl has the distinction of playing two different recurring characters on the same television series. During the 1974-75 season of Happy Days, she was seen as Richie Cunningham's (Ron Howard) high-school girlfriend Gloria; she returned to the series in 1982 as Ashler Pfister, a divorced mother with whom Fonzie (Henry Winkler) was briefly involved romantically. Linda has also appeared regularly on such series as The Secret Storm and Beacon Hill; more recently, she played an assistant DA put in charge of a group of young ex-convicts on the syndicated weekly adventure series Robin's Hoods (1994). Linda Purl was at one time married to Desi Arnaz Jr..

Trivia: Actress/singer/comedienne Misty Rowe's career peaked in the 1970s and 1980s and placed its strongest emphasis on television and stage. Born in 1952, Rowe studied under preeminent acting coach Stella Adler, and achieved her most enduring fame as one of the longest-reigning contributors (outstripped only by a handful of regulars including Roy Clark and Minnie Pearl) to the country music-themed comedy variety program Hee Haw; Rowe signed on with the program in 1972 and remained with the cast until 1991, or two years before its first-run syndication ended. In the interim, she joined the cast of Happy Days for the first season only, won the part of Maid Marian in Mel Brooks' short-lived sitcom farce When Things Were Rotten (1975), and -- very briefly -- starred opposite Kathie Lee Johnson (soon to become Kathie Lee Gifford), Lulu Roman, and others in the comedy variety spinoff of Hee Haw, Hee Haw Honeys (1978). Meanwhile, Rowe also eked out a presence on-stage in such productions as the musical comedy Lil' Abner opposite Joe Namath. Following Rowe's stint on Hee Haw, she endured a bout of personal tragedy, but overcame the related emotional difficulties and scored a triumph by headlining the touring stage production Always...Patsy Cline as the famous, tragic country crooner. Rowe then embarked on a stand-up act, headlining clubs including Caroline's, Stand-Up New York, and Don't Tell Mama. Rowe's feature film career witnessed her landing supporting roles in projects including Loose Shoes (1980), National Lampoon's Class Reunion (1982), and Meatballs Part II (1984).

Trivia: Best known to audiences as Mr. Miyagi, Ralph Macchio's mentor in the "wax on, wax off" school of combat in the 1984 hit The Karate Kid, Noriyuki "Pat" Morita is the most prominent Japanese-American actor of his generation. Morita is also well known for having played Arnold, the amiable diner owner on the hit television series Happy Days, for two non-consecutive seasons (1975-1976 and 1982-1983). His status as one of the most familiar actors of Asian descent kept him working in a variety of projects throughout the 1980s and '90s.Having spent part of his youth in a Japanese internment camp during World War II, Morita nonetheless emerged with his sense of humor intact, giving up work as a computer programmer to concentrate on stand-up comedy in the early '60s. After a number of nightclub and TV variety show appearances, Morita found his first film role in 1967's Thoroughly Modern Millie as a stereotypical ethnic henchman. His natural affability soon began shining through, winning Morita his role on Happy Days for the 1975-1976 season. As Arnold, Morita interacted with Richie, Fonzie, and company with a memorable combination of good humor and exasperation. He returned to the gig in 1982-1983 after a failed attempt to front his own series (the critically lambasted Mr. T and Tina in 1976), a number of small film roles, and guest appearances on such shows as The Love Boat and Magnum P.I. His major pop culture breakthrough was the role of janitor and karate master Mr. Miyagi in The Karate Kid. An eccentric tutor who at first appears to be using his student for an endless variety of household chores, Miyagi soon reveals the method behind his training, turning the scrawny Daniel (Macchio) into a confident fighter, while also instilling an important message that violence should remain a last resort. The exceedingly popular film made Morita a household name, and audiences were left with the indelible image of a jolly and wise old soul trying desperately to catch a fly with a pair of chopsticks. Morita reprised the role for the two sequels starring Macchio in (1986 and 1989), as well as The Next Karate Kid, which starred future Oscar winner Hilary Swank, in 1994.In the late '80s, Morita found the success that had previously eluded him in television solo efforts with the two-season detective series Ohara (1987-1989). In 1987, he also wrote and starred in the World War II romance Captive Hearts, a film about a pilot shot down over Japan who falls in love with a village woman. Morita plays the village elder who saves the young pilot from execution.Morita spent the 1990s continuing to work regularly as a character actor in both television and movies. His film roles included Honeymoon in Vegas (1992), Even Cowgirls Get the Blues (1993,) and vocal work as the Emperor in Disney's Mulan (1998). He guest starred on such shows as The Fresh Prince of Bel Air, Diagnosis Murder, and The Hughleys, and had a recurring role as Mr. Tanaka on Baywatch.

