Trivia: Born in a multicultural New York City neighborhood, comedian Don Adams joined the Marines upon the outbreak of World War II. After Guadalcanal, Adams saw little action due to a life-threatening bout of blackwater fever (malaria) that kept him out of commission until the end of the war. As a civilian, Adams tried at first to carve out a career as a professional artist, taking outside jobs to support himself and his family. Blessed with a gift for mimicry, Adams and a friend teamed up for a comedy act but response was minimal, and soon Adams was involved in the cartographic and engineering business. Then in 1954, on a whim, he auditioned for Arthur Godfrey's Talent Scouts; his routine went over, and he was on his way. Collaborating with his close friend Bill Dana, Adams developed a topnotch act full of "inside" showbiz references that fortunately never went over the heads of the audience. His best monologue was "The Defense Attorney," wherein Adams adopted the clipped speech cadence of actor William Powell. Though he would be seen in a variety of sketches during his nightclub years and his early-1960s stint as a regular on The Perry Como Show, it was the Powell imitation that scored highest. Adams would use this voice for the cartoon character of Tennessee Tuxedo in 1963, and that same year expanded on the impression in the role of inept house detective Byron Glick on The Bill Dana Show. The "spy cycle" of 1965 enabled Adams to refine the Byron Glick character into the magnificently self-confident but monumentally inept secret-agent Maxwell Smart on the hit TV sitcom Get Smart, which ran until 1970. In addition to providing Adams a conduit for his beloved movie parodies, the series also gave him an opportunity to direct. In 1971, Adams moved onto another genre-spoof TV series, The Partners, in which he played police detective Lennie Crook. Hampered by weak scripts and a death-valley timeslot opposite All in the Family, The Partners perished after thirteen weeks. After this debacle, Adams found the going rough for a while, though he made a comfortable living with nightclub appearances and guest spots on such TV series as The Love Boat. He made no fewer than three attempts to revive Get Smart between 1980 and 1994, one of which actually resulted in a (very short-lived) weekly Fox network sitcom. Adams is best known to children of the 1980s as the voice of cartoondom's bionic blockhead, Inspector Gadget. Don Adams was the brother of another comic actor, the late Richard Yarmy; Adams' cousin Robert Karvelas played secret agent Larrabee on Get Smart.

Trivia: American actress Barbara Feldon claimed to be a lonely child, one whose escape from loneliness took the form of books and ballet. While studying drama at Carnegie Tech, she became an expert in Shakespeare, and in this capacity made her TV debut as a contestant on The $64,000 Question (kinescopes exist of this appearance; Barbara is instantly recognizable, though she hasn't quite lost all her baby fat). Feldon worked as a chorus girl in New York, then slimmed down considerably and became a high-priced fashion model. Commercials followed, in which Feldon pitched deodorant pads and--most famously--men's cologne. Few males who were going through adolescence in the early '60s will forget Feldon pitching Top Brass cologne to the "tigers" in the audience, staring into the camera with almost unbearable sultriness (the actress insisted that her come-hither glare was a result of nearsightedness). After doing the guest-star round on several TV dramatic programs, Feldon won the role of statuesque Agent 99 on the spy sitcom Get Smart. Part of the fun on this program was watching Feldon try to avoid revealing that she was a few inches taller than co-star Don Adams (in some scenes he was standing on an incline, as proven when the Nickelodeon cable network put together a montage of "who's taller?" scenes from Get Smart in the early '90s). Get Smart ran from 1965 through 1970, but Feldon has occasionally re-created Agent 99, once in a Smart TV-movie reunion, and more recently in a "return" series for the Fox Network, again starring with Don Adams. Feldon's film career has been less remarkable, save for her brilliant interpretation of a near-fanatic beauty contest organizer in the 1975 satirical comedy Smile. In the last few years, Barbara Feldon has distinguished herself as an expert voiceover artist in commercials and TV specials; she can be heard as the narrator of the PBS series Dinosaurs.

