Trivia: Best known as the rumpled television detective Columbo, character actor Peter Falk also enjoyed a successful film career, often in association with the groundbreaking independent filmmaker John Cassavetes. Born September 16, 1927, in New York City, Falk lost an eye at the age of three, resulting in the odd, squinting gaze which later became his trademark. He initially pursued a career in public administration, serving as an efficiency expert with the Connecticut Budget Bureau, but in the early '50s, boredom with his work sparked an interest in acting. By 1955, Falk had turned professional, and an appearance in a New York production of The Iceman Cometh earned him much attention. He soon graduated to Broadway and in 1958 made his feature debut in the Nicholas Ray/Budd Schulberg drama Wind Across the Everglades.A diminutive, stocky, and unkempt presence, Falk's early screen roles often portrayed him as a blue-collar type or as a thug; it was as the latter in 1960's Murder Inc. that he earned a Best Supporting Actor Oscar nomination, a major career boost. He was nominated in the same category the following year as well, this time as a sarcastic bodyguard in Frank Capra's Pocketful of Miracles. In 1962, Falk won an Emmy for his work in the television film The Price of Tomatoes, a presentation of the Dick Powell Theater series. The steady stream of accolades made him a hot property, and he next starred in the 1962 feature Pressure Point. A cameo in Stanley Kramer's 1963 smash It's a Mad, Mad, Mad, Mad World preceded Falk's appearance in the Rat Pack outing Robin and the Seven Hoods, but the film stardom many predicted for him always seemed just out of reach, despite lead roles in 1965's The Great Race and 1967's Luv.In 1968, Falk first assumed the role of Columbo, the disheveled police lieutenant whose seemingly slow and inept investigative manner masked a steel-trap mind; debuting in the TV movie Prescription: Murder, the character was an immediate hit, and after a second telefilm, Ransom for a Dead Man, a regular Columbo series premiered as part of the revolving NBC Mystery Movie anthology in the fall of 1971, running for seven years and earning Falk a second Emmy in the process. In the meantime, he also continued his film career, most notably with Cassavetes; in 1970, Falk starred in the director's Husbands, and in 1974 they reunited for the brilliant A Woman Under the Influence. In between the two pictures, Falk also returned to Broadway, where he won a Tony award for his performance in the 1972 Neil Simon comedy The Prisoner of Second Avenue. In 1976, Cassavetes joined him in front of the camera to co-star in Elaine May's Mikey and Nicky, and directed him again in 1977's Opening Night.After Columbo ceased production in 1978, Falk starred in the Simon-penned mystery spoof The Cheap Detective, followed by the William Friedkin caper comedy The Brink's Job (1978). After 1979's The In-Laws, he starred two years later in ...All the Marbles, but was then virtually absent from the screen for the next half decade. Cassavetes' 1986 effort Big Trouble brought Falk back to the screen (albeit on a poor note; Cassavetes later practically disowned the embarrassing film) and and in 1987 he starred in Happy New Year along with the Rob Reiner cult favorite The Princess Bride. An appearance as himself in Wim Wenders' masterful Wings of Desire in 1988 preceded his 1989 resumption of the Columbo character for another regular series; the program was to remain Falk's focus well into the next decade, with only a handful of film appearances in pictures including 1990's Tune in Tomorrow and a cameo in Robert Altman's The Player. After the cancellation of Columbo, he next turned up in Wenders' Desire sequel Far Away, So Close before starring in the 1995 comedy Roommates. Falk continued to work in both film and television for the next decade and a half, starring in various Columbo specials through 2003, appearing with Woody Allen in the made-for-TV The Sunshine Boys in 1997, and playing a bar owner caught up in mafia dealings in 1999's The Money Kings. Other projects included the Adam Sandler-produced gangster comedy Corky Romano (2001), the Dreamworks animated family film A Shark Tale (as the voice of Ira Feinberg), and the Paul Reiser-scripted, Raymond de Felitta-directed comedy-drama The Thing About My Folks (2005). In 2007, Falk starred opposite Nicolas Cage and Julianne Moore in Lee Tamahori's sci-fi thriller Next. That same year, Falk announced to the public that he had Alzheimer's disease. He died in June 2011 at age 83.

