Trivia: The son of Yugoslav immigrants, Karl Malden labored in the steel mills of Gary, Indiana before enrolling in Arkansas State Teachers College. While not a prime candidate for stardom with his oversized nose and bullhorn voice, Malden attended Chicago's Goodman Dramatic School, then moved to New York, where he made his Broadway bow in 1937. Three years later he made his film debut in a microscopic role in They Knew What They Wanted (1940), which also featured another star-to-be, Tom Ewell. While serving in the Army Air Force during World War II, Malden returned to films in the all-serviceman epic Winged Victory (1944), where he was billed as Corporal Karl Malden. This led to a brief contract with 20th Century-Fox -- but not to Hollywood, since Malden's subsequent film appearances were lensed on the east coast. In 1947, Malden created the role of Mitch, the erstwhile beau of Blanche Dubois, in Tennessee Williams' Broadway play A Streetcar Named Desire; he repeated the role in the 1951 film version, winning an Oscar in the process. For much of his film career, Malden has been assigned roles that called for excesses of ham; even his Oscar-nominated performance in On the Waterfront (1954) was decidedly "Armour Star" in concept and execution. In 1957, he directed the Korean War melodrama Time Limit, the only instance in which the forceful and opinionated Malden was officially credited as director. Malden was best known to TV fans of the 1970s as Lieutenant Mike Stone, the no-nonsense protagonist of the longrunning cop series The Streets of San Francisco. Still wearing his familiar Streets hat and overcoat, Malden supplemented his income with a series of ads for American Express. His commercial catchphrases "What will you do?" and "Don't leave home without it!" soon entered the lexicon of TV trivia -- and provided endless fodder for such comedians as Johnny Carson. From 1989-92, Malden served as president of the Academy of Motion Picture Arts and Sciences.

Trivia: Major star and producer, and member of one of Hollywood's most prominent families to boot, Michael Douglas was born to movie icon Kirk Douglas and British actress Diana Dill on September 25, 1944, in New Brunswick, NJ. From the age of eight he was raised in Connecticut by his mother and a stepfather, but spent time with his father during vacations from military school. It was while on location with his father that the young Douglas began learning about filmmaking. In 1962, he worked as an assistant director on Lonely Are the Brave, and was so taken with the cinema that he passed up the opportunity to study at Yale for that of studying drama at the University of California at Santa Barbara. At one point he and actor/director/producer Danny De Vito roomed together, and have remained friends ever since. Douglas also studied drama in New York for a while, and made his film debut as an actor playing a pacifist hippie draft evader who decides to fight in Vietnam in Hail Hero! (1969). He appeared in several more dramas, notably Summertree (1971). In 1972, he was cast as volatile rookie police inspector Steve Keller on The Streets of San Francisco. Douglas appeared in the series and occasionally directed episodes of it through 1976. In 1975, Douglas became one of the hottest producers in Tinseltown when he produced Milos Forman's tour de force adaptation of Ken Kesey's One Flew Over the Cuckoo's Nest, which starred Jack Nicholson in one of his best roles. Originally, Douglas' father Kirk owned the film rights to the story. Having appeared in the Broadway version, the elder Douglas had wanted to star in a film adaptation for years, but had no luck getting it produced. The younger Douglas persuaded his father to sell him the rights and give up the notion of starring in the film. The result: a box-office smash that earned five Oscars, including Best Picture. After this triumph, Douglas resumed acting and began developing his screen persona. His was a decidedly paradoxical persona: though ruggedly handsome with an honest, emotive face reminiscent of his father's, onscreen Douglas retained an oily quality that was unusual in someone possessing such physical characteristics. He became known for characters that were sensitive yet arrogant and had something of a bad-boy quality. Through the '70s, Douglas appeared in more films, most notably The China Syndrome, which he also produced. In 1984, Douglas teamed with Kathleen Turner to appear in Romancing the Stone, an offbeat romantic adventure in the vein of Indiana Jones. Co-starring old friend Danny De Vito, it was a major box-office hit and revitalized Douglas' acting career, which had started to flag. Turner, Douglas and De Vito re-teamed the following year for an equally entertaining sequel, The Jewel of the Nile. It was in 1987 that Douglas played one of his landmark roles, that of a reprehensible yuppie who pays a terrible price for a moment's weakness with the mentally unbalanced Glenn Close in the runaway hit Fatal Attraction. The performance marked Douglas' entrance into edgier roles, and that same year he played an amoral corporate raider in Oliver Stone's Wall Street, for which he earned his first Oscar as an actor. In 1989, Douglas reunited with Kathleen Turner to appear in Danny De Vito's War of the Roses, one of the darkest ever celluloid glances at marital breakdown. By the end of the decade, Douglas had become one of Hollywood's most in-demand and highly paid stars. Douglas found success exploring the darker realms of his persona in Black Rain (1989) and the notorious Basic Instinct (1992). One of his darkest and most repugnantly intriguing roles came in 1993's Falling Down, in which he played an average Joe driven to cope with his powerlessness through acts of horrible violence. In 1995, Douglas lightened up to play a lonely, widowed president in The American President, and returned to adventure with 1996's box-office bomb The Ghost and the Darkness. In 1997 he appeared in the David Fincher thriller The Game, and followed that with another behind-the-scenes role, this time as executive producer for the John Travolta/Nicholas Cage thriller Face/Off. Returning to acting in 1998, Douglas starred with Gwyneth Paltrow in A Perfect Murder, a remake of Hitchcock's classic Dial M for Murder. As the new millenium rolled in, Douglas remained a force on screen, most memorably in films like the critically acclaimed Wonder Boys, and Steven Soderbergh's drug-war epic Traffic -- a critical and box office smash. Douglas had other life successes as well, such as his marriage to longtime girlfriend Catherine Zeta-Jones in 2000, and the birth of their subsuquent children. Around this time, Douglas formed a new production company, Further Films. which saw its first wide release in 2001 with the ensemble comedy One Night at McCool's. In 2003 he made It Runs in the Family, a comedy concerning three generations of a dysfunctional family attempting to reconcile their longtime differences. Fiction reflected reality in the film due to the involvement of father Kirk and son Cameron portraying, conveniently enough, Michael's father and son respectively. The 2010's would see Douglas playing roles in films like The Sentinel , King of California, You, Me and Dupree, and the long awaited sequel Wall Street: Money Never Sleeps. In 2013, he played Liberace in the HBO TV movie Behind the Candelabra, which earned Douglas an Emmy award.

