Trivia: The son of an Oklahoma carpet layer, James Garner did stints in the Army and merchant marines before working as a model. His professional acting career began with a non-speaking part in the Broadway play The Caine Mutiny Court Martial (1954), in which he was also assigned to run lines with stars Lloyd Nolan, Henry Fonda, and John Hodiak. Given that talent roster, and the fact that the director was Charles Laughton, Garner managed to earn his salary and receive a crash course in acting at the same time. After a few television commercials, he was signed as a contract player by Warner Bros. in 1956. He barely had a part in his first film, The Girl He Left Behind (1956), though he was given special attention by director David Butler, who felt Garner had far more potential than the film's nominal star, Tab Hunter. Due in part to Butler's enthusiasm, Garner was cast in the Warner Bros. TV Western Maverick. The scriptwriters latched on to his gift for understated humor, and, before long, the show had as many laughs as shoot-outs. Garner was promoted to starring film roles during his Maverick run, but, by the third season, he chafed at his low salary and insisted on better treatment. The studio refused, so he walked out. Lawsuits and recriminations were exchanged, but the end result was that Garner was a free agent as of 1960. He did quite well as a freelance actor for several years, turning in commendable work in such films as Boys' Night Out (1962) and The Great Escape (1963), but was soon perceived by filmmakers as something of a less-expensive Rock Hudson, never more so than when he played Hudson-type parts opposite Doris Day in Move Over, Darling and The Thrill of It All! (both 1963).Garner fared rather better in variations of his Maverick persona in such Westerns as Support Your Local Sheriff (1969) and The Skin Game (1971), but he eventually tired of eating warmed-over stew; besides, being a cowboy star had made him a walking mass of injuries and broken bones. He tried to play a more peaceable Westerner in the TV series Nichols (1971), but when audiences failed to respond, his character was killed off and replaced by his more athletic twin brother (also Garner). The actor finally shed the Maverick cloak with his long-running TV series The Rockford Files (1974-1978), in which he played a John MacDonald-esque private eye who never seemed to meet anyone capable of telling the truth. Rockford resulted in even more injuries for the increasingly battered actor, and soon he was showing up on TV talk shows telling the world about the many physical activities which he could no longer perform. Rockford ended in a spirit of recrimination, when Garner, expecting a percentage of the profits, learned that "creative bookkeeping" had resulted in the series posting none. To the public, Garner was the rough-hewn but basically affable fellow they'd seen in his fictional roles and as Mariette Hartley's partner (not husband) in a series of Polaroid commercials. However, his later film and TV-movie roles had a dark edge to them, notably his likable but mercurial pharmacist in Murphy's Romance (1985), for which he received an Oscar nomination, and his multifaceted co-starring stints with James Woods in the TV movies Promise (1986) and My Name Is Bill W. (1989). In 1994, Garner came full circle in the profitable feature film Maverick (1994), in which the title role was played by Mel Gibson. With the exception of such lower-key efforts as the noir-ish Twilight (1998) and the made-for-TV thriller Dead Silence (1997), Garner's career in the '90s found the veteran actor once again tapping into his latent ability to provoke laughs in such efforts as Space Cowboys (2000) while maintaining a successful small-screen career by returning to the role of Jim Rockford in several made-for-TV movies. He provided a voice for the popular animatedfeature Atlantis: The Lost Empire (2001) and appeared in the comedy-drama The Divine Secrets of the Ya-Ya Sisterhood (2002). Garner enjoyed a career resurgance in 2003, when he joined the cast of TV's 8 Simple Rules, acting as a sort of replacement for John Ritter, who had passed away at the beginning of the show's second season. He next appeared in The Notebook (2004), which earned Garner a Screen Actors Guild nomination and also poised him to win the Guild's Lifetime Achievement Award. His last on-screen role was a small supporting role in The Ultimate Gift (2007). In 2008, Garner suffered a stroke and retired acting. He died in 2014, at age 86.

