Trivia: Born Muzyad Yakhoob, he began his show biz career in 1932 as a singer at a Detroit radio station; he began performing as an MC-comedian in nightclubs in 1938 and gradually gained popularity and national recognition over the next decade. He debuted onscreen in 1947, going on to a brief film career in corny lead roles or comic supporting parts. He was much more successful on TV, starring in the long-running sitcom Make Room for Daddy (later re-named The Danny Thomas Show); he also starred in a number of specials and made guest appearances on variety shows. In the late '50s Thomas began producing for TV, forming a partnership with Sheldon Leonard and later Aaron Spelling; he produced such series as The Andy Griffith Show, The Dick Van Dyke Show, Gomer Pyle, and The Mod Squad. He also starred in several failed TV shows including The Danny Thomas Hour and Make Room for Granddaddy. He founded the St. Jude's Research Hospital, which is dedicated to finding cures for catastrophic chidren's diseases. He was the father of actress Marlo Thomas. He authored an autobiography, Make Room for Danny (1990).

Trivia: After majoring in drama and music at Northwestern University, Jean Hagen went to New York, where she worked as an usherette by day and a radio actress by night. In 1949, Hagen was one of several "new face" Broadway performers (including Judy Holliday, Tom Ewell and David Wayne) selected to appear in the supporting cast of the Tracy/Hepburn comedy Adam's Rib; she played the slatternly "other woman" who comes between Judy Holliday and Tom Ewell. This led to a long-term MGM contract and a telling dramatic role as Sterling Hayden's doomed girlfriend in John Huston's Asphalt Jungle (1950). In 1952, Hagen was cast in her best-ever screen role: screechy-voiced silent film star Lina Lamont ("Waddya think I am, dumb or sumpin'?") in the imperishable Singin' in the Rain. From 1953 through 1956, Hagen played Margaret Williams, wife of nightclub entertainer Danny Thomas, in Make Room for Daddy. Her character was summarily "killed off" when she left the series in its third season; according to Thomas, Hagen felt that sitcom work was beneath her. Unfortunately, with such notable exceptions as The Shaggy Dog (1959) and Sunrise at Campobello (1960), Hagen's career went into an eclipse after Make Room for Daddy, and by 1964 she had retired from acting. As historian Bill Warren observed, Hagen "was so versatile that, paradoxically, she became hard to cast." In the mid-1970s, after undergoing radical surgery and cobalt treatment for throat cancer, Hagen valiantly attempted a comeback in character roles. Jean Hagen died at the Motion Picture Country Home and Hospital at the age of 54.

Trivia: While still of high-school age, Marjorie Lord was a contract ingenue at RKO, playing the deadpan leading lady in two Wheeler and Woolsey comedies: Off Again On Again (1937) and High Flyers (1937). She moved to Universal Pictures in the 1940s, where she was decorative (and little else) in the studio's serials, westerns, and "B" pictures (notably 1942's Sherlock Holmes in Washington). Her best role during this period was opposite James Cagney in Johnny Come Lately (1943); she later had the chance to essay a villainous characterization in the independently produced The Strange Mrs. Crane (1948). Full stardom eluded Lord until 1957, when she replaced Jean Hagen as Mrs. Danny Williams on TV's The Danny Thomas Show (aka Make Room for Daddy). She played Kathy Williams until the series' cancellation in 1964, then re-created the role in the 1969 "revival" series Make Room For Granddaddy. She continued acting until the mid-1980s. The mother of actress Anne Archer, with whom she appeared in the 1978 TV movie Harold Robbins' The Pirate., Lord died in 2015, at age 97.

Trivia: The stepdaughter of TV director Montgomery Pittman, Sherry Jackson made her first film in 1950, at age 8. Jackson played Susie Kettle in a few of Universal's Ma and Pa Kettle entries, and was co-starred in a handful of Warner Bros. films, most prominently as John Wayne's daughter in Trouble Along the Way. In 1953, she was hired to play Danny Thomas' daughter Terry on the long-running TV sitcom Make Room for Daddy. Having outgrown the role by 1959, she free-lanced throughout the 1960s, showing up in guest-star assignments in such TV series as The Twilight Zone and Star Trek. Sporadically active into the 1990s, Sherry Jackson was most recently seen in the 1992 production Daughters of the Dust.

