Trivia: A uniquely gifted and versatile actor possessing the distinct ability to immerse himself in a role so convincingly that he becomes almost unrecognizable -- from a quality obsessed restaurateur (Big Night, 1996) to a master criminal bent on world domination (Spy Kids, 2001) -- one can always count on Tony Shalhoub to deliver a memorable performance no matter how small his role may be.Well-known to television audiences for his extended stint as a self-deprecating cabbie on the long-running series Wings, Shalhoub made the often-painful transition from television to film with a grace seldom seen. Born on October 9th, 1953 in Green Bay, WI, Shalhoub developed his passion for theater at the youthful age of six when he volunteered via his sister to play an extra in a high-school production of The King and I. Shalhoub was hooked. After earning his master's degree from the Yale Drama School and spending four seasons at the American Repertory Theater in Cambridge, MA, Shalhoub packed his bags for New York where he began a luminous career on Broadway. Broadway brought Shalhoub success not only in his career, but in his personal life as well: he was nominated for a Tony for his role in Conversations With My Father and he met his future wife, actress Brooke Adams, while acting in The Heidi Chronicles. It was not long after his Broadway success that Shalhoub made his feature debut, as a doctor in the 1990 AIDS drama Longtime Companion.Shalhoub's film career has been a testament to his range and a compliment to his abilities. Though prone to comedy, his dramatic roles have gained him just as much, if not more, recognition than his comedic roles. Winning the Best Supporting Actor award from the National Society of Film Critics for his well-researched role in Big Night (1996), Shalhoub expanded his dramatic film repertoire with roles in A Civil Action and The Siege (both 1998), while always maintaining his knack for humor (1997's Men in Black). Shalhoub's role as the ultra-mellow "anti-Scottie" in the Star Trek send-up Galaxy Quest (1999) proved that his comic persona was indeed still as sharp as ever. Sticking in the sci-fi/fantasy mold for his roles in Imposter and Spy Kids (both 2001), Shalhoub once again proved that he could do 180-degree character turnarounds with ease.Though Shalhoub would stay in sci-fi mode for his role in Men in Black 2, he would return to solid ground with his role as an obsessive-compulsive detective in the well-received television pilot Monk (2002). Directed by Galaxy Quest helmer Dean Parisot, the pilot for Monk successfully paved the way for the curiously innovative USA series to follow and found the actor warmly re-embracing the medium that had propelled him to stardom. As Monk's popularity continued to grow, Shaloub found success on the big screen in the role of a gifted psychologist for The Great New Wonderful (2005), and voiced the lovable Luigi in Cars (2006) and Cars 2 (2011). In 2007, he worked alongside John Cusack and Samuel L. Jackson for the supernatural horror film 1408.

Trivia: Appeared in TV commercials while still in high school. Traylor is her mother's maiden name. Worked at a greeting-card company after graduating from college. Made her sitcom debut in 1996 on Boston Common. Replaced Bitty Schram on Monk in 2005, playing the detective's peppy sidekick, Natalie.

Trivia: Striking terror deep in the hearts and subconsciousness of filmgoers worldwide with his chilling portrayal of aspiring transsexual serial killer James "Buffalo Bill" Gumb in director Jonathan Demme's acclaimed thriller The Silence of the Lambs, Steppenwolf Theater alumnus Ted Levine may not have received the star status some may have expected would follow the role, but he can consistently be counted on to turn in a lively performance, no matter how small his part may be.Born in Cleveland, OH, Levine received his M.F.A. in acting from the University of Chicago before making frequent appearances in such 1980s made-for-television efforts as Michael Mann's Crime Story (1986) and his feature debut in 1987's Ironweed. Taking small roles in such features as Betrayed (1988) and Next of Kin (1989) before his big break in Silence, Levine, curiously, stuck mostly to television following his portrayal of Buffalo Bill, not taking another featured role until his turn as a cop on the trail of a carnivorous industrial speed iron in The Mangler (1995). Appearing in Georgia and Michael Mann's acclaimed Heat the same year, Levine began to gain more prominent roles in the following years before taking to the seas with Patrick Stewart in Moby Dick (1998). Though he received critical acclaim for his role in the controversial television series Wonderland (2000), the show aired a meager two episodes (though four were produced) before being pulled due to outcry over its portrayal of the mental health system and its inhabitants. Bouncing back to the big screen, fans found that Levine could still be counted on to turn in absorbing performances in such features as Evolution and The Fast and the Furious (both 2001). Over the next several years, Levine would remain extremely active, appearing in films like The Manchuriuan Candidate, Memoirs of a Geisha, The Hills Have Eyes, and Shutter Island, as well as on TV series like Monk and Luck.

Trivia: Initially aspired to become a basketball player but opted to pursue acting instead. Did a great deal of voice work at the start of his career, including playing Donatello for the animated series Ninja Turtles: The Next Mutation. Auditioned for a guest spot in the Monk pilot but was cast in the regular role of Lieutenant Randy Disher instead. Sang backup vocals on Russell Crowe's album Gaslight after costarring with him in 1999's Mystery, Alaska and 2001's A Beautiful Mind.

Trivia: Spent her early childhood in Houston and England (where she attended the American School in England). Won a 2004 Young Artist Award (Supporting Actress) for her first professional role, a girl orphaned by a terrorist attack in Italy, in the HBO film My House in Umbria. Has studied ballet and enjoys sailing on Long Island Sound.

