Trivia: The son of Yugoslav immigrants, Karl Malden labored in the steel mills of Gary, Indiana before enrolling in Arkansas State Teachers College. While not a prime candidate for stardom with his oversized nose and bullhorn voice, Malden attended Chicago's Goodman Dramatic School, then moved to New York, where he made his Broadway bow in 1937. Three years later he made his film debut in a microscopic role in They Knew What They Wanted (1940), which also featured another star-to-be, Tom Ewell. While serving in the Army Air Force during World War II, Malden returned to films in the all-serviceman epic Winged Victory (1944), where he was billed as Corporal Karl Malden. This led to a brief contract with 20th Century-Fox -- but not to Hollywood, since Malden's subsequent film appearances were lensed on the east coast. In 1947, Malden created the role of Mitch, the erstwhile beau of Blanche Dubois, in Tennessee Williams' Broadway play A Streetcar Named Desire; he repeated the role in the 1951 film version, winning an Oscar in the process. For much of his film career, Malden has been assigned roles that called for excesses of ham; even his Oscar-nominated performance in On the Waterfront (1954) was decidedly "Armour Star" in concept and execution. In 1957, he directed the Korean War melodrama Time Limit, the only instance in which the forceful and opinionated Malden was officially credited as director. Malden was best known to TV fans of the 1970s as Lieutenant Mike Stone, the no-nonsense protagonist of the longrunning cop series The Streets of San Francisco. Still wearing his familiar Streets hat and overcoat, Malden supplemented his income with a series of ads for American Express. His commercial catchphrases "What will you do?" and "Don't leave home without it!" soon entered the lexicon of TV trivia -- and provided endless fodder for such comedians as Johnny Carson. From 1989-92, Malden served as president of the Academy of Motion Picture Arts and Sciences.

Trivia: Veteran character actor Joe Don Baker has been playing rugged good ol' boys since his uncredited role in Cool Hand Luke in 1967. Born in Texas, his Southern drawl and ample proportions made him suitable to play countless numbers of simple-minded sheriffs, cops, and detectives in everything from big-budget blockbusters to low-grade action movies, although he more often appeared in the latter. On TV in the '60s, he guest starred on Bonanza, Gunsmoke, and Mission: Impossible before starring in his own show, the short-lived detective series Eischied. On the big screen, he played the drifter in Sam Peckinpah's Junior Bonner in 1972. He same year he made the "hicksploitation" classic Walking Tall, followed by Charley Varrick, Golden Needles, Framed, and plenty of other poorly made action thrillers that have since gained a small but appreciative audience on home video. The best example is 1975 crime flick Mitchell, which was featured on an important transitional episode of Mystery Science Theater 3000. Baker plays the titular slob detective who goes after drug dealers while drinking a lot of Schlitz malt liquor and eating pork rinds. After this movie, he became something of a legendary figure to a small but loyal fan base, and his persona as a lovable rascal was fixed for the next few decades. In the '80s he appeared in bad comedies (Fletch, Leonard, Part 6) as well as bad action thrillers (Final Justice, Getting Even). In 1989, he returned to television to play acting chief Tom Dugan on In the Heat of the Night and made small appearances in films, like the police chief who drinks Pepto-Bismol in Cape Fear (1991). He did branch out a little in the '90s to play Senator Joseph McCarthy in the made-for-TV movie Citizen Cohn as well as Winona Ryder's yuppie dad in Reality Bites. His later accomplishments include three James Bond appearances, first in Living Daylights as a bad guy, then in Goldeneye and Tomorrow Never Dies as good guy Jack Wade. He returned to his stereotypical roots playing white-trash slobs as Richie's trailer park dad in Mars Attacks! and in an uncredited role in Joe Dirt. In 2003, he appeared with veterans Martin Landau, Martin Sheen, and Edward Asner in The Commisson.

Trivia: Actress/singer Darlene Carr was 14 when she was discovered for films by Walt Disney. Darlene's Disney credits include a juvenile role in Monkeys Go Home (1965), in which she sang a duet with Maurice Chevalier; Gallegher Goes West, a 1966 TV miniseries; and the animated The Jungle Book, as the voice of the Indian girl in the final scene. Free of her Disney obligations in 1967, Darlene quickly shed her goody-two-shoes image with the role of a bikinied high schooler in The Impossible Years (1968). A frequent visitor to television, Darlene was seen in the recurring role of Karl Malden's daughter on The Streets of San Francisco (1972-77), and was a regular on The John Forsythe Show (1965), The Smith Family (1971) and The Oregon Trail (1977). She also starred as the TV sitcom world's first unwed mother in 1979's Miss Winslow and Son. Darleen Carr is the sister of Charmian Carr, who played Liesl in The Sound of Music (1965).

Trivia: Red-headed, ruddy-faced American supporting actor Ken Swofford made his movie debut in 1964's Father Goose. Swofford hit his peak on television in the 1970s and 1980s, playing explosive, loudmouthed, stuffy types. He was brilliant as Winchell-like columnist Frank Flannagan in the weekly 1975 version of Ellery Queen, then went on to essay subtler variations of this character in Switch (1975-78) and The Eddie Capra Mysteries (1978-79). He was one of the singular delights of the syndicated version of Fame (1983-87), as the kids' perennial nemesis, vice-principal Morloch. Off camera, the affable Swofford got along famously with his young Fame co-stars, and was one of the series' biggest boosters on the promotional-tour circuit. More recently, Ken Swofford was seen in the recurring role of Lt. Capalano in Murder She Wrote (1984-96).

Trivia: Inaugurating his career at the Cleveland Playhouse, American character actor Robert F. Simon made his first Broadway appearance in Clifford Odets' Clash By Night. In 1949, Simon succeeded Lee J. Cobb in the role of Willy Loman in Arthur Miller's Death of a Salesman. He made his film debut in 1954, spending the next two decades playing a steady stream of generals, doctors, executives and journalists. One of Simon's most prominent film roles was the father of the title character in 1956's The Benny Goodman Story. On television, Simon played bombastic newspaper editor J. Jonah Jameson in the weekly adventure series The Amazing Spider-Man (1977-78), and could also be seen in recurring roles on Saints and Sinners (1961), Bewitched (1964), Custer (1967), Nancy (1970) and MASH (1972-73 season, as General Mitchell).

Trivia: General purpose actor Norman Alden was first seen by filmgoers in 1960's Operation Bottleneck. Most often seen in take-charge roles, Alden was critically acclaimed for his portrayal of a middle-aged retarded man in the NYC-filmed Andy (1965). The actor's series-TV credits include the thankless role of "Frank" on the "Electra Woman/Dynagirl" segments of Saturday morning's The Krofft Supershow. More artistically satisfying was Norman Alden's brief tenure as lawyer Al Cassidy on the Lee Grant TV sitcom Fay (1975).