Trivia: Educated at Yale and the Sorbonne, Sam Waterston, born November 15th, 1940, is far more than the "general purpose actor" he was pegged to be by one well-known film historian. A respected player on the stage, screen, and television, Waterston has cultivated a loyal following with his quietly charismatic, unfailingly solid performances. After beginning his career on the New York stage -- where he has continued to perform throughout his long career -- Waterston made his film debut in The Plastic Dome of Norma Jean in 1966. For a long time, his film career was not nearly as remarkable as his work on the stage and television, although non-New York audiences were made acutely aware of the depth and breadth of Waterston's talents when, in 1973, he starred in the television adaptation The Glass Menagerie (appearing alongside Katherine Hepburn) and -- also on TV -- in Tony Richardson's A Delicate Balance. The following year, the actor further impressed television audiences when he starred as Benedick in the CBS TV adaptation of Joseph Papp's staging of Much Ado About Nothing. Also in 1974, Waterston proved to be the best of the screen's Nick Carraways when he was cast in that expository role in the The Great Gatsby; subsequent films ranged from the midnight-movie favorite Rancho Deluxe (1975) to the unmitigated disaster Heaven's Gate (1981). In the late '70s, Waterston was "adopted" by Woody Allen, joining the director's ever-increasing unofficial stock company for such films as Interiors (1978), Hannah and Her Sisters (1986), September (1987), and Crimes and Misdemeanors. Waterston was nominated for an Academy award for his powerful portrayal of a conscience-stricken American journalist in The Killing Fields (1984); three years later he appeared in Swimming to Cambodia, Spalding Gray's acclaimed documentary about the making of the film. Subsequent film appearances included a turn as Kathleen Turner's hilariously timid husband in Serial Mom (1994) and a role in Ismail Merchant's The Proprietor in 1996.However, Waterston has continued to make his greatest mark on television, starring in the acclaimed The Nightmare Years in 1989 and in the similarly lauded series I'll Fly Away and Law & Order. In addition, he has gained a certain amount of fame playing Abraham Lincoln multiple times: In 1988, he starred in Gore Vidal's Lincoln on television, while he won a Tony nod playing him in the Lincoln Center production of Abe Lincoln in Illinois and supplied the president's voice for Ken Burns' documentary The Civil War.Though Waterson is most recognizable for his work in Law & Order, he took on a variety of other television roles throughout the 1990s and 2000s, among them including a turn as the District Attorney Forrest Bedford in I'll Fly Away (the role would win him an Golden Globe). In 2012, Waterson joined the cast of HBO's The Newsroom.

Trivia: Jerry Orbach often commented, without false modesty, that he was fortunate indeed to have been a steadily working actor since the age of 20. Such was an understatement: graced with not only formidable dramatic instinct but one of American theater's top singing voices, Orbach resisted others' attempts to peg him as a character actor time and again and established himself as one of the most unique talents in entertainment per se. Television producer Dick Wolf perhaps put it best when he described Orbach as "a legendary figure of 20th century show business" and "one of the most honored performers of his generation."A native of the Bronx, Orbach was born to an ex-vaudevillian father who worked full time as a restaurant manager and a mother who sang professionally on the radio. The Orbachs moved around constantly during Jerry's youth, relocating from Gotham to Scranton to Wilkes-Barre to Springfield, Massachusetts and eventually settling in Chicago - a mobility that gave the young Orbach an unusual ability to adapt to any circumstance or situation, and thus presaged his involvement in drama. Orbach later attended Northwestern University, trained with Herbert Berghof and Lee Strasberg, and took his Gotham theatrical bow in 1955, as an understudy in the popular 1955 revival of Bertolt Brecht and Kurt Weill's The Threepenny Opera, eventually playing the lead role of serial killer Macheath. During the Threepenny run, Orbach made his first film appearance in the Manhattan-filmed low budgeter Cop Killer (1958). In 1960, Orbach created the role of flamboyant interlocutor El Gallo in the off-Broadway smash The Fantasticks, and later starred in such Broadway productions as Carnival (1961), Promises Promises (1966), Chicago (1975) and 42nd Street (1983). By day, Orbach made early-1960s appearances in several New York-based TV series, notably The Shari Lewis Show. In the early years, Orbach's film assignments were infrequent, but starting around 1981, with his pivotal role as officer Gus Levy in Sidney Lumet's masterful urban epic Prince of the City, the actor generally turned up in around one movie per year. His more fondly remembered screen assignments include the part of Jennifer Grey's father in Dirty Dancing (1987), Martin Landau's shady underworld brother in Woody Allen's Crimes and Misdemeanors (1989) the voice of the Chevalieresque candellabra in the Disney cartoon feature Beauty and the Beast (1990), and Billy Crystal's easily amused agent in Mr. Saturday Night (1992). Orbach perhaps made his most memorable contribution to television, however. After headlining a brief, short-lived detective series entitled The Law and Harry McGraw from September 1987 to February 1988 (a spinoff of Murder, She Wrote), Orbach landed a role that seemed to draw heavily from his Prince of the City portrayal: Detective Lennie Briscoe, a sardonic, mordant police investigator on Wolf's blockbuster cop drama Law & Order.Orbach carried the assignment for twelve seasons, and many attributed a large degree of the program's success to him.Jerry Orbach died of prostate cancer at the age of 69 on December 28, 2004. Three years later, Orbach turned up, posthumously, on subway print advertisements for the New York Eye Bank. As a performer with nearly perfect vision, he had opted to donate his eyes to two women after his death - a reflection on the remarkable humanitarian ideals that characterized his off-camera self.

