Trivia: Best known as the rumpled television detective Columbo, character actor Peter Falk also enjoyed a successful film career, often in association with the groundbreaking independent filmmaker John Cassavetes. Born September 16, 1927, in New York City, Falk lost an eye at the age of three, resulting in the odd, squinting gaze which later became his trademark. He initially pursued a career in public administration, serving as an efficiency expert with the Connecticut Budget Bureau, but in the early '50s, boredom with his work sparked an interest in acting. By 1955, Falk had turned professional, and an appearance in a New York production of The Iceman Cometh earned him much attention. He soon graduated to Broadway and in 1958 made his feature debut in the Nicholas Ray/Budd Schulberg drama Wind Across the Everglades.A diminutive, stocky, and unkempt presence, Falk's early screen roles often portrayed him as a blue-collar type or as a thug; it was as the latter in 1960's Murder Inc. that he earned a Best Supporting Actor Oscar nomination, a major career boost. He was nominated in the same category the following year as well, this time as a sarcastic bodyguard in Frank Capra's Pocketful of Miracles. In 1962, Falk won an Emmy for his work in the television film The Price of Tomatoes, a presentation of the Dick Powell Theater series. The steady stream of accolades made him a hot property, and he next starred in the 1962 feature Pressure Point. A cameo in Stanley Kramer's 1963 smash It's a Mad, Mad, Mad, Mad World preceded Falk's appearance in the Rat Pack outing Robin and the Seven Hoods, but the film stardom many predicted for him always seemed just out of reach, despite lead roles in 1965's The Great Race and 1967's Luv.In 1968, Falk first assumed the role of Columbo, the disheveled police lieutenant whose seemingly slow and inept investigative manner masked a steel-trap mind; debuting in the TV movie Prescription: Murder, the character was an immediate hit, and after a second telefilm, Ransom for a Dead Man, a regular Columbo series premiered as part of the revolving NBC Mystery Movie anthology in the fall of 1971, running for seven years and earning Falk a second Emmy in the process. In the meantime, he also continued his film career, most notably with Cassavetes; in 1970, Falk starred in the director's Husbands, and in 1974 they reunited for the brilliant A Woman Under the Influence. In between the two pictures, Falk also returned to Broadway, where he won a Tony award for his performance in the 1972 Neil Simon comedy The Prisoner of Second Avenue. In 1976, Cassavetes joined him in front of the camera to co-star in Elaine May's Mikey and Nicky, and directed him again in 1977's Opening Night.After Columbo ceased production in 1978, Falk starred in the Simon-penned mystery spoof The Cheap Detective, followed by the William Friedkin caper comedy The Brink's Job (1978). After 1979's The In-Laws, he starred two years later in ...All the Marbles, but was then virtually absent from the screen for the next half decade. Cassavetes' 1986 effort Big Trouble brought Falk back to the screen (albeit on a poor note; Cassavetes later practically disowned the embarrassing film) and and in 1987 he starred in Happy New Year along with the Rob Reiner cult favorite The Princess Bride. An appearance as himself in Wim Wenders' masterful Wings of Desire in 1988 preceded his 1989 resumption of the Columbo character for another regular series; the program was to remain Falk's focus well into the next decade, with only a handful of film appearances in pictures including 1990's Tune in Tomorrow and a cameo in Robert Altman's The Player. After the cancellation of Columbo, he next turned up in Wenders' Desire sequel Far Away, So Close before starring in the 1995 comedy Roommates. Falk continued to work in both film and television for the next decade and a half, starring in various Columbo specials through 2003, appearing with Woody Allen in the made-for-TV The Sunshine Boys in 1997, and playing a bar owner caught up in mafia dealings in 1999's The Money Kings. Other projects included the Adam Sandler-produced gangster comedy Corky Romano (2001), the Dreamworks animated family film A Shark Tale (as the voice of Ira Feinberg), and the Paul Reiser-scripted, Raymond de Felitta-directed comedy-drama The Thing About My Folks (2005). In 2007, Falk starred opposite Nicolas Cage and Julianne Moore in Lee Tamahori's sci-fi thriller Next. That same year, Falk announced to the public that he had Alzheimer's disease. He died in June 2011 at age 83.

