Trivia: Born Herbert Alonzo McCallister Jr., he studied acting, dancing, and singing from childhood. At age 13 he began appearing onscreen in extra and bit roles. It was more than five years before he began landing speaking parts. After his portrayal of a shy GI in Stage Door Canteen (1943) he became mildly popular, and he went on to play juvenile leads in a number of films; he usually played gentle, boyish young men from the country. He found it difficult to land adult leads, partly due to the fact that he was only 5'6". In 1953 he retired from the screen. He attempted to continue acting onstage but was unsuccessful. He became an extremely successful real estate agent.

Trivia: Preston S. Foster's first public appearance was in the church choir in his home town of Ocean City, New Jersey. Gifted with a robust singing voice and muscular physique, Foster was one of the most prominent members of Pittsburgh's Pennsylvania Grand Opera Company. After Broadway experience, Foster entered films in 1929, at first specializing in such unsympathetic roles as the rebellious death-row inmate in The Last Mile (1932). He offered strong, complex performances in roles like the Irish rebel leader in The Informer (1935), the blacksmith-turned-gladiator in Last Days of Pompeii (1935), and pompous sharpshooter Frank Butler in Annie Oakley (1935). He played the title character in 1943's Roger Touhy Gangster, which barely made it to the screen thanks to severe censorial cuts. From 1954 through 1955, Preston Foster starred as tugboat skipper/ adventurer/ family man Cap'n John Herrick on the popular syndicated TV series Waterfront.

Trivia: The product of a large and widely scattered Florida family, dark-eyed, doll-faced actress Wanda Hendrix was fresh out of local community theatre when she made her film debut at the age of 16. Not overly talented, Hendrix exuded a raw energy and exotic demeanor which briefly made her a fascinating screen presence. Director Robert Montgomery was able to cajole a thoroughly convincing performance from Hendrix in 1947's Ride the Pink Horse, after which she settled into the sort of pedestrian leading-lady roles that any competent actress could have played. Despite flashes of excellence in such films as Captain Carey USA (1950) and The Highwayman (1951), Hendrix was soon demoted from prestige pictures to western programmers and TV anthologies. Married three times, Hendrix's first husband was mercurial actor/war hero Audie Murphy. After several years of inactivity, 52-year-old Wanda Hendrix died of pneumonia.

Trivia: A graduate of Santa Monica Junior College, Jack Elam spent the immediate post-World War II years as an accountant, numbering several important Hollywood stars among his clients. Already blind in one eye from a childhood fight, Elam was in danger of losing the sight in his other eye as a result of his demanding profession. Several of his show business friends suggested that Elam give acting a try; Elam would be a natural as a villain. A natural he was, and throughout the 1950s Elam cemented his reputation as one of the meanest-looking and most reliable "heavies" in the movies. Few of his screen roles gave him the opportunity to display his natural wit and sense of comic timing, but inklings of these skills were evident in his first regular TV series assignments: The Dakotas and Temple Houston, both 1963. In 1967, Elam was given his first all-out comedy role in Support Your Local Sheriff, after which he found his villainous assignments dwindling and his comic jobs increasing. Elam starred as the patriarch of an itinerant Southwestern family in the 1974 TV series The Texas Wheelers (his sons were played by Gary Busey and Mark Hamill), and in 1979 he played a benign Frankenstein-monster type in the weekly horror spoof Struck By Lightning. Later TV series in the Elam manifest included Detective in the House (1985) and Easy Street (1987). Of course Elam would also crack up audiences in the 1980s with his roles in Cannonball Run and Cannonball Run II. Though well established as a comic actor, Elam would never completely abandon the western genre that had sustained him in the 1950s and 1960s; in 1993, a proud Elam was inducted into the Cowboy Hall of Fame. Two short years later the longitme star would essay his final screen role in the made for television western Bonanza: Under Attack.

Trivia: A circus acrobat from the age of eight, Clayton Moore had performed as an aerialist with two circuses and at one World's Fair before turning 20. He became a male model in New York, then struck out for Hollywood in 1938 to seek out acting jobs. He began at the bottom rung as an extra, worked his way up to stunt man, and by 1939 was playing nondescript supporting roles. Alternating between heroes and villains in serials and B-Westerns, Moore didn't strike professional gold until 1949, when he was selected to play the "masked rider of the west" in the TV version of The Lone Ranger. He remained with the series until 1952, when he walked off the show over a salary dispute. His replacement for 26 episodes was John Hart, who had neither the bearing nor the stirring vocal timbre that had distinguished Moore's performances. Briefly returning to serials, Moore was brought back into the Lone Ranger fold in 1954 at a much higher weekly compensation. He stayed with the series until its last episode in 1956, and also starred in two Technicolor Lone Ranger theatrical features. Thereafter, Moore made a good living trading on his Lone Ranger image in TV commercials and personal appearances. In 1978, the Wrather Corporation, which owned the Lone Ranger property and was about to embark on a new feature film based on the character, served Moore with a court order barring him from appearing in public in the Ranger mask and costume. The outpouring of public support and sympathy eventually forced the Wrather people to reverse their decision, but it should be noted that they weren't quite the Scrooges depicted in the press: Throughout the 1970s, Clayton Moore made many appearances as the Lone Ranger without paying the necessary licensing fee to Wrather.