Trivia: Though she was best known as a young TV star, Angela Cartwright also appeared in perennial movie musical favorite The Sound of Music (1965). Born in England, Cartwright's family moved to Los Angeles when she was three. Cartwright soon made her film debut, at the ripe old age of three and a half, in Somebody Up There Likes Me (1956). Cast in 1957 as stepdaughter Linda on Danny Thomas' TV hit Make Room for Daddy, retitled The Danny Thomas Show, Cartwright stayed with the series until it ended in 1964. It was Cartwright's two mid-'60s credits, though, that captured the most devoted fans. As The Sound of Music's pretty Brigitta Von Trapp, Cartwright became one of the seven children taught to sing and love life by buoyant nun/stepmother Julie Andrews. With its Rodgers & Hammerstein songs and unbridled sentiment, The Sound of Music broke box office records, becoming a beloved classic. Cartwright then joined the cast of Irwin Allen's low-tech TV series Lost in Space as young teen daughter Penny Robinson. Though the show only ran from 1965 to 1968, Lost in Space attracted a durable cult following; Cartwright had a cameo in the 1998 film version. After Lost in Space ended, Cartwright made sporadic appearances in films and TV in the subsequent decades, including Irwin Allen's disaster flick sequel Beyond the Poseidon Adventure (1979). Married since 1976, Cartwright has two children and made a career outside of acting as a photographer, writer, and boutique owner. Her older sister is actress Veronica Cartwright.

Trivia: African American actress Louise Beavers was born in Cincinnati and raised in California, where she attended Pasadena High School. Louise's entree into Hollywood was as maid to silent film star Leatrice Joy. With Ms. Joy's encouragement, Louise began accepting small film parts in 1923, and three years later became a full-time performer when she joined the Ladies Minstrel Troupe. After co-starring in the 1927 Universal remake of Uncle Tom's Cabin, Ms. Beavers worked steadily in films, usually playing maids, housekeepers and "mammies." Her most famous role was as troubled pancake entrepreneur Aunt Delilah in the 1934 filmization of Fannie Hurst's Imitation of Life. Another breakaway from stereotype was as the title character's strong-willed mother in The Jackie Robinson Story (1950), On television, Louise Beavers starred on the weekly sitcom Beulah from 1952 through 1953, and played Louise the maid on the 1953 pilot episode of Make Room for Daddy.

Trivia: The older sister of actress Lillian Randolph, Amanda Randolph worked her way up the black vaudeville circuit as a singer and comedienne. She made her first screen appearance in the Vitaphone two-reeler The Black Network (1935) as the supposedly untalented wife of a radio sponsor; ironically, she sounded better than the film's official leading lady Nina Mae McKinney. After appearing in a handful of all-black feature films she established herself as a character actress on network radio. In the 1950s she was generally cast as maidservants in films, with the notable exception of her performance as Sidney Poitier's mother in 1950's No Way Out. On television, Amanda Randolph was seen to excellent advantage as the Kingfish's domineering mother-in-law on The Amos 'N' Andy Show (1951-1953) and as Louise the maid on Make Room for Daddy (1954-1964).

Trivia: Horace McMahon dabbled in professional and semi-professional acting while attending Fordham University Law School, continuing to do so while holding down a day job as a newspaper reporter. He made acting his full-time vocation after his first Broadway appearance in 1931. In films from 1937, the growly, jowly MacMahon was initially typed in gangster roles. After scoring a personal success as Lieutenant Monaghan in the 1949 Broadway play Detective Story, MacMahon repeated the role in the 1951 film version -- and thereafter was pigeonholed in "cop" roles. Before beginning his five-year (1958-63) tenure as Lieutenant Mike Parker on the TV series The Naked City, MacMahon had been a semi-regular on Martin Kane (1950, as the newsstand owner who stocked nothing but the sponsor's cigarette) and Make Room for Daddy (1953, as Danny Thomas' agent). His last weekly TV assignment was as Hank McClure, police contact for public relations man Craig Stevens, in the short-lived Mr. Broadway. Having been born near Norwalk, Connecticut, Horace McMahon spent his retirement years in that community with his wife, former actress Louise Campbell.

Trivia: Nightclub comedian and character actor, onscreen from 1943.