Trivia: Born in Missouri, entertainer Dick Van Dyke was raised in Danville, Illinois, where repeated viewings of Laurel & Hardy comedies at his local movie palace inspired him to go into show business. Active in high school and community plays in his teens, Van Dyke briefly put his theatrical aspirations aside upon reaching college age. He toyed with the idea of becoming a Presbyterian minister; then, after serving in the Air Force during World War II, opened up a Danville advertising agency. When this venture failed, it was back to show biz, first as a radio announcer for local station WDAN, and later as half of a record-pantomime act called The Merry Mutes (the other half was a fellow named Philip Erickson). While hosting a TV morning show in New Orleans, Van Dyke was signed to a contract by the CBS network. He spent most of his time subbing for other CBS personalities and emceeing such forgotten endeavors as Cartoon Theatre. After making his acting debut as a hayseed baseball player on The Phil Silvers Show, Van Dyke left CBS to free-lance. He hosted a few TV game shows before his career breakthrough as co-star of the 1959 Broadway review The Girls Against the Boys. The following year, he starred in the musical comedy Bye Bye Birdie, winning a Tony Award for his portrayal of mother-dominated songwriter Albert Peterson (it would be his last Broadway show until the short-lived 1980 revival of The Music Man). In 1961, he was cast as comedy writer Rob Petrie on The Dick Van Dyke Show, which after a shaky start lasted five seasons and earned its star three Emmies.He made his movie bow in the 1963 filmization of Bye Bye Birdie, then entered into a flexible arrangement with Walt Disney Studios. His best known films from that era include Mary Poppins (1964), Lt. Robin Crusoe, USN and The Comic, in which he played an amalgam of several self-destructive silent movie comedians. His TV specials remained popular in the ratings, and it was this fact that led to the debut of The New Dick Van Dyke Show in 1971. Despite the creative input of the earlier Dick Van Dyke Show's maven Carl Reiner, the later series never caught on, and petered out after three seasons. A chronic "people pleaser," Van Dyke was loath to display anger or frustration around his co-workers or fans, so he began taking solace in liquor; by 1972, he had become a full-fledged alcoholic. Rather than lie to his admirers or himself any longer, he underwent treatment and publicly admitted his alcoholism -- one of the first major TV stars ever to do so. Van Dyke's public confession did little to hurt his "nice guy" public image, and, now fully and permanently sober, he continued to be sought out for guest-star assignments and talk shows. In 1974, he starred in the TV movie The Morning After, playing an ad executive who destroys his reputation, his marriage and his life thanks to booze. After that Van Dyke, further proved his versatility when he began accepting villainous roles, ranging from a cold-blooded wife murderer in a 1975 Columbo episode to the corrupt district attorney in the 1990 film Dick Tracy. He also made several stabs at returning to weekly television, none of which panned out--until 1993, when he starred as Dr. Mark Sloan in the popular mystery series Diagnosis Murder. He made a few more movie appearances after Diagnosis Murder came to an end, most notably as a retired security guard in the hit family film Night at the Museum. As gifted at writing and illustrating as he is at singing, dancing and clowning, Van Dyke has penned two books, Faith, Hope and Hilarity and Those Funny Kids. From 1992 to 1994, he served as chairman of the Nickelodeon cable service, which was then sweeping the ratings by running Dick Van Dyke Show reruns in prime time. Van Dyke is the brother of award-winning TV personality Jerry Van Dyke, and the father of actor Barry Van Dyke.

Trivia: Character actor Don Gordon was well into middle age when he made the transition from stage and TV to films. Gordon was most generally cast as a cop, though he also effectively portrayed gangland henchmen. His film credits included such gutsy fare as Bullitt (1968), Fuzz (1971), The Towering Inferno (1974), Lethal Weapon (1987) and Die Hard (1988). On television, he played Lt. Hank Bertelli on The Blue Angels (1960), Prentiss on Lucan (1977), and Harry on The Contender (1980). Gordon died in 2017, at age 90.