Trivia: A burly, thickset, and occasionally scruffy character actor with a domineering and imposing presence, Peter Gerety often accepted roles as ordinary working-class stiffs, judges, or inner-city law officers. A performer with equal footing in film and on the stage, Gerety took his premier onscreen bow during the early '80s but first began drawing substantial attention over a decade later. Gerety remains best known for his multi-season portrayal (1996-1999) of Detective Stuart Gharty on the cop drama Homicide: Life on the Street. He also played the recurring role of Judge Daniel Phelan on another Baltimore-set crime series, The Wire (2002-2008). Big-screen projects include Sleepers (1996), K-PAX (2001), Syriana (2005), Charlie Wilson's War (2007), Leatherheads (2008), and Public Enemies (2009).

Trivia: Benjamin Bratt was already an experienced film and TV actor by the time his four-year stint as Det. Reynaldo "Rey" Curtis on NBC's long-running hit Law and Order made him famous. Born and raised in San Francisco, Bratt studied acting at UC-Santa Barbara and in his hometown. After roles in two short-lived 1980s TV series, Bratt made his film debut as John Travolta's foe in the shelved, then straight-to-cable Chains of Gold (1991). Concentrating on building a movie career, Bratt played supporting roles in the action films Demolition Man (1993), Clear and Present Danger (1994), and The River Wild (1994), as well as one of the lead roles in Bound by Honor (1993), about Chicano gang life. After joining Law and Order in 1995 as the coolly-passionate Curtis, the half-Peruvian Indian, half-Caucasian Bratt's chiseled looks received positive notices along with his acting, but rather than rest on his laurels, Bratt used his hiatus time to produce (with his director brother Peter Bratt) and star in the indie film Follow Me Home (1997). After leaving the show in 1999 (girlfriend Julia Roberts guest-starred in one of Bratt's last episodes), Bratt moved back to San Francisco to be closer to his family and focus on making movies. He costarred as Madonna's paramour in The Next Best Thing (2000).Untouched by The Next Best Thing's failure, Bratt joined the prestigious ensemble cast of Steven Soderbergh's acclaimed, Oscar-winning narcotics drama Traffic (2000), becoming nearly unrecognizable in a brief appearance as a sleazy drug dealer. Scoring his second Christmas 2000 hit, Bratt played off his smooth, sexy law enforcement officer image as Sandra Bullock's FBI ally-turned-love interest in the comedy Miss Congeniality (2000).Though the first half of 2001 was marked by his well-publicized break-up with Roberts, Bratt was poised to leave his days as tabloid fodder behind with his lead performance in the independent biopic Piñero (2001). Winning the title role over such high profile Latino actors as Jimmy Smits, Bratt's uncanny evocation of troubled Nuyorican writer and drug casualty Miguel Piñero attracted early dark horse Oscar buzz.Bratt would go on to find continued success on the small screen throughout the 2000's, in mini-series like The Andromeda Strain , and continually on Law and Order, which he would stick with until 2007. Bratt would also star on the TV series The Cleaner, as well as on the Grey's Anatomy spin-off Private Practice.

