Trivia: Capturing movie lover's hearts with undeniably adorable performances in such features as Mrs. Doubtfire and Matilda (1996), young starlet Mara Wilson seemed poised to take Hollywood by storm. Though she was seemingly born to essay the role of author Roald Dahl's telekinetic youngster Matilda in the feature of the same name, Wilson remained curiously absent from the screen following her role in the 2000 family film Thomas and the Magic Railroad. A Los Angeles native who got her start onscreen with the 1993 comedy Mrs. Doubtfire, the role ultimately found Wilson catching the eye of filmmaker John Hughes and cast in his 1994 remake Miracle on 34th Street. Though the film paled in comparison to the original classic and was quickly lost in the shuffle, the quality of her performance was undeniable, and it was only two short years before she took the lead in the charming family comedy Matilda. A quirky adaptation of the classic Dahl tale, the film captured the tone of the book spot-on, thanks in no small part to Wilson's memorable performance. Due to the fact that follow-up roles in A Simple Wish (1997) and Thomas and the Magic Railroad succeeded in charming audiences as never before, her subsequent absence from the screen remained all the more curious.

Trivia: Perhaps no Hollywood actor continually stirs up more of a gleeful admixture of feelings in his viewers than Danny DeVito. Singlehandedly portraying characters with mile-long, obnoxious jerk streaks that are nonetheless somehow loveable, DeVito -- with his diminutive stature, balding head, and broad Jersey accent -- made an art form out of playing endearingly loathsome little men.Born November 17, 1944, in Neptune, NJ, Daniel Michael DeVito Jr. survived a Catholic school upbringing and started his career from the ground up, laboring as a cosmetician in his sister's beauty parlor. Working under the name "Mr. Danny," DeVito decided to enter New York's American Academy of Dramatic Arts for the purpose of acquiring additional makeup expertise. However, he soon discovered his true theatrical calling and made his screen debut with a small part in the 1968 drama Dreams of Glass. After a few discouraging experiences within the film industry, DeVito decided to concentrate on stage work. During this time, he met actress Rhea Perlman, whom he later married in 1982. In 1972, the actor made his way back into films with a role in Lady Liberty, a comedy starring Sophia Loren. His first notable film part came three years later, when he reprised his stage role of Martini, a sweet-natured mental patient, in Milos Forman's screen version of One Flew Over the Cuckoo's Nest. Produced by DeVito's old friend Michael Douglas and co-scripted by Lawrence Hauben and Bo Goldman, the film won wide acclaim and nine Oscar nominations, eventually gleaning five statuettes (including Best Picture). Despite the adulation surrounding the film, DeVito's screen career remained lackluster, but he skyrocketed to fame three years later with his role as the obnoxious dispatcher Louie on the long-running television sitcom Taxi. From there, DeVito's career swung upward and he spent the next decade playing similarly repugnant characters with enormous success. He reunited with Douglas for Romancing the Stone (1984) and its 1985 sequel, Jewel of the Nile, teamed up with co-star Joe Piscopo and director Brian De Palma (as a scam artist on the run) in Wise Guys (1986), and signed with Disney's R-rated offshoot, Touchstone, for two comedies, the 1986 Ruthless People, and the 1987 Barry Levinson-directed Tin Men.Throw Momma from the Train (1987) marked DeVito's premier directorial outing. A madcap farce directed from a script by Benson and Soap scribe Stu Silver, Momma cast DeVito as Owen, a dim-bulb student living under the thumb of his loudmouthed mother, who is enrolled in a writing course taught by failing novelist Larry Donner (Billy Crystal). Stumbling into a repertory screening of Strangers on a Train one night, Owen has the not-so-bright idea of emulating the film, by bumping off Larry's conniving ex-wife in exchange for having Larry rub out his momma -- without asking Larry first.Throw Momma from the Train opened during the Christmas season of December 1987 and received mixed reviews. The picture nonetheless became a massive hit, grossing upwards of 57 million dollars, and thus paving the way