Trivia: Redheaded leading man Robert Horton attended UCLA, served in the Coast Guard during World War II, and acted in California-based stage productions before making his entree into films in 1951. Horton's television career started off on a high note in 1955, when he was cast in the weekly-TV version of King's Row as Drake McHugh (the role essayed by Ronald Reagan in the 1942 film version). The series barely lasted three months, but better things were on the horizon: in 1957, Horton was hired to play frontier scout Flint McCullough in Wagon Train, which became the highest-rated western on TV. Horton remained with Wagon Train until 1962. He then did some more stage work before embarking on his third series, 1965's The Man Called Shenandoah. When this one-season wonder ran its course, Horton toured the dinner-theatre circuit, then in 1982 accepted a major role on the popular daytime soap opera As the World Turns. Horton continued acting until the late 1980s. He died in 2016, at age 91.

Trivia: A versatile, commanding, leathery character actor, he learned to raise and ride broncos on his family's ranch during his youth. He attended college for two years, became a seaman, then began his performing career as a radio announcer; he became nationally known as an announcer on the "March of Time" broadcasts. Onscreen from the late '40s, he often portrayed law officers; he was also convincing as a villain. He was well-known for his TV work; he starred in the series Naked City and Wagon Train. He was married to actress Jeanette Nolan, with whom he appeared in Saddle Tramp (1950) and Two Rode Together (1961); they also acted together on radio, and in the late '60s they joined the cast of the TV series The Virginian, portraying a married couple. Their son was actor Tim McIntire.

Trivia: Muscular leading man Ed Nelson started out as a member of quickie-filmmaker Roger Corman's stock company, appearing in such drive-in fodder as Hot Rod Girl (1956), Invasion of the Saucer Men (1957) and Cry Baby Killer. In these and other low-budgeters of the late 1950s, Nelson not only starred, but doubled on the technical crew: he was one of several production assistants portraying the title crustacean in The Attack of the Crab Monsters (1956), and designed and operated the parasite props in 1958's The Brain Eaters, which he also produced. Eventually outgrowing such things, Nelson rose to TV stardom as Dr. Michael Rossi on the prime time soap opera Peyton Place, which ran from 1964 through 1969. He later starred as Ward Fuller on The Silent Force (1970) and as Dr. Michael Wise in Doctor's Private Lives (1979). In 1969, Nelson hosted a daily, syndicated talk show, which he was ultimately forced to give up when he decided to enter politics ("conflict of interests" and "equal time" were still considerations back then). He played President Truman several times, including the 1980 TV movie Enola Gay: The Men, the Mission, the Atomic Bomb, in the 1992 Brooke Shields flick Brenda Starr and onstage in Give 'Em Hell, Harry. Nelson died in 2014 at age 85.

Trivia: Ken Terrell (who was sometimes billed as Kenneth Terrell) was one of the longer working veterans of Republic Pictures, with a career that lasted from the end of the 1930s into the 1960s. After breaking into the movies at RKO in a pair of comedy features, A Damsel in Distress and Living on Love, Terrell moved to Republic, where he worked in a string of serials in supporting roles, including the renowned Perils of Nyoka (aka Nyoka and the Tigermen), playing the assistant to the Charles Middleton character. The other major serials in which he appeared included Jungle Girl, Drums of Fu Manchu, The Masked Marvel, Secret Service in Darkest Africa, Captain America, and Spy Smasher, sometimes in multiple roles in the course of 12 or 15 chapters. He did occasional outside work, such as an appearance in The Mummy's Hand at Universal, and appeared in B-westerns such as the Jimmy Wakely vehicle Song of the Range; during the 1940s, Terrell's one appearance in a major movie was in a small role in George Cukor's Winged Victory, based on the play by Moss Hart. Terrell didn't get acting roles with decent screen time until the mid-'50s, after leaving Republic, when he was cast in a succession of roles in several low-budget science fiction/horror films. His rough-hewn features and dark eyes allowed him to convey fear, villainy, or concern in equal measures, and to play anything from thugs to army officers, just as his bit roles had him cast as everything from Arab assassins to town drunks. In Jack Pollexfen's The Indestructible Man, he played Joe Marcella, the nervous one of the three hoods being hunted down by a super-strong resurrected murderer Lon Chaney Jr.; in Nathan Juran's The Brain From Planet Arous, he played the army colonel who gets burned to a cinder by alien-possessed John Agar and, in his best and longest part in a feature, in Juran's Attack of the 50 Foot Woman, he plays Jess, the loyal valet to victim Allison Hayes. Terrell had a small role, mostly involving stunt work, in Stanley Kubrick's Spartacus, and made his last screen appearance in the Vincent Price vehicle The Master of the World. He died of arteriosclerosis in 1966.

Trivia: A literature and philosophy student in his native Moscow, Vladimir Sokoloff trained for an acting career under Stanislavsky at the Moscow Art Theatre. Leaving Russia in 1923, Sokoloff resettled in Germany, where he made his first film, Uneasy Money, in 1926. Dividing his time between Paris and Berlin throughout the 1930s, Sokoloff came to Hollywood in 1937, where his craggy face and colorful accent enabled him to secure choice character roles. Despite his name and ethnic derivation, Sokoloff successfully portrayed nearly 35 different nationalities during his American career: He was Frenchman Paul Cezanne in The Life of Emile Zola (1937), a Middle Easterner in Road to Morocco (1942), Spanish freedom fighter Anselmo in For Whom the Bell Tolls (1943), an elderly Mexican in The Magnificent Seven (1960), and so it went. Vladimir Sokoloff was active in films (Taras Bulba) and TV programs (The Twilight Zone) right up to his death in 1962.