Trivia: When asked why he decided upon becoming an actor, Joe Santos tended to trot out the tried-and-true rationale "because I failed at everything else." While attending Fordham University, Santos excelled at football, but lost interest in the sport after a few semi-pro years. By the time he was 30, Santos had been remarkably unsuccessful in a variety of vocations, including railroad worker, tree cutter, automobile importer and tavern owner. While working a construction job in New York, Santos was invited by a friend to sit in on an acting class. This seemed like an easy way to make a living, so Santos began making the audition rounds, almost immediately landing a good part on a TV soap opera. This gig unfortunately led nowhere, and for the next year or so Santos drove a cab for 10 to 11 hours a day. The novice actor's first big break was a part in the 1971 film Panic in Needle Park, which he received at the recommendation of the film's star (and Santos' frequent softball partner) Al Pacino. With the plum part of Sergeant Cruz in the four-part TV drama The Blue Knight (1973), Santos inaugurated a fruitful, still-thriving career in "cop" roles, the best and longest-lasting of which was detective Dennis Becker on the James Garner series The Rockford Files (1974-80). Joe Santos' other series-TV credits include the top-billed part of deadbeat dad Norman Davis in Me and Maxx (1980), Hispanic nightclub comic Paul Rodriguez' disapproving father in AKA Pablo (1984), and Lieutenant Frank Harper in the 1985-86 episodes of Hardcastle and McCormick. One of his final roles was a recurring gig on The Sopranos. Santos died in 2016, at age 84.

Trivia: Carnegie Tech alumnus Gretchen Corbett made her professional acting bow with the Oregon Shakespeare Festival. Corbett's first New York stage appearance was in a 1967 revival of Shaw's Arms and the Man. While specializing in the classics on-stage, her film assignments were on a less artistically lofty plane. Her first film was 1969's Out of It, followed by such credits as Let's Scare Jessica to Death (1971) and the made-for-TV Mandrake (1979). Gretchen Corbett's TV-series obligations have included a lengthy run as attorney Beth Davenport on The Rockford Files (1974-1980) and reluctant parallel-universe denizen June Sterling on Otherworld (1985).

Trivia: Stuart Margolin was a published writer and off-Broadway playwright before he was old enough to vote. The pinch-faced, curly-headed Margolin began showing up in character parts in 1966, in films like Women of a Prehistoric Planet and TV series like Occasional Wife. He was a staff writer and member of the acting ensemble on the popular sitcom anthology Love American Style, which ran from 1969 through 1974. In 1971, Margolin co-starred on the western series Nichols, launching his long friendship and professional association with actor James Garner. He went on to win two Emmy awards for his portrayal of mildly larcenous Angel Martin on Garner's long-running (1974-80) series The Rockford Files; played Philo Sandine on the 1981 retro Garner TV vehicle Bret Maverick; and guest-starred on the first episode of Garner's short-lived "dramedy" Man of the People (1991). Stuart Margolin turned to directing in the 1980s, beginning with (inevitably) a brace of James Garner TV movies, The Long Summer of George Adams (1982) and The Glitter Dome (1984)); he has since helmed two theatrical features, Paramedics and Donna d'Onore (both 1990).

Trivia: Bo Hopkins has spent most of his career playing character roles, but he occasionally gets leading roles. Tall, light-haired, and possessing a distinctive drawl, he made his film debut in The Thousand Plane Raid (1969) following studies with drama instructor Uta Hagen in New York and training at the Desilu Playhouse school in Hollywood. He next appeared in Sam Peckinpah's The Wild Bunch (1969). Hopkins went on to work with the director in two more films, including The Getaway (1972). Hopkins specializes in action features and Westerns and is often cast as a redneck. Some of his notable leading roles include that of a gunfighter whose best friend of 30 years turns out to be a woman in The Ballad of Little Joe (1993). Hopkins also appears frequently on television in films and as a series guest star.

