Trivia: One of the most unique and distinguished of all Hollywood actors, Roy Scheider first hit his career peak in the 1970s, and will forever be associated with the "American film renaissance" of that decade thanks to his prominent billing in four vital motion pictures from the period: The French Connection (1971), Klute (1971), Jaws (1975), and All That Jazz (1979). As this list demonstrates, Scheider exhibited versatility in choice of material. He also, however, established a trademark persona that carried him from project to project: that of a slightly sardonic, wizened everyman who nonetheless evinced an unmistakable degree of sensitivity and emotional fragility beneath a tough exterior. Born November 10, 1932, in Rutgers, New Jersey, Scheider attended Rutgers University, as well as Franklin and Marshall College, where he studied history; meanwhile, an early boxing injury (in the New Jersey Diamond Gloves Competition) left Scheider with a broken nose that would soon become one of his trademarks. He subsequently joined the United States Air Force and served three years, ascending to the rank of first lieutenant, then returned to Franklin and Marshall for drama work, beginning with a much-acclaimed performance in Shakespeare's Richard III. Scheider inaugurated his professional career as a thespian by cutting his chops on the New York stage, as Mercutio in the New York Shakespeare Festival's 1961 production of Romeo and Juliet, and appeared in a couple of shoestring-budget cheapies (such as the 1963 Curse of the Living Corpse). Additional movie roles followed, but the actor really only made his breakthrough in 1971, with two of the said parts -- in Klute (as the pimp of hooker Bree Daniels) and in William Friedkin's groundbreaking cop thriller The French Connection (as Buddy Russo, the somewhat low-key and subdued partner of Gene Hackman's manic Popeye Doyle). An additional cop role, in The Seven-Ups (1973), followed, but by this point, Scheider had reportedly grown concerned that he would be pegged and typecast as a policeman and decided to branch out with an offbeat turn in the romantic comedy Sheila Levine Is Dead and Living in New York (1975). When that picture unequivocally flopped, Steven Spielberg helped rescue Scheider (and in many ways put the actor on the proverbial map) by casting him as the lead, Police Chief Martin Brody, in the blockbuster shocker Jaws (1975). After this, roles proliferated; Scheider evoked a death-wish-laden Bob Fosse in the gonzo musical drama All That Jazz (1979, a part he inherited from Jaws co-star Richard Dreyfuss), and also chalked up a series of leads in Hitchcockian thrillers including Jonathan Demme's The Last Embrace (1979) and Robert Benton's Still of the Night (1982). Scheider remained equally active through the 1980s and '90s, though his choice of projects waxed slightly more uneven, ranging from the inspired (1986's 52 Pick-Up, 1990's The Russia House) to the abysmal (1986's The Men's Club). The actor retained a firm hold on his craft, however, and delivered some of the finest work of his career late in the game, with prominent roles in David Cronenberg's 1991 Naked Lunch (as a wiseacre physician) and Bart Freundlich's family-themed psychodrama The Myth of Fingerprints (1997, as a seriously deranged father with a seedy and twisted past). The 1990s also found Scheider embarking on a television career for the first time, with a regular role as Captain Nathan Hale Bridger in Steven Spielberg's sci-fi adventure series seaQuest DSV (1993-1996). Scheider would return to television a decade later, with a recurring portrayal of Fyodor Chevchenko on the prime-time drama Third Watch; in the mean time, the actor continued to tackle roles in additional features and even direct-to-video movies, including Time Lapse (2001), Red Serpent (2002), Wes Craven Presents Dracula II: Ascension (2003), and The Poet (2007). By the mid-2000s, Scheider contracted multiple myeloma and began to suffer from related health problems; he died in February 2008 of complications from a staph infection. The actor was 75.

Trivia: Supporting and occasional lead actor Tony Lo Bianco is perhaps best known as a television actor, but he has also found success on-stage and in films. The New York native specializes in playing streetwise Italians. He started out in theater and made his feature film debut in The Honeymoon Killers (1969) as a murderous gigolo involved with an overweight nurse. He subsequently went on to appear, primarily as a character actor, in low-budget and major features. On television, he guest starred on numerous series and has appeared in such miniseries as Bella Mafia (1997) and made-for-television outings like Jesus of Nazareth (1977). Lo Bianco has also directed episodes of television series such as Police Story and Cliffhangers. In 1985 he directed Too Scared to Scream.

Trivia: Like his more famous colleagues Eddie Egan and Sonny Grosso whose exploits provided the basis for The French Connection, former New York City policeman Jerry Leon appeared in several crime dramas during the early 1970s.

Trivia: American character actor Larry Haines only appeared in a couple of feature films, including The Odd Couple (1968). He spent the rest of his long career appearing in theater, on a TV soap opera, and doing commercial voiceovers.

Trivia: Ken Kercheval couldn't always count on his acting income to keep groceries in his icebox during his early years in show business. During slack times, Kercheval took a wide variety of part-time jobs: encyclopedia salesman, airline reservation clerk, sewer-line dynamiter, even cemetery plot peddler. When times were good, Kercheval appeared on stage by night, and in such New York-based soap operas as Search for Tomorrow, The Secret Storm and How to Survive a Marriage. He was also a journeyman film actor, essaying supporting roles in such productions as Pretty Poison (1968), The Seven Ups (1971) and Network (1976). Beginning in 1978, Kercheval played lawyer Cliff Barnes, the long-suffering brother-in-law of Bobby Ewing (Patrick Duffy) on TV's Dallas. Evidently Barnes' retainer was generous enough for him to ignore the endless humiliations doled out by the shifty J. R. Ewing (Larry Hagman), inasmuch as Kercheval and Hagman were the only Dallas regulars to appear continuously until the series' cancellation. During Dallas' run, Ken Kercheval occasionally moonlighted in made-for-TV films, notably in the role of Buffalo Bill in 1984's Calamity Jane.

Trivia: Costarring actor, onscreen from 1973.

Trivia: Bill Hickman is best known for his stunt work and expert driving in films of the '60s and '70s. Hickman specialized in chase scenes and prime examples of his work can be seen in such films as Bullitt, The Love Bug, The French Connection and What's up, Doc? He started out as a child appearing in the "Our Gang" series. Later in his career he also did some directing.

Trivia: Joe Spinell had the sort of face that you wouldn't want to confront in a dark alley -- which suited the actor fine. From his first film appearance in The Godfather (1972) onward, the powerfully built Spinell thrived in roles calling for heavy-breathing menace and brute strength. As such, he was the ideal "opposite" for the musclebound Sylvester Stallone in such films as Rocky (1975) and Paradise Alley (1978). Taking advantage of his established screen persona, Spinell produced, co-wrote, and starred in the 1980 scarefest Maniac, which one observer described as "nihilistic gore." Joe Spinell was the son of actress Mary Spinell, who had some 50 film appearances to her credit -- including the aforementioned Godfather.