Trivia: Born November 6, 1946, in Pasadena, CA, actress Sally Field was the daughter of another actress, Margaret Field, who is perhaps best known to film buffs as the leading lady of the sci-fi The Man From Planet X (1951). Field's stepfather was actor/stunt man Jock Mahoney, who, despite a certain degree of alienation between himself and his stepdaughter, was the principal influence in her pursuit of an acting career. Active in high-school dramatics, Field bypassed college to enroll in a summer acting workshop at Columbia studios. Her energy and determination enabled her to win, over hundreds of other aspiring actresses, the coveted starring role on the 1965 TV series Gidget. Gidget lasted only one season, but Field had become popular with teen fans and in 1967 was given a second crack at a sitcom with The Flying Nun; this one lasted three seasons and is still flying around in reruns.Somewhere along the way Field made her film debut in The Way West (1967) but was more or less ignored by moviegoers over the age of 21. Juggling sporadic work on stage and TV with a well-publicized first marriage (she was pregnant during Flying Nun's last season), Field set about shedding her "perky" image in order to get more substantial parts. Good as she was as a reformed junkie in the 1970 TV movie Maybe I'll Come Home in the Spring, by 1972 Field was mired again in sitcom hell with the short-lived weekly The Girl With Something Extra. Freshly divorced and with a new agent, she tried to radically alter her persona with a nude scene in the 1975 film Stay Hungry, resulting in little more than embarrassment for all concerned. Finally, in 1976, Field proved her mettle as an actress in the TV movie Sybil, winning an Emmy for her virtuoso performance as a woman suffering from multiple personalities stemming from childhood abuse. Following this triumph, Field entered into a long romance with Burt Reynolds, working with the actor in numerous films that were short on prestige but long on box-office appeal.By 1979, Field found herself in another career crisis: now she had to jettison the "Burt Reynolds' girlfriend" image. She did so with her powerful portrayal of a small-town union organizer in Norma Rae (1979), for which she earned her first Academy Award. At last taken completely seriously by fans and industry figures, Field spent the next four years in films of fluctuating merit (she also ended her relationship with Reynolds and married again), rounding out 1984 with her second Oscar for Places in the Heart. It was at the 1985 Academy Awards ceremony that Field earned a permanent place in the lexicon of comedy writers, talk show hosts, and impressionists everywhere by reacting to her Oscar with a tearful "You LIKE me! You REALLY LIKE me!" Few liked her in such subsequent missteps as Surrender (1987) and Soapdish (1991), but Field was able to intersperse them with winners such as the 1989 weepie Steel Magnolias and the Robin Williams drag extravaganza Mrs. Doubtfire (1993). Field found further triumph as the doggedly determined mother of Tom Hanks in the 1994 box-office bonanza Forrest Gump, which, in addition to mining box-office gold, also managed to pull in a host of Oscars and various other awards.Following Gump, Field turned her energies to ultimately less successful projects, such as 1995's Eye for an Eye with Kiefer Sutherland and Homeward Bound II: Lost in San Francisco (1996). She also did some TV work, most notably in Tom Hanks' acclaimed From the Earth to the Moon miniseries (1998) and the American Film Institute's 100 Years....100 Movies series. The turn of the century found Field contributing her talents to a pair of down-home comedy-dramas, first with a cameo matriarch role in 2000's Where the Heart Is and later that year as director of the Minnie Driver vehicle Beautiful. Both films met with near-universal derision from critics; only the Steel Magnolias-esque Heart found a modest box-office following.In 2003, Field took a role alongside Reese Witherspoon in the legal comedy Legally Blonde 2: Red, White, & Bllonde, and in 2006 joined the cast of ABC's Brothers & Sisters in the role of matriach Nora Walker. The role earned her an Emmy Award for Outstanding Lead Actress in a Drama Series in 2007. The actress was cast in the role of Aunt May for The Amazing Spiderman (2012), and was so revered as Mary Todd Lincoln in Steven Spielberg's Lincoln that she earned an Oscar nomination for Best Supporting Actress.

Trivia: Launching his career in South American films and television programs, Argentinean actor Alejandro Rey spent most of his professional life in Hollywood. At first just another handsome Latin type, Rey emerged into a dynamic character actor, as witness his solid performance as Russian immigrant Robin Williams' attorney/protector in Moscow on the Hudson (1984). Rey's television activities included directing dozens of episodic TV programs. Alejandro Rey is most familiar to 1960s TV addicts for his three-year stint as Puerto Rican nightclub owner Carlos Ramirez in the Sally Field vehicle The Flying Nun.

Trivia: A gifted leading lady and character actress, Marge Redmond enjoyed a five-decade career that took her from the stage to television to feature films. Born Margery Redmond in Cleveland, Ohio in 1924 (some sources say 1930), Redmond became the first wife of future actor Jack Weston at the start of the 1950s, when both of them were working at the Cleveland Play House. They moved from regional theater to Hollywood, and were lucky enough to arrive in the film mecca just as television production was booming there. Redmond went on to appear in dozens of television shows, from My Three Sons to The Virginian, interspersed with the occasional feature film, of which The Trouble With Angels probably gave the actress her most notable role, as Sister Liquori, the best friend of the Mother Superior played by Rosalind Russell. That part pre-figured what became Redmond's most familiar small-screen portrayal, of Sister Jacqueline on The Flying Nun. The latter series only ran for two seasons, but thanks to the fact that Sally Field was its star, it has been seen in syndicated reruns for close to 50 years. She has since worked in virtually every genre of television show, right into the 1990s and Law And Order, and was still doing voice work for animated productions in the twenty-first century.

