Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: Actor Fred Grandy enjoyed two distinct careers -- an initial career as an actor and a proverbial second wind on the political stage. As a thespian, Grandy signed for guest spots on early-'70s series including Maude and Phyllis, but built his reputation via his nine-season portrayal of Yeoman-Purser Burl "Gopher" Smith, right-hand man to Captain Merrill Stubing (Gavin MacLeod), on the popular television sitcom The Love Boat (1977-1986). He proved popular with audiences, but by the mid-'80s reportedly grew tired of acting and gravitated to the political arena because he found it more challenging. Indeed, in 1986 -- the year of Boat's cancelation -- Grandy was elected as a Republican member of the House of Representatives from Iowa.

Trivia: For millions of Americans, the prime-time situation comedy The Love Boat will be forever inseparable from the image of Ted Lange, an actor cast for nine seasons as the genial Isaac the Bartender on the Pacific Princess luxury liner and trademarked by his iconic "two-finger drop" greeting. Yet Lange's portrayal of Isaac scarcely hinted at the actor's dexterity or dramatic range. In truth, this actor received classical dramatic training at London's Royal Academy of Dramatic Arts, and would go on, after the Princess took its final voyage in September 1986, to establish himself as a revered creative force in regional theater.Lange initially broke into films with many portrayals in Hollywood programmers during the early '70s, including Trick Baby (1972), Blade (1972), and Black Belt Jones (1974), and landed a regular role in the one-season ethnic sitcom That's My Mama (1974), as a streetwise philosopher opposite Clifton Davis (Amen) and Theresa Merritt. The Love Boat, of course, brought Lange his most widespread recognition; nonetheless (as indicated), he hearkened back to his theatrical roots beginning in the late '80s and divided his time between writing, directing, and stage acting roles. His resumé as a scribe sports at least 17 original plays including Lemon Meringue Facade, Behind the Mask -- An Evening with Paul Laurence Dunbar, and Evil Legacy -- The Story of Lucretia Borgia, while he has appeared dramatically in productions including Hair and Taming of the Shrew and has directed plays ranging from Othello to the rock & roll musical Born a Unicorn.

Trivia: From his late teens to his late 20s, Ralph Bellamy worked with 15 different traveling stock companies, not just as an actor but also as a director, producer, set designer, and prop handler. In 1927 he started his own company, the Ralph Bellamy Players. He debuted on Broadway in 1929, then broke into films in 1931. He went on to play leads in dozens of B-movies; he also played the title role in the "Ellery Queen" series. For his work in The Awful Truth (1937) he received an Oscar nomination, playing the "other man" who loses the girl to the hero; he was soon typecast in this sort of role in sophisticated comedies. After 1945 his film work was highly sporadic as he changed his focus to the stage, going on to play leads in many Broadway productions; for his portrayal of FDR in Sunrise at Campobello (1958) he won a Tony Award and the New York Drama Critics Award. From 1940-60 he served on the State of California Arts Commission. From 1952-64 he was the president of Actors' Equity. In 1986 he was awarded an honorary Oscar "for his unique artistry and his distinguished service to the profession of acting." He authored an autobiography, When the Smoke Hits the Fan (1979).

Trivia: American actress Dorothy McGuire made her stage debut at age 13 in A Kiss For Cinderella in her home town of Omaha, opposite fellow aspiring actor and Omaha native Henry Fonda. McGuire went to Broadway in 1938 to understudy Martha Scott in the role of Emily Webb in Our Town, eventually taking over the part; she also underwent an ingenue's ordeal by fire, acting opposite the dissipated John Barrymore in My Dear Children. Claudia, produced in 1941, was Dorothy's first starring stage vehicle. On the strength of this play, she was put under contract by film producer David O. Selznick, whose first move was to lend the actress out to 20th Century-Fox to recreate her role as the immature newlywed in the 1943 filmization of Claudia. So popular was this film that a followup was made three years later, again starring McGuire, titled Claudia and David (1946). In the meantime she had played a far more mature role as the beleagured wife of alcoholic James Dunn in A Tree Grows in Brooklyn (1945), then finally made a film for Selznick, portraying an imperiled mute girl in The Spiral Staircase (1946). Always a star and never a starlet, McGuire refused to pose for cheesecake stills, turned down attempts to publicize her private life, and vetoed wearing makeup for her role as an extremely homely woman in The Enchanted Cottage (1945), opting (wisely) to convey the homeliness through facial expressions and lighting. The actress was nominated for an Academy Award for her role as Gregory Peck's fiancee in Gentleman's Agreement (1947), but Oscars went instead to supporting actress Celeste Holm and to the picture itself. Alone among actresses her age, McGuire was able to fluctuate from romantic leads in such films as Three Coins in the Fountain (1954) to character parts in films like Friendly Persuasion (1956), relying neither on actor's affectations in the younger roles nor age makeup in the older ones. At age 46, she was still able to successfully portray the Virgin Mary in The Greatest Story Ever Told (1965). Living reclusively with her wealthy husband John Swope, McGuire chose her roles slowly and carefully in the latter part of her career, making quality appearances in such made-for-TV dramas as Rich Man Poor Man (1976) and Little Women (1979).