Trivia: The face of American actor Myron Healey was not in and of itself villainous. But whenever Healey narrowed his eyes and widened that countenance into a you-know-what-eating grin and exposed those pointed ivories, the audience knew that he was about to rob a bank, hold up a stagecoach, or burn out a homesteader, which he did with regularity after entering films in the postwar years. Still, Healey could temper his villainy with a marvelous sense of humor: for example, his hilarious adlibs while appearing in stock badguy roles in such TV series as Annie Oakley and Gene Autry. With 1949's Colorado Ambush Healey broadened his talents to include screenwriting. Usually heading the supporting cast, Myron Healey was awarded a bonafide lead role in the 1962 horror film Varan the Unbelievable (a Japanese film, with scattered English-language sequences), though even here he seemed poised to stab the titular monster in the back at any moment.

Trivia: Eddy Waller's career moved along the same channels as most western comedy-relief performers: medicine shows, vaudeville, legitimate theatre, movie bit parts (from 1938) and finally the unshaven, grizzled, "by gum" routine. During the '40s, Waller was teamed with virtually everyone at Republic studios. He was amusing with his soup-strainer mustache, dusty duds and double takes, but virtually indistinguishable from such other Republic sagebrush clowns as Olin Howlin and Chubby Johnson. Eddy Waller is most fondly remembered for his 26-week stint as Rusty Lee, sidekick to star Douglas Kennedy on the 1952 TV series Steve Donovan, Western Marshal.

Trivia: An outdoorsman from an early age, gangling Montana-born actor Ethan Laidlaw began showing up in westerns during the silent era. Too menacing for lead roles, Laidlaw was best suited for villains, usually as the crooked ranch hand in the employ of the rival cattle baron, sent to spy on the hero or heroine. During the talkie era, Laidlaw began alternating his western work with roles as sailors and stevedores; he is quite visible chasing the Marx Brothers around in Monkey Business (1931). Though usually toiling in anonymity, Ethan Laidlaw was given prominent billing for his "heavy" role in the 1936 Wheeler and Woolsey sagebrush spoof Silly Billies.

Trivia: From 1930 to 1934, American actress Ruth Warren was a contractee at Fox Studios. A slight woman with wide eyes and pursed lips, Warren essayed sizeable character roles in such Fox films as Lightnin' (1930), Six Cylinder Love (1931), and Zoo in Budapest (1933). She played bit roles from 1935 until her retirement in 1958. Laurel and Hardy buffs will remember Ruth Warren as the gossip-dispensing Mrs. Addlequist in Our Relations (1936).

Trivia: American actor Trevor Bardette could truly say that he died for a living. In the course of a film career spanning three decades, the mustachioed, granite-featured Bardette was "killed off" over 40 times as a screen villain. Entering movies in 1936 after abandoning a planned mechanical engineering career for the Broadway stage, Bardette was most often seen as a rustler, gangster, wartime collaborator and murderous backwoodsman. His screen skullduggery carried over into TV; one of Bardette's best remembered video performances was as a "human bomb" on an early episode of Superman. Perhaps being something of a reprobate came naturally to Trevor Bardette -- or so he himself would claim in later years when relating a story of how, as a child, he'd won ten dollars writing an essay on "the evils of tobacco," only to be caught smoking behind the barn shortly afterward.

Trivia: With his articulate speech patterns and his wide range of facial nuances, George Cheseboro was a cut above the usual western supporting player. He began his career with a stock company in 1907; three years later, he toured the Orient with another acting troupe. Vaudeville experience followed, and then in 1915 Cheseboro made his first motion picture. With 1918's Hands Up, Cheseboro became a popular serial star, extending his repertoire to western leads after serving in World War I. Though his star had faded by the time talkies arrived, Cheseboro prospered as a character actor in the many "B" westerns clogging the market in the 1930s, usually playing a scuzzy henchman, barroom bully or lynch-happy bystander. One of the actor's most satisfying screen moments occurred in the 1950 Roy Rogers feature Trail of Robin Hood. The climax contrives to have several popular western stars ride on the scene to rescue movie-star-turned-rancher Jack Holt from rustlers. As Allan Lane, Rex Allen, Monte Hale et. al. greet each other effusively, Cheseboro rides up to offer his help--whereupon he is roundly snubbed. A little girl steps out of the crowd to reprimand Cheseboro for spending his cinematic career on the wrong side of the law. "I know, honey," replies George Cheseboro with a warm smile. "But after being beaten up by Jack Holt in twenty pictures, he's reformed me!"

