Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: Actor Fred Grandy enjoyed two distinct careers -- an initial career as an actor and a proverbial second wind on the political stage. As a thespian, Grandy signed for guest spots on early-'70s series including Maude and Phyllis, but built his reputation via his nine-season portrayal of Yeoman-Purser Burl "Gopher" Smith, right-hand man to Captain Merrill Stubing (Gavin MacLeod), on the popular television sitcom The Love Boat (1977-1986). He proved popular with audiences, but by the mid-'80s reportedly grew tired of acting and gravitated to the political arena because he found it more challenging. Indeed, in 1986 -- the year of Boat's cancelation -- Grandy was elected as a Republican member of the House of Representatives from Iowa.

Trivia: For millions of Americans, the prime-time situation comedy The Love Boat will be forever inseparable from the image of Ted Lange, an actor cast for nine seasons as the genial Isaac the Bartender on the Pacific Princess luxury liner and trademarked by his iconic "two-finger drop" greeting. Yet Lange's portrayal of Isaac scarcely hinted at the actor's dexterity or dramatic range. In truth, this actor received classical dramatic training at London's Royal Academy of Dramatic Arts, and would go on, after the Princess took its final voyage in September 1986, to establish himself as a revered creative force in regional theater.Lange initially broke into films with many portrayals in Hollywood programmers during the early '70s, including Trick Baby (1972), Blade (1972), and Black Belt Jones (1974), and landed a regular role in the one-season ethnic sitcom That's My Mama (1974), as a streetwise philosopher opposite Clifton Davis (Amen) and Theresa Merritt. The Love Boat, of course, brought Lange his most widespread recognition; nonetheless (as indicated), he hearkened back to his theatrical roots beginning in the late '80s and divided his time between writing, directing, and stage acting roles. His resumé as a scribe sports at least 17 original plays including Lemon Meringue Facade, Behind the Mask -- An Evening with Paul Laurence Dunbar, and Evil Legacy -- The Story of Lucretia Borgia, while he has appeared dramatically in productions including Hair and Taming of the Shrew and has directed plays ranging from Othello to the rock & roll musical Born a Unicorn.

Trivia: Pennsylvania-born actress Lauren Tewes achieved broadest recognition for her stint as Cruise Director Julie McCoy on the long-running ABC situation comedy The Love Boat. Unfortunately, Tewes (unlike many of her fellow cast members) left the program prior to the final voyage of the Pacific Princess -- reportedly spiraling into a much-publicized bout of severe cocaine addiction from which she eventually fully recovered, but which cost her the role on the series. Tewes nevertheless demonstrated admirable resilience by returning for at least two Love Boat telemovies and remained active in television and film. Subsequent projects included guest appearances on the small-screen series dramas Hunter and Murder, She Wrote, and roles in features such as The Doom Generation (1995) and It Came From Outer Space 2 (1996).

Trivia: Actor Brett Halsey came into this world as Charles Oliver Hand, the son of a San Francisco contractor. Formerly a page at the CBS studios in Hollywood, the 20-year-old Halsey was signed to a Universal contract in 1953. His earliest film efforts include The Glass Web (1953) and Ma and Pa Kettle at Home (1954), in which he played one of the myriad of Kettle offspring. He went on to play leads in bottom-budget juvenile delinquent films, including the immortal 1958 howler Speed Crazy. Under contract to 20th Century-Fox in the late 1950s-early 1960s, Halsey starred in Return of the Fly (1959) and was seen on a weekly basis as swinging journalist Paul Templin in the TV series Follow the Sun (1961). He then packed his bags and headed to Italy, where he played leads in swashbucklers, spy films, and Westerns (occasionally under the pseudonym Montgomery Ford). His experiences as a journeyman actor in Europe were encapsulated in his novel Magnificent Strangers. Halsey returned to the U.S. in the early 1970s, where he acted in such TV daytime dramas as Love is a Many Splendored Thing, Search for Tomorrow and, General Hospital, as well as in feature films, including Francis Ford Coppolas' Godfather III (1990). Brett Halsey was at one time married to actress Luciana Paluzzi.

Trivia: Tall (6'2"), sandy-haired American leading man Frank Converse studied at Carnegie Tech before launching his acting career with stage, commercial and soap-opera assignments. Converse became a star by way of a TV series that literally died before it was born. Thirteen episodes of Coronet Blue, in which Converse played an amnesiac pursued by mysterious assassins, were filmed in 1965, then shelved when no room could be cleared on CBS' fall schedule. Most of these episodes were telecast as a 1967 summer replacement series, sparking an intensely loyal fan following for Converse; by that time, however, he was committed to the weekly cop series NYPD and could not continue with Coronet Blue, thus his fans never did find out who his character really was or why he was being chased all over the country. Active in all aspects of entertainment, Frank Converse has been most visible on television: he starred on the prime time series Movin' On (1974-75), The Family Tree (1983), Dolphin Cove (1989), and for several years was a regular on the ABC daytime drama One Life to Live.