Trivia: Twice named All-American during his football-playing days at the University of Illinois, Dick Butkus went on to spend eight years (1965-1973) as linebacker for the Chicago Bears. Chosen best NFL defensive player on two separate occasions, the "Maestro of Mayhem" also held the record for second-highest number of recovered fumbles. The 6'3," 245-pound Butkus left pro football after a knee injury in 1973 but kept his hand in as a sportscaster, eventually with Chicago's WGN radio. He was appointed to the Football Hall of Fame in 1979, and an award for outstanding college linebacker has been named in his honor. With all this going for him, Butkus hardly needed movies and television to enhance his reputation, but he has appeared before the cameras on occasion. On TV, he was seen as Al Fanducci in the 1976 miniseries Rich Man, Poor Man, Brom Bones in the 1980 adaptation of The Legend of Sleepy Hollow, security guard Kurt in the weekly adventure series Half-Nelson (1985), and Ed Klawicki during the 1987-1988 and 1988-1989 seasons of the popular sitcom My Two Dads. Most often, however, Dick Butkus has simply and satisfactorily played "himself," first in the award-winning TV movie Brian's Song (1970), and later in such films as Gremlins 2 (1991) and The Last Boy Scout (1993).

Trivia: Was an avid fan of horror films in his childhood days. Enlisted in the United States Navy before attending college. Was a member of the Gamma Phi Fraternity while attending Duquesne University. Got interested in acting when he was in his 20s. Primarily known for his work in horror and thriller films.

Trivia: Tough-guy American actor James Luisi could usually be found playing cops or plainclothes detectives. Luisi spent four (1976-80) years in the role of Lt. Doug Chapman on TV's The Rockford Files, later repeating the characterization (now promoted to Captain) in two Rockford TV-movies of the mid-1990s. On daytime TV, he was seen as Phil Wainwright in Another World. James Luisi's TV resumé also included the roles of garage owner Harry Foreman in Harris and Company (1979) and police lieutenant Marciano in Renegades (1983).

Trivia: Born in New York City while his father Noah Beery Sr. was appearing on-stage, Noah Beery Jr. was given his lifelong nickname, "Pidge," by Josie Cohan, sister of George M. Cohan "I was born in the business," Pidge Beery observed some 63 years later. "I couldn't have gotten out of it if I wanted to." In 1920, the younger Beery made his first screen appearance in Douglas Fairbanks' The Mark of Zorro (1920), which co-starred dad Noah as Sergeant Garcia. Thanks to a zoning mistake, Pidge attended the Hollywood School for Girls (his fellow "girls" included Doug Fairbanks Jr. and Jesse Lasky Jr.), then relocated with his family to a ranch in the San Fernando Valley, miles from Tinseltown. While some kids might have chafed at such isolation, Pidge loved the wide open spaces, and upon attaining manhood emulated his father by living as far away from Hollywood as possible. After attending military school, Pidge pursued film acting in earnest, appearing mostly in serials and Westerns, sometimes as the hero, but usually as the hero's bucolic sidekick. His more notable screen credits of the 1930s and '40s include Of Mice and Men (1939), Only Angels Have Wings (again 1939, this time as the obligatory doomed-from-the-start airplane pilot), Sergeant York (1941), We've Never Been Licked (1943), and Red River (1948). He also starred in a group of rustic 45-minute comedies produced by Hal Roach in the early '40s, and was featured in several popular B-Western series; one of these starred Buck Jones, whose daughter Maxine became Pidge's first wife. Perhaps out of a sense of self-preservation, Beery appeared with his camera-hogging uncle Wallace Beery only once, in 1940's 20 Mule Team. Children of the 1950s will remember Pidge as Joey the Clown on the weekly TV series Circus Boy (1956), while the more TV-addicted may recall Beery's obscure syndicated travelogue series, co-starring himself and his sons. The 1960s found Pidge featured in such A-list films as Inherit the Wind (1960) and as a regular on the series Riverboat and Hondo. He kicked off the 1970s in the role of Michael J. Pollard's dad (there was a resemblance) in Little Fauss and Big Halsey. Though Beery was first choice for the part of James Garner's father on the TV detective series The Rockford Files, Pidge was committed to the 1973 James Franciscus starrer Doc Elliot, so the Rockford producers went with actor Robert Donley in the pilot episode. By the time The Rockford Files was picked up on a weekly basis, Doc Elliot had tanked, thus Donley was dropped in favor of Beery, who stayed with the role until the series' cancellation in 1978. Pidge's weekly-TV manifest in the 1980s included Quest (1981) and The Yellow Rose (1983). After a brief illness, Noah Beery Jr. died at his Tehachapi, CA, ranch at the age of 81.