for future DeVito-directed efforts. The War of the Roses (1989) recast DeVito with his Romancing the Stone and Jewel of the Nile co-stars, Michael Douglas and Kathleen Turner, but could not have been any more different in terms of theme, content, tone, or intended audience. Co-adapted by Warren Adler and Michael Leeson (from Adler's novel), this acerbic, black-as-coal comedy tells the story of Oliver and Barbara Rose, a seemingly happy and well-adjusted married couple whose nuptials descend into a violent hell when Barbara announces that she wants a divorce -- and Oliver refuses to give her one. DeVito plays the cherubic lawyer who relays their story to another client, and famously reflects, "If love is blind, then marriage must be like having a stroke." The picture instantly grossed dollar one, garnered legions of fans, and delighted critics across the board.Ida Random produced Momma, and DeVito's Taxi collaborator, James L. Brooks, produced War, but by the early '90s, DeVito gained additional autonomy by branching out into production duties himself, with the establishment of his own Jersey Films. Some of Jersey's more successful endeavors were 1994's Pulp Fiction (on which DeVito served as executive producer), Reality Bites (1994), Get Shorty (1995), Gattaca (1997), Out of Sight (1998), and Living Out Loud (1998). In the meantime, DeVito continued to act in a number of movies throughout the late '80s and '90s, his most notable being Twins (1988, in which he played the "twin" of Arnold Schwarzenegger), the disappointing Jack the Bear (1993), the delightful Other People's Money (1991, for which he took on the role of corporate monster Larry the Liquidator), Barry Sonnenfeld's Get Shorty, the screen adaptation of Roald Dahl's Matilda (1996, which he also directed and produced), L.A. Confidential (1997), and Living Out Loud. For the last of these DeVito won particular acclaim, impressing critics with his touching, sympathetic portrayal of a lonely elevator operator. In 1999, he added to his already impressive resumé with a role in Milos Forman's biopic of Taxi co-star Andy Kaufman, Man on the Moon, and a supporting turn in Sofia Coppola's The Virgin Suicides.Despite solid performances in a series of recent high-profile hits and decades of big-screen success, the millennial turnover found DeVito's star somewhat clouded as such efforts as Screwed (2000), What's the Worst That Could Happen? (2001), Death to Smoochy (2002), and Duplex (2003) failed to live up to box-office potential. DeVito fared only slightly better as producer of the critically acclaimed 2003 television series Karen Sisco and the ugly Get Shorty sequel, Be Cool. He also acted as executive producer for the acclaimed Zach Braff dramedy Garden State and could be spotted in director Tim Burton's imaginative fable Big Fish. As 2005 rolled around, audiences could spot DeVito in films such as The OH in Ohio, as well as on television as the actor found himself accepting a role in the quirky, taboo-busting series It's Always Sunny in Philadelphia.During 2006, DeVito balanced a full plate of work, temporarily retiring from the director's chair, but juggling small roles in no less than three A-list features. These included Brad Silberling's 10 Items or Less, a drama about the unlikely friendship that evolves between a has-been Hollywood star (Morgan Freeman) and a supermarket checkout clerk (Paz Vega); Jake Paltrow's directorial debut, The Good Night, a slice-of-life dramedy starring Gwyneth Paltrow and Penélope Cruz; and the holiday comedy Deck the Halls. The latter starred DeVito and Matthew Broderick as neighbors who go to "war" with competing decorations at Christmastime to see who can be the first to make his house visible from space. The film co-starred Kristin Davis and Kristin Chenoweth. Meanwhile, Jersey Films geared up to produce the 2007 Freedom Writers, directed by Richard LaGravenese -- a kind of retread of Stand and Deliver and Dangerous Minds, with Hilary Swank as a teacher determined to break through to her difficult students. Also in 2007, DeVito starred in Randall Miller's violent black comedy Nobel Son, DeVito joined longtime friend and collaborator Michael Douglas with a supporting role in the 2009 Solitary Man, then in 2012 voiced Dr. Seuss's title character in the classic animated fable The Lorax. DeVito and Perlman have three children.