Trivia: American leading man William Bishop studied law at the University of West Virginia before settling upon an acting career. He came to Hollywood at the tail end of the "victory casting" period, when the major studios were hiring any and all handsome young actors to fill the gap until the major male stars like Gable and Fonda came back from the war. Under contract to MGM, Bishop was seen in sizeable but non-descript supporting roles in such films as A Guy Named Joe (1943) and Song of the Thin Man (1947). In the 1950s, the muscular, jut-jawed Bishop specialized in westerns like The Texas Rangers (1952), Redhead from Wyoming (1953) and Phantom Stagecoach (1954). His best showing during this period was as Carter Doone in Columbia's Technicolor costumer Lorna Doone (1952). For 39 weeks in 1954, Bishop costarred with Michael O'Shea and James Dunn in It's a Great Life, a TV sitcom about two ex-GIs living together in a small apartment. William Bishop died of cancer in his Malibu home at the age of 42; he had just completed work on his last film, The Oregon Trail (1959), in which he was billed just below star Fred MacMurray.

Trivia: In films from 1932, American actor/stunt man Chuck Hamilton was a handy fellow to have around in slapstick comedies, tense cop melodramas and swashbucklers. Hamilton showed up in the faintly fascistic law-and-order epic Beast of the City (1932), the picaresque Harold Lloyd comedy Professor Beware (1938), and the flamboyant Errol Flynn adventure Against All Flags (1952). When not doubling for the leading players, he could be seen in minor roles as policemen, reporters, chauffeurs, stevedores and hoodlum. From time to time, Chuck Hamilton showed up in Native American garb, as he did in DeMille's Northwest Mounted Police (1940).

Trivia: Yet another country & western music performer turned B-Western bit player, mustachioed Al Haskell and his accordion joined Johnny Luther, Chuck Baldra, Jack Jones and, to the regret of his fans, a singing Ken Maynard in Honor of the Range (1934), and later performed with Oscar Gahan and Rudy Sooter in Roy Rogers' Frontier Pony Express (1939). As an actor, Haskell would appear in nearly 100 B-Westerns and serials, almost always unbilled and often playing a henchman. His screen career lasted well into the 1950s.

Trivia: While attending the medical school of Columbia University, Gerald Mohr was offered an opportunity to audition as a radio announcer. The upshot of this was a job at CBS as the network's youngest reporter. He moved to the Broadway stage upon landing a role in The Petrified Forest. Shortly afterward, he became a member of Orson Welles' Mercury Theatre. He was chosen on the basis of his voice alone for his first film role as a heavily disguised phony mystic in Charlie Chan at Treasure Island (1939). Following wartime service, the dark, roguish Mohr was selected to play thief-turned-sleuth the Lone Wolf in Columbia's B-picture series of the same name. His detective activities spilled over into radio, where Mohr starred as Philip Marlowe, and TV, where in 1954 he was cast as Bogart-like café owner Chris Storm on the final season of the syndicated Foreign Intrigue. Gerald Mohr died at the age of 54, shortly after playing a crooked gambler in Funny Girl (1968).

Trivia: As handsome as most of the Western stars he supported, if not more so, Zon Murray (born Emery Zon Murray) often sported a mustache and was thus obviously not up to anything good. Rarely the "Boss Villain," Murray instead played scores of so-called "Dog Heavies" in run-of-the-mill Westerns from 1945 to 1956, ending his long run in the feature film version of The Lone Ranger. There would be a few minor roles in cheap action fare to come, but Murray definitely belonged to the era of the series Western. Very prolific in television as well -- especially on such shows as Gene Autry, Wild Bill Hickock, Roy Rogers, and yes, The Lone Ranger -- Murray seems to have ended his career after a bit in Requiem for a Gunfighter (1965).

Trivia: Often cast as American Indians, tough-looking stunt man/supporting player Boyd Stockman appeared in more than 50 B-Westerns and serials between 1946 and 1956, and was equally busy on such television shows as Gene Autry Show, The Range Rider, Adventures of Wild Bill Hickock, and Sky King. A namesake son (1938-1992) also worked as a Hollywood stunt man in the 1950s.