Trivia: A veritable mainstay on mid-'70s U.S. television, Renaissance performer Charo (née María Rosario Pilar Martínez Molina Baeza) began life in Murcia, Spain, in 1951 and commenced her foray into show business by learning the guitar at the hands of the legendary Latin jazz maestro Andrés Segovia. Her success in that sphere yielded a lucrative recording contract in Europe and a movie role in the feature Don Juan Tenerio. Her career further expanded when she met, fell in love with, and married the famed bandleader Xavier Cugat -- a man over 50 years her senior. In seemingly no time, Charo joined Cugat's stage act as a dancer, and the ensemble hit nightspots across the U.S. including Caesar's Palace, The Tropicana, and The Flamingo. Charo earned the nickname "The Cuchi-Cuchi Girl" for her trademark exclamation "Cuchi! Cuchi!" By the 1970s, Charo's reputation caught fire and she turned up as a small-screen regular on The Tonight Show Starring Johnny Carson (reportedly sitting on his guest couch in excess of 45 times), and on the prime-time situation comedy The Love Boat (1977-1986). Though Boat's producers never officially tapped Charo as a regular cast member, she set a record number of guest spots on that program, and expanded her acting resumé with work on such features as Airport '79: Concorde (1979), Moon Over Parador (1988), and Thumbelina (1994); she also participated in season three of MTV's The Surreal Life (2004), alongside Flavor Flav, Dave Coulier, and others. Charo temporarily retired from touring as a musical act when her son, Shel, reached the age of five. She divorced Cugat in 1978 and married her second husband, Swedish Kjell Rasten, that same year.

Trivia: Fresh from the Marquette University drama department, Charles Siebert continued his theatrical studies at the London Academy of Music and Dramatic Arts. Upon his graduation, Siebert and his wife had become so enchanted with England that he attempted to extend his visa by claiming that he'd gotten a job as a jazz-dancing teacher--a ruse that worked for a full year before he was found out. Following his professional debut in a Morristown, New Jersey production of Oedipus Rex, Siebert sought out work on Broadway, paying the rent by appearing in such TV daytime dramas as Search for Tomorrow and As the World Turns, and accepting roles in what Siebert would later describe as "The God Shows:" Sunday-morning religious anthologies like Lamp Unto My Feet, Look Up and Live and The Eternal Light. In the late 1960s, he bemusedly found himself the subject of media attention when he appeared in the play The Changing Room, which featured one of Broadway's first all-male nude scenes. Moving to Hollywood in 1976, Siebert quickly became a member in good standing of producer Norman Lear's talent pool, guesting on such series as All in the Family and Maude and appearing regularly as Mr. Davenport on One Day at a Time. While he has appeared in a number of films and had recurring roles on several weekly series, Charles Siebert is best known for his work as ivy-league doctor Stanley Riverside II on the TV medical drama Trapper John MD (1979-1986).

Trivia: Born in Arkansas and raised in Memphis and Chicago, American actor Ben Murphy worked his way through college by driving a pie truck. Eventually he'd attend eight colleges, from the University of Illinois to the University of the Americas in Mexico City, where by his own admission his sole interests were acting and womanizing. A stint at the Pasadena Playhouse led to Murphy's first film role, a one line bit in The Graduate (1967). He was signed to a Universal contract in 1967, appearing in several of the studios' series, including as a semiregular hitch on The Name of the Game. When a midseason cancellation on ABC in 1970 required Universal to come up with a quickie replacement, the studio slapped together a derivation of Butch Cassidy and the Sundance Kid titled Alias Smith and Jones, with Ben Murphy and Pete Deuel in the leads. Much was made at the time of Murphy's resemblance to Paul Newman (one of the stars of Butch Cassidy), though everyone involved with Alias Smith and Jones pooh-poohed the idea that Murphy's looks alone won him the part. After Smith and Jones left the air, Murphy tried his luck with feature films, with results ranging from the tolerable to the tepid: Heat Wave (1974), Sidecar Racers (1975) and Time Walker (1982) were typical titles in the Murphy manifest. He periodically returned to television, where work was more satisfying if not more secure. Ben Murphy was a regular on a whole slew of short-lived TV weeklies, including Griff (1973), The Gemini Man (1976) (for which Murphy dropped several pounds and, it is said, his highly abrasive attitude), The Chisholms (1979), The Winds of War (1983), Lottery$ (1984), Berrenger's (1985), and Dirty Dozen: The Series (1988).