Trivia: Heavyset, hawk-nosed Italian-American character actor Al Molinaro maintained a constant association with two series roles throughout his career, both down-to-earth and sweet-natured, paternal types: that of Murray Greshner, better known as Murray the Cop, on the small-screen version of The Odd Couple (1970-1983), and that of Alfred Delvecchio, the second proprietor of Arnold's Drive-In, on Happy Days (a role maintained from 1976 through 1982). The Wisconsin-based location of Days hit close to home for Molinaro, as a real-life native of Kenosha, WI. Born in 1919, he began signing for acting roles in the early to mid-'50s and achieved his big break when very briefly cast as Agent 44 on Mel Brooks' spy spoof Get Smart (before Victor French replaced him). Molinaro reportedly met Odd Couple producer Garry Marshall while enrolled in acting classes with Marshall's sister, Penny, and thereby landed the part of Murray. That led, in turn, to the Happy Days casting in the fall of 1976 when series co-star Pat Morita left to headline his own short-lived series, Mr. T & Tina. Following Days, Molinaro signed for very infrequent guest roles on series and permanently settled in Los Angeles, where he did occasional theatrical performances and made public appearances. He retired from acting in the mid-'90s. Molinaro died in 2015, at age 96.

Trivia: Though he's had a very successful career as a television actor, tall, black-haired, and youthful-looking Scott Baio might be best remembered for dating seemingly every hot, blonde starlet to enter Hollywood. He made his first television appearance as a teen in 1976. He became a regular on the nostalgic sitcom Happy Days in 1977, playing the role of Fonzie's tough little cousin, Chachi, and became a favorite with many preteen girls. Later, he and fellow Happy Days cohort, Erin Moran, starred in the short-lived spin-off series Joanie Loves Chachi (1982-1983). When that failed, the two returned to their original series and remained with it through its demise in 1984. Baio was then cast in the lead of a new sitcom, Charles in Charge, as a conscientious young man who earns money for college by playing nanny to two lively teenage girls and their younger brother. The show ended in 1990, and the following year, Baio headlined another short-lived sitcom as the janitor/love interest on Baby Talk. In 1993, he played his first dramatic role in a series when he was cast opposite Dick Van Dyke in Diagnosis Murder. In the fall of 1997, Baio again returned to sitcom work with the Fox series Rewind in which he plays a marketing executive with a sense of déjà vu that leads him to return to his adolescent years during the '70s. Baio's movie work has been more sporadic. He made his first feature-film appearance as Bugsy in Bugsy Malone (1976). Most of his subsequent film work has been in such low-budget efforts as Skatetown (1979), Zapped (1982), and I Love New York (1988).In 2005, Baio took a recurring role on the cult hit Arrested Development, as lawyer Bob Loblaw. His deadpan delivery was a hit with audiences, as was the subtle in-joke of his appearing with fellow 80's teen star Jason Bateman. In 2007, Baio capitalized on his laundry list of hot and famous ex girlfriends with his own reality show, Scott Baio is 45 And Single. The series followed him as he faced up to his playboy past, working with a life coach to face up to his fear of marriage with the goal of proposing to his long-term girlfriend. The show was popular enough to create a follow-up series, Scott Baio is 46 and Pregnant.

Trivia: Acted alongside her famous father, Phil Silvers, when he guest-starred on an episode of Happy Days, portraying her character's father. Worked as a marketing associate for an investment firm in the 1990s. Had a role in the 1996 film Sgt. Bilko, which was based on the character her father played on The Phil Silvers Show. In 2007, wrote the book Happy Days, Healthy Living, which is a mixture of autobiographical stories and nutritional advice. Is a professionally trained raw and vegan chef, and eats a raw-vegan diet. Became a personal chef and weight-loss coach at a wellness center in the 2000s. Has a line of health-food products called Healthyliving. Is a practitioner of alternative medicine. Enjoys rock climbing.