Trivia: After commercial and soap opera experience, actress Marcia Strassman was cast in her first regular prime time role as Nurse Margie Cutler in M*A*S*H. Those of you who might have trouble recalling her contribution to that series will have no trouble at all remembering her next sitcom assignment as Julie Kotter, wife of high-school teacher Gabe Kaplan, on Welcome Back Kotter (1975-79). Understandably upset that her role was largely limited to lines like "How was your day, honey?" and "Then what happened?," Strassman made no secret of her dissatisfaction with Kotter, going so far as to publicly express the wish that she'd be fired. During Kotter's final season, Strassman ended up as the series' principal character when star Gabe Kaplan ankled the show over a dispute with producer James Komack. While Kaplan's star faded during the post-Kotter years, Strassman's TV appearances increased dramatically. She was seen as reporter Carol Younger on 1980's Goodtime Charley, as detective agency boss Alicia Rudd on 1989's Booker, as southern belle Bunny McClure on 1994's Sweet Justice, and as star or co-star of several made-for-TV movies. She also played Dr. Eve Sheridan in the pilot of the 1984 sitcom E/R, a role filled on the series proper by Mary McDonnell. Marcia Strassman's most memorable theatrical-film work was as hysterical housewife Diana Szalinski in the moneyspinning fantasies Honey I Shrunk the Kids (1989) and Honey I Blew Up the Kid (1992). She continued to work extensively in television, appearing on series like Booker, Providence, Tremors and Night Watch. Strassman died in 2014 at age 66.

Trivia: Marian Ross dreamed of stardom from childhood, going so far as to change the spelling of her first name to Marion because she thought it would look nicer on a marquee. When her family moved from Minnesota to California, the 16-year-old aspiring actress plunged into the busy world of amateur theatricals in the San Diego area. She was voted Outstanding Actress at San Diego State University in 1950, then went on to work at the prestigious La Jolla Playhouse. Mel Ferrer, La Jolla's resident director, recommended that Ross try her luck in Hollywood. She worked steadily in TV and films from 1953 onward, but stardom was still outside her reach. Ross played a succession of maids, nuns, nurses, and that nebulous classification, the Heroine's Best Friend. She showed up in small roles in such films as Forever Female (1953), Lust for Life (1955), and Operation Petticoat (1959), earning the respect of her fellow workers but very little in the way of public recognition. "I've always had a way of not attracting attention," she would note with resignation later in life. On television, Marion played unstressed recurring roles on such series as Life with Father, Mrs. G Goes to College and Mr. Novak. She finally achieved stardom as Marion Cunningham, mother of 1950s high-schooler Richie Cunningham, on the weekly sitcom Happy Days. What started out as a shaky midseason replacement in January of 1974 ended up ABC's number-one hit; Ross hitched her wagon to the ever-rising Happy Days star until its final episode in 1983. During this period, she reactivated her stage career, with considerably more success than she'd enjoyed in the 1950s. Ross' post-Happy Days TV gigs included a 1986 guest shot as the new bride of Captain Stubing (Gavin MacLeod) on The Love Boat and the brief 1989 series Living Dolls. In 1991, Marion Ross earned an Emmy nomination for her portrayal of archetypal Jewish mother Sophie Berger on the TV "dramedy" Brooklyn Bridge. In the decades to come, Ross would find ongoing success with recurring roles on TV series like The Drew Carey Show and Gilmore Girls, as well as providing voice acting for animated series such as SpongeBob SquarePants and Handy Manny.

Trivia: American actress Pat Crowley was the daughter of a coal mine foreman. Pat' s older sister Ann took the plunge into acting first, and it was during Ann's appearance in a Chicago musical production that ten-year-old Pat was given a walk-on. Ann introduced her sister to a stock company producer, and from then on Pat was one of the busiest ingenues in New England, finally making her Broadway bow in Southern Exposure; Crowley was still only 16. Two years later, following a run on the live TV series A Date With Judy, Crowley was hired for a major role in Forever Female (1953), in which she and Ginger Rogers vied for the affections of William Holden. After becoming the center of much publicity at that time, Crowley then experienced a long spell of unemployment. When jobs became plentiful again, Crowley worked on both the stage and on TV, usually in one-shot guest roles; she had the distinction of being Robert Vaughn's first "leading lady" on the premiere episode of Man From U.N.C.L.E. in 1964. One year later, Crowley was cast as an unorthodox housewife on the NBC sitcom Please Don't Eat the Daisies. After two years of Daisies, Crowley's work load subsided; she did more supporting work until 1974, when she received a sizeable role on the Lloyd Bridges cop show Joe Forrester. Since that time, Patricia Crowley has confined her activities to TV character roles, notably a season's worth of appearances as Emily Falmont on the '80s nighttime serial Dynasty.

Trivia: Apple-cheeked comic actor Benny Baker was a moderately popular Broadway musical comedy performer when he headed to Hollywood in 1934. After his first film, Annapolis Farewell, Baker brightened several Paramount musicals, usually in milquetoastish support of such performers as Martha Raye. After his first brush with moviemaking, Baker returned to Broadway, co-starring in such major productions as DuBarry Was a Lady and Let's Face It. He returned to Tinseltown as a character actor, often in whoops-you-missed-him unbilled roles. Shortly before his retirement in the early 1970s, Benny Baker was featured along with a host of other venerable performers in the SRO Broadway revival of No, No Nanette.