Trivia: As the son of multi-talented comedic genius Carl Reiner (Your Show of Shows), Rob Reiner instantly outgrew his father's legacy to establish himself as an independent force in multiple facets of the entertainment industry. Born in the Bronx in 1945, Reiner moved to Los Angeles with his folks at the age of 12 (not coincidentally, the very same year that the NYC-based Caesar's Hour, with Carl Reiner as a regular contributor, wrapped) and soon began acting in regional theater and improv ensembles. After appearing on various episodes of Alfred Hitchcock Presents from the age of 16 and studying drama at UCLA, Reiner co-founded the improvisational comedy troupe The Session, then made his onscreen cinematic debut in his father's Enter Laughing (1967) and contributed scripts (in his dad's vein) to CBS's controversial The Smothers Brothers Comedy Hour. His first massive break arrived when he landed the role of Mike "Meathead" Stivic, the liberal, Polish son-in-law to Carroll O'Connor's racist working stiff Archie Bunker, on Norman Lear's groundbreaking network hit All in the Family. In 1971, Reiner wed Penny Marshall (the sister of another comic demagogue, Garry Marshall); the marrieds frequently appeared together on ABC's The Odd Couple. Reiner earned two Emmys for All in the Family, but ended his role in 1978 (after seven seasons) as the series transitioned into Archie Bunker's Place. A now-forgotten telemovie followed -- the romantic comedy More Than Friends, written by and starring Reiner and Marshall (and directed by future Cheers progenitor James Burrows) -- but by that point, the Reiners' marriage was in disarray; a divorce ensued in 1979, followed by several years of inactivity on Reiner's end.Reiner bounced back as a director, however (and then some) in 1984, with the hysterical mockumentary This Is Spinal Tap, ostensibly a spoof of The Song Remains the Same, The Kids Are Alright, The Last Waltz, and other mid-'70s concert films, about a gleefully moronic glam rock band (Christopher Guest, Michael McKean, and Harry Shearer) whose hits include "Sex Farm," "Smell the Glove," and "Hellhole." The picture became a sensation (a massive cult hit), led to several Reiner-less follow-ups with the principal cast (Waiting for Guffman, Best in Show, A Mighty Wind), and -- most importantly -- launched Reiner as a directorial force. He helmed a cute and charming sophomore effort, the teen comedy The Sure Thing (1985), which boasts two superb lead performances by John Cusack and Daphne Zuniga, and demonstrates great taste and sensitivity, but failed to make a splash despite solid reviews (Roger Ebert declared it "a small miracle" and Variety assessed it as "sweetly old fashioned" and "appealing.") The following year, the director struck box-office gold with his third effort, Stand by Me (1986). In this coming-of-age saga, adapted from a Stephen King short story by Ray Gideon and Bruce A. Evans, Reiner successfully blends comedy, drama, and sentiment, and elicits exemplary performances from an ensemble of teenage performers including River Phoenix and Wil Wheaton, in his story of a bunch of adolescent boys who venture out to find a local boy's corpse. For his fourth effort, Reiner helmed the legendary William Goldman's adaptation of his own 1973 fantasy novel, The Princess Bride (which had purportedly floated around Hollywood for 13 years), and scored in the process -- especially with young viewers, who immediately warmed to Cary Elwes' dashing adventurer and Robin Wright's heroine. (The picture's neat comic turns by Billy Crystal, Wallace Shawn, and Andre the Giant stretched its appeal to older viewers, as well.) Reiner followed this up with another four-star blockbuster, and one of the most lucrative (and affable) pictures of 1989, the romantic comedy When Harry Met Sally, written by Nora Ephron. It sports exceptional lead performances by Crystal and Meg Ryan, and -- in one of the most infamous movie bits of the past few decades, a cameo by Reiner's own mother, Estelle, who provides the film's funniest