Trivia: Dividing his time more or less equally between big- and small-screen work, actor Ted McGinley enjoyed a considerably successful tenure as a character player, almost always appearing as beefcake heartthrob types. He began his career in the early '80s, with small roles in Garry Marshall's satirical farce Young Doctors in Love (1982) and the lurid Joan Collins telemovie Making of a Male Model (1983), but achieved his first significant break in the sitcom venue, as English teacher-cum-basketball coach Roger Phillips on the final four seasons of Happy Days (1980-1984). Fortuitously, at about the same time that Days folded, the producers of The Love Boat (on the same network, ABC) tapped McGinley to play photographer Ace Evans -- a last-ditch attempt to save the program from sagging ratings. The strategy ultimately failed when Boat ended its lengthy run in 1986, but in the meantime, McGinley landed what became a recurring role as jock Stan in the first three installments of Revenge of the Nerds. Eventually, McGinley also joined the cast of the long-running Married...With Children from 1991 through 1997, playing chauvinistic layabout Jefferson D'Arcy (second husband of the Bundys' neighbor Marcy Rhoades), and essayed roles in theatrical films including Physical Evidence (1989), Wayne's World 2 (1993), and Dick (1999). The late '90s and 2000s found McGinley evincing a heightened presence in television once again, first on Aaron Sorkin's critically worshipped yet short-lived seriocomedy Sports Night (1998-1999), then as Charley Shanowski on the sitcom Hope & Faith (2003-2006). In 2008 he competed in the reality program Dancing With the Stars, and in 2010 he appeared in the lighthearted, family-friendly Christmas with a Capital C. He would reach pop-culture immortality when the website Jumping the Shark named him as one of the signs that a TV show has run out of ideas.

Trivia: Though tagged by one publication as "one of prime-time TV's great new faces" when he joined the cast of NBC's Baywatch in the late '80s, Billy Warlock had -- by that point -- already eked out an eminently successful career in multiple venues, including big-screen features (Halloween II, 1981); soap operas (Days of Our Lives, as Frankie Brady), and prime-time situation comedy. Born in Gardena, CA, Warlock achieved his big break thanks to television guru Garry Marshall, who hired him for a guest-starring role in the Robin Williams/Pam Dawber sitcom Mork & Mindy. The positive working relationship with Marshall led, in turn, to a memorable one-season stint as Flip Phillips, the younger brother of English teacher Roger Phillips (Ted McGinley) on the blockbuster ABC sitcom Happy Days (ca. 1982-1983). Warlock joined the cast of Baywatch in 1989; thanks to his presence on that program, he achieved enormous popularity and evolved into a major sex symbol, and in fact remained with the series for one season after it went into syndication in 1991. In subsequent years, Warlock opted to focus more of his attention on soaps, enjoying lengthy runs on daytime dramas including As the World Turns, The Young and the Restless, and a brief reprise of his Brady role on Days in 2005 and 2006.

Trivia: While eating lunch with her mother in the MGM commissary, five-year-old Heather O'Rourke was spotted by filmmaker Steven Spielberg. Within months, little Heather was cast in the Spielberg-produced scare piece Poltergeist, playing the little girl who becomes the conduit for the film's TV-dwelling spectres. Before she was seven, Heather had entered the collective pop-culture consciousness of America with her Poltergeist catchphrases "They're here!" and "They're baa-aack!" In the fall of 1982, Heather joined the cast of TV's Happy Days as regular Linda Purl's daughter; she went on to appear in several guest-star spots, as well as the two Poltergeist sequels. On the first day of February of 1988, Heather O'Rourke was rushed to the Children's Hospital of San Diego, complaining of chest pains (later revealed to be the result of septic shock); while undergoing surgery, the 12-year-old actress died of heart failure.

Trivia: With his chiseled, sharp features and distinctive raspy voice, American character actor Ed Peck was often cast as a policeman or a military man in feature films and television shows -- notably on the TV series Happy Days where he played police officer Kirk -- of the '60s through the early '80s. He made his debut on the afternoon television series Major Dell Conway of the Flying Tigers in the early '50s.