Trivia: Played basketball at NYU and had a tryout for the New York Knicks (but never played in the NBA); made theatrical-movie debut in White Men Can't Jump (1992). Produced and starred in the 1998 Fox sitcom Getting Personal; was a regular on the 1992-93 NBC sitcom Out All Night. Was nominated for a 1998 Daytime Emmy for Different Worlds: A Story of Interracial Love. Wife Tisha Campbell-Martin played his sister in a recurring role in his 2003-06 UPN/CW sitcom All of Us. Cowrote, coproduced and starred in the 2003 crime drama Ride or Die and the 2004 comedy Seat Filler (he also distributed Seat Filler and cowrote it with Campbell-Martin). Founded Impact Sports, an agency that represents pro athletes, in 1987; other business interests have included real estate and a Beverly Hills beauty salon.

Trivia: Although she may not have achieved her youthful dream of becoming a Solid Gold dancer, some might argue that it was more a matter of overshooting that dream rather than failing to achieve it. Elise Neal still loves to dance, even appearing on Star Search before working professionally as a dancer, though she is more likely to be recognized for her frequent work in television and film.Born in Tenessee, Neal's ballerina beginnings were set into motion after spending long hours in front of the television admiring the cutesy song-and-dance antics of Shirley Temple. A popular teenager, Neal was voted Homecoming Queen, and after high school moved to New York to pursue a career as a dancer. Finding frequent work in musical theater that eventually led to small roles in commercials, Neal soon began to realize her affection for appearing on camera. After moving to L.A. to chase her newfound dreams of becoming a full-time actress, Neal made an appearance on Law & Order before her screen debut in Spike Lee's Malcolm X (1992). Appearing frequently in television for the next few years with recurring roles in such series as SeaQuest DSV and Tales of the City, Neal later appeared in John Singleton's Rosewood and Money Talks (both 1997) before making a memorable appearance in Scream 2. Moving seamlessly between roles in television and film, Neal moved into sitcom territory with The Hughleys before returning to the screen in 2000 with Mission to Mars.

Trivia: Appeared in Tupac Shakur's final music video, "Toss It Up," in 1996. Served as First Lady of Turks and Caicos during her marriage to Michael Misick. Founded the Turks and Caicos Film Festival with Jasmine Guy. Is a Global Ambassador for the Susan G. Komen Race for the Cure foundation. Made her directorial debut with the 2014 film Skinned.

Trivia: A dedicated actress who has transcended her meager beginnings to become a valuable onscreen commodity, Terri J. Vaughn did her best to keep off of the streets while growing up in San Francisco's Ridgeview Terrace Housing Project -- and one look at her impressive film credits shows that all of the hard work most definitely paid off. The daughter of a hardworking secretary and department-store employee, Vaughn divided her time between studying, singing in the church choir, modeling, and working at McDonald's early on. And while all of this served well to instill the ambitious young woman with a solid sense of self and purpose, her peers weren't always so impressed. It was during this period in her life that Vaughn became a frequent target for neighborhood bullies, which helped her to realize just how hopeless some of her peers truly felt. Later, Vaughn was determined to purchase her own car and go to college -- a goal she ultimately achieved by working as an operator and a post-office employee in order to pay both her car payments and her tuition at California State University. At a friend's request, Vaughn participated in the Miss Black California Pageant while a senior at CSU. Her reading of a passage from Ntozake Shange's For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf marked a turning point when she earned a spot in the Los Angeles finals and one of the judges asked her to appear in a play he was producing. Soon spirited away on a 20-city tour of Tellin' It Like It Tiz, Vaughn had finally found her calling in life. Numerous stage roles were quick to follow, with a brief appearance on the hit television series Living Single marking her arrival as a film and television actress. Throughout the 1990s, Vaughn's career gained momentum thanks to parts in such films as Friday, Don't Be a Menace to South Central While Drinking Your Juice in the Hood, and 8 Heads in a Duffel Bag, with subsequent television roles in The Steve Harvey Show, Soul Food, and All of Us showing that the rising starlet was equally comfortable on screens both large and small. In 2006 and 2007, respectively, Vaughn could be seen in the independent comedy drama Dirty Laundry and the Tyler Perry drama Daddy's Little Girls. In addition to her acting work, Vaughn has shown her commitment to bettering the lives of young girls growing up in public housing and foster care by founding the Take Wings Foundation -- which aims to motivate, uplift, and inspire adolescents aged 13 to 18 by encouraging them to be positive, productive, and successful.

