Trivia: Earthy and at times exuberant, Anthony Quinn was one of Hollywood's more colorful personalities. Though he played many important roles over the course of his 60-year career, Quinn's signature character was Zorba, a zesty Greek peasant who teaches a stuffy British writer to find joy in the subtle intricacies of everyday life in Zorba the Greek (1964), which Quinn also produced. The role won him an Oscar nomination and he reprised variations of Zorba in several subsequent roles. Although he made a convincing Greek, Quinn was actually of Irish-Mexican extraction. He was born Antonio Rudolfo Oaxaca Quinn in Chihuahua, Mexico, on April 21, 1915, but raised in the U.S. Before becoming an actor, Quinn had been a prizefighter and a painter. He launched his film career playing character roles in several 1936 films, including Parole (his debut) and The Milky Way, after a brief stint in the theater. In 1937, he married director Cecil B. DeMille's daughter Katherine De Mille, but this did nothing to further his career and Quinn remained relegated to playing "ethnic" villains in Paramount films through the 1940s. By 1947, he was a veteran of over 50 films and had played everything from Indians, Mafia dons, Hawaiian chiefs, Chinese guerrillas, and comical Arab sheiks, but he was still not a major star. So he returned to the theater, where for three years he found success on Broadway in such roles as Stanley Kowalski in A Streetcar Named Desire. Upon his return to the screen in the early '50s, Quinn was cast in a series of B-adventures like Mask of the Avenger (1951). He got one of his big breaks playing opposite Marlon Brando in Elia Kazan's Viva Zapata! (1952). His supporting role as Zapata's brother won Quinn his first Oscar and after that, Quinn was given larger roles in a variety of features. He went to Italy in 1953 and appeared in several films, turning in one of his best performances as a dim-witted, thuggish, and volatile strongman in Federico Fellini's La Strada (1954). Quinn won his second Best Supporting Actor Oscar portraying the painter Gaugin in Vincente Minnelli's Lust for Life (1956). The following year, he received another Oscar nomination for George Cukor's Wild Is the Wind. During the '50s, Quinn specialized in tough, macho roles, but as the decade ended, he allowed his age to show. His formerly trim physique filled out, his hair grayed, and his once smooth, swarthy face weathered into an appealing series of crags and crinkles. His careworn demeanor made him an ideal ex-boxer in Requiem for a Heavyweight and a natural for the villainous Bedouin he played in Lawrence of Arabia (both 1962). The success of Zorba the Greek in 1964 was the highwater mark of Quinn's career during the '60s -- it offered him another Oscar nomination -- and as the decade progressed, the quality of his film work noticeably diminished. The 1970s offered little change and Quinn became known as a ham, albeit a well-respected one. In 1971, he starred in the short-lived television drama Man in the City. His subsequent television appearances were sporadic, though in 1994, he became a semi-regular guest (playing Zeus) on the syndicated Hercules series. Though his film career slowed considerably during the 1990s, Quinn continued to work steadily, appearing in films as diverse as Jungle Fever (1991), Last Action Hero (1993), and A Walk in the Clouds (1995). In his personal life, Quinn proved as volatile and passionate as his screen persona. He divorced his wife Katherine, with whom he had three children, in 1956. The following year he embarked on a tempestuous 31-year marriage to costume designer Iolanda Quinn. The union crumbled in 1993 when Quinn had an affair with his secretary that resulted in a baby; the two shared a second child in 1996. In total, Quinn has fathered 13 children and has had three known mistresses. He and Iolanda engaged in a public and very bitter divorce in 1997 in which she and one of Quinn's sons, Danny Quinn, alleged that the actor had severely beaten and abused Iolanda for many years. Quinn denied the allegations, claiming that his ex-wife was lying in order to win a larger settlement and part of Quinn's priceless art collection. When not acting or engaging in well-publicized court battles, Quinn continued to paint and became a well-known artist. He also wrote and co-wrote two memoirs, The Original Sin (1972) and One Man Tango (1997). In the latter, Quinn is candid and apologetic about some of his past's darker moments. Shortly after completing his final film role in Avenging Angelo (2001), Anthony Quinn died of respiratory failure in Boston, MA. He was 86.

Trivia: Anjanette Comer, as a teenager, was one of those hyperkinetic types involved in every extracurricular activity available, including basketball, cheerleading and beauty contests. After attending Baylor University for a short period, 18-year-old Anjanette came to California. She planned to enroll in either UCLA or the Pasadena Playhouse; the Playhouse won. Toting up lots of TV credits on shows like Gunsmoke, Arrest and Trial, Anjanette made her first film appearance in 1965's Quick Before it Melts (1965), where she was exotically cast as a Maori girl. She then landed one of the most bizarre assignments of the 1965-66 season: in the jet-black comedy The Loved One, she played Aimee Thanatogenos, who commits suicide by embalming herself! Anjanette's movie activity dropped off in 1970 after she played Ruth in the film version of John Updike's Rabbit Run (1970); she later claimed she let her love life interfere with her work. Anjanette Comer's most recent films include Fire Sale (1977) and the made-for-TV The Long Summer of George Adams (1983).