Trivia: Learning the ropes at the Bucks County Playhouse and New York's Neighborhood Playhouse, Jessica Walter, born January 31st, 1949, made her Broadway debut in 1961's Advise and Consent. The raven-haired leading lady was then seen on a regular basis in several Manhattan-based TV programs, including the daytimer Love of Life and the 1965 nighttime series For the People. In films from 1964, Jessica was one of eight young female "newcomers" (Candice Bergen, Elizabeth Hartman, Joanna Pettet et. al.) who went on to greater things after appearing en masse in Sidney Lumet's The Group (1966). Her flashiest screen role was as the dangerously possessive "number one fan" Evelyn Draper in Clint Eastwood's Play Misty for Me (1971). Of her many weekly-TV assignments, Walter's title role in the mid-'70s cop series Amy Prentiss garnered her the most attention; that is, until recently, when Walter found late-career acclaim on the award-winning sitcom Arrested Development. As the insensitive, materialistic matriarch of the Bluth family, Walter garnered a plum comedic role, and Emmy attention to boot. Walter continued to remain active in television appearances following the cancellation of Arrested Development, and joined the cast of the Broadway revival of Anything Goes in 2011.

Trivia: José Ferrer (born José Vincente Ferrer de Otero y Cintron in Puerto Rico) decided to become an actor while in college. Early in his career he appeared with James Stewart and Joshua Logan at the Triangle Theater. In 1935 he debuted on Broadway with a walk-on part; he soon began to land bigger roles and quickly established his reputation as a highly versatile actor, performing in roles ranging from the comic title role in Charlie's Aunt to the evil Iago in Othello, and he began directing Broadway productions in 1942. Ferrer debuted onscreen as the Dauphin opposite Ingrid Bergman in Joan of Arc (1948), for which he received a "Best Supporting Actor" Oscar nomination. He later became internationally famous, and won a "Best Actor" Oscar for reprising his theatrical lead in the film version of Cyrano de Bergerac (1950). Ferrer earned another Oscar nomination for his portrayal of painter Toulouse-Lautrec in Moulin Rouge (1952). While both roles definitely enhanced his career, he later complained that they lead him to become typecast, and sometimes went years between film offers. In the mid-'50s he began directing films (usually ones in which he appeared), starting with The Shrike (1955). Also in the mid-'50s he made several successful recordings with his third wife, singer Rosemary Clooney. After 1962 he gave up directing and concentrated on stage and screen character acting, usually being typecast in his films as a swarthy foreigner. He continued to appear frequently in films into the '90s, meanwhile doing much TV work. His first wife was actress Uta Hagen.

Trivia: Lead actor, former juvenile, onscreen from 1972.

Trivia: The son of actors Robert Walker and Jennifer Jones, Robert Walker Jr. began training for his own show business career at the Actors' Studio in the early '60s. "I would like to develop as an actor in obscurity," Walker commented in reference to his parents' fame, but the young actor's striking resemblance to his father (who died in 1951) made it virtually impossible for the two Robert Walkers to be separated in the minds of the public. The younger Walker worked steadily on television and stage, and co-starred in films of varying quality from 1963 to 1984. Robert Walker Jr. is best remembered for valiantly stepping into the shoes of Jack Lemmon when he was cast in the title role in the Mister Roberts sequel Ensign Pulver (1964).

Trivia: The son of a court reporter, actor Lew Ayres began his performing career upon high school graduation when he attempted to make a living as a banjo player. Ayres' college-boy good looks led to extra work in the movies, and before he was 21 the young actor was starring opposite Greta Garbo in The Kiss (1929).Director Lewis Milestone, recognizing Ayres' natural talent and precocious self-confidence, cast him in the demanding role of disillusioned German soldier Paul Baumer in All Quiet on the Western Front (1930), an intensely powerful antiwar film which went on to win an Academy Award. Ayres was superb, but his gentle demeanor and callow handsomeness resulted in his being stereotyped in film roles as a spoiled rich boy (though one of these roles, as Katharine Hepburn's perennially drunken younger brother in Holiday (1938), was among the actor's best work).Ayres' star status was boosted in 1938 when he was hired to play Dr. Kildare in MGM's long-running series of Kildare B-pictures. After appearing in nine Kildare films, he declared himself a conscientious objector and refused to bear weapons when called upon to serve in World War II; the actor was publicly perceived to be a coward, and MGM dropped his contract. After the war, the public learned of Ayres' bravery under fire as a non-combatant medical corpsman, and he was permitted to resume his career. He continued to work in character roles throughout the 1950s, 1960s, 1970s, and 1980s; he even portrayed one of Mary Richards' dates on a 1976 episode of The Mary Tyler Moore Show. As active socially as he was professionally, Ayres was married three times; his second wife was Ginger Rogers. Two days after celebrating his 88th birthday, Ayres died in his sleep in his Los Angeles home.