Trivia: A self-described "household face," character actor Jesse White made his first stage appearance as a teenager in his adopted hometown of Akron, OH. Supporting himself with a variety of civilian jobs, White worked the nightclub circuit in Cleveland, then moved on to what was left of vaudeville in the late '30s. White's first Broadway role was in 1942's The Moon is Down; two years later he scored his biggest success as the acerbic sanitarium attendant in Mary Chase's Harvey, a role he would repeat for the 1950 film version (though Harvey is often listed as White's film debut, he can be seen in a bit role as an elevator operator in 1947's Gentleman's Agreement). While he has appeared in some 60 films, White is best known for his TV work, which allowed him to play Runyon-esque gangsters, theatrical agents, neurotic TV talk show hosts, art connoisseurs, toy manufacturers, and whatever else suited his fancy. Two of his longest professional associations were with satirist Stan Freberg (White was featured in several of Freberg's commercials and comedy albums) and comedian/TV mogul Danny Thomas (White played agent Jesse Leeds during the first few seasons of Make Room for Daddy). In the 1970s, White became established as the "lonely" Maytag repairman in a series of well-circulated TV commercials; when he stepped down from this role in the late '80s, the event received a generous amount of press coverage. Jesse White was still in harness into the 1990s. In 1992, he was memorably cast as a sarcastic, cigar-chomping theater chain owner in Joe Dante's Matinee. He passed away at age 79 following complications from surgery on January 8, 1997.

Trivia: Actor Hans Conried, whose public image was that of a Shakespearean ham, was born not in England but in Baltimore. Scrounging for work during the Depression era, Conried offered himself to a radio station as a performer, and at 18 became a professional. One of his earliest jobs was appearing in uncut radio adaptations of Shakespeare's plays, and before he was twenty he was able to recite many of the Bard's lengthier passages from memory. After several years in summer stock and radio, Conried made his screen debut in Dramatic School (1938). Conried's saturnine features and reedy voice made him indispensable for small character roles, and until he entered the service in World War II the actor fluctuated between movies and radio. Given a choice, Conried would have preferred to stay in radio, where the money was better and the parts larger, but despite the obscurity of much of his film work he managed to sandwich in memorable small (often unbilled) appearances in such "A" pictures as Once Upon a Honeymoon (1942), The Big Street (1942) and Passage to Marseilles (1944). While in the army, Conried was put in charge of Radio Tokyo in postwar Japan, where he began his lifelong hobby of collecting rare Japanese artifacts; the actor also had a near-encyclopedic knowledge of American Indian lore. As big-time radio began to fade during the late 1940s and early 1950s, Conried concentrated more on film work. He was awarded the starring role in the bizarre musical 5,000 Fingers of Dr. T. (1952), written by his friend Dr. Seuss; unfortunately, the studio, not knowing how to handle this unorthodox project, cut it to ribbons, and the film was a failure. Later he was engaged for a choice co-starring role in Cole Porter's Broadway musical Can Can; in addition, he became a favorite guest on Jack Paar's late-night TV program, popped up frequently and hilariously as a game show contestant, and in 1957 made the first of many special-guest visits as the imperishable Uncle Tonoose on The Danny Thomas Show. Cartoon producers also relied heavily on Conried, notably Walt Disney, who cast the actor as the voice of Captain Hook in the animated feature Peter Pan, and Jay Ward, for whom Conried played Snidely Whiplash on The Bullwinkle Show and Uncle Waldo on Hoppity Hooper. In 1963, Jay Ward hired Conried as the supercilious host of the syndicated comedy series Fractured Flickers. Conried cut down on his TV show appearances in the 1970s and 1980s, preferring to devote his time to stage work; for well over a year, the actor co-starred with Phil Leeds in an Atlanta production of Neil Simon's The Sunshine Boys. Just before his death, Conried was cast in a recurring role on the "realistic" drama series American Dream, where he was permitted to drop the high-tone Shakespearean veneer in the gruff, down-to-earth part of Jewish oldster Abe Berlowitz.

