Trivia: As the son of broadcast journalist Nick Clooney and the nephew of chanteuse Rosemary Clooney, George Clooney entered the world with show business coursing through his veins. Born May 6, 1961 in Lexington, Kentucky, the future E.R. headliner appeared at the tender age of five on his father's Cincinnati talk program, The Nick Clooney Show. In his youth, Clooney honed a sharp interest in sports - particularly baseball - but by adulthood, Clooney launched himself as an onscreen presence, seemingly without effort. Beginning with a string of television commercials, then signed with Warner Brothers Entertainment as a supporting player. By the time Clooney had paid his dues, he'd appeared in single episodes of The Golden Girls, Riptide, Crazy Like a Fox, Street Hawk and Hunter.After regular gigs on TV shows like The Facts of Life, Roseanne, and Sisters, Clooney scored a role on the NBC medical drama E.R., which proved his breakthrough to superstardom. When that program shot up to #1 in prime time ratings, Clooney carried it (much more, in fact, than a first-billed Anthony Edwards) - his inborn appeal to women and his onscreen grace and charm massive contributing factors. This appeal increased as his character - initially something of a callous womanizer - matured with the show, eventually evolving into a kind and thoroughly decent, if somewhat hotheaded, human being.The performer's newfound star power led to big screen opportunities, like an acid-mouthed, rifle-wielding antihero (one of the Gecko Brothers, alongside Quentin Tarantino) in the Robert Rodriguez-directed, Tarantino-scripted horror comedy From Dusk Till Dawn (1995). Not long after, Clooney shifted gears altogether, co-headlining (with Michelle Pfeiffer) in the charming romcom One Fine Day (1996). Though he would notoriously misstep in accepting the role of Bruce Wayne in the 1997 attempted Batman reboot Batman & Robin, Clooney's honesty about the part being a bad fit was refreshing to audiences, and he took little flack for the movie, moving on to critically acclaimed movies like the action-laced crime comedy Out of Sight, and Terrence Malick's adaptation of The Thin Red Line. Out of Sight represented a massive watershed moment for Clooney: the first of his numerous collaborations with director Steven Soderbergh. In 1999 -- following his much-talked-about departure from E.R. - Clooney continued to work on a number of high-profile projects. He would star alongside Mark Wahlberg and Ice Cube as an American soldier reclaiming Kuwaiti treasure from Saddam Hussein in David O. Russell's Three Kings, and eventually win a 2000 Golden Globe for his portrayal of a pomade-obsessed escaped convict in the Coen brothers' Odyssey update O Brother Where Art Thou?. It was around this time that Clooney, now an established actor equally as comfortable on the big screen as the small, began to branch out as the Executive Producer of such made-for-TV efforts as Killroy (1999) and Fail Safe (2000). Soon producing such features as Rock Star (2001) and Insomnia (2002), Clooney next re-teamed with Soderbergh for a modern take on a classic Rat Pack comedy with Ocean's Eleven (2001). After the dynamic film duo stuck together for yet another remake, the deep-space psychological science-fiction drama Solaris (2002), busy Clooney both produced and appeared in Welcome to Collinwood and Confessions of a Dangerous Mind later the same year.Confessions marked Clooney's behind-the-camera debut, and one of the most promising actor-turned-director outings in memory. Adapted by Charlie Kaufman from Gong Show host Chuck Barris's possibly fictionalized memoir, the picture exhibited Clooney's triple fascinations with politics, media and celebrity; critics did not respond to it with unanimous enthusiasm, but it did show Clooney's promise as a director. He went on to star alongside Catherine Zeta-Jones in the Coen Brothers movie Intolerable Cruelty. The small film was a major sleeper hit among the lucky few who got to see it, and it proved to be a great showcase for Clooney's abilities as a comedian. He moved on to team up with Zeta-Jones again, along with almost the entire cast of Ocean's Eleven, for the sequel, Oceans Twelve, which earned mixed critical reviews, but (like its predecessor) grossed dollar one at the box office. By 2005, Clooney achieved his piece-de-resistance by writing, directing, and acting a sophomore outing: the tense period drama Good Night, and Good Luck.. Shot in black-and-white by ace cinematographer Robert Elswit, the picture followed the epic decision of 1950's television journalist Edward R. Murrow (played by David Strathairn) to confront Senator Joseph McCarthy about his Communist witch hunt. The picture drew raves from critics and received nominations for Best Picture and Best Director.Clooney next appeared in the harshly explicit and openly critical Syriana. He took the lead in this ensemble political thriller about the oil industry, directed by Stephen Gaghan of Traffic and heralded by critics as a disturbingly real look at a hopelessly flawed and corrupt system. Clooney won an Oscar for Best Supporting Actor for his role as a veteran CIA officer. Never one to rest for very long, Clooney then joined the cast of The Good German. Directed by longtime collaborator Steven Soderbergh, German unfolds in post-WWII Berlin, where Clooney plays a war correspondent who helps an ex-lover (Cate Blanchett) search for her missing husband. The actor-director team would pair up again the following year for the third installment in the Ocean's saga, Ocean's Thirteen. Next turning towards a more intimate, individualized project, Clooney earned yet more acclaim playing the title role in Tony Gilroy's Michael Clayton, where his portrayal of a morally compromised legal "fixer" earned him strong reviews and an Oscar nomination for Best Actor.Complications during the pre-production of the period comedy Leatherheads led to Clooney rewriting the script, as well as starring in and directing the picture. Though the movie made few ripples with audiences or critics, Clooney's adeptness continued to impress. In 2009, he gave voice to the lead character in Wes Anderson's thoroughly charming stop-motion animation feature Fantastic Mr. Fox, played a soldier with ESP in the comedy The Men Who Stare at Goats, and earned arguably the best notices of his career as corporate hatchet man Ryan Bingham in Jason Reitman's Up in the Air. His work in that well-reviewed comedy/drama earned him nominations from the Screen Actors Guild, the Golden Globes, and the Academy. In the midst of awards season, Clooney again produced a successful telethon, this time to help earthquake victims in Haiti.In 2011 Clooney would, for the second time in his already impressive career, score Oscar nominations for writing and acting in two different films. His leading role in Alexander Payne's The Descendants earned him a wave of critical praise, as well as Best Actor nods from the Screen Actors Guild and the Academy, as well as capturing the Best Actor award from the Golden Globes. The film he co-wrote and directed that year, the political drama The Ides of March garnered the heartthrob a Best Adapted Screenplay nomination from BAFTA, the Academy, and the Golden Globes. In 2012 he earned his second Oscar as one of the producers of that year's Best Picture winner, the Ben Affleck-directed political thriller/Hollywood satire Argo. The following year, he appeared in the critically-acclaimed, box office smash Gravity, and also produced August: Osage County. In 2014, he co-wrote and co-produced (with Grant Heslov) and starred in The Monuments Men, but the film was delayed from a late-2013 release and didn't score well with critics or at the box office.

