Trivia: A graduate of Alfred University, American actor Robert Klein spent the 1960s and 1970s amassing a respectable list of stage and film credits (he played George Segal's befuddled roomie in The Owl and the Pussycat [1970]), but his bread and butter turned out to be his career as a stand-up comic. First gaining national attention as host of the 1970 TV variety series Comedy Tonight, Klein went on to transcribe his comedy routines in a series of popular record albums. A "reporter" of humor, the raspy-voiced, heavily eyebrowed Klein is at his best commenting offhandedly on the absurdities of everyday life. Some of his best routines involve the dissection of such pop-culture icons as The Little Rascals, My Little Margie, and Babe Ruth; other monologues recall such childhood experiences as civil defense drills and the first dance (complete with imitations of the Johnny Mathis records heard on the PA). Klein continued taking acting jobs into the 1970s and 1980s: one of his longer engagements during this period was in the Neil Simon Broadway musical They're Playing Our Song. In 1991, Robert Klein found himself the unofficial spokesperson for the Comedy Central cable service, hosting the weekly series Dead Comics Society and Stand Up Stand Up. He also appeared occasionally on the NBC drama Sisters. Klein continued to take small roles in respectable films throughout the late 1990s and 2000s; among his credits include Primary Colors (1998), Next Stop Wonderland (1998), and Ira & Abby (2006). In 2007 he appeared in the noted documentary Sputnik Mania, and continues to be active in film and television.

Trivia: Bronx-raised actor Martin Balsam was the oldest of three children of a ladies' sportswear salesman. "Actors are bums" was dad's reaction when Balsam announced his intention of going into show business; still, young Martin took full advantage of lunch breaks from his "real" jobs to rehearse for amateur theatricals. After World War II, Balsam joined New York's Actors Studio, supporting himself by waiting on tables and ushering at Radio City Music Hall. During his formative years he was briefly married to actress Joyce Van Patten; their daughter Talia Balsam would later become a successful film and TV performer. Working steadily if not profitably in nightclubs and TV, Balsam made his first film, the Actors Studio-dominated On the Waterfront, in 1954. Averaging a movie and/or a play a year starting in 1957 (among his best-known film roles were Juror #1 in Twelve Angry Men [1957] and the unfortunate detective Arbogast in Psycho [1960]), Balsam went on to win a Tony for the Broadway play I Know You Can't Hear Me When the Water's Running, an Obie for the off-Broadway production Cold Storage, and an Academy Award for his performance as Jason Robards' older brother in the 1965 film version of A Thousand Clowns. Unfortunately for Balsam, the Oscar was as much a curse as a blessing on his career, and soon he was playing little more than variations on his Thousand Clowns role. In 1979, he was engaged by Norman Lear to play "lovable bigot" Archie Bunker's acerbic Jewish business partner Murray Klein on the CBS sitcom Archie Bunker's Place; he remained with the series until 1981. In 1991, Balsam appeared in Martin Scorsese's Cape Fear, the remake of a film in which Balsam had co-starred (in an entirely different role) in 1962.

Trivia: Involved in amateur theatricals since childhood, Annie Potts received her BFA in theatre arts from Missouri's Stephens College. Potts has been seen in comic supporting roles in films since 1978; she is most closely associated with the part of ditzy secretary Janine Melnitz in the two Ghostbusters flicks of the 1980s. On television, Potts has played Edith Bedelmeyer on the one-season sitcom Goodtime Girls (1980), then enjoyed a longer run as Mary Jo Shively on Designing Women (1986-93). Her characterization of outspoken gourmet chef Dana Paladino on the prime time sitcom Love and War won Annie an Emmy nomination in 1994. Annie Potts has also been featured in a popular series of commercials for a well-known corn-chip product, and has served as national spokesperson for the Women for Arthritis Foundation. In 1996 she was cast as a no-nonsense schoolteacher of troubled inner-city high schoolers in the ABC-TV show Dangerous Minds, a series based on the 1995 Michelle Pfeiffer film of the same name. She voiced the part of Bo Peep in the first two Toy Story films, and in 2003 she took part in a Designing Women reunion. That same year she was the lead in Defending Our Kids: The Julie Posey Story. She appeared intermittently on the Showtime series Huff, and in 2007 she joined the cast of the short-lived series Men In Trees. In 2012 she was cast as one of the leads in the new TV series GCB.

Trivia: Born in New Zealand, comic actor Clive Revill attended that country's Rongotai College, then made his first stage appearance in Auckland at age 20. After appearing on Broadway in the 1952 musical Mr. Pickwick, Revill spent three years with Britain's Ipswich Repertory. He was nominated for Tony Awards for his performances in Broadway's Irma La Douce and Oliver!; his later New York appearances included the starring roles of Sheridan Whiteside in Sherry, the 1972 musicalization of The Man Who Came to Dinner, and playwright/critic Max Beerbohm in The Incomparable Max. In films, Revill essayed "campy" characterizations in such 1960s projects as Modesty Blaise (1966), Fathom (1967) and The Private Life of Sherlock Holmes (1969); on television, he was brilliantly cast as Charlie Chaplin in the 1980 TV movie The Scarlet O'Hara Wars, and portrayed "black arts" purveyor Vector in the 1983 series Wizards and Warriors. Clive Revill's most recent credits include a cameo as the Sherwood Forest fire marshal in Mel Brooks' Robin Hood: Men in Tights, and the voice of Alfred the Butler on the Fox Television Network's Batman: The Animated Series (1992- ).