Trivia: Anyone who watched the old TV sitcom Make Room for Daddy will remember that it was produced by a company called Marterto. This corporate name was an amalgam of the names of Danny Thomas' children: Margaret, Terry, and Tony. By 1959, Margaret Thomas had undergone a little cosmetic surgery, changed her name to Marlo Thomas, and launched an acting career on stage and TV. After guest starring in dozens of programs, she starred in her own series, That Girl, in which she played an aspiring actress with a benevolent despot of a father (where did that concept come from?). That Girl ran from 1966 through 1970, after which Thomas concentrated on Broadway appearances and occasional films like Thieves (1971). Extremely active in social and political causes during the next two decades, Thomas nonetheless found time to star in several made-for-TV movies and also co-produce the Emmy-winning children's TV special Free to Be...You and Me. She won additional Emmys for producing the 1988 follow-up Free to Be...a Family; for hosting the 1980 special The Body Human: Facts for Girls; and for her outstanding dramatic performance as an institutionalized mental patient in the TV film Nobody's Child (1986). Long a marital holdout, Marlo Thomas closed out the 1970s by walking down the aisle with talk-show host Phil Donahue. She continued to appear intermittently on the big and small screens over the next thirty years on a variety of projects including Consenting Adults, Reunion, Friends, Deuce Bigelow: Male Gigolo, Ally McBeal, In the Woods, and LOL.

Trivia: After five years of playing uptight Donald Hollinger, the boyfriend of Marlo Thomas in her groundbreaking proto-feminist sitcom That Girl for five years, Ted Bessell as an actor was hopelessly typecast as the perennial second fiddle. This was a shame for despite the bland image he projected on the show, he was a vital, creative, talented, and passionate man who excelled at painting, music, directing, and acting. A native of Flushing, NY, Bessell was a piano prodigy and at age 12 performed a recital at Carnegie Hall. By the time he graduated from college in 1958, he had decided to become an actor and launched his career in 1961, playing an elevator operator in the feature film Lover Come Back. The following year he was cast as a college student on the series It's a Man's World. The series only lasted a season and Bessell went on to become a semi-regular on Gomer Pyle, U.S.M.C. in 1966, the year That Girl went into production. Though the role of Donald made Bessell a television star, the actor stated that the role "took away the heart of me." During its run, he also played small roles in a few feature films, including Don't Drink the Water (1969). Following the end of the series, Bessell starred opposite a chimpanzee in the short-lived Me and the Chimp (1972) in which he played an uptight dentist/father of two forced to contend with the tame ape his children found abandoned in a park one day. The '70s were a slow time for him -- but for a few memorable appearances as the boyfriend of Mary Tyler Moore on her proto-feminist sitcom -- and he only appeared in a couple of films. The '80s continued in a similar vein, but included two unsuccessful attempts at TV sitcoms: Good Time Harry (1980) and Hail to the Chief (1985) in which he played Patty Duke's husband. By the late '80s, Bessell had largely abandoned acting and become a television director. In 1989, he shared an Emmy for directing an episode of Fox television's Tracey Ullman. In early October 1996, Bessell had just reunited with Marlo Thomas to present at the Emmys and was discussing a That Girl reunion movie with her. He was also busy preparing to direct a feature-film version of the '60s sitcom Bewitched (produced by himself and Penny Marshall through their jointly owned Parkway Productions, which they established in 1991) when he was felled by a fatal aortal aneurysm.

Trivia: From her earliest stage work onward, American actress Rosemary DeCamp played character roles that belied her youth and fresh-scrubbed attractiveness. On radio, DeCamp developed the vocal timbre that enabled her to portray a rich variety (and age-range) of characters. A peripheral performer on One Man's Family at 21, DeCamp showed up on several radio soap operas and anthologies before settling into the role of secretary Judy Price on the Dr. Christian series in 1937. DeCamp made her film bow in Cheers for Miss Bishop (1941), in which she and most of the cast were required to "age" several decades. With The Jungle Book (1941), the actress played the first of her many mother roles. The most famous examples of DeCamp's specialized film work are Yankee Doodle Dandy (1942), in which she was the Irish-American mother of George M. Cohan (James Cagney, who was 14 years her senior), and Rhapsody in Blue (1945), in which she played George Gershwin's Jewish mother (Gershwin was impersonated by Robert Alda, who was one year younger than DeCamp). Even when playing a character close to her own age, such as the Red Cross worker in Pride of the Marines (1945), DeCamp's interest in the leading man (in this case the same-aged John Garfield) was strictly maternal. On television, DeCamp was Peg Riley to Jackie Gleason's Chester A. Riley on the original 1949 run of The Life of Riley. She also played rakish Bob Cummings' levelheaded sister Margaret in Love That Bob (1955-59), and later was seen as Marlo Thomas' mother on That Girl (1966-70). In 1965, Rosemary subbed for her old friend Ronald Reagan as host on Death Valley Days; FCC rules of the time compelled the removal of Reagan's scenes when the show was telecast in California, where he was running for governor. Upon Reagan's election, Robert Taylor took over as host, but DeCamp was installed as permanent commercial spokesperson for 20 Mule Team Borax. Semi-retired for several years, DeCamp reemerged in 1981 for a "de-campy" cameo part in the horror spoof Saturday the 14th.