Trivia: Winnetka, Illinois native Chris O'Donnell was planning to study for a career in finance when he was spotted by a talent agent, who was so taken by the young man's natural star quality that he advised him not to take acting lessons. After a handful of roles in such films as Men Don't Leave (1989) and Fried Green Tomatoes (1991), O'Donnell made the quantum leap to A-list performer in the 1992 film Scent of a Woman, in which he played the high school-age companion and general factotum to a blind, ornery retired military officer (Al Pacino). "Hunk hearthrob" status came O'Donnell's way with his appearance as D'Artagnan in the 1993 filmization of The Three Musketeers and 1994's Circle of Friends, in which he played an innocent young Irish lad dealing with burgeoning hormones and Catholic values in the 1950s. With 1995's Batman Forever, O'Donnell's star ascended into blockbuster heaven with his high-octane performance as Robin, the Boy Wonder; he reprised the role two years later, this time playing opposite George Clooney in Batman & Robin (1997). Subsequently turning away from action roles, O'Donnell could next be seen as a bumbling, small-town policeman in Robert Altman's Cookie's Fortune (1999). That same year, he starred as the title character in The Bachelor, a commitment-phobe who must find a woman to marry in twenty-four hours so he can inherit a large fortune. Over the next decade O'Donnell gravitated increasingly toward television, essaying recurring roles on Grey's Anatomy, The Practice, and NCIS: Los Angeles and appearing in the Emmy-nominated mini-series The Company while occasionally returning to the big screen in such films as Max Payne and Cats and Dogs: The Revenge of Kitty Galore.