Trivia: Jill Whelan enjoyed an acting career as a child star, with a seven-season (1979-1986) portrayal of Vicki, Captain Merrill Stubing's young daughter, on the prime-time ABC situation comedy The Love Boat. After the series wrapped in 1986, Whelan returned for a number of Love Boat telemovies, acted in regional theater, and played a regular role on the daytime soap opera The Young and the Restless. Astute movie buffs may remember Whelan for a brief but memorable big-screen contribution that happened during her Love Boat tenure: she also portrayed Lisa Davis, the ailing child sent into convulsions when a singing nun knocks out her I.V., in the Zucker-Abrams-Zucker farce Airplane! (1980).

Trivia: Dividing his time more or less equally between big- and small-screen work, actor Ted McGinley enjoyed a considerably successful tenure as a character player, almost always appearing as beefcake heartthrob types. He began his career in the early '80s, with small roles in Garry Marshall's satirical farce Young Doctors in Love (1982) and the lurid Joan Collins telemovie Making of a Male Model (1983), but achieved his first significant break in the sitcom venue, as English teacher-cum-basketball coach Roger Phillips on the final four seasons of Happy Days (1980-1984). Fortuitously, at about the same time that Days folded, the producers of The Love Boat (on the same network, ABC) tapped McGinley to play photographer Ace Evans -- a last-ditch attempt to save the program from sagging ratings. The strategy ultimately failed when Boat ended its lengthy run in 1986, but in the meantime, McGinley landed what became a recurring role as jock Stan in the first three installments of Revenge of the Nerds. Eventually, McGinley also joined the cast of the long-running Married...With Children from 1991 through 1997, playing chauvinistic layabout Jefferson D'Arcy (second husband of the Bundys' neighbor Marcy Rhoades), and essayed roles in theatrical films including Physical Evidence (1989), Wayne's World 2 (1993), and Dick (1999). The late '90s and 2000s found McGinley evincing a heightened presence in television once again, first on Aaron Sorkin's critically worshipped yet short-lived seriocomedy Sports Night (1998-1999), then as Charley Shanowski on the sitcom Hope & Faith (2003-2006). In 2008 he competed in the reality program Dancing With the Stars, and in 2010 he appeared in the lighthearted, family-friendly Christmas with a Capital C. He would reach pop-culture immortality when the website Jumping the Shark named him as one of the signs that a TV show has run out of ideas.

Trivia: An amiable American character actor with Midwest sensibilities, Gordon Jump spent most of his career appearing on television. A native of Centerville, OH, he got his start on the radio at station WIBW, Topeka following studies in broadcasting and communication at Kansas State University. While at the station, Jump wore many hats, including the hat of WIB the Clown, the host of a local children's show. He later worked on radio in Ohio until 1963 when he decided to move to Hollywood to launch an acting career. Through the '60s and '70s, he appeared on numerous series including Green Acres. In 1978, Gordon Jump was selected to play sweet-natured, slightly befuddled radio station manager Arthur Carlson on the classic sitcom WKRP in Cincinnati. When the series ended in the early '80s, Jump returned to making guest appearances on other shows. Between 1991 and 1993, he reprised his role of Carlson on The New WKRP in Cincinnati. In 1997, Jump found steady work playing the "Lonely Repairman" in TV commercials for Maytag appliances. In addition to television, Jump also made occasional film appearances.

Trivia: Actress Pat Klous began her career in the 1970s as a Manhattan-area model, and graduated to dramatics when tapped by CBS to star opposite fellow neophytes Connie Sellecca and Kathryn Witt in the prime-time adventure drama Flying High (1978-1979). The series told of three young women and their exploits stewardessing for the apocryphal Sunwest Airlines. It failed to take off, however, and folded about four months after it initially debuted. Ironically (or perhaps not so, given the networks' tendencies to emulate one another), the program bore more than a passing resemblance to The Love Boat, which had scored major ratings when it debuted a season prior on ABC -- so it seemed wholly fitting that Boat's producers tapped Klous to star in their thematically similar sitcom Aloha Paradise (1981) and then, a few years later, to replace Love Boat stalwart Lauren Tewes when Tewes was dropped from that program amid a serious cocaine addiction. On The Love Boat, Klous portrayed Cruise Director Judy McCoy. She remained with the program from 1984 until it folded in 1986, then did occasional television work thereafter.