Trivia: Accidentally shot himself in the left ankle at age 12. Had his first marriage annulled because his mother disapproved of the union. Modeled famous "woo-woo-woo" sound on a similar gimmick used by comic Hugh Herbert Hated shaving his head because he thought it made him less appealing to women. His last film appearance, Hold That Lion, is the only Three Stooges short to co-star Curly along with his two brothers, Moe and Shemp. Was an avid dog lover, often picking up strays while the Stooges traveled and taking them with him from town to town.

Trivia: See "Three Stooges"

Trivia: The "middle stooge" in the various incarnations of the Three Stooges, Larry Fine was most recognizable across his four decades in show business by his eccentric frizzed out hair. He occupied the awkward and often ill-defined position of "middle man," his presence necessary to give a gag body and a boost of action, and to keep it going to its conclusion. As an actor in the group's sketches, he was most often characterized as the wide-eyed nebbish, often nearly as surprised as any by-stander character by the physical comedy (and mayhem) taking place. His most memorable catch-phrases included "Moe, I didn't mean it" (usually followed by a slap from Moe), and "I'm a victim of circumstance" (which was used by Curly on occasion as well).And "victim of circumstance" might define his whole entre to the world of performing. He was born Louis Feinberg in Philadelphia, the son of a jeweler. One day while at his father's shop, an accident took place that resulted in his forearm being badly burned with aqua regia, the acid used to test the purity of gold. The doctor who treated him warned his parents that he would have to do something to strengthen the arm or he would lose it. That led to his taking up the violin, an instrument at which he became so proficient that the family considered sending him to Europe for advanced study, a plan that fell apart with the advent of the First World War He began playing the violin in vaudeville under the name Larry Fine, developing a routine in which he would play from a nearly sitting, knees-bent position, kicking his legs alternately. In 1925, he crossed paths with Moe Howard, who was already working, in tandem with his brother Shemp Howard as part of a comedy act with Ted Healy. He became part of the act and remained when Shemp left, to be replaced by another Howard brother, Curly (aka Jerome). The trio eventually left Healy's employ and struck out on their own as the Three Stooges. Over the course of 25 years and 190 short films at Columbia Pictures, they became one of the longest running movie comedy acts (if not always the most respected or beloved, especially by women) in history. Larry Fine's contribution was a mix of violin virtuosity (on display at various times across their history, from Punch Drunks, Disorder In The Court, and "Violent Is The Word For Curly" in the early/middle 1930s to Sweet And Hot in the late 1950s) and zany cluelessness, mixed with an occasional out-of-left-field ad-lib. Larry usually played the wide-eyed middle-stooge, but occasionally the plots of the trio's movies would allow him some variation on this characterization. In "Sweet And Hot," he plays a small-town boy who has made good as a stage producer, and whose intervention sets the plot (focused on characters played by Muriel Landers and Joe Besser) in motion; and in Rockin' In The Rockies, a full-length feature, as a result of a plot that split Moe Howard's character off from the trio, Larry plays the aggressive "head stooge," and is surprisingly good at it. But he was best known as the clueless middle stooge, often referred to by Moe as "porcupine" because of his hair-style. He kept on with the Stooges into the 1960s, but was forced to retire as his health -- damaged by a series of strokes -- deteriorated later in the decade. He passed away in 1975. He was so familiar, that in 1980, five years after his death, his name still turned up in popular culture. In episode two of the sitcom Bosom Buddies, when women's hotel manager Lucille Benson finds Tom Hanks' Kip Wilson in a female tenant's room, she pulls him by the ear down the hall, causing him to exclaim, "Who am I -- Larry Fine?" And in 1983, SCTV presented "Give 'Em Hell, Larry," a short bit (done as a TV promo spot) in which Joe Flaherty portrays James Whitmore (who had previously enjoyed major success playing President Harry Truman in the one-man show "Give 'Em Hell, Harry") performing the one-man show as Larry Fine -- it was among the funniest 60 seconds of television that season.