Trivia: While his police-chief father wanted him to become a soccer player, Austrian-born actor Arnold Schwarzenegger opted instead for a bodybuilding career. Born July 30, 1947, in the small Austrian town of Graz, Schwarzenegger went on to win several European contests and international titles (including Mr. Olympia) and then came to the U.S. for body-building exhibitions, billing himself immodestly but fairly accurately as "The Austrian Oak." Though his thick Austrian accent and slow speech patterns led some to believe that the Austrian Oak was shy a few leaves, Schwarzenegger was, in fact, a highly motivated and intelligent young man. After graduating from the University of Wisconsin with a degree in business and economics, he invested his contest earnings in real estate and a mail-order bodybuilding equipment company.A millionaire before the age of 22, Schwarzenegger decided to try acting. Producers were impressed by his physique but not his mouthful of a last name, so it was as Arnold Strong that he made his film bow in the low-budget spoof Hercules in New York (1970, with a dubbed voice). He reverted to his own name for the 1976 film Stay Hungry, then achieved stardom as "himself" in the 1977 documentary Pumping Iron. In The Villain (1979), a cartoon-like Western parody, he played "Handsome Stranger," exhibiting a gift for understated comedy that would more or less go unexploited for many years thereafter. With Conan the Barbarian (1982) and its sequel, Conan the Destroyer (1984), the actor established himself as an action star, though his acting was backtracking into two-dimensionality (understandably, given the nature of the Conan role). As the murderous android title character in The Terminator (1984), Schwarzenegger became a bona fide box-office draw, and also established his trademark of coining repeatable catchphrases in his films: "I'll be back," in Terminator, "Consider this a divorce," in Total Recall (1990), and so on.As Danny De Vito's unlikely pacifistic sibling in Twins (1988), Schwarzenegger received the praise of critics who noted his "unsuspected" comic expertise (quite forgetting The Villain). In Kindergarten Cop (1991), Schwarzenegger played a hard-bitten police detective who found his true life's calling as a schoolteacher (his character was a cop only because it was expected of him by his policeman father, which could have paralleled his own life). Terminator 2: Judgment Day (1991), wherein Schwarzenegger exercised his star prerogative and insisted that the Terminator become a good guy, was the most expensive film ever made up to its time -- and one of the biggest moneymakers. The actor's subsequent action films were equally as costly; sometimes the expenditures paid off, while other times the result was immensely disappointing -- for the box-office disappointment Last Action Hero (1992), Schwarzenegger refreshingly took full responsibility, rather than blaming the failure on his production crew or studio as other "superstars" have been known to do.A rock-ribbed Republican despite his marriage to JFK's niece, Maria Shriver (with whom he has four children), Schwarzenegger was appointed by George Bush in 1990 as chairman of the President's Council of Physical Fitness and Sports, a job he took as seriously and with as much dedication as any of his films. A much-publicized investment in the showbiz eatery Planet Hollywood increased the coffers in Schwarzenegger's already bulging bank account. Schwarzenegger then added directing to his many accomplishments, piloting a few episodes of the cable-TV series Tales From the Crypt as well as a 1992 remake of the 1945 film Christmas in Connecticut.Schwarzenegger bounced back from the disastrous Last Action Hero with 1994's True Lies, which, despite its mile-wide streak of misogyny and its gaping plot and logic holes, was one of the major hits of that summer's movie season. Following the success of True Lies, Schwarzenegger went back to doing comedy with Junior, co-starring with Emma Thompson and his old Twins accomplice Danny De Vito. The film met with critically mixed results, although it fared decently at the box office. Undeterred, Schwarzenegger continued down the merry, if treacherous, path of alternating action with comedy with 1996's Eraser and Jingle All the Way, the latter of which proved to be both a critical bomb and a box-office disappointment. In a move that suggested he had realized that audiences wanted him back in the world of assorted weaponry and explosives, Schwarzenegger returned to the action realm with 1997's Batman & Robin, which unfortunately proved to be a huge critical disappointment, although, in the tradition of most Schwarzenegger action films, it did manage to gross well over 100 million dollars at the box office and over 130 million dollars more the world over.The turn of the century found Schwarzenegger's star losing some of its luster with a pair of millennial paranoia films, 1999's End of Days and 2000's The 6th Day. The former film -- in which a security consultant has to save the world from Satan -- was critically lambasted and, despite a powerful opening weekend, failed to recoup its cost in the States. The latter film -- a cloning parable which bore more than a passing resemblance to Total Recall -- received more positive notices, but took in less than half the receipts Days did just one year prior. Perhaps as a response to these failures, Schwarzenegger prepped three films reminiscent of former successes, all scheduled for release in 2001 and 2002: the terrorist action thriller Collateral Damage, True Lies 2, and the long-anticipated Terminator 3. Though Collateral Damage received a chilly reception at the box office and the development of True Lies 2 fell into question, longtime fans of the cigar-chomping strongman rejoiced when Arnold resumed his role as a seriously tough cyborg in Terminator 3. Though he made a cameo in director Frank Coraci's adaptation of Around the World in 80 Days, Arnold's most notable role of the new millenium was political -- Schwarzenegger replaced Gray Davis as governor of California in the highly controversial recall election of 2003.In 2010, Schwarzenegger played the character of Trench in The Expendables, an action thriller following a group of tough-as-nails mercinaries as they deal with the aftermath of a mission gone wrong, and reprised the role for The Expendables 2 in 2012.