Trivia: Actress Minerva Urecal claimed that her last name was an amalgam of her family home town of Eureka, California. True or not, Urecal would spend the balance of her life in California, specifically Hollywood. Making the transition from stage to screen in 1934, Ms. Urecal appeared in innumerable bits, usually as cleaning women, shopkeepers and hatchet-faced landladies. In B-pictures and 2-reelers of the 1940s, she established herself as a less expensive Marjorie Main type; her range now encompassed society dowagers (see the East Side Kids' Mr. Muggs Steps Out) and Mrs. Danvers-like housekeepers (see Bela Lugosi's The Ape Man). With the emergence of television, Minerva Urecal entered the "guest star" phase of her career. She achieved top billing in the 1958 TV sitcom Tugboat Annie, and replaced Hope Emerson as Mother for the 1959-60 season of the weekly detective series Peter Gunn. Minerva Urecal was active up until the early '60s, when she enjoyed some of the most sizeable roles of her career, notably the easily offended Swedish cook in Mr. Hobbs Takes a Vacation (1962) and the town harridan who is turned to stone in Seven Faces of Dr. Lao (1964).

Trivia: American actor Michael Forest starred in the title role in Roger Corman's sword-and-sandal opus Atlas (1961), after which he made the Hollywood adventure movie rounds of the mid to late '60s. He was among the handsome Hollywood hunks prevalent in such films as The Glory Guys (1966), The Sweet Ride (1967) and 100 Rifles (1969). Two decades later, Forest was still essaying beefcake supporting roles, notably in 1988's Deep Space. Soap-opera addicts are most familiar with Michael Forest for his interpretation of Nick Andropoulos on TV's As the World Turns. Devotees of Star Trek will remember Forest as the messianic Apollo in the 1967 episode "Who Mourns for Adonis?." And sitcom fans will recall Forest as Laura Petrie's former beau Joe Coogan, who shows up unexpectedly in clerical collar as Father Coogan on a 1963 episode of The Dick Van Dyke Show. In 2013, Forest turned in a very touching and powerful performance reprising his 1960s-era Star Trek role of the Greek god Apollo, in the fan-produced "Star Trek Continues" episode "Pilgrim Of Eternity," in which he was introduced working opposite his real-life wife Diana Hale (playing Athena).

Trivia: American actor Ward Bond was a football player at the University of Southern California when, together with teammate and lifelong chum John Wayne, he was hired for extra work in the silent film Salute (1928), directed by John Ford. Both Bond and Wayne continued in films, but it was Wayne who ascended to stardom, while Bond would have to be content with bit roles and character parts throughout the 1930s. Mostly playing traffic cops, bus drivers and western heavies, Bond began getting better breaks after a showy role as the murderous Cass in John Ford's Young Mr. Lincoln (1939). Ford cast Bond in important roles all through the 1940s, usually contriving to include at least one scene per picture in which the camera would favor Bond's rather sizable posterior; it was an "inside" joke which delighted everyone on the set but Bond. A starring role in Ford's Wagonmaster (1950) led, somewhat indirectly, to Bond's most lasting professional achievement: His continuing part as trailmaster Seth Adams on the extremely popular NBC TV western, Wagon Train. No longer supporting anyone, Bond exerted considerable creative control over the series from its 1957 debut onward, even seeing to it that his old mentor John Ford would direct one episode in which John Wayne had a bit role, billed under his real name, Marion Michael Morrison. Finally achieving the wide popularity that had eluded him during his screen career, Bond stayed with Wagon Train for three years, during which time he became as famous for his offscreen clashes with his supporting cast and his ultra-conservative politics as he was for his acting. Wagon Train was still NBC's Number One series when, in November of 1960, Bond unexpectedly suffered a heart attack and died while taking a shower.

Trivia: Robert Fuller spent his first decade in show business trying his best to avoid performing. After his film debut in 1952's Above and Beyond, Fuller studied acting with Sanford Meisner at New York's Neighborhood Playhouse but never exhibited any real dedication. He tried to become a dancer but gave that up as well, determining that dancing was "sissified." Fuller rose to nominal stardom fairly rapidly in the role of Jess Harper on the popular TV western Laramie (1959-63). Once he found his niche in cowboy attire, he stuck at it in another series, Wagon Train, turning down virtually all offers for "contemporary" roles. When westerns began dying out on television in the late 1960s, Fuller worked as a voiceover actor in commercials, earning some $65,000 per year (a tidy sum in 1969). On the strength of his performance in the Burt Topper-directed motorcycle flick The Hard Ride, Fuller was cast by producer Jack Webb as chief paramedic Kelly Brackett on the weekly TVer Emergency, which ran from 1972 through 1977. In 1994, Robert Fuller was one of several former TV western stars who showed up in cameo roles in the Mel Gibson movie vehicle Maverick.