line.Reiner began the 1990s with another Stephen King outing: Misery, a claustrophobic horror picture adapted from a 1987 King novel. In directing the picture, Reiner elicited exceptional performances from James Caan and Kathy Bates. The latter won a Best Actress Academy Award for her portrayal of the psychopathic ex-nurse Annie Wilkes, who confines Caan's author in her home and forces him to write a new manuscript under the duress of torture and threatened homicide. With a trio of A-list actors including Jack Nicholson, Tom Cruise, and Demi Moore, the director's late 1992 courtroom thriller A Few Good Men (adapted by Aaron Sorkin from his play) earned a Best Picture Oscar nomination and another Golden Globe nomination for Reiner. Unfortunately, this marked the beginning of a decline, of sorts, for Reiner. He then helmed 1994's god-awful family-friendly comedy North (reviled by just about everybody). The following year's The American President charmed audiences, but 1996's Ghosts of Mississippi struck most viewers as uneven. In 1999, Reiner produced, directed, and co-starred in The Story of Us, a romantic comedy starring Michelle Pfeiffer and Bruce Willis, but it opened up to mediocre reviews. (Ebert gave it one star and moaned, "Watching it is like taking a long trip in a small car with the Bickersons"; Janet Maslin observed that it "offers such an arthritic vision of middle-aged marriage that it feels like the first Jack Lemmon comedy made expressly for the baby-boom generation.") Perhaps riled by these disappointments -- and seeking greater immersion in California politics -- Reiner took several years off as a director, until 2003's Alex & Emma, a romantic comedy about writer's block starring Luke Wilson and Kate Hudson. With one or two exceptions, critics universally panned the picture (giving Reiner his most terrible reviews to date). 2005's Rumor Has It..., yet another romantic comedy starring Jennifer Aniston as a woman who goes off in search of her family's roots, also opened to dismal reviews and lackluster box office, despite the star appeal of Aniston and her male lead, Kevin Costner. In 1987, Reiner co-founded Castle Rock Productions (the company's name refers to a fictional town created by Stephen King). In addition to directing and producing, Reiner has also pursued an acting career on the side, with supporting roles and cameos in such films as Postcards From the Edge (1990), Sleepless in Seattle (1993), Bullets Over Broadway (1994), The First Wives Club (1996), Primary Colors (1998), EDtv (1999), The Muse (1999), The Story of Us (1999), and The Majestic (2001). Later, he delivered a performance as Wirschafter in his own Alex & Emma (2003) and cameo'd as himself in the 2003 David Spade comedy Dickie Roberts: Former Child Star. Between 2004 and 2006, Reiner joined Whoopi Goldberg, Mandy Patinkin, William H. Macy, and others to voice the late Christopher Reeve's CG-animated feature Everybody's Hero, about a boy who attempts to retrieve a talking baseball bat from a crooked security guard. In 2007 he had one of his biggest late-career successes directing Jack Nicholson and Morgan Freeman in The Bucket List. Three years later he made the little-seen comedy Flipped. Reiner married his second wife, Michele Singer Reiner, in 1989.

Trivia: Stage actor Lou Antonio was billed seventh as "Abdul" in his first film, Elia Kazan's America America (1963). Antonio's sandpaper features resurfaced in such subsequent films as Hawaii (1966) and Cool Hand Luke (1967); thereafter, he worked almost exclusively in television. He co-starred in the weekly series The Snoop Sisters and Dog and Cat, and was top-billed as Det. Sgt. Jack Ramsey in Dog and Cat (1977). By the late 1980s, Antonio had virtually abandoned acting in favor of directing: he helmed such TV movies as Silent Victory: The Kitty O'Neil Story (1979), The Star Maker (1981), Agatha Christie's 13 at Dinner (1985) and Mayflower Madam (1987), as well as the 1978 theatrical feature Gypsy Warriors. Lou Antonio is the brother of actor Jim Antonio.