Trivia: Since 1994, audiences have watched as Claire Danes has matured from awkward teen to one of the most popular actresses of her generation. Whether portraying the angst-ridden Angela Chase on My So-Called Life or trailer park trash in Oliver Stone's U-Turn, Danes has consistently displayed an uncommon maturity and insight in her performances that belies her relative inexperience. Her ability has won over countless critics and fans and has allowed her the opportunity to work with luminaries ranging from Jeanne Moreau to Jodie Foster and Francis Ford Coppola. Claire Catherine Danes was born April 12, 1979 in New York City and began acting shortly thereafter. With the support of her artistically-inclined parents (a painter mother and photographer father), Danes enrolled in an acting class at the Lee Strasberg Studio when she was nine years old. After attending the Professional Performing Arts School for the sixth and seventh grade, she went to Los Angeles in the hopes of being cast in Steven Spielberg's Schindler's List (Danes had previously appeared in an episode of Law and Order and in Dreams of Love, an obscure film produced by Milos Forman). While she was waiting for Spielberg's decision, serendipity struck in the form of the makers of a new TV show called My So-Called Life, who wanted Danes to star in their production. Danes agreed to do the show after turning down the role that Spielberg had decided to give her. Always someone interested in learning, Danes rejected Spielberg's offer because she wouldn't be able to receive schooling in Poland, where the movie was to be filmed.Premiering in 1994, My So-Called Life lasted only a couple of seasons, but garnered critical praise and a cult following during its brief lifetime. Moreover, it made Danes, if not a star, then a star in the making. Hollywood opened its bleary eyes and took notice, and soon Danes was being touted as the Next Big Thing. During the run of My So-Called Life, Danes starred as the saintly, sickly Beth in Gillian Armstrong's adaptation of Louisa May Alcott's classic Little Women (1994). The film was a success, and allowed Danes to perform in the company of such well-respected actors as Susan Sarandon, Winona Ryder, and Gabriel Byrne (who would later play her father in Polish Wedding). Danes followed up Little Women with How to Make an American Quilt (1995), which, despite a stellar cast including Anne Bancroft, Alfre Woodard, and the great Jean Simmons, failed to make much of a critical or popular impression. Danes' next project, Jodie Foster's Home for the Holidays, met with a similar fate, but afforded Danes the chance to work with Foster, who became a sort of mentor to the young actress.After making two more films, which continued Danes' pattern of starring in movies that behaved badly at the box office despite having bankable actors (Jeanne Moreau in the straight-to-video I Love You, I Love You Not (1996) and Michelle Pfeiffer in To Gillian on Her 37th Birthday (1996)), Danes hit it big with Baz Luhrmann's wildly popular William Shakespeare's Romeo + Juliet (1996). Her portrayal of Juliet broke the hearts and opened the tear ducts of many, while her pairing with Hot Young Thing Leonardo DiCaprio undoubtedly caused mass swooning incidents in theatres the world over. The critical and commercial success of the film meant that Danes was soon in great demand, as evidenced by the people she was able to work with over the next couple of years. After Romeo + Juliet, Danes worked with Oliver Stone on the lunatics-in-a-small-desert-town picture U-Turn (1997), a film that caused consternation among critics and at the box office. Danes' turn as Joaquin Phoenix's trashy girlfriend represented a departure from her previous, more innocent roles, something that she embellished upon in both Francis Ford Coppola's The Rainmaker, where she played Andrew Shue's abused wife, and A Polish Wedding (1998), in which she portrayed the rebellious Hala. Neither movie was particularly successful, an unfortunate bit of luck that continued with Danes' next two efforts, Les Miserables (1998) and The Mod Squad (1998), the latter of which, despite the high anticipation surrounding its release, was panned by critics who complained it looked more like a Diesel ad than a movie, and largely ignored by the public.Through it all, Danes has remained in the media spotlight, appearing on countless magazine covers and as the object of speculation for many. Aside from the bad publicity surrounding remarks she made about the Phillipines during the making of Brokedown Palace (1999), and her subsequent banning from that country, she has continued to attract positive attention for everything from her enrollment at Yale University in 1998 to her boyfriends, who include the Australian rocker Ben Lee.Despite a series of misses during the late 90's, Danes came back with several small but critically acclaimed roles. In Igby Goes Down (2002), she played the confused love interest of the title character, starred alongside Sean Penn in director Thomas Vinterburg's It's All About Love (2002), and took part in the Academy-Award winning The Hours (2002). While her performance in The Rage at Placid Lake (a 2003 Australian production featuring her boyfriend Ben Lee) went largely unnoticed, mainstream audiences got their chance to see Danes butting heads on screen with Arnold Schwarzenegger and newcomer Nick Stahl in Terminator 3: Rise of the Machines. In 2005, Danes joined Steve Martin in the adaptation of Martin's bestselling novella, Shopgirl. That same year, she could be seen as Sarah Jessica Parker's sister in the dysfunctional-family comedy The Family Stone. Dane's career continued to build momentum in 2007, when she appeared in an eclectic trio of projects: the romantic drama Evening, the adventure fantasy Stardust, and the taut thriller The Flock, which cast her as the law-enforcement protege of a veteran played by Richard Gere.In 2009 she played a young woman looking to make it in showbiz by working for the greatest talent of his generation in Richard Linklater's Me & Orson Welles. She followed that up playing the lead in the made-for-cable biopic Temple Grandin, a project that earned her a Golden Globe and an Emmy. She took the most prominent role in the new Showtime series Homeland, playing a law-enforcement officer with personal problems, and again won a Golden Globe for her work in that show's initial season.