Trivia: An actress noted as much for her exotic, almost otherworldly beauty as she is for her considerable talent, Uma Thurman is one of the most renowned actors of her generation. The daughter of celebrated professor of Buddhist studies Robert A.F. Thurman and Nena von Schlebrugge, a model and psychotherapist who was once married to Timothy Leary, Uma was born in Boston on April 29, 1970. Raised with three brothers in Amherst, where her father taught at Amherst College, she enjoyed a fairly bohemian upbringing, one that was marked by visits from Eastern holy men and Tibetan refugees. Encouraged to think for herself and be independent, Thurman, who had been interested in acting from an early age, left her Massachusetts boarding school at the age of 15 to pursue an acting career. Moving to New York, she earned a living by washing dishes and modeling, though the latter means of support never agreed with her.The fledgling actress made her debut in Kiss Daddy Goodnight (1987), a forgettable film that cast her as a teen vamp who seduces and robs unsuspecting men. She had a starring role in the teen comedy Johnny Be Good (1988) and also made an eye-catching appearance in Terry Gilliam's underseen fantasy adventure film The Adventures of Baron Munchausen (1988). But it wasn't until her casting in Stephen Frears' Dangerous Liaisons (1988) as Cécile de Volanges, the impressionable convent girl deflowered by John Malkovich's slimy Vicomte de Valmont, that Thurman first gained recognition. Her scenes with Malkovich, particularly the one in which he offers to teach her a few bedroom terms in Latin, proved to be some of the most memorable of the year, resulting in a sizable helping of fame for the young actress. Further recognition followed with Thurman's portrayal of Henry Miller's wife -- and the object of both his and Anaïs Nin's affections -- in Philip Kaufman's Henry & June (1990). Unfortunately, the actress' role in the NC-17 film -- which required her to take part in explicit love scenes with Maria de Medeiros -- inspired a great deal of unwelcome, stalker-like attention from any number of "fans," causing Thurman to shy away from doing a subsequent number of films. The projects she did take part in all proved to be forgettable affairs: Robin Hood (1991), Final Analysis (1992), Jennifer 8 (1992), Mad Dog and Glory (1993), and Gus Van Sant's Even Cowgirls Get the Blues (1994). By the time Thurman received the script for Quentin Tarantino's Pulp Fiction, her career was in great need of resuscitation. Fortunately, Pulp Fiction provided just that. A huge, unanticipated success, it was the most talked-about film of the year, eventually becoming recognized as one of the most influential films of the decade. For her part, Thurman gave a sly, smoldering performance as Mia Wallace, the coke-snorting wife of gangster Marsellus Wallace (Ving Rhames), and soon found herself enjoying both a Best Supporting Actress Oscar nomination and an accompanying resurgence in Hollywood popularity. She followed the success of Pulp Fiction with three relatively modest romantic comedies: A Month by the Lake (1995), The Truth About Cats & Dogs (1996), and Beautiful Girls (1996). The 1997 future dystopia Gattaca did little for Thurman but introduce her to co-star and future husband Ethan Hawke. (The two married in May of 1998 and had a daughter later that year; Thurman had been married once before, to Gary Oldman). Batman & Robin, that same year, was less than a high point in Thurman's career. 1998 proved to be similarly disappointing, with both The Avengers, which cast the actress as the cat-suited Emma Peel opposite Ralph Fiennes' John Steed, and Bille August's Les Miserables experiencing swift deaths at the box office. Thurman resurfaced in 1999 in Woody Allen's widely acclaimed Sweet and Lowdown. The story of a famed jazz guitarist (Sean Penn) whose talent is inversely proportional to his merits as a human being, the film cast Thurman as his worldly, unfaithful wife. The following year, she had starring roles in two lavish period dramas, Merchant-Ivory's The Golden Bowl and Roland Joffé's Vatel. The former, a Henry James adaptation that premiered to great acclaim at the 2000 Cannes Festival, featured Thurman as a commoner caught up in a forbidden love affair with an impoverished prince (Jeremy Northam); the latter, which also premiered at Cannes, cast Thurman as a French noblewoman during the reign of King Louis XIV. Supporting performances in Richard Linklater's Tape and husband Hawke's Chelsea Walls (both 2001) were soon to follow, and though Thurman's performances were solid as ever, the limited release of both films found her gaining minimal exposure. Though Thurman was virtually unrecognizable in her role as a lovelorn Jersey girl in the HBO feature Hysterical Blindness (2002), her bravado performance earned her a Best Actress Golden Globe and the downbeat drama found audiences once again compelled by her marked versatility. Little did audiences know that her next role couldn't be more different. Thurman may had done action before in such efforts as Batman & Robin and The Avengers, but her role as the vengeful Bride in Quentin Tarantino's eagerly anticipated Kill Bill nevertheless found viewers' jaws planted firmly on the popcorn-littered multiplex floors. With the production initially delayed due to Thurman's pregnancy, the two-time mother quickly shed her excess weight shortly after giving birth to son Roan; after a vigorous training program, the violent revenge epic was back on track. Even though Thurman made no secret of the fact that balancing the difficult tasks of motherhood and superstardom often took their toll on her during the production of Kill Bill, the dedicated actress pulled off the physically demanding role without a hitch. Debuting in October 2003 to overwhelmingly positive reviews, Kill Bill Vol. 1 (the film was split into two halves after being deemed too long by studio Miramax) still managed to split audiences due to its virtually nonstop, extremely graphic violence. With Kill Bill Vol. 2 scheduled to roll into theaters four months later, fans wasted no time in speculating on The Bride's carnage-laden quest to even the score with the titular Bill (David Carradine) after the ruthless killer gunned her down on her wedding day.In the wake of the Kill Bill extravaganza, it seemed that Thurman was having an especially difficult time finding her footing at the box office when the Get Shorty sequel Be Cool, the romantic comedy Prime, and the musical comedy remake The Producers failed to make any real impact with viewers. Her career in serious need of a pick-me-up after three notable misfires, Thurman would make yet another grab for laughs when, in the summer of 2006, she starred as needy superhero who uses her powers to seek revenge against an ex-boyfriend attempting to move on in My Super Ex-Girlfriend. In 2010, Thurman joined the cast of Percy Jackson and the Lightning Thief in the role of Medusa, the snake-haired gorgon who could turn a man to stone with no more than a look. The actress played a decidedly different type of character in Ceremony (2010), a critically acclaimed independent comedy that featured Thurman as a woman in her late thirties with a tendency to date the wrong type of guy. In 2012, Thurman co-starred in the period drama Bel Ami and had a recurring role on the musical TV series Smash. She had a supporting role in Lars von Trier's Nymphomaniac in 2013.

