Trivia: Though actor George Peppard could have succeeded on his looks alone, he underwent extensive training before making his first TV and Broadway appearances. The son of a building contractor and a singer, Peppard studied acting at Carnegie Tech and the Actor's Studio. His early TV credits include the original 1956 production of Bang the Drum Slowly, in which he sang the title song. He made his film debut in 1957, repeating his Broadway role in Calder Willingham's End As a Man, retitled The Strange One for the screen. His star continued to ascend in such films as Home From the Hill (1960) with George Hamilton, and Breakfast at Tiffany's (1961) as the boyfriend/chronicler of carefree Holly Golightly (Audrey Hepburn). He was also effective as James Stewart's son in How the West Was Won (1962), a characterization that required him to age 30 years, and as the Howard Hughes counterpart in The Carpetbaggers (1963), in which he co-starred with the second of his five wives, Elizabeth Ashley. In 1978 he made a respectable directorial debut with Five Days From Home, but never followed up on this. A familiar television presence, he starred on the TV series Banacek (1972-1973), Doctors Hospital (1975), and The A-Team (1983-1987), and delivered a powerhouse performance as the title character in the 1974 TV-movie Guilty or Innocent: The Sam Sheppard Case. Forced to retire because of illness, George Peppard died of cancer in the spring of 1994.

Trivia: Movie and TV leading man Dirk Benedict was young, handsome, muscular and enthusiastic. These qualities were far more important than versatility in establishing Benedict as a dependable screen presence in the 1970s. His theatrical films include Scavenger Hunt (1979), Body Slam (1987), and Shadow Force (1992), their subject matter implicit in their titles. Far more successful on series television than in films, Dirk Benedict played Officer Gil Foley on Chopper One (1974), Starbuck on Battlestar Gallactica (1978), and master impressionist Templeton "Face" Peck on The A-Team (1983-87).

Trivia: With muscle-bound arms bulging from his sleeveless tank tops, a mohawk, and enough gold jewelry to enrich a small nation, gruff, tough Mr. T was certainly one of the most recognizable television stars of the early '80s. Though more of a personality than a bona fide actor, he has appeared in several features, but is best known for playing no-nonsense ex-soldier B.A. Baracus on the hit action-drama The A-Team (1983-1987). Prior to that, Mr. T had played character roles in four feature films. Born Lawrence Tureaud in a tough southside Chicago project, he was the second youngest of 12 siblings. His father abandoned the family when Tureaud was five, leaving his mother to raise her huge family alone in a three-bedroom apartment on less than 100 dollars a month from welfare. Tureaud was devoted to his mother, and though he got into a little trouble during early adolescence, straightened himself out so as not to shame her by getting thrown in jail. Following graduation from Dunbar Vocational High School, Tureaud attended college. His football skills landed him a scholarship to Prairie View A & M University in Texas, but he was expelled after one year. Tureaud qualified for other sports scholarships and so continued his education until joining the Army and serving as a military policeman. Following his discharge, he was recruited by the Green Bay Packers, but suffered a serious knee injury and so became a bodyguard for stars such as Muhammad Ali, Michael Jackson, and Diana Ross. He also worked as a bouncer. In 1970, he changed his name to Lawrence Tero and shortly thereafter shortened it to Mr. T. In the mid-'70s, he worked as a gym teacher in Chicago. It was Sylvester Stallone who offered him his first acting job after Stallone saw the beefy black bouncer on the TV show Games People Play. Stallone was so impressed by Mr. T's agile strength that he cast him in Rocky III (1982). Mr. T was at his peak popularity, particularly with young boys, while on The A-Team. At one point a toy company even created a Mr. T action figure. He also had a breakfast cereal named after him. Following his series' demise, Mr. T's acting career has been sporadic. Over the course of the next few decades, small roles in film (Not Another Teen Movie) and television (Martin, Malcolm and Eddie) helped the amiable tough guy remain a recognizable pop culture icon, but in 2011 Mr. T began hosting World's Craziest Fools, an irreverent, clip-based show featuring criminal blunders and side-splitting mishaps captured on amateur video footage and CCTV.

Trivia: Though weighing in at a sylphlike 155 pounds, Jack Ging starred for three years in the backfield of the University of Oklahoma football team. After a hitch in the Marines, Ging headed to Hollywood to break into the movies. He made his film debut in The Ghost of Dragstrip Hollow (1959), then secured the continuing role of Beau McCloud on TV's Tales of Wells Fargo (1961-62). From 1962 to 1964, Ging starred as clinical psychologist Paul Graham on the NBC weekly The Eleventh Hour. Jack Ging went on to play authoritative supporting roles in three TV series: Detective Chuck Morris in Dear Detective (1979), Lt. Ted Quinlan in Riptide (1984-85) and Sheriff Hollings in PS I Luv U (1991).