Trivia: Broadway star, onscreen in character roles from Detective Story (1952).

Trivia: Dialect comedians may not be politically acceptable these days, but American comic actor Larry Storch has never lacked work all the same. A product of the New York ethnic "melting pot," Storch amused his childhood friends (including lifelong chum Don Adams) with his dead-on impressions of the many Italians, Hispanics, Germans and Jews in his neighborhood. He advanced his skills for mimicry by virtually living in the local movie houses, memorizing the speech patterns of such character actors as Victor McLaglen, Guy Kibbee and Charley Grapewin. One of his first jobs after World War II navy service was as a writer on The Kraft Music Hall, where he was frequently required to substitute for the star, blustery actor Frank Morgan; years later, he revived his Morgan impression as Chumley on the cartoon series Tennessee Tuxedo (in which his old pal Don Adams voiced the title character). In 1951 Storch appeared in the Chicago revue Red White and Blue, which led to a stint as summer replacement for Jackie Gleason on the Dumont TV series Cavalcade of Stars. Storch's most common stamping grounds in the '50s was the nightclub stage; at one point he even ran his own club. Storch made his film bow in The Prince who was a Thief (51) which starred a friend from his Navy days, Tony Curtis. When Storch's career was on the wane in the early '60s, Curtis cast him in several of his vehicles of that period, including Who was That Lady (1960), wherein Storch recreated his Broadway role as an emotional Russian spy. After a semi-recurring role as Charlie the Drunk (who became besotted simply by talking about drinking) on the early '60s sitcom Car 54, Where are You?, Storch was cast as Corporal Agarn, comic sidekick of conniving cavalry sergeant O'Rourke (Forrest Tucker) on the western comedy weekly F Troop (1965-66). In addition to Agarn, Storch was permitted to play various foreign branches of the Agarn family, with appropriate broad accents. Since the cancellation of F Troop in 1966, Larry Storch has been a regular on The Queen and I (1969) and The Ghost Busters (1976), has worked periodically in films, and has appeared with great frequency in clubs (still doing "characterization" routines rather than one-liners) and on stage. In 1991, Larry Storch garnered excellent notices for his brief character turn in the off-Broadway play Breaking Legs.

Trivia: Memorably portraying gruff authority figures in such features as Beverly Hills Cop (1984) and King Kong Lives (1986), longtime character actor John Ashton possesses just the sort of rough-around-the-edges, grating quality that viewers love to hate. A native of Springfield, MA, who graduated from the University of Southern California School of Theater, Ashton got his start onscreen with a supporting role in the 1973 thriller The Psychopath, a role that served to define his future career path in cinematic law enforcement. Small-screen roles in Kojak and Police Story only served to reinforce this path, and in 1978 Ashton became a familiar face to television viewers when he joined the cast of the prime-time hit Dallas. Continuing to alternate between television and film into the following decade, the 1980s proved a lucrative period for Ashton as roles in Honky Tonk Freeway (1981), The Adventures of Buckaroo Banzai (1984), Beverly Hills Cop (as well as its sequel), and Midnight Run (1988) found him toying with his haggard image to the amusement of movie lovers worldwide. Though not as prominent onscreen in the 1990s, Ashton averaged about two films a year with roles in The Tommyknockers (1993), Trapped in Paradise (1994), and Meet the Deedles (1998), culminating with an impressive performance as the eponymous character in the 2001 thriller Bill's Gun Shop, which proved once and for all that his edge was still very much intact. His performance was so impressive, in fact, that he was subsequently cast in the lead of the 2002 drama Sweet Deadly Dreams.

