Trivia: Born in Brooklyn, NY, on December 29, 1936, actress/dancer/rubberfaced comedienne Mary Tyler Moore went on to star in the definitive television comedies of both the 1960s and the 1970s: The Dick Van Dyke Show (1961-1966) and The Mary Tyler Moore Show (1970-1977). For her performances as Laura Petrie and Mary Richards, Moore won five Emmy Awards, in 1965, 1966, 1973, 1974, and 1976.Moore got her start in television commercials, acting as Happy Hotpoint, the Hotpoint Appliance Elf during The Ozzie and Harriet Show in 1955. She then progressed to a stint as the disembodied voice and legs of Sam, the answering service lady, on Richard Diamond, Private Detective (1957-1960). Three unsuccessful shows and a series of TV specials followed her more notable series: Mary (1978), the Mary Tyler Moore Hour (1979), and Mary (1985-1986). Her dramatic career took off in 1981, when she was nominated for an Academy Award for her portrayal of the repressed mother in Ordinary People. Moore had Broadway success with Whose Life Is It Anyway?, appeared in the highly acclaimed Finnegan, Begin Again with Robert Preston on HBO, and won a CableACE Award in 1993 for her performance as an evil orphanage director in Stolen Babies. In 1996, Moore gained the appreciation of a new generation of fans with her hilarious turn as Ben Stiller's neurotic mother in David O. Russell's Flirting With Disaster. She also experienced a sort of renaissance through her mention in other films, notably Douglas Keeve's 1995 frockumentary Unzipped, which featured a beatific Isaac Mizrahi extolling the virtues of The Mary Tyler Moore Show and singing its theme song. In addition to her television and film work, Moore, as a well-known diabetic, has been a longtime representative of the Juvenile Diabetes Foundation. And though her film and television roles would become more sporadic moving into the new millennium, Moore could still be seen in the occasional theatrical release (Cheats, Against the Current) or made-for-television movie (Miss Lettie and Me, Snow Wonder) while making guest appearances in such popular sitcoms as That 70's Show and Hot in Cleveland. Moore died in 2017, at age 80.

Trivia: Actor Ted Knight dropped out of high school in order to enlist for World War II service. During the postwar years, Knight studied acting in Hartford, Connecticut. He became proficient with puppets and ventriloquism, which led to steady work as a TV kiddie-show host. Knight spent most of the 1950s and 1960s doing commercial voice-overs and essaying minor TV and movie roles (he was the nonspeaking cop who handed Norman Bates a robe at the end of Hitchcock's Psycho [1960]). Just barely making ends meet with TV guest spots and cartoon voices, Knight was rescued professionally in 1970 when he was cast in the role of vainglorious TV anchorman Ted Baxter on The Mary Tyler Moore Show. Three years into the series, Knight threatened to quit because of the one-note stupidity of his character. He was assuaged when the MTM producers "humanized" him with an understanding girlfriend (played by Georgia Engel) -- and it didn't hurt that the actor later won two Emmy awards for his portrayal of the clueless Ted Baxter. When MTM left the air in 1977, Knight attempted to headline a sitcom of his own. After a couple of false starts, he struck pay dirt in 1980 with Too Close for Comfort, playing a comic-strip artist with two nubile daughters. Too Close left the network for syndication in 1984, then matriculated into The Ted Knight Show in 1985. Though gravely ill, Ted Knight valiantly taped a years' worth of episodes before succumbing to cancer at the age of 62.

Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Actress Valerie Harper's fame largely rests on her colorful portrayal of television's "New Yawk-er" Rhoda Morgenstern. After growing up in Oregon, Michigan and Jersey City, Harper became a chorus dancer in the Big Apple, hoofing with the Radio City Rockettes and performing in such Broadway musicals as Li'l Abner, Take Me Along, Wildcat and Subways Are for Sleeping. Her first film appearance was in the 1959 movie adaptation of Li'l Abner. While spending her nights on stage, she attended Hunter College and the New School for Social Research, supporting herself between dancing gigs as a telephone canvasser and hat-check girl. During the 1960s, she did comedy-improv work with Second City and Paul Sill's Story Theatre (one of her co-workers during her Sills years was her first husband, comic actor Richard Schaal). In the popular mid-1960s comedy record album When You're in Love, the Whole World is Jewish, Harper can be heard offering an embryonic version of Rhoda Morgenstern, a character she based on her childhood friend Penny Almog. So well-grounded was she in Rhoda-like characterizations by 1970 that she was hired for The Mary Tyler Moore Show (her first regular TV-series gig) on the basis of a one-sentence audition. After winning three Emmies for her Mary Tyler Moore work, Harper was spun off into her own series in 1974, titled Rhoda. Though it opened to excellent ratings (thanks largely to the one-hour episode in which Rhoda married her blue-collar fiance Joe [David Groh]), Rhoda was never as big a hit as Mary Tyler Moore, and it left the air in 1978. During this period, Harper made her formal film debut in Freebie and the Bean (1974), earning a Golden Globe nomination for her portrayal of a Puerto Rican housewife. After toting up several stage and TV-movie credits, she returned to the weekly-series grind in 1986 with Valerie. She walked out on the show over a salary dispute, whereupon the producers fired her and retooled the series into The Hogan Family, which ran without Harper until 1991. She has starred in two series since leaving Valerie (1990's City and 1995's The Office) but has been unable to latch onto a character with the staying power of Rhoda Morgenstern. Additional appearances in Melrose Place, Sex and the City, Desperate Housewives, and Drop Dead Diva followed, Extremely active in prosocial causes off-camera, Valerie Harper was co-founder of an anti-hunger organization called LIFE (Love Is Feeding Everyone).