Trivia: American character actor Vito Scotti may not be the living legend as described by his publicity packet, but he has certainly been one of the most familiar faces to bob up on small and large screens in the last five decades. Scotti's father was a vaudeville impresario, and his mother an opera singer; in fact, he was born while his mother was making a personal appearance in San Francisco. Launching his own career at seven with an Italian-language commedia del arte troupe in New York, Scotti picked up enough improvisational knowhow to develop a nightclub act. When the once-flourishing Italian theatre circuit began to fade after World War II, Scotti began auditioning for every job that came up -- whether he could do the job or not. Without his trademarked mustache, the diminuitive actor looked like a juvenile well into his thirties, and as such was cast in a supporting role as a timorous East Indian on the "Gunga Ram" segment of the '50s TV kiddie series Andy's Gang. Once the producers discovered that Scotti had mastered several foreign dialects, he was allowed to appear as a comic foil to Andy's Gang's resident puppet Froggy the Gremlin. In nighttime television, Scotti played everything from a murderous bank robber (on Steve Canyon) to a misplaced Japanese sub commander (on Gilligan's Island). He was indispensable to TV sitcoms: Scotti starred during the 1954 season of Life with Luigi (replacing J. Carroll Naish), then appeared as gesticulating Latin types in a score of comedy programs, notably The Dick Van Dyke Show (as eccentric Italian housepainter Vito Giotto) and The Flying Nun (as ever-suspicious Puerto Rican police captain Gaspar Fomento). In theatrical films, Scotti's appearances were brief but memorable. he is always greeted with appreciative audience laughter for his tiny bit as a restauranteur in The Godfather (1972); while in How Sweet it Is (1968) he is hilarious as a moonstruck chef, so overcome by the sight of bikini-clad Debbie Reynolds that he begins kissing her navel! Vito Scotti was still essaying dialect parts into the '90s.

Trivia: The daughter of the dean of McGill University's school of dentistry, Madeline Thornton made her first stage appearance at age 4 in a staging of the Passion Play. At 17, Madeline married Robert Sherwood (not the playwright of the same name), who left for parts unknown after their child was born.. Compelled to fend for herself, Madeline Sherwood (as she now billed herself) opted to stay in the theatre, working with the Montreal Repertory and co-starring in the popular wartime CBC radio serial Laura Lrd. And Her Daughter Terry. She moved to New York in 1949, where she studied at Yale and the Actor's Studio while appearing in dozens of live TV dramas. Sherwood made her first Broadway appearance in 1953, playing the troublemaking Abigail in Arthur Miller's The Crucible. Director Elia Kazan, impressed by her ability to convey unvarnished wickedness, wanted to cast her as James Dean's whorish mother in the 1955 film East of Eden. That role went instead to Jo Van Fleet, so Kazan cast Sherwood in the "consolation" role of the vituperative, eternally pregnant Sister Woman in the original 1956 Broadway staging of Tennessee Williams' Cat on a Hot Tin Roof. Sherwood went on to repeat this role in the 1958 filmization of Streetcar Named Desire, and later played Miss Lucy in another Williams cinemadaptation, Sweet Bird of Youth (1963). Her television credits of the 1960s include stints on several soap operas, and a three-year hitch as the remonstrative Mother Superior on the Sally Field sitcom The Flying Nun (1967-70). As was the case with many "professional villains," Madeline Sherwood was anything but nasty and self-centered in real life. Her activities on behalf of the Civil Rights movement landed her in a Southern jail in 1962, a fact which forever remained a source of pride for her. And after undergoing therapy in the 1960s (playing one villainess after another had finally taken its toll), Madeline Sherwood became so fascinated with psychiatric work that, from 1970 through 1971, she studied at the GROW institute to become a psychotherapist and group counselor.

Trivia: One look at Alan Hale Jr. and no one could ever assume he was adopted; Hale Jr. so closely resembled his father, veteran character actor Alan Hale Sr., that at times it appeared that the older fellow had returned to the land of the living. In films from 1933, Alan Jr. was originally cast in beefy, athletic good-guy roles (at 6'3", he could hardly play hen-pecked husbands). After the death of his father in 1950, Alan dropped the "Junior" from his professional name. He starred in a brace of TV action series, Biff Baker USA (1953) and Casey Jones (1957), before his he-man image melted into comedy parts. From 1964 through 1967, Hale played The Skipper (aka Jonas Grumby) on the low-brow but high-rated Gilligan's Island. Though he worked steadily after Gilligan's cancellation, he found that the blustery, slow-burning Skipper had typed him to the extent that he lost more roles than he won. In his last two decades, Alan Hale supplemented his acting income as the owner of a successful West Hollywood restaurant, the Lobster Barrel.

Trivia: After starting out as a free-form stand-up comic in San Francisco and New York, Dick Gautier was nominated for a Tony Award for his portrayal of Elvis-like rock star Conrad Birdie in the 1961 Broadway production Bye Bye Birdie. Gautier was also half of an informal, improvisational comedy team with straight man Peter Marshall. In films since 1972, Gautier is better known for his television work on such series as Mr. Terrific (1967), Here We Go Again (1971), The Liars Club (1974), and especially Get Smart (1965-70), in which he played Hymie the Robot. Get Smart co-creator Mel Brooks later concocted a starring TV vehicle for Gautier, the 13-week Robin Hood spoof When Things Were Rotten (1975). In the 1980s, Gautier embarked on a sizeable career as a voice-over actor, lending his voice to memorable characters in the animated G.I. Joe (as Serpentor) and Transformers (as Rodimus Prime), and as stock characters in shows like Smurfs and The Addams Family. Gautier died in 2017, at age 85.