Trivia: American character actor Vito Scotti may not be the living legend as described by his publicity packet, but he has certainly been one of the most familiar faces to bob up on small and large screens in the last five decades. Scotti's father was a vaudeville impresario, and his mother an opera singer; in fact, he was born while his mother was making a personal appearance in San Francisco. Launching his own career at seven with an Italian-language commedia del arte troupe in New York, Scotti picked up enough improvisational knowhow to develop a nightclub act. When the once-flourishing Italian theatre circuit began to fade after World War II, Scotti began auditioning for every job that came up -- whether he could do the job or not. Without his trademarked mustache, the diminuitive actor looked like a juvenile well into his thirties, and as such was cast in a supporting role as a timorous East Indian on the "Gunga Ram" segment of the '50s TV kiddie series Andy's Gang. Once the producers discovered that Scotti had mastered several foreign dialects, he was allowed to appear as a comic foil to Andy's Gang's resident puppet Froggy the Gremlin. In nighttime television, Scotti played everything from a murderous bank robber (on Steve Canyon) to a misplaced Japanese sub commander (on Gilligan's Island). He was indispensable to TV sitcoms: Scotti starred during the 1954 season of Life with Luigi (replacing J. Carroll Naish), then appeared as gesticulating Latin types in a score of comedy programs, notably The Dick Van Dyke Show (as eccentric Italian housepainter Vito Giotto) and The Flying Nun (as ever-suspicious Puerto Rican police captain Gaspar Fomento). In theatrical films, Scotti's appearances were brief but memorable. he is always greeted with appreciative audience laughter for his tiny bit as a restauranteur in The Godfather (1972); while in How Sweet it Is (1968) he is hilarious as a moonstruck chef, so overcome by the sight of bikini-clad Debbie Reynolds that he begins kissing her navel! Vito Scotti was still essaying dialect parts into the '90s.

Trivia: American actor Bill Zuckert's long career included appearances on stage, screen, radio, and television. He made his acting debut on radio in 1941. During the 1970s, he made frequent television appearances on programs ranging from Dynasty to The Mary Tyler Moore Show to Little House on the Prairie. Zuckert made his last appearance in two films of 1994, Ace Ventura, Pet Detective and Naked Gun 33 1/3: The Final Insult. Zuckert was an active member of the Screen Actors Guild and the American Federation of Television and Radio Artists. For the latter, he played a key role in developing a new member program. Zuckert also launched the practice of holding casting showcases for members of both guilds. Zuckert died of pneumonia in Woodland Hills, CA, at age 76.

Trivia: Supporting actress Irene Tedrow spent most of her 60-year career on stage, but she also had considerable experience in feature films and on television. Slender and possessing an austere beauty, Tedrow was well suited for the rather prim and moral characters she most often played. After establishing herself on stage in the early '30s, she made her film debut in 1937. She gained fame during the 1940s playing Mrs. Janet Archer in the Meet Corliss Archer film series. She kept the role in the subsequent television series. She played Mrs. Elkins on Dennis the Menace between 1959 and 1963. In 1976, Tedrow earned an Emmy for her performance in Eleanor and Franklin.

Trivia: Blonde, loquacious American actress Joyce Van Patten was being sent out for modelling assignments at the age of eight months. Her stagestruck mother advertised Van Patten and older brother Dick as "the Van Patten Kids," ready and willing to step into any juvenile roles available. At age 5, Joyce made her Broadway debut in Love's Old Sweet Song, which also featured Dick. Joyce was nine years old when she won the Donaldson award for her performance in the stage drama Tomorrow the World. She interrupted her stage career for a brief marriage at age 16 (her equally brief second marriage was to actor Martin Balsam), then at 20 played her first adult role in the Broadway comedy Desk Set. Her first film assignment was an unbilled bit in the Manhattan-lensed Fourteen Hours (1951), and her first regular TV stint was on the CBS soap opera As the World Turns in the late '50s. Joyce has since been seen on a weekly basis in such TV series as The Danny Kaye Show (1963-66), The Good Guys (1968) (as Herb Edelman's good-natured wife), The Don Rickles Show (1972) (as Don's goodnatured wife) and The Mary Tyler Moore Hour (1979) (as Mary's personal secretary, yet again good-natured). Joyce Van Patten's films have included The Goddess (1958), I Love You Alice B. Toklas (1968), St. Elmo's Fire (1984), and a rare "bitchy" appearance as the antagonistic athletic coach in The Bad News Bears (1976).