Trivia: The son of a Lithuanian coal miner, American actor Charles Bronson claimed to have spoken no English at home during his childhood in Pennsylvania. Though he managed to complete high school, it was expected that Bronson would go into the mines like his father and many brothers. Experiencing the world outside Pennsylvania during World War II service, however, Bronson came back to America determined to pursue an art career. While working as a set designer for a Philadelphia theater troupe, Bronson played a few small roles and almost immediately switched his allegiance from the production end of theater to acting. After a few scattered acting jobs in New York, Bronson enrolled in the Pasadena Playhouse in 1949. By 1951, he was in films, playing uncredited bits in such pictures as The People Against O'Hara (1951); You're in the Navy Now (1952), which also featured a young bit actor named Lee Marvin; Diplomatic Courier (1952); Bloodhounds of Broadway (1952), as a waiter(!); and The Clown (1953). When he finally achieved billing, it was under his own name, Charles Buchinsky (sometimes spelled Buchinski). His first role of importance was as Igor, the mute granite-faced henchman of deranged sculptor Vincent Price in House of Wax (1953). The actor was billed as Charles Bronson for the first time in Drum Beat (1954), although he was still consigned to character roles as Slavs, American Indians, hoodlums, and convicts. Most sources claim that Bronson's first starring role was in Machine Gun Kelly (1958), but, in fact, he had the lead in 1958's Gang War, playing an embryonic version of his later Death Wish persona as a mild-mannered man who turned vengeful after the death of his wife. Bronson achieved his first fan following with the TV series Man With a Camera (1959), in which he played adventurous photojournalist Mike Kovac (and did double duty promoting the sponsor's camera products in the commercials). His best film role up until 1960 was as one of The Magnificent Seven (1960), dominating several scenes despite the co-star competition of Yul Brynner, Steve McQueen, Eli Wallach, and others. Most of Bronson's film roles after Seven remained in the "supporting-villainy category," however, so, in 1968, the actor packed himself off to Europe, where American action players like Clint Eastwood and Lee Van Cleef were given bigger and better opportunities. Multiplying his international box-office appeal tenfold with such films as Guns for San Sebastian (1967), Once Upon a Time in the West (1968), Cold Sweat (1970), and The Valachi Papers (1971), Bronson returned to Hollywood a full-fledged star at last. His most successful films of the 1970s were Death Wish (1974) and its sequels, a series of brutal "vigilante" pictures which suggested not so subliminally that honest people would ultimately have to dole out their own terminal justice to criminals. In many of his '70s films, Bronson co-starred with second wife Jill Ireland, with whom he remained married until she lost her fight against cancer in 1990. Bronson's bankability subsequently fell off, due in part to younger action stars doing what he used to do twice as vigorously, and because of his truculent attitude toward fans. He did little but television work after 1991's The Indian Runner (Sean Penn's directorial debut), with Death Wish 5: The Face of Death (1994) his only feature since. Bronson's onscreen career would soon draw to a close with his role as law enforcing family patriarch Paul Fein in the made-for-cable Family of Cops series.On August 30, 2003 Charles Bronson died of pneumonia in Los Angeles. He was 81.

Trivia: Nature obviously intended for Sam Jaffe to spend much of his screen career playing eccentric scientists and peppery little old men. As a child, Jaffe appeared in Yiddish stage productions with his mother, a prominent actress. He gave up the theater to study engineering at Columbia University, then served for several years as a mathematics teacher in the Bronx. He returned to acting in 1915 and never left, despite efforts by the more rabid communist-hunters of the 1950s to prevent the gently liberal-minded Jaffe from earning a living. Jaffe's now-familiar shock of wild, white hair was first put on view before the cameras in 1934's The Scarlet Empress, in which he played the insane Grand Duke Peter (several critics compared Jaffe's erratic behavior and bizarre appearance to Harpo Marx). Still only in his mid-40s, Jaffe went on to play the centuries-old High Lama in Capra's Lost Horizon (1937). In 1939, he essayed the title character in Gunga Din, though Hollywood protocol dictated that top billing go to Cary Grant, Victor McLaglen and Douglas Fairbanks Jr. Jaffe was Oscar-nominated for his performance as Doc, the "brains" in the 1950 crime film The Asphalt Jungle. His resemblance to Albert Einstein (minus the bushy moustache, of course) led to Jaffe being cast in Einsteinlike roles in Gentleman's Agreement (1947) and The Day the Earth Stood Still (1951). Jaffe was the lifelong best friend of Edward G. Robinson, with whom he appeared in the made-for-TV film The Old Man Who Cried Wolf (1971). TV viewers with long memories will recall Sam Jaffe as snowy-haired father-figure Dr. Zorba on the 1960s TV series Ben Casey, in which Jaffe was co-starred with his second wife, Bettye Ackerman.

Trivia: Supporting actor, onscreen from the '60s.