Trivia: "I'm not a comic," insisted Mary Wickes. "I'm an actress who plays comedy." True enough; still Wickes was often heaps funnier than the so-called comics she supported. The daughter of a well-to-do St. Louis banker, Wickes was an excellent student, completing a political science degree at the University of Washington at the age of 18. She intended to become a lawyer, but she was deflected into theatre. During her stock company apprenticeship, Wickes befriended Broadway star Ina Claire, who wrote the young actress a letter of introduction to powerful New York producer Sam Harris. She made her Broadway debut in 1934, spending the next five seasons in a variety of characterizations (never the ingenue). In 1939, she found time to make her film bow in the Red Skelton 2-reeler Seein' Red. After a string of Broadway flops, Wickes scored a hit as long-suffering Nurse Preen (aka "Nurse Bedpan") in the Kaufman-Hart comedy classic The Man Who Came to Dinner. She was brought to Hollywood to repeat her role in the 1941 film version of Dinner. After a brief flurry of movie activity, Wickes went back to the stage, returning to Hollywood in 1948 in a role specifically written for her in The Decision of Christopher Blake. Thereafter, she remained in great demand in films, playing an exhausting variety of nosy neighbors, acerbic housekeepers and imperious maiden aunts. Though her characters were often snide and sarcastic, Wickes was careful to inject what she called "heart" into her portrayals; indeed, it is very hard to find an out-and-out villainess in her manifest. Even when she served as the model for Cruella DeVil in the 1961 animated feature 101 Dalmations, Cruella's voice was dubbed by the far more malevolent-sounding Betty Lou Gerson. Far busier on TV than in films, Wickes was a regular on ten weekly series between 1953 and 1985, earning an Emmy nomination for her work on 1961's The Gertrude Berg Show. She also has the distinction of being the first actress to essay the role of Mary Poppins in a 1949 Studio One presentation. Throughout the 1960s, 1970s and 1980s, Wickes did a great deal of guest-artist work in colleges and universities; during this period she herself went back to school, earning a master's degree from UCLA. Maintaining her professional pace into the 1990s, Wickes scored a hit with modern moviegoers as Sister Mary Lazarus in the two Sister Act comedies. Mary Wickes' final performance was a voiceover stint as one of the gargoyles in Disney's animated Hunchback of Notre Dame; she died a few days before finishing this assignment, whereupon Jane Withers dubbed in the leftover dialogue.

Trivia: The archetypal side-of-the-mouth Runyonesque gangster, Sheldon Leonard's actual mean-streets experience was confined to travelling with a fairly benign teenaged gang in a New York suburb. In fact, if we are to believe his future business partner Danny Thomas, Leonard never met a bonafide gangster until Thomas introduced him to one in the mid-1950s! A graduate of Syracuse University, Leonard began his acting career on radio and the stage, appearing in such Broadway productions as Kiss the Boys Goodbye and Having Wonderful Time. Starting with 1939's Another Thin Man, Leonard made a good living as a movie mob boss, henchman, and all-around tough guy. He played a rare leading role (and a romantic lead, to boot) in PRC's Why Girls Leave Home (1944). Leonard was also a regular on radio's Jack Benny Program, playing a laconic racetrack tout. During the 1950s and 1960s, Leonard became a successful television producer, overseeing such sitcoms as The Danny Thomas Show, The Andy Griffith Show, The Dick Van Dyke Show and Gomer Pyle USMC. He also spearheaded I Spy, the first TV action series with an African American star (Bill Cosby). His television activities extended to the domain of Saturday morning cartoons, as the voice of animated character Linus the Lionhearted. Sheldon Leonard continued producing into the mid-1970s, renaming his production company Deezdemandoze, in honor of his patented gangster patois. Leonard passed away in his home at age 89.

Trivia: The son of legendary vaudevillian Pat Harrington Sr., comic actor Pat Harrington Jr. rose to prominence via his many appearances on The Steve Allen Show and The Jack Paar Program in the late 1950s. However, few viewers recognized him as Pat Harrington Jr.: instead, he passed himself off as Italian golf pro Guido Panzini, a guise so convincing that he was invited to play in several major tournaments. Once the public at large was apprised that Harrington was neither Italian nor a master duffer, demands for his services as an actor increased immeasurably. In 1959, he was cast on The Danny Thomas Show as Danny's new son-in-law Pat Hannigan (Thomas had planned to spin off Harrington and his TV daughter Penney Parker into their own series, but this was not to be). In 1962, he served as host of Stump the Stars, a revamped version of the old Summer replacement perennial Pantomime Quiz. Seven years later, he was seen as sharkish PR man Tony Lawrence on the short-lived TV adaptation of Mr. Deeds Goes to Town. In 1975, Harrington landed his signature role as macho, aphorism-spouting handyman Dwayne Schneider on the TV sitcom One Day at a Time; he remained with the series until its cancellation in 1984, earning an Emmy along the way. In films, Pat Harrington Jr. has been seen in a gallery of diverse portrayals, most amusingly as smoothly villainous telephone company spokesman Arlington Haven in The President's Analyst (1967). Harrington continued to act until 2012; his last acting appearance was a guest-spot on Hot in Cleveland, starring his former One Day at a Time co-star Valerie Harper. He died in 2016, at age 86.

