Trivia: Best known for portraying time traveler Dr. Sam Beckett in the popular sci-fi series Quantum Leap, Scott Bakula is also a noted Broadway actor and occasional movie star, though it is in the last venue that he has had the least amount of success. The son of a musician, Bakula is said to have started his own rock band when he was in the fourth grade. He also sang with the St. Louis Symphony before attending the University of Kansas. Bakula launched his acting career as a teen in regional theater and as a stage actor specializes in musical comedy. He made his Broadway debut in 1983 in Marilyn: An American Fable. He started showing up regularly on television as a guest star on such series as My Sister Sam and Designing Women during the 1980s. In 1986, Bakula starred in an unsuccessful television series, Gung Ho! Two years later he headlined another unsuccessful one, Eisenhower and Lutz. In 1988, Bakula was nominated for a Tony for his work in Romance, Romance. The following year, he was cast in Quantum Leap and has since gained a cult following; in 1992, he won a Golden Globe and was nominated four more times. Bakula was also nominated for a quartet of Emmys. Bakula made his feature-film debut starring opposite Kirstie Alley in Sibling Rivalry (1990). Other notable film appearances include L.A. Story (1991) and My Family/Mi Familia (1995). In 1993, Bakula had a recurring role on the CBS sitcom Murphy Brown as a love interest of Candice Bergen. He has also appeared in a number of television movies and in 1996, he had a stint in another short-lived series, Mr. and Mrs. Smith.Though he worked steadily in movies, television turned out to be his next great success when, in 2001, he took the part of Capt. Jonathan Archer on Star Trek: Enterprise, a program that lasted four seasons.In 2009 Bakula would star alongside Ray Romano and Andre Braugher in the well-respected comedy/drama series Men of a Certain Age, and landed in one of the best films of his career, Steven Soderbergh's The Informant!.

Trivia: Fans of the science fiction television series Quantum Leap will know supporting and character actor Dean Stockwell as the scene-stealing, cigar chomping, dry-witted, and cryptic hologram Al. But to view him only in that role is to see one part of a multi-faceted career that began when Stockwell was seven years old.Actually, his ties with show business stretch back to his birth for both of his parents were noted Broadway performers Harry Stockwell and Nina Olivette. His father also provided the singing voice of the prince in Disney's Snow White and the Seven Dwarfs (1931). Stockwell was born in North Hollywood and started out on Broadway in The Innocent Voyage (1943) at age seven. Curly haired and beautiful with a natural acting style that never descended into cloying cuteness, he made his screen debut after contracting with MGM at age nine in Anchors Aweigh (1945) and continued on to play sensitive boys in such memorable outings as The Mighty McGurk (1946), The Boy With Green Hair (1948), and The Secret Garden (1949). He would continue appearing in such films through 1951 when he went into the first of several "retirements" from films. When Stockwell resurfaced five years later it was as a brooding and very handsome 20-year-old who specialized in playing introverts and sensitive souls in roles ranging from a wild, young cowboy in Gun for a Coward (1957) to a murderous homosexual in Compulsion (1958) to an aspiring artist who cannot escape the influence of his domineering mother in Sons and Lovers (1960). Stockwell topped off this phase of his career portraying Eugene O'Neill in Long Day's Journey Into Night (1962). Stockwell would spend the next three years as a hippie and when he again renewed his career it was in such very '60s efforts as Psych-Out (1968) and the spooky and weird adaptation of a Lovecraft story, The Dunwich Horror. During this period, Stockwell also started appearing in television movies such as The Failing of Raymond (1971). In the mid-'70s, the former flower child became a real-estate broker and his acting career became sporadic until the mid-'80s when he began playing character roles. It was in this area, especially in regard to comic characters, that Stockwell has had his greatest success. Though he claims it was not intentional, Stockwell has come to be almost typecast as the king of quirk, playing a wide variety of eccentrics and outcasts. One of his most famous '80s roles was that of the effeminate and rutlhess sleaze, Ben, in David Lynch's Blue Velvet (1986). Stockwell had previously worked with Lynch in Dune and says that when the director gave him the script for Velvet, his character was not specifically mapped out, leaving Stockwell to portray Ben in any way he felt appropriate. The actor's intuition has proven to be one of his greatest tools and helped create one of modern Hollywood's most creepy-crawly villains. Whenever possible, Stockwell prefers working by instinct and actively avoids over-rehearsing his parts. His career really picked up after he landed the part of Al in Quantum Leap. Since the show's demise, Stockwell has continued to appear on screen, starring on series like Battlestar Galactica.

Trivia: Actress Janine Turner was trained at New York's Professional Children's School. (She can still do a mean tap-dance if called upon.) Though she endured the usual audition rounds while seeking out acting and modelling work, Turner's break came by way of fortuitous happenstance--at 17, she was spotted while standing in a supermarket checkout line by TV producer Leonard Katzman, who asked her to read for a small part on "Dallas." Two years later she was cast as kleptomaniac espionage agent Laura Templeton on TV's "General Hospital," a role that required her to dye her coffee-brown hair blonde. Turners's film debut was in Young Doctors in Love (1982), a spoof of daytime dramas that costarred several other soap regulars. In 1990, Turner was cast as fiesty Alaskan mail pilot Maggie O'Connell on the quirky prime-time series "Northern Exposure," a role that made her a major star. She continued to essay the part until the series' demise in 1995. Turner's more recent assignments have included a standard damsel-in-distress turn in the Sylvester Stallone vehicle Cliffhanger (1993), and a series of automobile advertisements, each as graceful and classy as Turner herself. In the years to come, Smith would remain active on screen, starring on the series Strong Medicine, and appearing on Friday Night Lights.

Trivia: A graduate of the University of Tennessee, American actor John Cullum made his Broadway debut as one of the many singing knights in Camelot in 1960. Four years later, he was reunited with Camelot star Richard Burton in Sir John Gielgud's modern-dress Hamlet; despite the formidable talent lineup in that production -- including Hume Cronyn, Alfred Drake, William Redfield, and Eileen Herlie -- Cullum earned critical accolades for his portrayal of Laertes. In 1966, he co-starred with Barbara Harris in the musical On A Clear Day You Can See Forever, winning a Theatre World award in the process. The actor's subsequent principal stage activity was in musicals, from old standards such as Man of La Mancha and Carousel to new favorites like Shenandoah (perhaps Cullum's best Broadway assignment) and On the 20th Century. Although more at home on-stage than before the cameras, he began making regular TV appearances in the late '80s, most conspicuously in the controversial nuclear-doomsday special The Day After (1983). He also appeared as a regular on the long-running daytime serial One Life to Live and the nighttime series Buck James (1987). But Cullum became best known as Holling Vincouer, the young-at-heart bar owner and former mayor of Cicely, AK, on the popular CBS comedy drama Northern Exposure, which ran from 1990-1995. Additional appearances on such popular evening dramas as Touched by an Angel, Roswell, and ER found Cullum earning the status of go-to guy for reliable television performers in the 1990s, and though he would continue to appear onstage in such productions as The Dresser and Neil Simon's Rose's Dilemma, it was big screen roles in such efforts as The Notorious Betty Page, The Night Listener, and Charlotte's Web that kept the actor in the public eye during the millennial crossover.