Trivia: American actress Alice Backes has played supporting roles on stage, screen, radio, and primarily television (where she has played over 100 roles) since 1946.

Trivia: Character actress Shera Danese specialized in bit parts, initially ones of a slightly sultry nature. She landed one of her earliest big-screen roles as one of saxophone player Jimmy Doyle's (Robert De Niro) girlfriends in Martin Scorsese's revisionist musical New York, New York (1977), then drew attention away from Rebecca De Mornay as one of two prostitutes who accompany a high-school senior (Tom Cruise) out for a wild evening on the town, in Paul Brickman's satire on teen angst, Risky Business (1983). Subsequent projects included the 1987 Baby Boom (as a cloak room attendant), the 2002 John Q., and the 2006 Alpha Dog. Danese also appeared in numerous Columbo telemovies opposite longtime off-camera husband Peter Falk.

Trivia: A beautiful blonde bit player, Ethelreda Leopold was discovered in a lipstick ad by Warner Bros., who put her under contract. She later made Columbia Pictures a home of sorts, popping up in everything from Three Stooges shorts (Leopold was the harem girl hailing from "Toidy-toid and Toid Avenue" in Wee Wee Monsieur) to musical spectaculars. When her movie career petered out in the late '40s, Leopold turned to television and can be seen today in such diverse fare as The Mary Tyler Moore Show and Hart to Hart.

Trivia: Mike Lally started in Hollywood as an assistant director in the early 1930s. Soon, however, Lally was steadily employed as a stunt man, doubling for such Warner Bros. stars as James Cagney and Pat O'Brien. He also played innumerable bit roles as reporters, court stenographers, cops and hangers-on. Active until 1982, Mike Lally was frequently seen in functionary roles on TV's Columbo.

Trivia: Most of actor Stephen Elliot's film credits were piled up after he reached the age of fifty. The best of these include Hospital (1971), Death Wish (1974), The Hindenburg (1978) and Taking Care of Business (1988). Elliot was cast as Jill Eikenberry's bullying millionaire father in Arthur (1981), in which he pummeled prospective son-in-law Dudley Moore to a pulp when Moore balked at the altar; he repeated this ham-fisted characterization in Arthur 2, On the Rocks (1985). Stephen Elliot's acting contributions to television include patriarch Benjamin Lassiter on Beacon Hill (1975), Jane Wyman's ex-husband (not Ronald Reagan) on Falcon Crest (1981-82), and several years in the role of Paul Ailey on the daytime drama Love of Life.

Trivia: Character actor John Finnegan first appeared onscreen in the '70s.

Trivia: American actor Bruce Kirby made his Broadway bow at age 40 in the 1965 production Diamond Orchid. More stage work followed, and then movie assignments, commencing with the all-star Catch 22 (1970), and continuing into the 1980s with such productions as Sweet Dreams (1985) and Throw Momma from the Train (1987). Kirby's TV career has embraced both series successes (1989's Anything But Love, as Jamie Lee Curtis' father), ignoble failures (1976's Holmes and Yoyo, as Henry Sedford), and a few projects which never sold (Kirby was in two busted pilots for something called McNamara's Band). In 1984, Kirbyreturned to Broadway to understudy Dustin Hoffman as Willy Loman in the revival of Death of a Salesman. Bruce Kirby, sometimes billed as Bruce Kirby Sr., was the father of actor Bruno Kirby, who formerly billed himself as B. Kirby Jr.