Trivia: Hailed as the teen queen of the mid-'90s, Alicia Silverstone rapidly ascended the summit of idolism with the help of an infamous Aerosmith video and starring roles in the cult trash favorite The Crush, and Amy Heckerling's sleeper hit Clueless. Despite such a promising beginning to her career, however, the vivacious, green-eyed blonde subsequently weathered a series of professional set-backs, due to poor film choices, weight issues, and an industry increasingly congested with such similarly ebullient young starlets as Sarah Michelle Gellar and Jennifer Love Hewitt. By the end of the decade, Silverstone's future looked uncertain, although many observers noted that her youth and talent made her chances for a comeback entirely plausible.Born to English parents in San Francisco on October 4, 1976, Silverstone is the daughter of a real-estate agent and an airline stewardess. She began working as a child model at the age of six after her father sent several pictures of her in a bathing suit to a few agencies. Modeling work led to TV commercials, which in turn led to work on a number of TV series including an episode of The Wonder Years which cast her as Fred Savage's literal dream girl. At the age of 15, Silverstone landed her first starring role in The Crush (1993), a Fatal Attraction for the Noxema set in which she portrayed a young woman obsessed with an older man (Cary Elwes). Although the film was trashed by critics, it was a hit among its teenage target audience, and Silverstone -- who had become legally emancipated from her parents while making the film in order to work longer hours -- was feted at the 1994 MTV Movie Awards with trophies for Best Villain and Breakthrough Performance. Around the same time, she starred in the popular music video for Aerosmith's "Crazy." Her onscreen antics with Liv Tyler, daughter of Aerosmith frontman Steven, coupled with her vampish turn in The Crush virtually ensured Silverstone's status as Hollywood's latest embodiment of nubile, underage female sexuality.Silverstone's real break came with her starring role as the spoiled, meddlesome, but ultimately endearing Cher Horowitz in Amy Heckerling's Clueless (1995). A very loose and modern adaptation of Jane Austen's Emma, the film was a huge sleeper hit, and Silverstone was roundly praised for her effervescent performance. In the wake of the film's success, the actress signed a ten-million-dollar deal with Columbia that included a three-year first-look deal for her own company, First Kiss Productions. She also won the coveted role of Batgirl in Batman & Robin, something that allowed her to contemplate breaking out of the teen sexpot mode.Unfortunately, the actress was subsequently besieged with a number of problems, ranging from unending industry criticism of her weight to her first excursion as a producer, Excess Baggage (1997). The film, which also served as a starring vehicle for Silverstone, was a thoroughly misguided kidnapping comedy that failed to win favor with either audiences or critics. To add insult to injury, Silverstone's other major 1997 project, the long-awaited Batman & Robin, was one of the year's most expensive critical and commercial flops.After a nearly two-year absence from the screen, Silverstone resurfaced in 1999 with Blast from the Past. A likable romantic comedy that cast her as a cynical Valley girl opposite Brendan Fraser, the film enjoyed modest success. Silverstone followed it with a starring role as the French princess in Kenneth Branagh's much-anticipated musical adaptation of Shakespeare's Love's Labour's Lost (2000), which saw the actress interpreting the Bard and Irving Berlin alongside the likes of Branagh, Nathan Lane, Matthew Lillard, and Alessandro Nivola.In 2001, Silverstone played an American rocker in England for the straight-to-video Rock My World (aka Global Heresay), which, despite providing little more than a blip on her resumé, gave her the opportunity to work with the iconic Peter O'Toole. After serving as executive producer for the animated television series Braceface, Silverstone went on to star in NBC's 2003 sketch comedy Miss Match, which featured the young actress as a divorced lawyer cum matchmaker whose good intentions were not necessarily met with equally positive results. In the same year, she starred opposite Rachael Leigh Cook in Scorched; this time playing a disgruntled bank teller. Silverstone played a role in Scooby Doo 2: Monsters Unleashed alongside fellow twentysomethings Sarah Michelle Gellar and Freddie Prinze Jr. in the summer of 2004. A subsequent trip to the salon in Beautyshop found Silverstone continuing to keep audiences in stitches, and in 2006 she would join Ewan McGregor, Bill Nighy, Missi Pyle, and Alex Pettyfer in bringing author Anthony Horowitz's adolescent daredevil to the screen in the family-oriented action adventure Stormbreaker. She reteamed with Clueless director Amy Heckerling for the vampire comedy Vamps.

Trivia: Born in Malaya (now Malaysia) to British parents, Michael Gough attended Wye Agricultural College before realigning his career goals by taking classes at the Old Vic. Gough made his first theatrical appearance in 1936 and his first film in 1948. He listed King Lear as his favorite stage role, though one suspects that he was equally fond of the character he portrayed in the 1979 Broadway hit Bedroom Farce, for which he won the Tony Award. Movie historian Bill Warren has noted that Gough, by accident or design, adopted two distinct film-acting styles. In such "straight" roles as Montrose in Rob Roy (1954), Norfolk in Henry VIII and His Six Wives (1972), Van der Luyden in The Age of Innocence (1993) and Bertrand Russell in Wittgenstein (1993), he was subtle and restrained; but when starring in such scarefests as Horrors of the Black Museum (1959) and Black Zoo (1962), his eye-bulging hamminess knew no bounds. Most contemporary filmgoers are familiar with Gough through his appearances as Alfred the Butler in the Batman theatrical features. Gough died at age 94 in the spring of 2011.

Trivia: Burly character actor Pat Hingle held down a variety of bread-and-butter jobs--mostly in the construction field--while studying at the University of Texas, the Hagen-Bergdorf studio, the Theatre Wing and the Actors Studio. Earning his Equity card in 1950, Hingle made his Broadway debut in 1953 as Harold Koble in End as a Man (he would repeat this role in the 1957 film adaptation, retitled The Strange One). One year later, he was cast as Gooper-aka "Brother Man"-in Tennessee Williams' Pulitzer-winning play Cat on a Hot Tin Roof. Also in 1954, he made his inaugural film appearance in On the Waterfront as a bartender. Though a familiar Broadway presence and a prolific TV actor, Hingle remained a relatively unknown film quantity, so much so that he was ballyhooed as one of the "eight new stars" in the 1957 release No Down Payment. As busy as he was before the cameras in the 1950s, 1960s and 1970s, Hingle's first love was the theatre, where he starred in such productions as William Inge's Dark at the Top of the Stairs and Archibald MacLeish's JB, and later appeared in the one-man show Thomas Edison: Reflections of a Genius. His made-for-TV assignments include such historical personages as Colonel Tom Parker in Elvis (1979), Sam Rayburn in LBJ: The Early Years (1988), J. Edgar Hoover in Citizen Cohn (1992) and Earl Warren in Simple Justice (1993). Among his more recent big-screen assignments has been Commissioner Gordon in the Batman films. Amidst his hundreds of TV guest shots, Pat Hingle has played the regular roles of Chief Paulton in Stone (1980) and Henry Cobb in Blue Skies (1988), was briefly a replacement for Doc (Milburn Stone) on the vintage western Gunsmoke, and has shown up sporadically as the globe-trotting father of Tim Daly and Steven Weber on the evergreen sitcom Wings.