Trivia: British actress Julia Ormond had several solid years of stage work to her credit -- not to mention the starring role in the made-for-cable Catherine the Great biography Young Catherine (1991) -- when, at 27, she co-starred in the expensive HBO biopic Stalin (1992). Most of the publicity guns were aimed at Robert Duvall's heavily accented portrayal of the Soviet dictator, but at least one observer singled out Ormond's performance as the long-suffering Mrs. Stalin as one of the highlights of the picture. That observer was director Edward Zwick, then preparing his own big-budget theatrical feature Legends of the Fall. Thanks to her excellent showing in the formidable company of Fall co-stars Anthony Hopkins, Brad Pitt, Aidan Quinn, and Henry Thomas, Ormond found herself, on the verge of 30, as Hollywood's ingénue du jour. Born in Epsom, Surrey, on January 4, 1965, Ormond was a child when her parents, a businessman and a laboratory technician, divorced. A self-admitted tomboy who excelled at field hockey, she became involved with the theater in school plays, and, following a stint at art school (both of her grandparents were abstract artists), she studied drama at London's Webber-Douglas Academy of Dramatic Arts. Following graduation, she landed her first professional work in TV commercials, and then acted in a series of plays until she had her breakthrough with Catherine the Great.Before 1995, her Hollywood breakthrough year, was over, the graceful, silken-haired Ormond had played Guinevere opposite Sean Connery's King Arthur in First Knight and had been cast in the title role of Sydney Pollack's ill-advised remake of Sabrina. When asked by Premiere magazine what her future plans were, Ormond replied, "Along with Godzilla and the rest of the acting community, I'd like to direct." But although she did set up her own production company, the actress opted to stick with working in front of the camera, starring in Bille August's much-publicized filmization of Peter Hoeg's best-selling Smilla's Sense of Snow (1997). Unfortunately, the film proved to be a virtual nonentity both at the box office and amongst critics, and Ormond disappeared from the radars for a couple of years, only popping up to star in Nikita Mikhalkov's Sibirsky Tsiryulnik (1999). In 2000, she reemerged in front of Hollywood cameras alongside Vince Vaughn in Prime Gig, a drama about the life, loves, and losses of a California telemarketer. She was interviewed for the documentary Searching for Debra Winger over the next few years she did show up in diverse productions ranging from David Lynch's Inland Empire to the failed thriller I Know Who Killed Me. In 2008 she was the mother in Kit Kittredge: An American Girl, and appeared in the sprawling biopic Che. Two years later she was in the award-winning TV movie Temple Grandin, and the year after that she portrayed Vivien Leigh in My Week With Marilyn.

Trivia: Catherine O'Hara was born on March 4, 1954, in Toronto, Ontario, though her heritage may or may not be a contributing factor to the strange quality she brings to her dry comedic style on the Hollywood screen. While the inspiration for O'Hara's forthright straight-faced demeanor is unknown, she is arguably a one-of-a-kind presence in many American films.O'Hara began acting in her hometown in 1974, when she first appeared on Second City Television, where she distinguished herself through impersonations. She performed on the program regularly during the mid-'70s, and also wrote for it beginning in 1976. Later that decade, she continued her television experience with voice-overs for cartoons, an endeavor she would revisit throughout her career in some notable roles.In 1980, she played Audrey in Nothing Personal, and in the mid-'80s played several small roles in feature films, including Martin Scorsese's After Hours (1985). In 1988, she made a parental splash as Delia Deetz in Tim Burton's Beetlejuice, with Winona Ryder playing her morose young goth daughter. Mainstream Hollywood featured O'Hara again two years later in Dick Tracy with Warren Beatty and Madonna. Also in 1990, she returned to big-screen motherhood, this time as mother to Macaulay Culkin in Home Alone (and she would also later appear in the sequel, Home Alone 2: Lost in New York in 1992).By this point, O'Hara was well established in American popular culture, and she continued to take on creative roles. Revisiting the bizarre darkness of Tim Burton's imaginative projects, she performed the character voices of both Sally and Shock in his animated feature The Nightmare Before Christmas in 1993. Two years later, her voice-over credentials increased when she played Calamity Jane in Walt Disney's Tall Tale: The Unbelievable Adventures of Pecos Bill. Her voice work continued throughout the 1990s, and in 1996, O'Hara expanded her appeal to include the indie-film world when she starred in what became a revered independent feature, Christopher Guest's satirical mockumentary Waiting for Guffman. In Home Fries (1998) with Drew Barrymore, she played the role of Mrs. Lever.Satiric and campy, 2000's Best in Show showcased numerous strong performances, allowing for flamboyant and unique characterizations from all cast members, including O'Hara, whose pursed-lipped matter-of-factness instilled personality into Southern dog-owner Cookie Guggelman Fleck. In 2001, O'Hara appeared on the television shows Committed and Speaking of Sex, and she returned to the big screen in 2002 with a role in Orange County. Strong as ever in Guest's subsequent mock-docs A Mighty Wind (2003) and For Your Consideration (2006), she continued to impress with bit parts such features as Lemony Snicket's A Series of Unfortunate Events, Penelope, and Away We Go while continuing to do impressive voice work in films like Monster House and Spike Jonze's Where the WIld Things Are. 2010 proved to be a good year thanks to an Emmy nomination for Best Supporting Actress in Mick Jackson's made-for-HBO biopic Temple Grandin. While the award eluded her, O'Hara remained busy as ever thanks to her role in the cult Nickeledeon hit Glenn Martin DDS. Meanwhile, multiple voice roles in Burton's 2012 feature Frankenweenie offered her the opportunity to once again work with the quirky director who previously used her to striking effect in some of his most popular films.