Trivia: Coleman attended a Virginia military school before studying law and serving in the army. While attending the University of Texas, Coleman became attracted to acting, and headed to New York, where he studied at the Neighborhood Playhouse. After stage experience and TV work, Coleman made his movie debut in 1965's The Slender Thread. Minus his trademarked mustache for the most part in the mid-1960s, Coleman specialized in secondary character roles. He began to branch into comedy during his supporting stint as obstetrician Leon Bessemer on the Marlo Thomas sitcom That Girl, but his most memorable role would come in 1980 as the nasty, chauvinistic boss in 9 to 5. He would go on to appear in other films, like On Golden Pond [1981], The Beverly Hillbillies [1993], You've Got Mail [1998], and Moonlight Mile, but the actor found more success in television, appearing on a few cult hits that were tragically cancelled, like Drexell's Class and Madman of the People, as well as The Guardian, Courting Alex, Heartland, and Boardwalk Empire.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: The titles of his popular record albums "Weird Behavior" and "Class Clown" sum up the childhood deportment of American comedian George Carlin. He tried to fit into the mainstream, but school was too confining. Carlin dropped out of high school to join the Air Force as a radar mechanic, and while stationed in Shreveport, Louisiana, the 17-year-old Carlin was given a shift as a deejay on a local radio station. At 18, Carlin teamed with the station's newsman Jack Burns and hit the nightclub circuit with a comedy act. Things didn't congeal, and soon both performers went their separate ways (Burns would later team more successfully with Avery Schreiber, then go on to become an influential comedy writer and producer). In the mid 1960s, Carlin began building a following with appearances on variety programs, delivering soon-to-be classic routines about Indian war parties ("You wit' the beads...get outta line"), crack-brained deejays ("Wonderful WINO....") and Al Sleet, the Hippie-Dippie weather man. This fresh burst of celebrity led to Carlin's being hired as a regular on Away We Go, the 1967 summer replacement for The Jackie Gleason Show. Carlin remained popular, but grew tired of pulling out the same routines in show after show; he also rebelled against the conservatism of his physical appearance. Before the 1960s had become the 1970s, Carlin had lost several TV jobs by dressing hippie-style, replete with beard and earrings. But changing public tastes made such eccentricity salable again, and soon Carlin was hot again. One of his more popular routines was one that he couldn't deliver on the air: "The Seven Words You Can't Use On Television." This more than any other piece of material would both deify Carlin with his fans and vilify him with the conservative element: an FM radio station nearly lost its license for playing the "Seven Words" routine, while Carlin himself was arrested during a Milwaukee appearance for violating obscenity laws. This served to solidify Carlin's link with the down-with-everything youth culture of the era, which may be why the comedian was the first guest on the doggedly anti-establishment Saturday Night Live. Carlin's performances became renowned for their unpredictability in the 1970s and early 1980s; sometimes he'd stalk off in the middle of the act if the laughs weren't there, other times he'd verbally abuse the audience, and still other times he wouldn't show up at all. By the mid 1980s, he had cleaned up his personal act (if not his public one); he landed and sustained the surprising assignment of narrating a children's series (the British animated program Thomas and Friends); appeared in a supporting capacity in the 1987 Arthur Hiller female buddy comedy Outrageous Fortune!; and in 1989 became something of a teen idol thanks to his appearances as mentor-from-the-future Rufus in the lowbrow but profitable Bill and Ted movies. He also catered to audiences of a much different demographic, with a fine supporting role in Barbra Streisand's The Prince of Tides (1991). With nearly three decades of lofty career heights and equally precipitous lows behind him, Carlin then signed to star in a weekly sitcom for the Fox Network in 1993, in which he played a cab driver named George - and within a few weeks was up to his old tricks by weaving a heavily bleeped variation of those "Seven Words" into one of the plotlines. The George Carlin Show debuted in January of 1994, but failed to connect with audiences and folded after a single season. This only marked the beginning of a career resurgence for Carlin, however - one that witnessed him maintaining a busier schedule than ever before over the decade and a half that followed. He cropped up in numerous additional features - including the gag-a-minute farce Scary Movie 3 (2003) and the Pixar/Disney CG-animated family film Cars (2006) (in which he voiced one of the titular automobiles); he also headlined numerous stand-up specials for HBO and continued to tour up through the time of his death. Carlin died of heart failure in June 2008 at the age of 71, about a year after issuing three new stand-up recordings back-to-back: Brain Droppings, Napalm and Silly Putty, and More Napalm and Silly Putty.

Trivia: Though most of Ruth Buzzi's official biographies list her birthplace as Westerly, RI, she herself was fond of claiming that she was born in Wequetequock, CT, perhaps because it sounded funnier. Whatever the case, Buzzi was the daughter of an immigrant Italian stone sculptor who specialized in cemetery monuments. After attending dancing school, 17-year-old Buzzi studied for an acting career at the Pasadena Playhouse. A well-established West Coast character actress by 1959, Buzzi came to Broadway to appear in the short-lived revue Misguided Tour; it was here that she created the first of her many memorable "alter egos," half-witted magician's assistant Shakuntula. It was while playing the woebegone Agnes Gooch in a 1961 stock-company production of Auntie Mame that Buzzi developed the character that would reach full maturity as the whining schlumper Gladys Ormphby. In 1965, she joined the cast of the CBS TV variety series The Entertainers, and that same year provided the voice of Granny Goodwich on the Linus the Lionhearted cartoon weekly. She went to make recurring appearances on That Girl and the 1967 Steve Allen Comedy Hour; and in January of 1968, she began a seven-year hitch on the immensely popular Rowan and Martin's Laugh-In. Together with Laugh-In co-star Arte Johnson, Buzzi provided the voice for her cartoon likeness in the 1977 Saturday morning animated series Baggy Pants and the Nitwits. Under the aegis of Sid and Marty Krofft, Buzzi starred on the weekend kiddie shows Far Out Space Nuts (1975) and The Krofft Supershow (1976). On the big screen, Ruth Buzzi has been seen in such Disney fare as Freaky Friday (1977), The North Avenue Irregulars (1978), and The Apple Dumpling Gang Rides Again (1979).