Trivia: A longtime character actor with a reputation for taking on villainous roles with gleeful abandon and a subtle touch of humor, John Glover was once dubbed "the supreme rotter of the '80s" by the late film critic Pauline Kael, thanks to unforgettable performances in such films as 52 Pick-Up, Masquerade, and Scrooged. Always injecting his baddies with an element of quirk and personality, Glover later gravitated away from a life of cinematic crime to success with more sympathetic roles in Love! Valour! Compassion! and Mid-Century. A Salisbury, MD, native who pursued his higher education at Towson State Teacher's College, Glover began an off-Broadway career in the late '60s, which led to small parts in the mid-'70s in such films as Shamus (1973) and Annie Hall (1977). With occasional small-screen roles balancing out his features, Glover began carving out a villainous niche for himself during the '80s in such movies as The Evil That Men Do and 52 Pick-Up. Though Glover's big-screen work served as his bread and butter, more sympathetic television appearances -- as a valiant AIDS patient in An Early Frost (1985) and a dedicated doctor in L.A. Law -- earned the actor a pair of Emmy nominations. As his career progressed, Glover became an increasingly prominent figure on TV thanks to parts in Miami Vice, Murder, She Wrote, and Frasier, and his "villains" became ever more quirky in such high-profile features as Gremlins 2: The New Batch and Robocop 2. Glover's roles were also becoming increasingly diverse. Offering a side of himself rarely seen by audiences, he played artist Leonardo DaVinci in the 1991 made-for-TV feature A Season of Giants, and then portrayed another villain, this time the biggest of them all -- the Devil himself -- in the 1998 series Brimstone. Beginning in 1992, Glover did voice work for the popular superhero cartoon Batman: The Animated Series and, later, Batman: Gotham Nights; he also had onscreen roles in the live-action feature Batman & Robin and the WB series Smallville. Glover often returns to his alma matter (now called Towson University) to work with the drama students at the school's Fine Arts College.

Trivia: Gorgeous Elle MacPherson successfully negotiated her supermodel status into a film career. A millionaire's daughter and a native of Sydney, Australia, MacPherson (born Eleanor Gow) was raised by her mother after her parents divorced. Standing six feet tall, the willowy but curvaceous blonde first gained fame after she was selected to appear in one of Sports Illustrated's famous swimsuit editions. One of the periodical's most popular models, she appeared on its cover four times and, in 1986, she graced the cover of Time magazine. That year, she became the unofficial ambassador for the Australian tourist commission. Her status as a supermodel secured, MacPherson branched out into films, appearing opposite Tara Fitzgerald, Hugh Grant, and Sam Neill in Sirens, an erotic portrait of a preacher's wife who comes to accept her sensuous nature during a visit to the home of notorious Aussie artist Norman Lindsey. The role required MacPherson to gain 30 pounds to soften her model's angularity, giving her a soft, but still pleasing appearance. She lost the pounds and then appeared opposite William Hurt in Jane Eyre, following that up with a role in Barbra Streisand's The Mirror Has Two Faces (both 1996). She appeared in the indie romantic comedy If Lucy Fell, had a bit part in the infamous flop Batman & Robin, and enjoyed a recurring role on the hit sitcom Friends. After years away from screens, she appeared in 2009 as part of the cast of the soap opera The Beautiful Life. In addition to her film and modelling careers, MacPherson has also proven herself a shrewd businesswoman. She owns a lucrative lingerie company in Australia. She is a single mother and has homes in the U.S., London, and Australia.

Trivia: Vivacious actress Vivica A. Fox has been attracting attention for performances that mix equal parts sass and class since making her 1989 screen debut in Born on the Fourth of July. A native of Indianapolis, where she was born July 30, 1964, Fox got her start on television with a stint on the daytime soap Days of Our Lives. After making her debut as a hooker in Oliver Stone's aforementioned Born on the Fourth of July, the actress continued to do much of her work on television while appearing in the occasional film. She first attracted notice as Will Smith's girlfriend in the blockbuster Independence Day (1996); her dynamic turn earned her -- together with Smith -- the MTV Award for Best Kiss that year. Fox subsequently appeared in a diverse array of films, ranging from the acclaimed black ensemble romantic drama Soul Food (1997), which cast her as one of three sisters (the other two were played by Vanessa L. Williams and Nia Long), to Batman & Robin (1997), in which she played femme fatale Ms. B. Haven, to Why Do Fools Fall in Love (1998), which featured her in a critically lauded portrayal of one of the three wives of singer Frankie Lymon.Fox's profile declined somewhat in the new millenium, although an appearance in the battle-of-the-sexes comedy Two Can Play That Game caught the attention of Quentin Tarantino, who was casting his long-gestating fourth feature, Kill Bill. As the first victim of hired killer Uma Thurman, Fox brought a little blaxploitation-era sass to the role, making for a memorable, suburban-kitchen battle scene.In addition to her flourishing film work, Fox continued to work on the small screen, most notably as Dr. Lillian Price on Steven Bochco's predominately African American hospital drama City of Angels. 2005's one-season-only reality show The Starlet offered Fox the opportunity to pass on her actorly wisdom -- alongside head judge Faye Dunaway -- to a group of young hopefuls. The following year, she could be seen hoofing it up as a contestant on the astronomically popular ABC competition Dancing With the Stars. Though she worked steadily throughout the 2000s and continues to be active in the film industry, Fox has yet so far been unable to achieve the success she enjoyed in earlier years.