Trivia: Cloris Leachman seems capable of playing any kind of role, and she has consistently demonstrated her versatility in films and on TV since the 1950s. On the big screen, she can be seen in such films as Kiss Me Deadly (1955), Butch Cassidy and the Sundance Kid (1969), The Last Picture Show (1971), for which she won an Oscar; and Young Frankenstein (1974). On TV, she played the mother on Lassie from 1957-58, and Phyllis Lindstrom on both The Mary Tyler Moore Show (1970-77) and her own series, Phyllis (1975-77). She was a staple on many of the dramatic shows of the '50s, and a regular on Charlie Wild, Private Detective (1950-52), and The Facts of Life. Leachman has won three Emmy Awards and continues to make TV, stage, and film appearances, including a turn as Granny in the film version of The Beverly Hillbillies (1993) and supplying her voice for the animated Beavis and Butt-Head Do America (1996) and The Iron Giant (1999). In 1999, she could be seen heading the supporting cast in Wes Craven's Music of the Heart.

Trivia: The daughter of vaudevillians, 4'11" entertainer Nancy Walker had wanted to establish herself as a serious singer. But when Nancy auditioned for Broadway impresario George Abbott, he burst out laughing at her reading of the line "Is this where the aliens go to register?" and immediately cast her as the hoydenish Blind Date in his 1941 musical production Best Foot Forward. She went on to make her Hollywood debut in the film version of this production, then returned to Broadway, where she skyrocketed to stardom in such productions as On the Town (1944) and Look, Ma, I'm Dancin' (1948). She continued headlining on Broadway throughout the 1950s, occasionally showing up on television variety series, most memorably as the teen-aged president of the Milton Berle fan club. Despite her enormous success as a comedienne, Walker was the archetypal "laughing on the outside, crying on the inside" type in private life, undergoing several years of therapy to purge herself of her insecurities. When theatrical opportunities began drying up in the late 1960s, Nancy relied more and more on television for a living. She was featured as Rosie the waitress in a series of paper-towel commercials ("It's the quicker picker upper"), co-starred as Mildred the maid on MacMillan and Wife (1971-75), and, most memorably, was cast as Ida Morgenstern, the Jewish mama to end all Jewish mamas, on The Mary Tyler Moore Show (1970-77) and Rhoda (1974-78). Though nominated for five Emmies, she never won the coveted statuette, a fact that seemed to bother her husband David Craig (a vocal coach whom she'd met when she lost her voice during Look Ma, I'm Dancing) more than Walker. Banking on her renewed celebrity, she attempted several TV starring vehicles of her own, but none lasted beyond the first season. She had better luck as a stage director, helming such theatrical productions of UTBU and A Pushcart Affair. In 1980, Walker made her film directorial debut with the Village People starrer Can't Stop the Music, produced by her then-manager Alan Carr. Nancy Walker's final regular TV-series stint was on the 1990 Fox Network weekly True Colors; two years later she died of lung cancer at the age of 71.

Trivia: Actress Lisa Gerritsen embarked on a dramatic career for a very brief albeit memorable period of time -- from around 1969 (at the age of 12) to 1978 (at the age of 21), when she finally hung up her acting gloves and moved out of the spotlight. The world first took notice of Gerritsen when she signed for a role in the short-lived NBC sitcom My World and Welcome to It (1969-1970). Loosely adapted from the writings of humorist James Thurber, the program starred William Windom (She's Having a Baby) as John Monroe -- a husband and father of one who worked as a writer and cartoonist, suffered from an enormous sense of insecurity, and lived in his daydreams. Gerritsen co-starred as Lydia Monroe, John's preteen daughter. Unfortunately, despite a cover article in TV Guide circa 1969 and an abortive attempt by CBS to revive the series in 1972, it never connected with a substantial audience. Several months after a big-screen debut as a terrified airline passenger in the star-studded epic Airport (1970), Gerritsen then cropped up in another regular supporting role on a series, this time on the still-influential sitcom The Mary Tyler Moore Show. On that program, she played Bess Lindstrom, the teenage daughter of Phyllis Lindstrom (Cloris Leachman), the landlady of Mary Richards' (Moore) building. The series as a whole ran until 1977, but five years in, producer Grant Tinker decided to spin off the characters of Phyllis and Bess into their own sitcom, simply and elegantly titled Phyllis; as a result, Leachman and Gerritsen promptly left the program to head up the new show. The premise of that outing (which debuted in 1975 and ran for two years) had Phyllis and Bess moving to San Francisco following the sudden death of husband and father Lars, where Phyllis took a job in a commercial photography studio. Phyllis represented Gerritsen's last major acting role, and thereafter, she moved into an unrelated field. Her resumé also includes guest appearances on such programs as Gunsmoke, The Odd Couple, and Bonanza.