Trivia: American character actor Edward Platt is best remembered as the eternally exasperated Chief on the Get Smart series. Before making his screen debut in the mid-'50s, he worked as a singer for a band. In feature films, he was typically cast as generals and bosses.

Trivia: Born in the Midwest and educated in the military, actor Fred Willard has proven his talent for improvisational comedy on the stage, television, and the big screen. His characters are frequently grinning idiots or exaggerated stereotypes, but Willard's skillful timing has always added a unique spin. An alumni of Second City in Chicago, he's worked with many of the biggest-named comedians of his time. His early TV credits include a regular stint on The Burns and Schreiber Comedy Hour, a supporting part on the sitcom Sirota's Court, and the role of Jerry Hubbard, sidekick of TV talk-show host Barth Gimble (Martin Mull) in the satirical Fernwood 2Night. He went on to appear in subsequent incarnations of Fernwood and continued to work with Mull and his gang for the next few decades. In the early '80s, he hosted the actuality series Real People and co-hosted the talk show Thicke of the Night. Some of his small, yet memorable, performances in feature comedies included President Fogerty in National Lampoon Goes to the Movies; the garage owner in Moving Violations who's mistaken for a doctor; the air force officer in This Is Spinal Tap; and Mayor Deebs in Roxanne. Doing a lot of guest work on television, he was also involved in Martin Mull's The History of White People in America series and was the only human actor amid a cast of puppets on the strange show D.C. Follies. In the '90s, he worked frequently in the various projects of fellow satirists Harry Shearer, Christopher Guest, and the like. He was travel agent Ron Albertson in Waiting for Guffman, TV announcer Buck Laughlin in Best in Show, and manager Mike LaFontaine in A Mighty Wind. He also appeared in Eugene Levy's Sodbusters, Permanent Midnight with Ben Stiller, and showed up in Austin Powers: The Spy Who Shagged Me. On television, he picked up a regular spots on The Tonight Show With Jay Leno, Roseanne (as Martin Mull's lover), and Mad About You, along with voice-over work on numerous cartoons. He also received an Emmy nomination for his role as Hank McDougal on Everybody Loves Raymond. Since 2000, he has shown up in quite a few mainstream commercial films, including The Wedding Planner, How High, and American Wedding; but he also played Howard Cosell in the TV movie When Billie Beat Bobby. Projects for 2004 include Anchor Man: The Legend of Ron Burgundy and Harold and Kumar Go to White Castle.IHe also joined up with his Mighty Wind and Waiting for Guffman castmates again in 2006 with For Your Consideration, a satire of Hollywood self importance injected with Willard's trademark clever silliness. The next year he appeared in the spoof Epic Movie, as well as the romantic comedy I Could Never Be Your Woman. He was in the Pixar sci-fi film WALL-E, and had a role in the 2009 comedy Youth In Revolt. In 2012 he starred in Rob Reiner's The Magic of Belle Isle opposite Morgan Freeman.

Trivia: Chinese/American actor Victor Sen Yung would always be limited by stereotype in his selection of film roles, but it cannot be denied that he did rather well for himself within those limitations. Billed simply as Sen Yung in his earliest films, the actor was elevated to semi-stardom as Jimmy Chan, number two son of screen sleuth Charlie Chan. He first essayed Jimmy in 1938's Charlie Chan in Honolulu, replacing number one son Keye Luke (both Luke and Yung would co-star in the 1948 Chan adventure The Feathered Serpent). Not much of an actor at the outset, Yung received on-the-job training in the Chan films, and by 1941 was much in demand for solid character roles. With the absence of genuine Japanese actors during World War II (most were in relocation camps), Yung specialized in assimilated, sophisticated, but nearly always villainous Japanese in such films as Across the Pacific (1942). Remaining busy into the '50s, Yung co-starred in both the stage and screen versions of Rodgers and Hammerstein's Flower Drum Song. His longest-lasting assignment in the '60s was as temperamental cook Hop Sing on the TV series Bonanza. Victor Sen Yung died in his North Hollywood home of accidental asphyxiation at the age of 65.