Trivia: Character actor Art Batanides made a number of appearances in film and television, but will be best remembered for his work on the Police Academy franchise and on the extremely popular late-'70s/early-'80s television series Happy Days. Batanides died in early 2000, at age 77.

Trivia: Soft-spoken, blond supporting actor William Christopher is best remembered for portraying mild-mannered Father Mulcahy on the classic television comedy M*A*S*H (1972-1983), but his career began back in the mid-1960s, with guest spots on shows like The Patty Duke Show and The Andy Griffith Show. In 1983, he reprised the role of Mulcahy in the short-lived sitcom After M*A*S*H (1983-1984). Between 1996 and 1997, he and former M*A*S*H castmate Jamie Farr headlined a touring production of Neil Simon's The Odd Couple. He had a recurring role on Days of Our Lives in 2012, once again playing a priest. Christopher died in 2016, at age 84.

Trivia: Character actor Lou Wagner has been visible in movies and television since the mid-'60s, but his most visible big-screen part was played under such heavy makeup that audiences can be forgiven for not remembering him. Wagner was one of a handful of actors carried over from the original Planet of the Apes (1968) to its sequel, Beneath the Planet of the Apes (1970), playing Lucius, the young assistant to chimpanzee scientists Cornelius (Roddy McDowall and David Watson) and Zira (Kim Hunter) in the two movies. Born in San Jose, CA, in 1948, Wagner's short stature (reportedly five feet, two inches) and youthful features made him a natural to play young teenagers, and across the late '60s and into the start of the 1970s he often did just that, on series such as Lost in Space and Dragnet, in addition to appearances in feature films, including Hello Down There (1969) and Airport (1970, in which he had three very funny scenes as a know-it-all boy passenger). In his television debut in the Lost in Space episode "The Haunted Lighthouse," Wagner managed to squeeze some pathos out of the role of a lonely alien boy with a secret, while on the Dragnet episode "The Big Departure" he made the most of his role as a pseudo-intellectual teenage rebel. By the 1970s, in addition to showing up in Conquest of the Planet of the Apes, Wagner had settled into character and supporting roles, mostly in television, with the occasional movie role here and there. He has worked regularly into the 21st century, with an occasional bigger part to highlight his career, such as his starring role in Starry Night (1999).

Trivia: Some actors and actresses remain forever associated with one memorable role that outshines all others; that is particularly true of beautiful and glamorous Deidre Hall, better known as Dr. Marlena Evans on the NBC daytime soap opera Days of Our Lives -- a part that Hall held for years. A native of Milwaukee, WI, Hall was born in the autumn of 1947 as an identical twin, and raised by her parents (a postal worker father and a high-school secretary mother) in Lake Worth, FL. She experienced her first brush with fame by vying for -- and winning -- the title of Junior Orange Bowl Queen at age 12, and subsequently attended a local junior college before moving to Los Angeles and kick-starting a modeling and acting career. Hall made her first several dramatic appearances as a television guest star, on episodes of such programs as Adam-12 and The Streets of San Francisco, then landed the lead role of ElectraWoman on the Saturday-morning children's program ElectraWoman and DynaGirl.It was Days, however, that brought Hall her broadest recognition; producers enlisted her to play Evans in 1976, and she remained with the program until 1987, when she temporarily withdrew from the part to focus all of her attentions on a much different prime-time role: Jesse Witherspoon, a widow raising several children with the assist of her lovable and slightly cantankerous father-in-law (Wilford Brimley), on the Sunday-night family-oriented drama Our House. That series lasted two seasons, and in the years that followed, Hall focused her energies solely on prime-time work, in telemovies such as Take My Daughters, Please (1988) and Perry Mason: The Case of the All-Star Assassin (1989). By 1991, however, Hall opted to re-join Days of Our Lives with a much-publicized return of Dr. Marlena Evans, and remained with the iconic series over the ensuing decades.Off-camera, Hall made headlines as the mother of two children born to a surrogate, experiences dramatized for viewers when she played herself in the ABC made-for-television feature Never Say Never: The Deidre Hall Story (1995). Hall received numerous laurels over the years for her acting work, including Soap Opera Digest awards and multiple Emmy nominations.