Trivia: The "sweetheart" of TV's The Mickey Mouse Club, American entertainer Annette Funicello began performing at age 10. The Disney people themselves sensed that Funicello had star quality, building several musical numbers around her on The Mickey Mouse Club and fashioning her own Club show-within-a-show miniseries, appropriately titled "Annette." Funicello's post-Mickey Mouse career was far more successful than that of many of her fellow Mouseketeers--and the reasons cannot be charged up to looks alone. She also was guest-starred on the Disney TV series Zorro and Wonderful World of Color, and was given sizeable roles in such Disney theatrical features as The Shaggy Dog (59) and Babes in Toyland (61). While still under contract to Disney, Funicello began appearing in American-International's Beach Party series, usually co-starring with Frankie Avalon. Though these films were distinguished by undulating, bikinied females, Walt Disney decreed that Funicello never be involved in any "suggestive" sequences--nor were her two-piece bathing suits permitted to uncover her navel. After playing an extended cameo role as Davy Jones' sweetheart in The Monkees' film vehicle Head (68), Funicello cut down on her professional appearances, preferring to spend time with her family. During the 1970s, she became spokeswoman for a popular brand of peanut butter, her commercial appearances constituting the bulk of her on-camera time during this period. In 1987, she and onetime cohort Frankie Avalon co-financed and starred in the nostalgic musical film Back to the Beach. In her later years, Funicellostruggled against the ravages of multiple sclerosis; her courage and high spirits in the face of intense pain and decreasing mobility were inspirational, as well as beneficial in helping to raise funds for further research of degenerative diseases. In 1994, Annette Funicello published her autobiography, the tone of which perfectly reflected the actress herself: discreet, ladylike and boundlessly cheerful. After suffering from multiple sclerosis for more than two decades, Funicello died from complications from the disease in 2013 at the age of 70.

Trivia: Diminutive, jug-eared comic actor Sid Melton cut his acting teeth in the touring companies of such Broadway hits as See My Lawyer and Three Men on a Horse. Though he once listed his film debut as being 1945's Model Wife, Melton showed up onscreen as early as 1942, playing one of the students in Blondie Goes to College. Mostly showing up in bits and minor roles in big-studio features, Melton enjoyed starring assignments at bargain-basement Lippert Studios, notably the 1951 "sleeper" The Steel Helmet. His film career extended into the 1970s, when he was seen in a sizeable role in the Diana Ross starrer Lady Sings the Blues (1975). Sid Melton's TV credits include the cult-favorite roles of Ichabod Mudd ("with two D's!") on Captain Midnight and nightclub owner Charley Halper on The Danny Thomas Show.

Trivia: Educated at Catholic University, American actress Pat Carroll trained for a career in musical comedy. From her 1950 off-Broadway debut in Come What May onward, the blonde, full-figured comedienne seldom lacked work. A busy television actress in the 1950s, Carroll won a 1956 Emmy for her work on Caesar's Hour. After starring in a 1959 Broadway revival of On the Town, Carroll settled in for a three-season run (1961-64) as Bunny Halper, wife of nightclub manager Charlie Halper (Sid Melton), on The Danny Thomas Show. The episode wherein Bunny has a baby garnered some of Danny Thomas' biggest ratings, encouraging the producers to develop a spin-off series for Carroll and Melton; this never materialized, nor did Carroll provide the voice of Jane Jetson on the cartoon series The Jetsons, as had been announced by Hanna-Barbera. Since the 1964 cancellation of Danny Thomas, Carroll has been a regular on such series as Getting Together (1971), Bustin' Loose (1977), The Ted Knight Show (1978) and She's the Sheriff (1986). During the last decade, Pat Carroll starred in the one-woman stage show Gertrude Stein, Gertrude Stein, and provided the speaking and singing voice of flamboyant sea-witch Ursula in Disney's 1989 animated feature The Little Mermaid.