Trivia: Black supporting actor, onscreen from the '80s.

Trivia: Launching his career as a standup comic, American performer Richard Belzer entered the 1970s as a member of an odd New York-based comedy troupe called Channel One. Anticipating the home video explosion by over a decade, Channel One staged satirical, scatological routines lampooning the banalities of television -- and staged them in front of TV cameras, which transmitted the routines to little TV monitors, which in turn were watched by the live audience. Some of the best sketches were assembled into an X-rated comedy feature, The Groove Tube (1970), which featured Belzer, Ken Shapiro, and a brash newcomer named Chevy Chase. For the next decade, Belzer played the comedy-club circuit, popped up as a talkshow guest, and appeared in occasional films like Fame (1982). He joined still another comedy troupe in 1983, which appeared nightly on the syndicated interview program Thicke of the Night. The host was Allan Thicke, and Belzer's comic cohorts included such incipient stars as Charles Fleischer, Chloe Webb and Gilbert Gottfried. Thicke of the Night was one of the more notorious bombs of the 1983-84 season, but it enabled Belzer to secure better guest-star bookings, and ultimately a hosting job on his own program, debuting in 1986 over the Lifetime Cable Service. It was on this series that wrestler Hulk Hogan, demonstrating a stranglehold on Belzer caused the host to lose consciousness -- which prompted a highly publicized lawsuit instigated by Belzer against the Hulkster. In the early 1990s, Richard Belzer could be seen as a non-comic regular on the TV series Homicide. His Homicide character, John Munch, would become one of the longest-running fictional creations on TV appearing in more than a half-dozen other television shows, most notably Law & Order: Special Victims Unit.

Trivia: African American actor Yaphet Kotto was one of the most prominent beneficiaries of the upsurge in black-oriented theatrical pieces of the late 1950s; he appeared in many prestigious Broadway and off-Broadway productions, taking regional theatre work rather than accept stereotypical "mainstream" roles in movies and TV. Kotto's first film was Nothing But a Man (1964), an independently produced study of black pride in the face of white indifference. Though he vehemently steered clear of most of the '70s blaxploitation fare, in 1972, Kotto produced, directed and wrote the feature film Speed Limit 65 (aka The Limit and Time Limit), a one-of-a-kind "black biker" film. The biggest production with which Kotto was associated in the early 1970s was the James Bond film Live and Let Die, in which, as the villainous Mr. Big, he was blown up in the final scene (a similarly grisly fate awaited Kotto in 1979's Alien). On television, Yaphet Kotto was a regular on the TV series For Love and Honor (1983) and Homicide: Life on the Streets (1992), and was seen as Ugandan president Idi Amin in the 1977 TV movie Raid on Entebbe.

Trivia: Versatile American actor Giancarlo Esposito was born in Copenhagen, Denmark, but grew up in Manhattan from the age of six. His mother was an African-American nightclub singer (who once shared a bill with Josephine Baker) and his father was an Italian stagehand. In show business most of his life, Esposito made his Broadway debut in a 1966 production of Maggie Flynn. His other stage credits include Sacrilege, Miss Moffatt, and Balm in Gilead. He won a 1981 Theatre World Award for his performance in Zooman and the Sign.On the big screen, Esposito started appearing in Spike Lee films during the late '80s in a wide range of roles with great character names. He was the frat leader Julian "Big Brother Almighty" in School Daze, the outspoken reactionary Buggin' Out in Do the Right Thing, the dandy pianist Left Hand Lacey in Mo' Better Blues, and the criminal Thomas Hayer in Malcolm X. Esposito's other film roles include an investigative journalist in Bob Roberts, an activist in Amos & Andrew, and a game show host in Reckless. In 1995, he earned an Independent Spirit award nomination for his supporting role of doting drug dealer Esteban in Boaz Yakin's debut drama Fresh. Esposito also appeared in Wayne Wang and Paul Auster's Smoke, along with the sequel Blue in the Face. The next year, he turned briefly to producing with the independent prison film The Keeper, which premiered at the Sundance Film Festival.On television, Esposito appeared on NYPD Blue, Law & Order, and the short-lived Fox comedy Bakersfield, P.D. In 1999, he earned an Image award nomination for his role as FBI Agent Michael Giardello on Homicide: Life on the Street. He also has contributed to the Fox television dramas The $treet and girls club. While teaching at the Atlantic Theatre Company, Esposito found time to portray real-life figures in the biopics Ali (as Cassius Clay Sr.) and Piñero (as Miguel Algarin). Projects for 2004 included James Hunter's feature Back in the Day and the television movie NYPD 2069. He played a detective in the thriller Derailed, and appeared in the indie drama SherryBaby. In 2008 he directed, starred in, and helped write the drama Gospel Hill. In 2010 he joined the cast of the highly-respected AMC drama series Breaking Bad, and appeared in the 2012 big-screen thriller Alex Cross.