Trivia: One of the more underrated actors in Hollywood, tall, soft-spoken David Straithairn has earned almost consistent critical appreciation for his work in a number of films, most notably his many collaborations with director John Sayles. Born in San Francisco on January 26, 1949, Straithairn gained an entrance into acting via his days at Williams College. It was there that he met fellow student Sayles, and the two had their first collaboration with Return of the Seacaucus Seven. The 1980 film, which told the story of a group of friends reuniting after college, inspired a number of similar efforts, including The Big Chill. Following his debut, the actor -- whose additional performing experience came from his training at the Ringling Brothers Clown College -- appeared in supporting roles in a number of films, including Silkwood (1983) and Dominick and Eugene (1988). He continued to collaborate with Sayles, acting in The Brother From Another Planet (1984), Matewan, (1987), and Eight Men Out (1988). Straithairn was also introduced to television audiences with his role as bookstore owner Moss Goodman on the popular dramedy series Days and Nights of Molly Dodd.In the 1990s, Straithairn had prominent roles in a number of critically acclaimed films and television miniseries. In addition to his continuing work with Sayles, in 1991's City of Hope and Passion Fish (1992), the actor lent his talents to such films as Bob Roberts (1992), Sneakers (also 1992), The River Wild (a 1994 film which reunited him with Silkwood co-star Meryl Streep), and Losing Isaiah (1995). He also appeared in miniseries such as the 1991 O Pioneers! and In the Gloaming (1997), in which he played the father of an AIDS-stricken Robert Sean Leonard. In 1997, Straithairn had a memorable turn as a high-class pimp with a dodgy mustache in the wildly lauded L.A. Confidential and after a supporting role in Simon Birch (1998), once again collaborated with Sayles, this time playing a fisherman with a past in the 1999 Limbo. He remained one of the most respected character actors of his generation appearing as the father in the remake of The Miracle Worker, and starring in the drama Blue Car as a manipulative teacher. In 2005 he garnered an Oscar nomination and the biggest high-profile success of his career playing Edward R. Murrow in George Clooney's Good Night, and Good Luck. He followed up that success with appearances in such films as We Are Marshall, The Bourne Ultimatum, Howl, and Temple Grandin. In 2012 he was cast in Steven Spielberg's long-planned biopic Lincoln as William Seward.

Trivia: Lead actress Stephanie Faracy first appeared onscreen in the late '70s.

Trivia: Lead actor, onscreen from the '80s.

Trivia: Lived in many places as a child, such as England, Israel and Texas, because his father was a colonel with the United Nations armed forces. Worked as a recreational therapist specializing in improv and acting. Planned to become a music teacher before setting his sights on acting. Performed in a local production of Whose Life Is It Anyway?, as well as with dance troupes early in his career. Was thin when he auditioned for his Breaking Bad role of Skinny Pete because of injuries from an auto accident a year before.

Trivia: Began acting on stage at age 6; appeared in Macbeth in 1999 and in Arthur Miller's All My Sons a year later. Made TV debut in 2001 in the BBC/A&E movie Armadillo and was a regular on the six-part BBC teen drama Feather Boy. Made theatrical-film debut in the title roles of the 2002 family drama Tom & Thomas; other major film credits include The Illusionist and the coming-of-age comedy-drama Angus, Thongs and Perfect Snogging. Stars as John Lennon in the 2009 film Nowhere Boy, which focuses on the early life of the rock icon; began a relationship with the film's director, Sam Taylor-Wood, who is 23 years his senior.