Trivia: A graduate of the Curry School of Oratory and Dramatic Art, James Vincent had spent 15 years in the legitimate theater prior to entering films in the early 1910s. A specialist in old-fashioned melodrama, Vincent directed Charles Ray in In the Tennessee Hills (1914), Theda Bara in Gold and the Woman, and Stuart Holmes in Sin of Man (1916) but is perhaps best remembered for helming the still-extant A Woman in Grey (1919). Featuring Arline Pretty and filmed on location at Wilkes-Barre, PA, this 15-chapter serial remains a perfect example of the kind of fare usually associated with the likes of Pearl White and Ruth Roland and is still vastly entertaining today. Vincent retired from the screen in 1922.

Trivia: Partway through the second American Idol in early 2003, guest judge Gladys Knight christened corpulent crooner Ruben Studdard a "velvet teddy bear," a nod to his smooth, Luther Vandross-styled voice and his Barry White-sized girth. It was a nickname that stuck, since it captured the persona of the 25-year-old Birmingham, AL, native who had unexpectedly become the front-runner in the national televised talent show. Surrounded by skinny kids emulating Kelly Clarkson and Justin Guarini, the two singers who walked away with the debut American Idol in 2002, Studdard stood out with his massive frame, winning smile, easygoing style, mellow voice, and trademark jerseys bearing the number 205, the area code of his hometown. That hometown looms large in the background of Ruben. The son of two teachers, Studdard was born in Birmingham on July 14, 1978. As a child, he sang at his parents' Baptist church, but it wasn't until college that he became serious about music. Abandoning a promising career in football that would lead to an athletic scholarship at Alabama A&M University, he decided to switch his major and study voice at the school, graduating with a degree in 2000. He started his professional career as a singer for Just a Few Cats, a Birmingham-based jazz and soul band. During 2002, Ruben joined one of the group's backup singers at an audition for the second American Idol, making the first round of cuts at his local audition, then winning himself a slot on the national television program. Studdard made a big impression from the start. Where most of his competitors were pop star wannabes hungry to win the competition, Ruben was quiet and exceedingly laid-back, impressing audiences and judges alike with his large voice and easy confidence. He soon climbed to the top of the pack and stayed there throughout the show, only once being voted into an elimination round. By that point, American Idol 2003 had turned into a horse race between Studdard and Clay Aiken, a skinny, geeky kid from the South whose appearance and taste were nearly the polar opposite of Ruben's. Like many horse races, this one ended in a photo finish, with Ruben beating Clay by a few thousand votes in May 2003. Within a month after the end of competition, Ruben's first single, "Flying Without Wings," was released concurrently with Clay's "This Is the Night," a release scheme designed to keep the competition alive. Aiken beat Studdard to the top of the charts, and shortly afterward, it was announced that the planned joint August release of their debuts would be delayed, and each record would be released separately. As Aiken rode a wave of popularity that eclipsed Studdard's, Ruben worked frenetically -- recording his debut, touring with American Idol, filming a cameo for Scooby Doo 2: Monsters Unleashed, and suing 205 Flava Inc., the company that made the jerseys he famously wore on American Idol, claiming that the clothes makers illegally profited from his image (205 Flava Inc. countered that they paid the singer 1,000 dollars to wear the jerseys on the show during the competition, and presented checks written to Ruben's brother and manager on MTV News to support their claim). As Ruben worked, his album's release date kept getting pushed back, first from an August release, back to October, and then to November. Studdard's sessions boasted a variety of producers and collaborators, including Fat Joe, Missy Elliott, and R. Kelly, whose names were leaked to press during recording in an effort to shore up Ruben's hip-hop and R&B credentials. When the finished product, entitled Soulful, was finally released on December 9, 2003, it didn't boast either the highly touted Missy or Kelly tracks (though Fat Joe made the cut), but it did display a distinct hip-hop-flavored R&B bent, which stood in contrast to the pop-oriented efforts by other American Idol contestants Clay Aiken, Kelly Clarkson, and Justin Guarini. The gospel album I Need an Angel followed one year later. In fall 2006, Studdard revisited his urban roots with the aptly named third album The Return, which featured such contributors as Scott Storch and Ne-Yo.