Trivia: American actor Tommy Kirk tried out as a youngster for the Pasadena Playhouse, the result of a dare made by Kirk's older brother. After a few minor TV roles, Kirk was signed by Walt Disney, who cast the teenager as one-half of "The Hardy Boys" on that popular daily segment of The Mickey Mouse Club. Young Kirk was promoted to the leading juvenile role in Disney's Old Yeller (1957), a three-handkerchief classic that made Kirk a star and a stalwart of the fan club set. In 1959, Kirk was the hirsute protagonist of The Shaggy Dog, one of Disney's biggest money-making films. When asked in later years, Kirk had fond memories of Disney but was not so politely inclined to his Shaggy Dog co-star Fred MacMurray. It was MacMurray who gave Kirk "the biggest dressing down of my life" on the set of Disney's Bon Voyage (1962). Kirk would confess that he fully deserved the scolding; at the time of the shooting, Kirk was addicted to amphetamines, and his resultant behavior was both erratic and obstructive. Whatever MacMurray told Kirk on the Bon Voyage set was quickly forgotten, however, for the young actor was fired from the 1965 John Wayne vehicle Sons of Katie Elder because of his being busted for marijuana use. As a consequence of crossing the "Duke," Kirk was effectively shut out of the big studios, and was forced to settle for silly leading roles in the American-International Beach Party films, and in such low-grade farragoes as Mars Needs Women (1968). Compelled to take menial jobs after his movie career ended, Kirk attempted a theatrical comeback in the early '70s, but he had been forgotten by all but Disney buffs. Whatever the case, Tommy Kirk has overcome his drug problems in recent years and has become a favorite all over again on the nostalgia convention-circuit.

Trivia: After leaving Hobart College, actor Greg Mullavey worked in advertising and insurance. Mullavey turned to acting in the early 1960s, making his first off-Broadway appearance in a revival of Ah, Wilderness. It would be 1979 before he'd make his Broadway debut in Romantic Comedy; in the interim, he'd established himself as a film actor (Bob and Carol and Ted and Alice, The Love Machine) and TV performer. In the latter category, he was seen as Louise Lasser's gormless husband Tom on Mary Hartman, Mary Hartman (1976-77), a role he repeated on the follow-up series Forever Fernwood. Mullavey was later one of the many regulars on the raunchy sitcom Number 96 (1980).

Trivia: Born Joanna Winnifrith, Anna Lee was a petite, charming, blond British actress. At age 14 she ran away from home to join a circus. After brief stage experience she began appearing in British films in 1932, playing leads and supporting roles; in 1940 she moved to Hollywood and began making films there. She is best remembered as Bronwyn Morgan, Roddy McDowall's sister-in-law, in How Green was My Valley (1941). Rarely onscreen after the late '60s, she had a regular role as Lila Quartermaine on the TV soap opera General Hospital. She married and divorced director Robert Stevenson. She was the widow of novelist/playwright/poet Robert Nathan and the mother of actors Jeffrey Byron and Venetia Stevenson.

Trivia: Actor Barry Sullivan was a theater usher and department store employee at the time he made his first Broadway appearance in 1936. His "official" film debut was in the 1943 Western Woman of the Town, though in fact Sullivan had previously appeared in a handful of two-reel comedies produced by the Manhattan-based Educational Studios in the late '30s. A bit too raffish to be a standard leading man, Sullivan was better served in tough, aggressive roles, notably the title character in 1947's The Gangster and the boorish Tom Buchanan in the 1949 version of The Great Gatsby. One of his better film assignments of the 1950s was as the Howard Hawks-style movie director in The Bad and the Beautiful (1952). Sullivan continued appearing in movie roles of varying importance until 1978. A frequent visitor to television, Barry Sullivan starred as Sheriff Pat Garrett in the 1960s Western series The Tall Man, and was seen as the hateful patriarch Marcus Hubbard in a 1972 PBS production of Lillian Hellman's Another Part of the Forest.

Trivia: In films from the mid-'60s, American actor Richard Bull was seen in The Satan Bug (1965), The Thomas Crown Affair (1968), Secret Life of an American Wife (1969), Newman's Law (1971), and several other major Hollywood productions. Many of these roles were bits or atmosphere characters: guards, policemen, and the like. Television afforded Bull larger character roles, especially in the sitcom field. Within a ten-year period (1964-1974), he guested on Gidget, Family Affair, Gomer Pyle, USMC, The Andy Griffith Show, My 3 Sons, Room 222, and Bewitched (as pilgrim John Alden in a "flashback" episode). He also had a recurring role as a ship's doctor on the mid-'60s fantasy weekly Voyage to the Bottom of the Sea. From 1974 through 1982, Richard Bull played store proprietor Nels Oleson, the even-tempered, long-suffering husband of overbearing Harriet Oleson on Little House on the Prairie. Bull continued to appear in films and episodes of TV shows until his death in 2014 at age 89.