Trivia: Blonde, wide-eyed film ingénue Jean Rogers came to Hollywood on the strength of a beauty contest. She rose to stardom as the fetchingly underdressed, ever-imperiled Dale Arden in the popular Universal serial Flash Gordon (1936). She also co-starred in the second Gordon serial, as well as such chapter plays as Ace Drummond (1935) and The Adventures of Frank Merriwell (1936). From Universal, Rogers moved on to 20th Century Fox, where she starred in a series of enjoyable B-pictures, the best of which (though not her personal favorite) was Heaven With a Barbed Wire Fence (1939). She appeared in supporting parts in several MGM films of the 1940s, then freelanced in independent productions. Jean Rogers retired from show business in 1951 upon her marriage to a successful actors' agent.

Trivia: The all but forgotten American actor Richard Travis had the good luck to star in the heady company of Bette Davis, Anne Sheridan, Monty Woolley and Jimmy Durante in his first major film, Warner Bros.' The Man Who Came to Dinner (1941). But luck is a relative thing, and Travis' luck began running out when it was clear he didn't have the star charisma to sustain his brief early fame. By 1944 Warners was starring Travis in the B-minus second feature Busses Roar; within two years he was in such poverty row quickies as Alaska Patrol. Like many would-be luminaries of the '40s, Travis was consigned to low grade horror films of the '50s like Mesa of Lost Women (1953) and Missile to the Moon (1955). Richard Travis enjoyed one burst of national celebrity in 1955 as the star of the Highway Patrol lookalike TV series Code Three, which was still being regionally rerun into the early '60s.

Trivia: General-purpose actor Larry Blake made his screen debut playing a young Adolf Hitler in James Whale's troubled The Road Back (1937), only to see his scenes end up on the cutting room floor. A difficult actor to pigeonhole, Blake went on to play everything from cops to robbers in a long career that lasted through the late '70s and included such television shows as The Lone Ranger, The Adventures of Superman, Yancy Derringer, Perry Mason, Leave It to Beaver, Gunsmoke, The Munsters, The Beverly Hillbillies, Ironside, Little House on the Prairie, and Kojak. His son is Michael F. Blake, a well-known makeup artist and the biographer of silent screen star Lon Chaney.

Trivia: Actress Louise Currie was signed to an RKO contract in 1940 and spent her year at RKO in such minor roles as the coed chum of Helen Parrish in You'll Find Out (1940) and a bespectacled reporter in the closing scenes of 1941's Citizen Kane. After parting company with RKO, she appeared in a brace of Republic serials, The Adventures of Captain Marvel (1940) and The Masked Marvel (1943); played opposite El Brendel and Harry Langdon at Columbia's two-reel comedy unit; and co-starred in such Monogram extravaganzas as Voodoo Man (1944), in which she was reunited with her You'll Find Out colleague Bela Lugosi. Retiring from films in 1949, Louise Currie became a successful clothing designer, touring the world for business and pleasure in the company of her husband, noted importer and antique dealer John Good.

Trivia: Born in Utah, actor Leonard Strong specialized in Asian roles. From Little Tokyo, U.S.A. (1942) to the end of WWII, Strong trafficked in villainous "Jap" stereotypes, never speaking when hissing would do. One of his best-remembered postwar film roles was the obsequious Siamese interpreter in both Anna and the King of Siam (1946) and its musical remake The King and I (1956). A busy TV performer, Leonard Strong was seen from time to time as the Dr. No-like enemy agent the Claw ("No, not 'Craw!'") on the satirical sitcom Get Smart (1965-1970).