Trivia: Fans familiar with diminutive American actress Rhea Perlman only through her Emmy-winning characterization of wasp-tongued waitress Carla Tortelli on the TV sitcom Cheers are usually taken aback to discover that Perlman is as shy and soft-spoken as Carla was pushy and abrasive. A working actress since the 1960s, Perlman played Carla from 1983 until Cheers' swan song ten years later. Most of her "outside" projects during that period, notably the 1984 TV movie The Ratings Game and a 1986 episode of Steven Spielberg's Amazing Stories, were done in conjunction with her longtime companion, Danny DeVito, who also played her boyfriend on the late-'70s comedy series Taxi. Kindred spirits, Rhea Perlman and Danny DeVito eventually marched down the matrimonial aisle as a loudspeaker played a recording of Carl "Alfalfa" Switzer singing "I'm in the Mood for Love."

Trivia: Fans of Steven Spielberg's acclaimed Schindler's List (1993) will recognize actress Embeth Davidtz for playing the abused Jewish maid Helen Hirsch, while those who love Sam Raimi's Evil Dead series may remember her for playing the two-faced Sheila in the third Evil Dead installment, Army of Darkness (1992). Still others will recognize the actress for her strong work in such period dramas as Feast of July (1995) and Mansfield Park (1998).Born in Indiana but raised in South Africa, Davidtz is fluent in English and Afrikaans, having studied classical and contemporary drama in both languages. A graduate of Rhodes University, she made an auspicious theatrical debut with the country's National Theater Company, as Juliet in a production of Shakespeare's classic romantic tragedy, and she subsequently garnered considerable accolades for her theatrical work. Davidtz entered films playing the daughter of an interracial couple in the South African television movie A Private Life (1988) and went on to win the country's equivalent of an Oscar in the Afrikaaner psychological drama Night of the Nineteenth. As her early work might indicate, Davidtz has shown a preference for appearing in political dramas from her first days in film.A resident of the U.S. since 1991, Davidtz has appeared in numerous television movies and miniseries, including the 1992 crime thriller Deadly Matrimony. In 1995, she won more critical praise for her work as a young woman who causes a family crisis after being impregnated and deserted by her callous lover in an acclaimed adaptation of H.E. Bates' novel The Feast of July. As a change of pace, she played a kindhearted teacher in Danny DeVito's darkly comic adaptation of Roald Dahl's novel Mathilda (1996) and then it was back to straight political drama with Garden of Redemption (1997). In 1998, Davidtz co-starred with Kenneth Branagh, in Robert Altman's adaptation of John Grisham's novel The Gingerbread Man, as a low-rent caterer with more than her share of dirty secrets. That same year, she continued in a similarly sly vein as the conniving Mary Crawford in Patricia Rozema's controversial adaptation of Mansfield Park, injecting the proceedings with a savory dollop of manipulative eroticism.Over the coming years, Davidz would remain as active on screen as ever, appearing in films like Mansfield Park and Fracture, and on shows like Citizen Baines, In Treatment, Californication, and Mad Men.

Trivia: Born in post-war Germany to a British soldier and his wife, and raised in their native Wales until she was 13, when her family emigrated to New Zealand. Left school to become a full-time actress at age 16. One of her first professional jobs was as a dancer in an Auckland, New Zealand, production of John Osbourne's The Entertainer. Her costume consisted of three small, strategically placed Union Jack flags. Returned to England during her early 20s in order to push forward with acting. Among the jobs she supported herself with before her career took off were selling shoes and working in an antiques shop. A founding member of Actorum, the first actors' cooperative agency in Britain. Supports the Princess Royal Trust for Carers.

Trivia: American comic actor Pee-Wee Herman was born Paul Rubenfield, which he later shortened professionally to Paul Reubens. While growing up in Sarasota, FL, Reubens began acting in junior high school, carrying this extracurricular interest through several colleges before graduating from the California Institute of the Arts. A natural-born clown, Reubens joined an improv group called the Groundlings, which during its existence would boast such formidable talent as Phil Hartman and Jon Lovitz. In 1978, Reubens developed the comic persona of Pee-Wee Herman, a childlike, squeaky-voiced kiddie show host reminiscent of Pinky Lee (with a little Soupy Sales thrown in). Soon "The Pee-Wee Herman Show" became a nightclub act unto itself; this multi-layered skewing of the whole children's entertainment ethic included a huge supporting cast, deliberately repulsive puppets, bizarre props, and, of course, Pee-Wee himself, who cavorted about the set like a baby speed freak. Reubens, who for all intents and purposes was Pee-Wee Herman at this point, was given frequent TV exposure thanks to Late Night With David Letterman and the home-video version of The Pee-Wee Herman Show. With former Groundling Phil Hartman, Pee-Wee/Reubens co-scripted the 1985 film Pee-Wee's Big Adventure. Though it was the inaugural project of director Tim Burton, it was not Pee-Wee's first film (he'd already shown up in The Blues Brothers [1980] and Cheech and Chong's Nice Dreams [1981]). A surrealistic reworking of the classic Italian film The Bicycle Thief, Pee-Wee's Big Adventure was a tad too bizarre for its distributor Warner Bros. The studio chose to release the film slowly on a regional basis -- but when the box-offices began to bulge, Warners gave the film a major big-city push. Audiences immediately understood that Pee-Wee's Big Adventure was meant to be a nine-year-old's notion of the Perfect World; critics, to whom nothing is ever simple, insisted upon reading all sorts of motivation and subtext into the film, and suddenly Pee-Wee Herman was the darling of the wine-and-cheese crowd. In 1986, Pee-Wee launched a Saturday morning kid's show, Pee-Wee's Playhouse, which immediately scored a hit, attracting as many adults as children (some of those adults began renting the original Pee-Wee Herman Show for their children, assuming that it would be as "safe" as the Saturday morning program -- only to be amazed at how raunchy the earlier Pee-Wee could be). The performer's popularity peaked in 1988, at which time his second film, Big Top Pee-Wee, was released. This film was not as cohesive nor as funny as the first, and it was a disappointment for both Reubens and his fans. The actor began announcing plans to "kill" his alter-ego and become Paul Reubens again in public. But the death of "Pee-Wee" came not as a suicide, but more of a crime of passion when Reubens was arrested in 1991 for indecent exposure at a screening of a porno movie. Backlash from the incident -- including the pulling of Pee-Wee merchandise off the shelves of stores and CBS' immediate cancellation of his Saturday morning show -- effectively forced the performer to abandon the Pee-Wee character. Since his fateful night at the movies, Reubens has appeared as the Penguin's father in Batman Returns (1992), a hand-me-down Dracula in Buffy the Vampire Slayer (1992), and a voice in Tim Burton's animated feature The Nightmare Before Christmas (1993). Reubens also became a semi-regular guest on the CBS television sitcom Murphy Brown. As time went on the public either forgot or forgave Reubens for his past indiscretions, and after a series of small film roles lead to larger roles in such films as Blow (2000), Reubens' past (as well as the Pee-Wee Herman alter-ego that made him famous) faded, giving the public a chance to reacquaint themselves with the actor outside of the context of his once-famous persona. In 2001 Reubens' popularity experienced something of a revival as he returned to television as the host of the popular computer trivia game turned game show You Don't Know Jack. Interviews with Reubens even hinted at a resurrection of Pee-Wee Herman in the form of a proposed trilogy in which the character, after becoming a popular celebrity, would struggle with the ill-effects of fame.