Trivia: Robust American character actor Donald Diamond was generally typecast as a Spaniard or a Native American. He worked frequently on television and in films from the '50s through the early '70s.

Trivia: Mike Lally started in Hollywood as an assistant director in the early 1930s. Soon, however, Lally was steadily employed as a stunt man, doubling for such Warner Bros. stars as James Cagney and Pat O'Brien. He also played innumerable bit roles as reporters, court stenographers, cops and hangers-on. Active until 1982, Mike Lally was frequently seen in functionary roles on TV's Columbo.

Trivia: Former president and long-time board member of the Screen Extras Guild (1963-1967), Tony Regan began his lengthy film career in 1926 working in Paramount Pictures' mailroom. He eventually rose to become the head of outer casting. In 1958, Regan left Paramount to become an extra in such films as Follow Me, Boys! (1966).

Trivia: Character actor John Finnegan first appeared onscreen in the '70s.

Trivia: American actor Bruce Kirby made his Broadway bow at age 40 in the 1965 production Diamond Orchid. More stage work followed, and then movie assignments, commencing with the all-star Catch 22 (1970), and continuing into the 1980s with such productions as Sweet Dreams (1985) and Throw Momma from the Train (1987). Kirby's TV career has embraced both series successes (1989's Anything But Love, as Jamie Lee Curtis' father), ignoble failures (1976's Holmes and Yoyo, as Henry Sedford), and a few projects which never sold (Kirby was in two busted pilots for something called McNamara's Band). In 1984, Kirbyreturned to Broadway to understudy Dustin Hoffman as Willy Loman in the revival of Death of a Salesman. Bruce Kirby, sometimes billed as Bruce Kirby Sr., was the father of actor Bruno Kirby, who formerly billed himself as B. Kirby Jr.

Trivia: American character actor Vito Scotti may not be the living legend as described by his publicity packet, but he has certainly been one of the most familiar faces to bob up on small and large screens in the last five decades. Scotti's father was a vaudeville impresario, and his mother an opera singer; in fact, he was born while his mother was making a personal appearance in San Francisco. Launching his own career at seven with an Italian-language commedia del arte troupe in New York, Scotti picked up enough improvisational knowhow to develop a nightclub act. When the once-flourishing Italian theatre circuit began to fade after World War II, Scotti began auditioning for every job that came up -- whether he could do the job or not. Without his trademarked mustache, the diminuitive actor looked like a juvenile well into his thirties, and as such was cast in a supporting role as a timorous East Indian on the "Gunga Ram" segment of the '50s TV kiddie series Andy's Gang. Once the producers discovered that Scotti had mastered several foreign dialects, he was allowed to appear as a comic foil to Andy's Gang's resident puppet Froggy the Gremlin. In nighttime television, Scotti played everything from a murderous bank robber (on Steve Canyon) to a misplaced Japanese sub commander (on Gilligan's Island). He was indispensable to TV sitcoms: Scotti starred during the 1954 season of Life with Luigi (replacing J. Carroll Naish), then appeared as gesticulating Latin types in a score of comedy programs, notably The Dick Van Dyke Show (as eccentric Italian housepainter Vito Giotto) and The Flying Nun (as ever-suspicious Puerto Rican police captain Gaspar Fomento). In theatrical films, Scotti's appearances were brief but memorable. he is always greeted with appreciative audience laughter for his tiny bit as a restauranteur in The Godfather (1972); while in How Sweet it Is (1968) he is hilarious as a moonstruck chef, so overcome by the sight of bikini-clad Debbie Reynolds that he begins kissing her navel! Vito Scotti was still essaying dialect parts into the '90s.