Trivia: Raised in Richmond, CA. Decided to pursue acting while in college. Stage debut came in 1977's The Year of the Dragon with the San Francisco-based Asian American Theatre Company. Appeared in the 1981 off-Broadway production of Family Devotions. Played Data's father in the 1985 film The Goonies. His first TV series was the 1994 syndicated drama Valley of the Dolls. Provided the voice for Jimmy Ho on Fox's animated comedy The PJs. Likes to ride, build and restore single-speed bikes.

Trivia: Handsome and versatile American actor Harry Van Gorkum tackled a series of character roles from the late '80s onward, vacillating with great fluidity and ease between big- and small-screen work. He was memorable on a 1996 episode of Seinfeld as Craig, the wig master in a production of Joseph and the Amazing Technicolor Dreamcoat; portrayed the colorful MC in Joel Schumacher's 1997 Batman & Robin; and landed a role opposite Sylvester Stallone and Madeleine Stowe in the 2002 crime comedy Avenging Angelo. In 2007, Van Gorkum donned sandals and a toga and played Vortgyn in Doug Lefler's Ancient Roman period epic The Last Legion.

Trivia: U.S. senator Patrick Leahy made an auspicious acting debut when he made a cameo appearance in 1997's Batman & Robin. He reprised his role more than ten years later in another Batman iteration, The Dark Knight.

Trivia: Professional wrestler and sometime governor of Minnesota, Jesse Ventura has enjoyed a sideline in acting, appearing in action fare like Predator and Ricochet.

Trivia: One of Hollywood's shoe-ins for deft portrayals of creepy, underhanded, Machiavellian types with an anarchic bite, Doug Hutchison distinguished himself with two career-defining portrayals in the late '80s: he played Obie, a member of a sinister student league at an all-boys' Catholic school, in director Keith Gordon's The Chocolate War (1988), and Sproles, an undercover cop's younger brother who causes problems for an economically divided couple (Andrew McCarthy and Molly Ringwald) in David Anspaugh's romantic drama Fresh Horses (1988). Hutchison frequently rose above the inherent weaknesses of the material he was handed, as in the two said films; one critic observed that Sproles "hoist[ed] [Horses] onto his shoulders for the duration of his scenes." That ability didn't emerge serendipitously; a classically trained performer who received his formal education at Juilliard, Hutchison later studied drama one-on-one under the tutelage of legendary acting coach Sanford Meisner. Unfortunately, within a few years of his astonishing onscreen debuts in 1988, Hutchison's screen activity somewhat declined, and when he did crop up, the projects were unworthy of him (such as 1992's The Lawnmower Man and 1996's Love Always). By the late '90s, however, Hutchison rebounded, with additional roles in A-listers including The Green Mile (1999), I Am Sam (2002), and The Salton Sea (2002). By the tail end of that decade, Hutchison moved into more sensationalistic material, signing for turns in J.T. Petty's horror western The Burrowers (2008) and Lexi Alexander's comic-book superhero film Punisher: War Zone (2008).

Trivia: Though ultimately credited with carrying the West Coast rap musical subgenre into the mainstream, rapper and hip-hop artist extraordinaire Coolio (born Artis Leon Ivey Jr.) endured a decidedly shaky and obstacle-laden road to success. Born in South Central Los Angeles in 1963, Coolio grew up in the ghetto during the '60s and '70s. During his adolescence, he lived out the myth of the young urban "gangsta," flirting dangerously with hardcore crimes that included gang violence, larceny, concealed weapons, and crack cocaine addiction. After cleaning up his life with extensive drug rehabilitation and "straight" jobs as a fireman in the Pacific Northwest and a security guard at LAX airport, Coolio launched himself as a rap performer. Initially, Coolio struggled (with several singles that accomplished little of note) before his breakthrough arrived -- via "guesting" on WC and the Maad Circle's 1991 album Ain't a Damn Thing Changed. One turn led to another, and as a product of his association with WC and Maad, Coolio caught the attention of Tommy Boy Records. This association produced a series of multi-platinum albums -- notably, the seminal late-1995 release Gangsta's Paradise; the title track (spun off of a 1976 Stevie Wonder tune) became something of a musical phenomenon and a cultural landmark. Thanks to Tommy Boy's efforts, the single gained initial notoriety by appearing on the soundtrack to the Michelle Pfeiffer juvenile delinquency drama Dangerous Minds. Musically, however, that represented Coolio's highest commercial peak for many years, and his subsequent albums sold fewer copies. Perhaps foreseeing this decline, he began branching away from recording and into acting around 1996, which was a wise turn, to say the least; it compensated for ongoing legal trouble and decreased record sales in the years to follow. In terms of contributions to filmed entertainment, Coolio began on the small screen, as an extension of his rap work, by recording the theme song to the popular Nickelodeon children's series Kenan & Kel; he then extended this into a kind of goofy, family-friendly comic persona, with trademark wild dreadlocks, ever-present on both Nick and on the revival of the '70s game show Hollywood Squares. The rapper's on-camera cinematic roles began inauspiciously, with turns in such lackluster motion pictures as Phat Beach and Dear God, but he scored his first part in a Hollywood A-list movie the following year, as the banker in Joel Schumacher's Batman & Robin. The film qualified as a critical disaster (though not a commercial one). The onscreen exposure of Batman doubtless helped Coolio's image and lifted his stature, though not to the degree that one might expect. After 1997, he consistently turned up in low-brow fare that attracted little attention -- such as the 2000 inner-city opus Dope Case Pending (opposite Kid Frost) and Darrell James Roodt's little-seen sci-fi horror outing Dracula.3000 (2004). In 2005, Coolio teamed with Class of 1984 director Mark L. Lester for the direct-to-video sci-fi action opus Pterodactyl.