Trivia: Ex-marine and ex-newspaper reporter Scott Glenn was ideally suited to the action-oriented films that would become his lot in the 1980s and 1990s. After learning the rudiments of his craft at the Actors Studio and appearing off-Broadway, Glenn made his film bow in 1970's The Baby Maker. He was rescued from low-budget cycle flicks by director Robert Altman, who cast Glenn as Pfc. Glenn Kelly in Nashville (1975). As rangy and rugged off-camera as on, Glenn was one of the few film actors of recent years to flourish in western roles: among his more impressive credits within this genre are Cattle Annie and Little Britches (1981), Silverado (1985), My Heroes Have Always Been Cowboys (1993), and, stretching a point a bit, Urban Cowboy (1980). Glenn has been equally laudable in such suit-and-tie roles as Jodie Foster's FBI chief in The Silence of the Lambs (1991), in "military" assignments like astronaut Alan Shepard in The Right Stuff (1981) and the U.S. sub commander in Hunt for Red October (1990). As a tribute to Robert Altman, the director who elevated him to "A" pictures back in 1975, Scott Glenn accepted a drastic cut in salary to portray "Himself" in Altman's The Player (1992). Over the next several years, Glenn remained active on screen, appearing in films like Training Day, The Virgin Suicides, The Bourne Ultimatum, W., and The Paperboy.

Trivia: Fans of American actress Melora Hardin who associate her exclusively with her characterization of Jan Levinson-Gould -- Michael Scott's stone-faced manager and sometimes lover, on the smash NBC series The Office -- may be surprised and delighted to discover several exciting facts about the history of her career. First, her work stretches back many decades, into her primary school years, encompassing everything from Disney movies to prime-time series dramas of the '80s, '90s, and 2000s to commercials to acclaimed feature films; she directs and edits films as well. Second, Hardin moonlights as an accomplished and gifted singer/songwriter -- a nightclub chanteuse known for sultry cabaret-style numbers, who has issued a number of acclaimed albums of her own material, including Meloradrama and Purr. And finally, this comedian's wit extends far beyond her crack-comic onscreen timing. A parodist who loves to play with her own image, Hardin runs her own website, with a series of funny-sexy (yet inexplicit) cheesecake photos that serve as throwbacks to the peek-a-boo erotica days of the mid-'50s while subtly parodying and calling attention to those setups.Given both of her parents' long tenures in film and television (her father is character actor Jerry Hardin and her mother is acting coach Diane Hill Hardin), drama came preternaturally for Hardin, and she commenced work as a child star at age six. One of her earliest assignments involved plugging Peak Toothpaste on a television commercial; she later joined the ensemble cast of a live-action children's program on NBC (circa 1977, at age ten) called Cliffwood Avenue Kids, which (as late-Gen X television babies may recall) typically aired during early weekday evenings after The Flintstones. A series of failed pilots ensued for Hardin, beginning with the late-'70s drama Thunder and encompassing over a dozen others over the next two decades.Hardin debuted cinematically at age 11, with a high-profile role in the goofball Disney comedy The North Avenue Irregulars, opposite Susan Clark and Cloris Leachman and directed by Hogan's Heroes vet Bruce Bilson. She followed this up with many additional roles in A- and B-list features throughout the '80s and '90s, but while her work shone, the films themselves often failed to catch fire; her resumé includes such forgettable fare as Iron Eagle (1985) and Soul Man (1986). A number of pictures, however, marked happy exceptions: Hardin contributed a small onscreen singing role to the fine Disney period adventure The Rocketeer (1991), and several of her songs highlighted the film's soundtrack. She also appeared in Clint Eastwood's enormously underrated, oft-humorous 1997 crime thriller Absolute Power (as Christy Sullivan, the homicide victim of Gene Hackman's lecherous president), and made a solid contribution to the satire Thank You for Smoking, opposite Aaron Eckhart.Hardin fared particularly well on television, with single- and dual-episode appearances over the years in such dramas as Little House on the Prairie, Quincy, M.E., and Murder, She Wrote. The Office, of course, represented a watershed moment for Hardin. Adapted skillfully by Greg Daniels from the British series of the same name by Ricky Gervais and Stephen Merchant, the NBC sitcom follows the colorful employees of the Dunder Mifflin Paper Company's Scranton branch -- led by one Michael Scott (Steve Carell), a sweet-natured but desperately lonely and outrageously uncouth manager. Low-key, iconoclastic, and unconventional, the program eschewed a laugh track and underplayed (to the nth degree) every one of its gags, relying on a bevy of character eccentricities to procure laughs. The episodes had Hardin (as Michael's manager) typically playing straight man to Carell's goofball, and saw the unlikeliest of employer-employee romances blossoming between them over the course of the first two seasons. Thanks to an extraordinary cast and crew, The Office instantly shot up to qualify as one of NBC's highest rated new series after its March 2005 debut; many proclaimed it as the funniest American sitcom since Seinfeld.Meanwhile, Hardin continued to hone her craft in other arenas. She first helmed the regional theatrical production of friend Adria Tennor's one-woman show Strip Search. Tagged as "Love and a 12-Foot Pole," and authored by and starring Tennor, this colorful yet surprisingly touching seriocomedy recounts the tale of a woman who undertakes a journey of self-discovery and ultimately finds her dying passion in strip dancing classes. Hardin then directed and edited an independent film entitled You that husband Gildart Jackson scripted. The motion picture stars Jackson and both of Hardin's parents, as well as Joely Fisher and The Office's Kate Flannery.In 2006, Hardin returned to big-screen work, signing with Fox Atomic and Tapestry Films to co-star in the Tom Brady-directed sports comedy The Comebacks. The film relays the story of a football coach (David Koechner) commissioned to whip a down-and-out football team into shape. In 2007, she joined the cast of The Dukes, which follows a group of down-and-out musicians attempting an ill-fated heist.