Trivia: An American-born actor reared in Ireland and England, McGoohan made a memorable impression on the American and English viewing audiences by playing essentially the same role in three different television series. He began his performing career as a teen-ager, eventually played Henry V for the Old Vic company in London, and made mostly unremarkable films in the '50s. His movies include the delightful Disney film The Three Lives of Thomasina (1964). Success came in 1961, when McGoohan played government agent John Drake in Danger Man, a role he continued on Secret Agent (1965-66). He created, produced and often wrote episodes of the nightmarish, surrealistic cult series The Prisoner (1968-69). This show featured a character assumed to be the same John Drake (although he was known as Number 6 and his real name was never mentioned), who had been kidnapped and taken to a strange community. McGoohan later starred in the TV series Rafferty (1977) and directed the film Catch My Soul (1974). He won an Emmy Award in 1975 for his guest appearance on Columbo with Peter Falk.

Trivia: Actor George Hamilton got his start in high school dramatics. Movie-star handsome, Hamilton played the lead in his very first film, Crime and Punishment USA (1959). While his acting talent was barely discernible in his earliest effort, Hamilton steadily improved in such MGM films as Home From the Hill (1960), Where the Boys Are (1960), Light in the Piazza (1961). He was at his best in a brace of biopics: in Warner Bros.' Act One (1963) he played aspiring playwright Moss Hart, while in Your Cheatin' Heart (1965), he registered well as self-destructive C&W singer Hank Williams. His much-publicized mid-1960s dating of President Johnson's daughter Lynda Bird was unfairly written off by some as mere opportunism, a calculated ploy to buoy up a flagging career. In fact, it did more harm than good to Hamilton: by 1969, movie roles had dried up, and he was compelled to accept his first TV-series role, playing jet-setter Duncan Carlyle in The Survivors. The following year, he starred as State Department functionary Jack Brennan in the weekly TV espionager Paris 7000. He staged a spectacular comeback as star and executive producer of Love at First Bite (1979), a screamingly funny "Dracula" take-off that won the actor a Golden Globe nomination. Even better was Zorro the Gay Blade (1980), which unfortunately failed to match the excellent box-office performance of First Bite but which still provided a much-needed shot in the arm to Hamilton's career. He went on to play such campish roles as villainous movie producer Joel Abrigor in TV's Dynasty (1985-86 season only) and jaded 007-type Ian Stone in the weekly Spies (1987). Throughout the thick and thin of his acting career, Hamilton remained highly visible on the international social scene, squiring such high-profile lovelies as Elizabeth Taylor and Imelda Marcos. He also remained financially solvent with his line of skin products and tanning salons. In 1995, George Hamilton hopped on the talk-show bandwagon, co-starring with his former wife Alana (who'd remarried rocker Rod Stewart) on a not-bad syndicated daily TV chatfest.

Trivia: Publicity notwithstanding, Lesley Ann Warren did not exactly burst fully grown into the world in 1966 to star in the Rodgers and Hammerstein TV special Cinderella. Trained at New York's Professional Children's School, Lesley Ann studied under Lee Strasberg before making her Broadway debut in 110 in the Shade, the 1964 musical version of The Rainmaker. On the strength of Cinderella, Lesley Ann was signed to a Disney contract; but after starring in The Happiest Millionaire (1966) and The One and Only Genuine Original Family Band, she rebelled against her studio-imposed sweetness-'n'-light image. Upon replacing Barbara Bain in the long-running espionage TVer Mission: Impossible in 1970, Warren publicly emphasized that her character, Dana Lambert, was a "now" person, wise in the ways of sex. She stayed with Mission for only a year, after which she established herself as a leading light in the made-for-TV movie field, frequently cast as an older woman involved romantically with a much-younger man. She earned an Academy Award nomination for her hilarious performance as bleach-blond gangster's moll Norma in Victor/Victoria (1981), then starred in a couple of intriguing Alan Rudolph-directed dramas, Choose Me (1984) and The Songwriter (1986). Her more recent roles include Molly, the homeless woman in Mel Brooks' Life Stinks(1991), who goes into a "death throes" act whenever she feels like it, and the barracuda booking agent for c-and-w star George Strait in Pure Country (1994). For nearly a decade, Lesley Ann Warren was the wife of producer/hairstylist Jon Peters.