Trivia: A lovely and gifted actress, Michael Michele has won acclaim for her portrayals of strong and capable women on television as well as in feature films. Born in Evansville, IN, on August 30, 1966, she, like practically everyone in the Hoosier State, grew up a big basketball fan. Michele played roundball in high school (with her team making the state championships) and participated in volleyball and track. In time, she developed a passion for acting which overwhelmed her enthusiasm for sports (although she remained a committed runner and was known to shoot baskets for relaxation between takes shooting films or television shows), and she moved to the East Coast to concentrate on her career in the late '80s. In 1989, after a few minor TV roles and parts in commercials, Michele's big break appeared to have arrived in the form of a showy supporting role in Eddie Murphy's film Harlem Nights; the actress was fired during the shooting, however, and she later filed a sexual harassment suit against Murphy, which was settled out of court. Michele rebounding in 1991 when she was cast in Mario Van Peebles's gritty urban drama New Jack City; a year later, she was a regular on the short-lived TV series Dangerous Curves. Her performance in the mini-series Trade Winds proved more memorable, and led to recurring roles on New York Undercover and Central Park West. After appearances in a handful of feature films, Michele scored another major TV role in the series Homicide: Life on the Street in 1998. She turned in her badge a year later to step up to the top-rated medical drama ER, where, between 1999 and 2001, she appeared as Dr. Cleo Finch. Michele's well-regarded work on that series boosted her stock in the film industry, and, in 2003, she appeared in two major motion pictures: How to Lose a Guy in Ten Days and Dark Blue. An avid jazz fan, Michele became active in mentoring underprivileged children when not busy with her work.

Trivia: Lead actor, onscreen from the late '80s.

Trivia: A boyishly handsome boxer-turned-actor who turned in his gloves for real after making his screen debut as a pugilist in the 1992 drama Gladiator, New York-born film and television star Jon Seda rose through the ranks in the '90s to make a name for himself as a bit player in such high-profile films as Carlito's Way and Twelve Monkeys -- though it wasn't until his 1997 debut on television's Homicide: Life on the Streets that audiences truly sat up and took notice. Those who had been following Seda's career since his early days had little doubt that the rising young star had what it took to make it as an actor, and following an Independent Spirit Award-winning role as a flawed but well-meaning husband and father in the 1994 drama I Like It Like That, major offers quickly began pouring in. An impressive run in the mid-'90s found Seda turning up in everything from such high-profile Hollywood fare as Primal Fear to such little-seen efforts as New York Cop and Michael Cimino's The Sunchaser -- the latter of which offered Seda in a particularly memorable role as a terminally-ill juvenile delinquent who kidnaps his doctor in hopes of finding a mythical healing lake. Following an impressive turn in the hit HBO prison series Oz, Seda hit his stride on the small screen with a turn as Detective Paul Falsone on Homicide: Life on the Street. By this time Seda was becoming a familiar face to audiences, and in 2000, he once again laced up his boxing gloves for a role opposite Jimmy Smits in the well-received feature Price of Glory. Despite his prominence and success in film and television, it still seemed as if Seda was awaiting the breakout role that would truly make him a household name. In 2002 he proved that he could carry a film when he took the lead in the street-gang drama King Rikki, with a role on the 2004 UPN series Kevin Hill, marking what fans hoped would be a successful return to the small screen.

