Trivia: Like Clark Gable, David Janssen lost quite a few film roles in the early stages of his career because his ears were "too big" and -- also like Gable-- he did pretty well for himself in the long run. The son of a former beauty queen-cum-stage mother, Janssen was virtually strong-armed into show business, appearing as a child actor on-stage and as a juvenile performer in such films as Swamp Fire (1946). Signed to a Universal contract in 1950, he showed up fleetingly in films both big-budget (To Hell and Back) and small (Francis Goes to West Point). Full stardom eluded Janssen until 1957, when he was personally selected by actor/producer Dick Powell to star in the TV version of Powell's radio series Richard Diamond, Private Detective. Though he didn't exactly become a millionaire (for several years he earned a beggarly 750 dollars per week), Janssen's saleability soared as a result of his three-year Diamond gig, and by 1960 he was earning top billing in such Allied Artists productions as King of the Roaring 20s (1960), in which he played gambler Arnold Rothstein, and Hell to Eternity (1960). In 1963, he landed his signature role of Dr. Richard Kimble on TV's The Fugitive. For the next four years, Janssen/Kimble perambulated throughout the country in search of the "one-armed man" who committed the murder for which Kimble was sentenced to death, all the while keeping one step ahead of his dogged pursuer, Lieutenant Gerard (Barry Morse). The final episode of The Fugitive, telecast in August of 1967, was for many years the highest-rated TV episode in history. There was little Janssen could do to top that, though he continued appearing in such films as Warning Shot (1967) and Green Berets (1969), and starring in such TV series as O'Hara, U.S. Treasury (1971) and Harry O (1974-1976). David Janssen died of a sudden heart attack at age 49, not long after completing his final TV movie, City in Fear (1980).

Trivia: American actress Katherine Helmond spent nearly thirty years becoming an overnight success. Working fitfully in New York and regional theatre throughout the '50s and '60s, Helmond made ends meet by working as a drama teacher. Her first fleeting film appearances were in the Manhattan-based Believe in Me and The Hospital, both shot in 1971. She received a sizeable role in 1975's The Hindenburg, which utilized local repertory actors from throughout the midwest; she also worked with Hitchcock in 1976's Family Plot. In 1977, Katherine was cast as Jessica Tate, the scatterbrained, hedonistic matriarch on the TV sitcom Soap. She remained with the series until its cancellation in 1981; Soap left poor Jessica Tate facing a firing squad, and didn't reveal her fate until Helmond's guest appearance on the Soap spinoff Benson, wherein she played Jessica's ghost. In 1983, Katherine enrolled in the American Film Institute's Directing Workshop; she helmed the short subject Bankrupt and also several episodes of TV's Who's the Boss, in which she played Mona Robinson from 1984 through 1990. Keeping her hand in films, Katherine Helmond became a favorite of ex-Monty Python director Terry Gilliam, who cast the actress as a vain matron undergoing a really radical facelift in 1984's Brazil.

Trivia: Lou Frizzell played supporting roles on stage, screen and television. He came to movies in the late 1960s and during the '70s played in a wide variety of films. Frizzell got his start on the New York stage.

Trivia: Supporting actor Alan Feinstein first appeared onscreen in the '70s.