Trivia: The son of a wholesale grocer who later became one of the founders of the U.S. Chamber of Commerce, Robert Shayne studied business administration at Boston University. Intending to study for the ministry, Shayne opted instead to work as field secretary for the Unitarian Layman's League. He went on to sell real estate during the Florida Land Boom of the 1920s before heading northward to launch an acting career. After Broadway experience, Shayne was signed to a film contract at RKO radio in 1934. When this led nowhere, Shayne returned to the stage. While appearing with Katharine Hepburn in the Philip Barry play Without Love, Shayne was again beckoned to Hollywood, this time by Warner Bros. Most of his feature film roles under the Warner banner were of the sort that any competent actor could have played; he was better served by the studio's short subjects department, which starred him in a series of 2-reel "pocket westerns" built around stock footage from earlier outdoor epics. He began free-lancing in 1946, playing roles of varying size and importance at every major and minor outfit in Hollywood. In 1951, Shayne was cast in his best-known role: Inspector Henderson on the long-running TV adventure series Superman. He quit acting in the mid-1970s to become an investment banker with the Boston Stock Exchange. The resurgence of the old Superman series on television during this decade thrust Shayne back into the limelight, encouraging him to go back before the cameras. He was last seen in a recurring role on the 1990 Superman-like weekly series The Flash. Reflecting on his busy but only fitfully successful acting career, Robert Shayne commented in 1975 that "It was work, hard and long; a terrible business when things go wrong, a rewarding career when things go right."

Trivia: Born and raised in the Greenwich Village section of New York, Douglas Fowley did his first acting while attending St. Francis Xavier Military Academy. A stage actor and night club singer/dancer during the regular theatrical seasons, Fowley took such jobs as athletic coach and shipping clerk during summer layoff. He made his first film, The Mad Game, in 1933. Thanks to his somewhat foreboding facial features, Fowley was usually cast as a gangster, especially in the Charlie Chan, Mr. Moto and Laurel and Hardy "B" films churned out by 20th Century-Fox in the late 1930s and early 1940s. One of his few romantic leading roles could be found in the 1942 Hal Roach "streamliner" The Devil with Hitler. While at MGM in the late 1940s and early 1950s, Fowley essayed many roles both large and small, the best of which was the terminally neurotic movie director in Singin' in the Rain (1952). Fowley actually did sit in the director's chair for one best-forgotten programmer, 1960's Macumba Love, which he also produced. On television, Fowley made sporadic appearances as Doc Holliday in the weekly series Wyatt Earp (1955-61). In the mid-1960s, Fowley grew his whiskers long and switched to portraying Gabby Hayes-style old codgers in TV shows like Pistols and Petticoats and Detective School: One Flight Up, and movies like Homebodies (1974) and North Avenue Irregulars (1979); during this period, the actor changed his on-screen billing to Douglas V. Fowley.

Trivia: Richard Benedict came to the U.S. from his native Sicily when he was 7. Before entering the army, Benedict pursued a reasonably successful career as a prizefighter. In Hollywood from 1945, Benedict was often cast as an amiable second lead (as in Olsen and Johnson's See My Lawyer), though he also could be a persuasive heavy if that's what the part called for. His biggest A-picture role was as the entombed prospector in Billy Wilder's trenchant The Big Carnival (1951, aka Ace in the Hole). In the early 1960s, Richard Benedict turned to directing, working on such network TV series as Hawaiian Eye and Charlie's Angels.

Trivia: Lean, lightly mustached general purpose actor John Eldredge came to films after several successful seasons with the New York Civic Repertory. Signed to a Warner Bros. contract in 1934, Eldredge became a handy man to have around whenever the script called for a weakling or cad. He played Bette Davis' good-for-nothing husband in Dangerous (1935), and later offered a variation of the theme as Joan Leslie's callow beau in High Sierra (1941). Only rarely, as in Oil for the Lamps of China (1935), was he permitted to play a character with substance and intestinal fortitude. Even after the expiration of his Warners contract, he specialized in such namby-pamby characterizations as Walter W. Walker III in Columbia's Eve Knew Her Apples (1944). As he grew older and grayer, Eldredge's characters often assumed a weary dignity; one of his more rewarding later assignments was the part of Captain Collins in the sci-fi "sleeper" I Married a Monster From Outer Space (1958). A busy TV performer in the 1950s, Eldredge could be seen playing slimy villains in virtually every other cop or adventure series of the era; on a more respectable note, he played the heroine's father in the 1954 syndicated sitcom Meet Corliss Archer. John Eldredge is one of the few character actors of Hollywood's Golden Era to be afforded his own Internet website, which can be found under the heading "The Man Without Qualities."