Trivia: A kohl-eyed actor who has oozed a steady stream of low-key testosterone through a series of films that include Dazed and Confused (1993), A Time to Kill (1996), and The Limey (1999), Nicky Katt has brought life to a stable of idiosyncratic, often dysfunctional characters that have established him as one of the more adventurous young performers in Hollywood. A former child actor who first worked on shows ranging from V to Father Murphy, Katt got his adult breakthrough in Richard Linklater's Dazed and Confused, a film that also helped to launch the careers of such castmates as Parker Posey, Matthew McConaughey, and Joey Lauren Adams. He went on to do prolific supporting work, showing up to particularly memorable effect as a one-armed convenience store clerk in Gregg Araki's The Doom Generation (1995), as a belligerent redneck in Joel Schumacher's A Time to Kill (1996), and as Renee Zellweger's ambitious attorney boyfriend in One True Thing (1998). One of his most memorable roles came courtesy of Steven Soderbergh's The Limey, which featured Katt as a dreadlocked, sociopathic hitman whose running (and largely improvised) commentaries on various passersby provided some of the film's most unnerving comic moments. Although he has been seen mainly in a supporting capacity, Katt has also done notable lead work, particularly in Linklater's SubUrbia (1997), in which he managed to stand out from a talented ensemble cast with his portrayal of an alcoholic and xenophobic ex-Air Force recruit. The actor also starred in and executive produced Adam Goldberg's Scotch and Milk (1998), an acclaimed post-noir drama that featured him as one of a group of aimless friends skulking and posing their way around Los Angeles. With a growing list of credits and further roles in such well-received films as Boiler Room (2000), which cast him as a money-grubbing broker, Katt began the 21st century on a very promising note. With roles in such high-profile releases as Insomnia and director Steven Soderbergh's Full Frontal (both 2002), Katt continued to hold that note, all the while maintaining a growing fan base with his role as geology teacher Harry Senate on the popular evening drama Boston Public.He continued to work steadily in a variety of projects including the indie I Love Your Work, doing a cameo for Richard Linklater in School of Rock, Planet Terror, and appearing opposite Jodie Foster in the vigilante drama The Brave One.

Trivia: Taught English and theatre at Hollywood High School and Beverly Hills High School for 30 years; former pupils include Albert Brooks and Nicolas Cage. Became a full-time actor after retiring from teaching at age 57. Best known for playing Edward Quartermaine on General Hospital.

Trivia: While a student at Manchester University, Robert Powell began his professional theatrical career in 1964. The best-known of Powell's hundreds of stage roles was Tristan Tzara in the long-running Travesties. In films from 1967, Powell played the title role in Ken Russell's Mahler (1974), and later essayed the lengthy cameo part of the ill-fated Captain Walker in Russell's Tommy (1975). Powell was a prolific performer on British television in the 1970s, notably as star of the popular series Doomwatch. Still, he was a relatively unknown quantity in the states, thus was billboarded as an "unknown" and "newcomer" by some when he starred as the Son of God in the expensive, internationally produced miniseries Jesus of Nazareth (1977). This Zeffirelli-directed effort was controversial enough without Powell making the smoking-fuse public statement "I hope Jesus Christ will be the last in my line of sensitive young men for quite a while." The furor eventually died down, and Powell continued playing such important film roles as reluctant-spy Hannay in the 1979 remake of 39 Steps (later spun off into a British miniseries) In 1982, Robert Powell won the Venice Film Festival "Best Actor" award for his performance in Interactive.

Trivia: Has been acting and writing plays since she was six years old.Grew up under Apartheid in South Africa.Wrote and directed Birth of Industry (2004).Wrote, directed, co-produced and acted in The Last Gunshot (2011).After losing her son who was born prematurely, she started a Kickstarter campaign to produce the feature film Secrets of an Unborn Child, later re-titled Somebody's Mother (2016).Directed multiple short films, which have played in festivals worldwide including the Sundance and Cannes Film Festivals.Credits include short films, feature films and television series.

Trivia: Like Sheckey Greene and Guy Marks, Dick Shawn was a nightclub comedian whose talents were highly prized by the members of his profession, but who took quite some time building up a fan following with "civilian" audiences. Beginning his film career with a peripheral role in 1956's The Opposite Sex, Shawn signed a contract with 20th Century Fox in 1960. He starred in an Arabian Nights satire, The Wizard of Baghdad (1960), which may have been too "inside" for fans of that genre. After co-starring with Ernie Kovacs in Wake Me When It's Over (1961), Shawn was generally seen in secondary, plot-motivating comic roles in such films as It's a Mad Mad Mad Mad World (1963) and What Did You Do in the War, Daddy? (1966). He was hysterically funny in Mel Brooks' The Producers (1967), playing an erratic hippie actor named L.S.D. who was cast in the musical play "Springtime for Hitler" as a singing Fuehrer. Outside of The Producers, Shawn was seen to best advantage in his bizarre, stream-of-consciousness nightclub routines. So quirky and unpredictable were his live performances that, when Dick Shawn died of a heart attack while performing before a college crowd in San Diego, many members of the audience assumed his collapse was part of the act.

Trivia: Was born in a U.S. Air Force base.Was a member of the Huskies' NCAA Division-I Gymnastics Team.Discovered her passion for martial arts while touring Asia as a goodwill ambassador.Student of sensei Benny Urquidez.Is an accomplished equestrian.In 2014, became the first woman to be nominated for an Emmy for Outstanding Stunt Coordination for a Comedy or Variety Show.Has a production company called JMP Productions, Inc.