Trivia: A New York-born actor of Puerto Rican descent whose performances in such efforts as La Bamba and Rapa Nui offered a lingering, devastating sense of depth, Esai Morales found success on screens both large and small. Frequently challenging stereotypes and always imbuing his characters with individuality, he was first inspired at the age of 12 by Al Pacino's searing performance in Dog Day Afternoon in 1975. Speaking only Spanish until the age of five, Morales showed talent in a series of stage roles in and around New York City. He graduated from New York's prestigious High School of the Performing Arts before appearing in productions at the Ensemble Theater Studio (El Hermano) and New York's Shakespeare Festival in the Park (The Tempest). In 1982, the actor made his screen debut in the Paul Morrissey film Forty Deuce. His role as Sean Penn's imposing nemesis in the following year's Bad Boys offered a horrific glimpse of the violence of juvenile detention facilities, and, in 1987, Morales cemented his reputation as a talent to watch when he played ill-fated rock & roll singer Ritchie Valens' brother in La Bamba. Equally adept at playing menacing tough guys or more sensitive characters, Morales eschewed stereotypes with roles as an Irish bootlegger in Bloodhounds of Broadway (1989) and an Argentine gangster in Naked Tango (1991). A memorable role as an Easter Island native involved in a painful civil war in 1994's Rapa Nui earned him rave reviews, despite going largely unseen, and the handsome actor was again impressive as a Mexican-American youth in My Family the following year. Morales also drew praise in 1997 for his top-billed role in The Disappearance of Garcia Lorca, and after portraying the father of Cuban refugee Elian Gonzales in the made-for-TV feature A Family in Crisis: The Elian Gonzales Story, Morales stood out with an ALMA-nominated role as Lt. Tony Rodriguez in the enduring police drama NYPD Blue. He also appeared in such features as Paid in Full (2002) and Isla Bella (2004), and had a recurring role in PBS's eagerly anticipated Mexican-American-themed series American Family. In addition to his TV and film work, the self-described activist volunteers time to such organizations as the Earth Communications Office, the Wildlife Preservation Fund in Costa Rica, and the Health Education AIDS Liaison.

Trivia: A talented character actor whose pudgy frame and adaptable face allows him to alternate between meek and imposing at the drop of a hat, Maury Chaykin endeared himself to television audiences as razor-sharp detective Nero Wolfe, though he has been appearing in film and television since the late '70s. Raised in Brooklyn, NY, Chaykin took a shine to acting while attending James Madison High School. Following his dream to the University of Buffalo, where he majored in theater, it was there that Chaykin would found The Swampfox Theater in 1968. An avant-garde troupe that became the talk of the town after crashing Toronto's Festival of Underground Theater in 1970, The Swampfox troupe would later gain accolades as the most original group at the Yale Drama Festival. Following such strong beginnings, it was clear to many that great things were in store for Chaykin. Spending a few years at North Buffalo's American Contemporary Theater following his college graduation, Chaykin would later move on to work in experimental theater in Toronto. Alternating frequently between television and film in his early years, small early roles in such popular films as 1983's WarGames insured the burgeoning actor increased visibility, and following roles in such high-profile fare as Mrs. Soffel (1983) and Turk 182! (1984), Chaykin made a lasting impression when promoted to leading-man status in 1985's Canada's Sweetheart: The Saga of Hal C. Banks. Flawlessly essaying the role of a Canadian union-leader who presided over the country's shipping industry in the 1950s and '60s, the film found Chaykin gaining near universal critical accolades in addition to winning a Nellie Award for his spot-on performance. Despite his success in the role of Banks, Chaykin rounded out the '80s with appearances in such schlocky films as Meatballs III (1987) and Iron Eagle II (1988), with only the occasional dark drama such as Cold Comfort (1989) offering the rare opportunity for him to truly shine. Things began to look up for Chaykin in the 1990s, and appearances in such acclaimed efforts as Dances With Wolves (1990) and My Cousin Vinny (1992) ensured that he would retain a high profile in the coming years. Though Chaykin's roles were far from top-billed, appearances in Sommersby (1993) and Devil in a Blue Dress (1995) served well to balance out forgettable turns in such efforts as Josh and S.A.M. (1993). In addition to an affecting turn as a faded rock star who attempts to create music that will allow him to communicate with nature in 1994's Whale Music, a haunting turn in the downbeat drama The Sweet Hereafter (1997) provided Chaykin with one of his most memorable roles of the decade. As the 1990s drew to a close, his turn as a biker inmate in the long-running HBO series Oz found a virtually unrecognizable Chaykin using his imposing frame to surprising effect. Rounding out the decade with roles in Entrapment and Mystery, Alaska (both 1999), it seemed that Chaykin was finally getting the recognition he deserved. At the dawn of the new millennium, television audiences began to warm up to Chaykin when A Nero Wolfe Mystery debuted in 2001. That same year Chaykin would take a memorable turn as a bumbling bureaucrat in director Jonathan Parker's Bartleby, and a dramatic role as a husband suffering after the tragic loss of a child in the made-for-television Crossed Over (2002) proved that he could alternate between mystery, comedy, and drama with unprecedented ease. In the following years, Chaykin could be spotted in substantial roles in such films as Owning Mahowney (2003) and Being Julia (2004).