Trivia: Austrian actor Leon Askin began his stage career in Germany, then left Europe as abruptly as possible when Hitler came to power. He reactivated his career in New York in 1940, becoming an American citizen three years later. In 1952, Askin made his first Hollywood film, Assignment Paris; though not quite as heavy or menacing-looking as he'd be in the 1960s, the actor was typecast from his first movie as a villain, usually fascist. One of his best early film roles was in Road to Bali (1953), a Hope-Crosby farce in which he played a South Seas witch doctor named Ramayana. Askin later appeared in Danny Kaye's Knock on Wood (1954), this time (typically) cast as a trenchcoated Teutonic spy. More of Askin's "shifty foreigner" characterizations could be enjoyed in The Bowery Boys' Spy Chasers (1955), Billy Wilder's One Two Three (1961), and the notorious political sex farce John Goldfarb Please Come Home (1964), in which the actor played a turbaned arab. As a Nazi officer (surprise, surprise) in What Did You Do In the War, Daddy?, Askin dropped dead in anticipation of an evening in bed with a pretty young Italian girl, whereupon the local underground was forced to tote his corpulent corpse all around town to hide the fact that he'd expired. Active in films and as a drama teacher and lecturer into the 1980s, Leon Askin is best known to American TV addicts as the gross (and gross-kopfed) SS officer Burkhalter on the 1960s sitcom Hogan's Heroes.

Trivia: Born in China to Russian parents, Ivan Desny spent his formative years in Paris. It was Desny's bad luck to be there when the Nazis marched in, and he spent the war in a German labor camp along with thousands of other Russian expatriates. After the war, Desny drifted into French films, first as an extra, then as a leading man. Essentially a European actor, Desny has appeared in scattered American films, notably Anastasia (1956), Song Without End (1960) and Disney's Bon Voyage (1962). Though his film career spans four decades, Ivan Desny is most fondly remembered by English fans for his 1950 portrayal of blackmailing social climber Emile l'Angelier in director David Lean's Madeleine.

Trivia: An actor since the 1950s, Enrique Lucero is best remembered as host of the long-running Latin American radio series La Hora Latina. His screen credits include Villa (1958) and The Magnificent Seven (1960), both lensed in his native Mexico. In the 1960s, he was seen in a few horror films, quite a departure from his avuncular radio and TV image. Enrique Lucero's later films ranged from Sam Peckinpah's The Wild Bunch (in 1969 as Ignacio) to Robert Altman's The Long Goodbye (in 1973 as Jake).

Trivia: The son of Belgian actors Georges Mertens and Fernande Depernay, Fernand Gravet was a stage performer at age 5, appearing under his father's direction. Thanks to his British education and his service in His Majesty's merchant marine, Gravet was able to thrive as a stage actor in several different countries, the usual language barriers posing no problem to him. Billed as Fernand Gravey, he made his first film, L'Amour Chante, in France in 1930. He was brought to Hollywood in 1937 amidst an elaborate publicity campaign which instructed filmgoers in the proper pronunciation of his name: "Rhymes with 'Gravy'." Curiously, Hollywood insisted upon billing him as "Gravet" rather than "Gravey," possibly in anticipation of film-critic wisecracks. He starred in standard urbane-continental roles in The King and the Chorus Girl (1937) and Fools for Scandal (1938) and was cast as Johann Strauss in MGM's expensive biopic The Great Waltz. He returned to France just before the Nazi occupation. Though he agreed to star in German-approved French films, he did his utmost to undermine the invaders as a member of the French Secret Army and the Foreign Legion. Gravet returned to films a war hero, continuing to star in such productions as La Ronde (1950) and Royal Affairs in Versailles (1954). Among Fernand Gravet's last English-language performances were How to Steal a Million (1966), Guns for San Sebastian (1968) and The Madwoman of Chaillot (1969), in which he played the Police Inspector.

Trivia: The son of Mexican film legend Pedro Armendáriz, Pedro Armendáriz Jr. became a movie and television star in his own right, both in Mexico and abroad. Indeed, there are intriguing parallels between the careers of the two men: Both portrayed real-life Mexican revolutionary Pancho Villa (Sr. in multiple films, Jr. in 1989's The Old Gringo), and both had supporting roles in James Bond movies (Sr. played 007's contact in Turkey in 1963's From Russia With Love, while Jr. played a corrupt politician in 1989's Licence to Kill).Armendáriz started acting in the '70s, mostly with bit parts in violent Westerns starring Anthony Quinn, John Wayne, or Clint Eastwood. While he became a leading man in his native country, he was relegated to mostly walk-on roles in U.S. productions for a long time; while American audiences would probably best recognize him from Licence to Kill or The Old Gringo, he also had small roles in Before Night Falls(2000), The Mexican (2001), Original Sin (2001), and The Crime of Padre Amaro (2002). Back in Mexico, he finally received greater recognition for his acting with starring roles in the acclaimed films La Ley de Herodes (2000) and Su Alteza Serenisma (2001).Interestingly, Hollywood grew more interested in casting him in positions of power toward the end of his life, as he he played authority figures in such diverse films as Robert Rodriguez's Once Upon a Time in Mexico (2003), the Will Ferrell comedy Casa de mi Padre (2012), and The Mask of Zorro (1998) and its sequel The Legend of Zorro (2005). Armendáriz died of eye cancer on December 26, 2011.