Trivia: Fans of the science fiction television series Quantum Leap will know supporting and character actor Dean Stockwell as the scene-stealing, cigar chomping, dry-witted, and cryptic hologram Al. But to view him only in that role is to see one part of a multi-faceted career that began when Stockwell was seven years old.Actually, his ties with show business stretch back to his birth for both of his parents were noted Broadway performers Harry Stockwell and Nina Olivette. His father also provided the singing voice of the prince in Disney's Snow White and the Seven Dwarfs (1931). Stockwell was born in North Hollywood and started out on Broadway in The Innocent Voyage (1943) at age seven. Curly haired and beautiful with a natural acting style that never descended into cloying cuteness, he made his screen debut after contracting with MGM at age nine in Anchors Aweigh (1945) and continued on to play sensitive boys in such memorable outings as The Mighty McGurk (1946), The Boy With Green Hair (1948), and The Secret Garden (1949). He would continue appearing in such films through 1951 when he went into the first of several "retirements" from films. When Stockwell resurfaced five years later it was as a brooding and very handsome 20-year-old who specialized in playing introverts and sensitive souls in roles ranging from a wild, young cowboy in Gun for a Coward (1957) to a murderous homosexual in Compulsion (1958) to an aspiring artist who cannot escape the influence of his domineering mother in Sons and Lovers (1960). Stockwell topped off this phase of his career portraying Eugene O'Neill in Long Day's Journey Into Night (1962). Stockwell would spend the next three years as a hippie and when he again renewed his career it was in such very '60s efforts as Psych-Out (1968) and the spooky and weird adaptation of a Lovecraft story, The Dunwich Horror. During this period, Stockwell also started appearing in television movies such as The Failing of Raymond (1971). In the mid-'70s, the former flower child became a real-estate broker and his acting career became sporadic until the mid-'80s when he began playing character roles. It was in this area, especially in regard to comic characters, that Stockwell has had his greatest success. Though he claims it was not intentional, Stockwell has come to be almost typecast as the king of quirk, playing a wide variety of eccentrics and outcasts. One of his most famous '80s roles was that of the effeminate and rutlhess sleaze, Ben, in David Lynch's Blue Velvet (1986). Stockwell had previously worked with Lynch in Dune and says that when the director gave him the script for Velvet, his character was not specifically mapped out, leaving Stockwell to portray Ben in any way he felt appropriate. The actor's intuition has proven to be one of his greatest tools and helped create one of modern Hollywood's most creepy-crawly villains. Whenever possible, Stockwell prefers working by instinct and actively avoids over-rehearsing his parts. His career really picked up after he landed the part of Al in Quantum Leap. Since the show's demise, Stockwell has continued to appear on screen, starring on series like Battlestar Galactica.

Trivia: General purpose actor Norman Alden was first seen by filmgoers in 1960's Operation Bottleneck. Most often seen in take-charge roles, Alden was critically acclaimed for his portrayal of a middle-aged retarded man in the NYC-filmed Andy (1965). The actor's series-TV credits include the thankless role of "Frank" on the "Electra Woman/Dynagirl" segments of Saturday morning's The Krofft Supershow. More artistically satisfying was Norman Alden's brief tenure as lawyer Al Cassidy on the Lee Grant TV sitcom Fay (1975).

Trivia: Though a fifteen-year show business veteran, Dwight Schultz was largely unknown until 1983. That was the year that the TV Addicts of America were introduced to Captain H. M. "Howling Mad" Murdock, the asylum-escapee airplane pilot for The A-Team. It is to Schultz's credit that he was able to portray a certifiable looney while still remaining personable and even lovable. On both sides of his A-Team obligations, Schultz appeared in films like The Fan (1981, as Broadway actress Lauren Bacall's director) and Fat Man and Little Boy (1989, as J. Robert Oppenheimer). In the late 1980s, Dwight Schultz could be occasionally seen as Lieutenant Barclay in TV's Star Trek: the Next Generation.

Trivia: Best known to audiences as reporter Amy Allen on the hit series The A-Team, Chicago native Melinda Culea began her career in show business as a model in the early '80s. Unsatisfied with mere posing, she soon left her agency in New York to pursue a career as a TV actress in L.A., where she scored roles on numerous shows like Family Ties, St. Elsewhere, and Knots Landing.

Trivia: Though blonde actress Joanna Kerns may be best known for her breakthrough role as Maggie Seaver on the popular 1980s television sitcom Growing Pains, the seasoned actress-turned-director has subsequently made quite a name for herself behind the camera by taking the reigns of such popular small-screen series as Ally McBeal, Felicity, Judging Amy, and Boston Public. Born Joanna Cruisse de Varona in San Francisco in 1953, the talented teen pursued many avenues before eventually discovering her love of acting. Though she would compete unsuccessfully for a spot on the 1968 Olympics Gymnastics team (her sister Donna would later take home the gold medal for swimming), she remained steadfast in her athleticism and subsequently dropped out of high school to tour with the Gene Kelly stage musical Clown Around. It wasn't long before she gained affection for the spotlight, and following a move to New York, the aspiring young actress could be spotted in a Broadway production of Ulysses in Nighttown. A move back to the West Coast resulted in numerous film and television roles, and as her television career continued to take off, the up-and-coming actress married producer Richard Kerns. On the heels of minor roles in such films as Ape (1976) and Coma (1978), roles in Magnum, P.I., The A-Team, and Hill Street Blues made Kerns a familiar face to television viewers, and by the time she accepted the role of loving mother Maggie Seaver, Kerns had also turned heads in Hunter and V. Balancing out her seven-year run on Growing Pains with numerous made-for-television feature roles, Kerns ultimately realized that her small-screen fame would inevitably be short-lived, and that realization eventually led her to step behind the camera as a frequent director for the series. Of course, her prediction did come true, and after Growing Pains went off the air in 1992, Kerns juggled acting and directing in television throughout the 1990s in addition to remarrying Mark Appleton following the breakup of her previous marriage. After helming many of the decade's most popular shows, Kerns brought in the new millennium with a role as Winona Ryder's distant mother in Girl, Interrupted before experiencing something of a family reunion with 2000's The Growing Pains Movie. Kerns' frequent recognition of her Spanish roots has also made her something of a role model to Chicano and Latino youth. In 2007 the sitcom Mom was cast as the mother of Alison, the ambitious television producer Knocked Up by Seth Rogen, and in 2009 Kerns wrote and directed the short The Gold Lunch.