Trivia: There probably are actors who appeared in more movies than Bud Jamison did, but there can't be too many -- depending upon whose list one's using, Jamison appeared in anywhere from 253 to 284 pictures between 1915 and 1944, working alongside such screen legends as Charles Chaplin, Ginger Rogers, James Stewart, and Edward G. Robinson. Most of his performances in more-than-bit roles, however, were in short films, and it was his work as a foil in more than 50 two-reelers made by the Three Stooges that has immortalized Jamison's face and acting for generations. Born William Jamison in California, he entered vaudeville in his teens, and by 1915 was appearing in movies with Chaplin. Jamison's big-boned, beefy appearance -- which hid a surprising degree of agility -- and pugnacious expression made him an ideal antagonist for the lanky, diminutive Chaplin, and Jamison was one of his three favorite heavies, along with Eric Campbell and Mack Swain. He was Edna Purviance's beau in In the Park, the sinister hobo in The Tramp, and the chief bank robber in The Bank, among numerous other roles. Jamison remained busy throughout the 1920s, barely breaking stride for the coming of sound, although in a change of pace he did appear in some serious features, including the 1930 version of Moby Dick. He continued this pattern of working in comic short subjects, interspersed with occasional full-length features (in which he usually played bit parts) for the rest of his career. In 1934, Jamison began the association that was to keep his memory alive into the 21st century, when he appeared with the Three Stooges in their first Columbia Pictures short, Woman Haters. The Stooges and their producers obviously liked Jamison's work, because the actor subsequently performed in more than 50 additional Stooges films, usually playing belligerent cops, stuffy butlers, impatient customers, aggravated employers, and any number of other roles that placed him in opposition to the three inept protagonists. As likely to threaten the trio with mayhem as to have it worked on him, he had a beautifully expressive over-the-top voice that greatly enhanced the humor of his performances -- sometimes he was just the Stooges hapless employer, as in Violent Is the Word for Curly, portraying the service station owner giving them a pep talk ("Use a little elbow grease!") before leaving them to their own devices, whereupon they manage to destroy the first car that pulls in; or, in one of their greatest films, Disorder In the Court, he cut a memorable figure as the enthusiastic defense attorney, relying on the Stooges' testimony to get his client acquitted of murder charges; and in yet another short, as a butler faced with assigning serving tasks to Moe, Larry, and Curly, he expresses his impatience with their antics by insulting them: "Why, you remind me of the Three Stooges!" His career went far beyond the boundaries of the Stooges shorts, however, and Jamison was one of the busiest comic character men in Hollywood during the early '40s, appearing in more than 20 pictures in 1941 alone, and also one of the most energetic -- he showed off his boisterous side to great effect in the jail cell scene in George Marshall's Pot O' Gold, in which he manages to dominate a group of a dozen loudly singing actors (including James Stewart and Charles Winninger). He added Bud Abbott and Lou Costello to the long list of comic stars with whom he worked and seemed destined to be busy for years to come when tragedy struck. Jamison collapsed at home shortly after finishing his work on the musical comedy Nob Hill, late in September of 1944. He died the following day, although he had so much work in the can awaiting release that his movie appearances easily ran into 1945. The Three Stooges evidently loved working with Jamison, and used his image on a prop poster in a short that they made years after his death.

Trivia: In films from 1918, dark, mustachioed Harry Semels was a reliable serial villain for Pathe and other studios. Semels spent the 1920s menacing the heroes and heroines of such chapter plays as Hurricane Hutch, Pirate Gold, Plunder, and Play Ball; he even found time to spoof his screen image in the serial parody Bound and Gagged (1919). Active in talkies until his death in 1946, Semels played mostly bit roles, usually as excitable foreigners. During this period, Harry Semels was also a fixture of Columbia Pictures' two-reel comedy unit, in support of such funmakers as Andy Clyde, Buster Keaton, Monty Collins, Tom Kennedy, Gus Schilling, Dick Lane, and especially the Three Stooges: He made seven appearances with the last-named team, most memorably as the prosecuting attorney ("Whooo killed Kirk Robin?") in Disorder in the Court (1936).

Trivia: White-maned, saintly American actor Edward LeSaint became a familiar figure in B-westerns of the '30s. He was almost invariably cast as the frail but courageous father of the heroine, who refused to sell his land (water, oil, gold) rights to the villains -- and equally invariably received a bullet in the back for his brave stance. A stage actor since the 19th century and in films since at least 1915, LeSaint was engaged as a staff director by the Fox Studios in 1918, where he was billed as E.J. LeSaint. Switching back to acting in the talkie era, LeSaint showed up in brief roles as college professors, judges, generals, city officials and the like. Edward LeSaint is best known to modern viewers as one of the "yes-men" professors in The Marx Brothers' Horse Feathers, and as judges in both the Three Stooges' Disorder in the Court (1936) and the anti-pot camp classic Reefer Madness (1936).

Trivia: From his first film, Don Quickshot of the Rio Grande (1923), to his last, Fancy Pants (1950) American supporting player Hank Bell specialized in westerns. While still relatively young, Bell adopted the "grizzled old desert rat" characterization, that sustained him throughout his career, simply by removing his teeth and growing a thick, inverted handlebar mustache. Though occasionally given lines to speak, he was usually consigned to "atmosphere roles:" if you'll look closely at the jury in the Three Stooges 2-reeler Disorder in the Court, you'll see Bell in the top row on the left, making swimming motions when Curly douses the jurors with a fire hose. A fixture of "B"-pictures, Hank Bell occasionally surfaced in "A" films like Abraham Lincoln (1930), Trail of the Lonesome Pine (1936), The Plainsman (1936), Geronimo (1939) and My Little Chickadee (1940).

Trivia: Bald-pated, raspy-voiced stage and vaudeville comedian James C. Morton came to films in 1930. Working almost exclusively in short subjects, Morton spent the better part of his movie career with the Hal Roach and Columbia comedy units. He provided support for such two-reel funsters as Laurel and Hardy, the Three Stooges, Andy Clyde, Charley Chase, ZaSu Pitts, Thelma Todd, Patsy Kelly, Leon Erroll, and Our Gang. His film roles ran the gamut from bartenders to high-ranking military officers; he was frequently decked out with a lavish toupee, which inevitably ended up on the floor in a mangled heap. He was at his best as the cunning woodchopper who talks bandits Laurel and Hardy out of their money in The Devil's Brother (1933); as Paul Pain, "the heartthrob of millions," in Three Stooges' A Pain in the Pullman (1936), and frontier sharpster Quackenbush in Gene Autry's Public Cowboy No. One (1937), one of his handful of Western-feature assignments. Reportedly, James C. Morton served as director of the 1918 film A Daughter of Uncle Sam.