Trivia: The memorable but fleeting appearance of American actor Tracey Walter as "Bob the Goon" in Batman was typical of Walter's career. In the grand tradition of such Hollywood character actors as Percy Helton, Dick Wessel and Louis Jean Heydt, Walter is in the "who is that?" category--familiar yet anonymous--and has developed a cult following amongst cinema buffs. The stage-trained Walters can be seen in such films as Repo Man (1984) City Slickers (1991), Pacific Heights (1992), and Philadelphia (1993). As far back as the 1984 critic's-darling sitcom Best of the West, Walter played Frog, the knuckle-dragging henchman of villain Leonard Frey.

Trivia: Actress Jean Speegle Howard is the mother of actor/director Ron Howard. Although she largely retired from acting in the 1950s, she occasionally appears in films directed by her son.

Trivia: Actress-cum-singer/dancer Sabrina Bryan achieved fame by way of a Disney Channel project, when she joined the cast of that network's popular telemovie The Cheetah Girls, playing a member of an all-female pop band. The success of that picture, in fact, launched the Cheetah Girls (Bryan included) as a mainstream recording act in real life and prompted several filmed sequels. Bryan's recognition increased substantially when she appeared as a "celebrity dancer" on the fifth season of the ABC competitive reality series Dancing With the Stars, opposite partner Mark Ballas.

Trivia: Jon Lovitz is a versatile comedic actor instantly recognizable for his distinctive voice, acerbic wit, pear-shaped body, and hangdog eyes. He studied at the University of California, Irvine, and participated in the Film Actors Workshop. He then went on to do guest spots on TV and had a recurring role on Foley Square. Lovitz also played small roles in Last Resort (1986), and Ratboy (1986), and also provided a voice for the animated feature The Brave Little Toaster (1987). He got his first real break as a regular on TV's Saturday Night Live, where his characters such as Tommy Flanagan of pathological Liars Anonymous, the great Shakespearean ham Master Thespian, and the Devil himself became quite popular. His stint on Saturday Night Live put him in demand as a character actor and television guest star. His friendship with director Penny Marshall helped him get roles in some of her earlier films such as Big (1988), and his role as the fast talking baseball recruiter Ernie "Cappy" Capadino in Marshall's A League of Their Own (1992) earned him widespread acclaim. Lovitz has also appeared as a guest voice on the TV animated show The Simpsons and played lead voice in the critically-acclaimed animated show The Critic on ABC and the Fox Network.In the years following SNL and The Critic, Lovitz remained active with comedic roles in film (High School High, Little Nicky) and television (NewsRadio, Las Vegas), though it his performances in such films as Todd Solandz's acerbic black comedy Happiness and opposite Kevin Spacey in the semi-comedic Jack Abramoff biopic Casino Jack that displayed more range most filmmakers had previously failed to capitalize on. And thought the comic actor was never known to be overtly political, his scathing criticisms of U.S. President Barack Obama on the issue of taxes made headlines across the country in 2012, resulting in an unusually serious appearance on FOX News in which he passionately defended his comments.