Trivia: An American-born actor reared in Ireland and England, McGoohan made a memorable impression on the American and English viewing audiences by playing essentially the same role in three different television series. He began his performing career as a teen-ager, eventually played Henry V for the Old Vic company in London, and made mostly unremarkable films in the '50s. His movies include the delightful Disney film The Three Lives of Thomasina (1964). Success came in 1961, when McGoohan played government agent John Drake in Danger Man, a role he continued on Secret Agent (1965-66). He created, produced and often wrote episodes of the nightmarish, surrealistic cult series The Prisoner (1968-69). This show featured a character assumed to be the same John Drake (although he was known as Number 6 and his real name was never mentioned), who had been kidnapped and taken to a strange community. McGoohan later starred in the TV series Rafferty (1977) and directed the film Catch My Soul (1974). He won an Emmy Award in 1975 for his guest appearance on Columbo with Peter Falk.

Trivia: Actor George Hamilton got his start in high school dramatics. Movie-star handsome, Hamilton played the lead in his very first film, Crime and Punishment USA (1959). While his acting talent was barely discernible in his earliest effort, Hamilton steadily improved in such MGM films as Home From the Hill (1960), Where the Boys Are (1960), Light in the Piazza (1961). He was at his best in a brace of biopics: in Warner Bros.' Act One (1963) he played aspiring playwright Moss Hart, while in Your Cheatin' Heart (1965), he registered well as self-destructive C&W singer Hank Williams. His much-publicized mid-1960s dating of President Johnson's daughter Lynda Bird was unfairly written off by some as mere opportunism, a calculated ploy to buoy up a flagging career. In fact, it did more harm than good to Hamilton: by 1969, movie roles had dried up, and he was compelled to accept his first TV-series role, playing jet-setter Duncan Carlyle in The Survivors. The following year, he starred as State Department functionary Jack Brennan in the weekly TV espionager Paris 7000. He staged a spectacular comeback as star and executive producer of Love at First Bite (1979), a screamingly funny "Dracula" take-off that won the actor a Golden Globe nomination. Even better was Zorro the Gay Blade (1980), which unfortunately failed to match the excellent box-office performance of First Bite but which still provided a much-needed shot in the arm to Hamilton's career. He went on to play such campish roles as villainous movie producer Joel Abrigor in TV's Dynasty (1985-86 season only) and jaded 007-type Ian Stone in the weekly Spies (1987). Throughout the thick and thin of his acting career, Hamilton remained highly visible on the international social scene, squiring such high-profile lovelies as Elizabeth Taylor and Imelda Marcos. He also remained financially solvent with his line of skin products and tanning salons. In 1995, George Hamilton hopped on the talk-show bandwagon, co-starring with his former wife Alana (who'd remarried rocker Rod Stewart) on a not-bad syndicated daily TV chatfest.

Trivia: Publicity notwithstanding, Lesley Ann Warren did not exactly burst fully grown into the world in 1966 to star in the Rodgers and Hammerstein TV special Cinderella. Trained at New York's Professional Children's School, Lesley Ann studied under Lee Strasberg before making her Broadway debut in 110 in the Shade, the 1964 musical version of The Rainmaker. On the strength of Cinderella, Lesley Ann was signed to a Disney contract; but after starring in The Happiest Millionaire (1966) and The One and Only Genuine Original Family Band, she rebelled against her studio-imposed sweetness-'n'-light image. Upon replacing Barbara Bain in the long-running espionage TVer Mission: Impossible in 1970, Warren publicly emphasized that her character, Dana Lambert, was a "now" person, wise in the ways of sex. She stayed with Mission for only a year, after which she established herself as a leading light in the made-for-TV movie field, frequently cast as an older woman involved romantically with a much-younger man. She earned an Academy Award nomination for her hilarious performance as bleach-blond gangster's moll Norma in Victor/Victoria (1981), then starred in a couple of intriguing Alan Rudolph-directed dramas, Choose Me (1984) and The Songwriter (1986). Her more recent roles include Molly, the homeless woman in Mel Brooks' Life Stinks(1991), who goes into a "death throes" act whenever she feels like it, and the barracuda booking agent for c-and-w star George Strait in Pure Country (1994). For nearly a decade, Lesley Ann Warren was the wife of producer/hairstylist Jon Peters.