Trivia: An actress whose capability to seamlessly alternate between roles that call for unchallenged authority figures and vulnerable, coyly girlish types, Callie Thorne is equally comfortable on small-screen crime and police dramas (Homicide: Life on the Street, Law & Order: Special Victims Unit, The Wire, and Prison Break) and big-screen comedies (Next Stop Wonderland, Wirey Spindell, and Strangers With Candy). It was her recurring role as Sheila Keefe on the hit FX series Rescue Me, however, that truly allowed Thorne to gain considerable notice as an actress. A graduate of Lincoln-Sudbury High School who went on to study at Wheaton College, Thorne credits much of her success to Wheaton theater director Pamela Bongas. While early roles in such features as Turbulence and Next Stop Wonderland served well to get the emerging actress comfortable in front of the camera, it was her performance as Detective Laura Ballard on Homicide: Life on the Street that truly propelled Thorne's career to the next level. After breaking the glass ceiling on the series by becoming the first female homicide detective to be paired with another female on a case, Thorne displayed her indie side with commendable roles in Ed Burns' Sidewalks of New York and Tim McCann's Revolution #9. But Thorne truly shined on the small screen, and despite the occasional appearance in such big-budget efforts as Analyze That, recurring roles on The Wire, ER, Prison Break, and, of course, Rescue Me made her a favorite of television viewers who liked their drama served with a side of grit.

Trivia: Made his film debut in the 1994 crime drama Fresh, which co-starred Samuel L. Jackson.Is perhaps best known for his NAACP Image Award-nominated performance as Otis Williams in the 1998 television miniseries, The Temptations.Earned his first producing credit on the 2008 film Welcome to Los Feliz.Lent his voice to the 2012 video game Far Cry 3, playing Dennis Rodgers.Teaches a class to help aspiring actors hone their craft.

Trivia: Possessing a near-perfect balance of everyman looks and tremendous talent on both stage and screen, actor Zeljko Ivanek has been a key supporting player in feature films since the early '80s. A native of Ljubljana, Yugoslavia (now Slovenia), Ivanek's family moved to the United States in 1960 in order for his father to complete his doctoral research in electronic engineering at Stanford University. Briefly returning to Yugoslavia before settling in Palo Alto, CA, in 1967, it was only a few short years before young Ivanek was pursuing his higher education at Yale. Subsequently accepted at The London Academy of Music and Dramatic Art, he continued to refine his passion for acting and the summers of 1978-1980 found him honing his stage skills in the Williamstown Theater Festival in such efforts as Hay Fever and The Front Page. In 1983, Ivanek was nominated for a Tony award for his role in Brighton Beach Memories and it was around this time that he made his first film and television appearances. An early role as a telepathic killer in the 1982 thriller The Sender found Ivanek making a chilling impression, and strong performances in Mass Appeal (1984) and the AIDS drama Our Sons (1991) kept expectations high for the rising star. As his feature credits continued to build, Ivanek began appearing in such popular television series as L.A. Law, Law & Order, The X-Files, and Murder, She Wrote. Though the adjustment from stage to screen was initially daunting for the classically trained actor, once he got accustomed to the change of pace, he adjusted remarkably well. As the '90s rolled on, Ivanek's film credits included such A-list releases as Courage Under Fire (1996), Donnie Brasco (1997), and the John Travolta thriller A Civil Action (1998). It was also around this time that Ivanek embarked on a six-year stint as Governor James Devlin on HBO's acclaimed series Oz. As the millennium turned, so did Ivanek's onscreen career, and his resume seemed to be exclusively built of nothing but high-profile efforts in both film and television. In addition to appearing in Dancer in the Dark (2000), Hannibal (2001), Black Hawk Down (2001), Unfaithful (2002), and Dogville (2003), memorable roles on The Practice and The West Wing kept television audiences glued to their sets. He reteamed with Lars Von Trier for the director's drama Maderlay, and continued his film career in projects such as The Hoax, In Bruges, and Tower Heist, while maintaining a presence on the small-screen with appearances on Damages, Heroes, and Big Love.