Trivia: Though she came to prominence in the 1980s, Kathleen Turner, with her blend of raw sexuality, beauty, intelligence, and drive, could give golden age-sirens like Lana Turner and Ava Gardner a run for their money. After years of working as a relative unknown in way-off-Broadway productions and in the television soap opera The Doctors, Turner burst onto the movie scene in a star-making blaze when she was cast as femme fatale Matty opposite William Hurt in Lawrence Kasdan's neo-noir thriller Body Heat (1981). She continued to wreak havoc on the opposite sex throughout the decade, appearing in a variety of popular movies that ranged from drama to lighthearted adventure to jet-black comedy. The daughter of a U.S. ambassador, Turner experienced a peripatetic upbringing in a fiercely competitive environment. Living in Canada, Cuba, Washington, D.C., Venezuela, and England, she learned to adjust to new situations at a very young age. She later claimed the experience molded her as an actress and taught her to constantly refashion herself to meet the needs of particular situations. Turner first became conscious of wanting to be an actress while living in England, where, during her weekly visits to the theater, she was thrilled by the work of Diana Rigg, Christopher Plummer, Angela Lansbury, and others. While attending high school, Turner enrolled in classes at London's Central School of Speech and Drama. She studied there until 1973, when her father's death forced her mother to move the family back to her hometown of Springfield, MO. It was there that Turner would take voice lessons at Southwest Missouri State University, where she later enrolled. Finding the campus devoid of the culture she craved, however, Turner transferred to the University of Maryland and in 1977 graduated with a degree in theater. Following graduation, she moved to New York and, in between waiting tables, found work in television commercials and obscure stage productions until deciding it was time to try Hollywood. Turner had just finished an unsuccessful audition when, fortuitously enough, she encountered the casting agent for Body Heat. Her subsequent portrayal of the murderous Matty proved to be her breakthrough and led to a series of widely varied starring roles. For her sophomore effort, she tried her hand at comedy with The Man With Two Brains (1983), in which she starred opposite Steve Martin. Again, as with her previous role, she played a woman who used her feminine wiles to manipulate a man. In the erotic Crimes of Passion (1984), she once more was cast as a woman using sex for manipulation, playing a fashion designer/hooker who gets involved with a street preacher. Understandably not wanting to get typecast by this point, Turner next played a dowdy author who finds herself caught up in an exciting South American adventure with dashing Michael Douglas and sleazy Danny De Vito in Romancing the Stone (1984). The film was a smash hit and Turner found herself a star. The following year, the trio reunited for the sequel, The Jewel of the Nile, and in 1989, they once again collaborated for The War of the Roses, Danny DeVito's grimly funny dissection of a messy divorce. Other high points of that period included Turner's performance as a beautiful but ruthless hit woman in Prizzi's Honor (1985) and her Oscar-nominated turn as a dissatisfied housewife who gets a second chance to alter her life in Francis Ford Coppola's moving Peggy Sue Got Married (1986). In 1988, Turner re-teamed with William Hurt for a supporting role in Kasdan's The Accidental Tourist (1988). That same year, she gave a devastatingly sexy performance as the voice of Jessica Rabbit in Who Framed Roger Rabbit? Unfortunately, despite these successes, Turner subsequently had a hard time finding quality roles, and her appearances during the early to mid-'90s were sporadic. One highlight of this period was her turn as the completely psychotic suburban housewife who goes on a killing spree in John Waters' funny but uneven Serial Mom (1994). In the latter half of the 1990s, Turner began to find more quality work in films like Moonlight and Valentino (1995) and The Real Blonde (1997). In 1999, she could be seen starring in the children's comedy Baby Geniuses, The Prince of Central Park, and Sofia Coppola's eagerly awaited adaptation of Jeffrey Eugenides' The Virgin Suicides, which cast Turner as the matriarch of a profoundly dysfunctional family.As the 21st century began, Turner made a handful of appearances as Chandler's drag-queen dad on Friends. On the big screen she lent her distinctive husky tones to the animated project Monster House. In 2008 she acted in the hit Marley & Me, and in 2012 had one of her best leading film roles in quite some time as the Catholic mother of a dysfunctional clan in The Perfect Family.

Trivia: Perhaps no Hollywood actor continually stirs up more of a gleeful admixture of feelings in his viewers than Danny DeVito. Singlehandedly portraying characters with mile-long, obnoxious jerk streaks that are nonetheless somehow loveable, DeVito -- with his diminutive stature, balding head, and broad Jersey accent -- made an art form out of playing endearingly loathsome little men.Born November 17, 1944, in Neptune, NJ, Daniel Michael DeVito Jr. survived a Catholic school upbringing and started his career from the ground up, laboring as a cosmetician in his sister's beauty parlor. Working under the name "Mr. Danny," DeVito decided to enter New York's American Academy of Dramatic Arts for the purpose of acquiring additional makeup expertise. However, he soon discovered his true theatrical calling and made his screen debut with a small part in the 1968 drama Dreams of Glass. After a few discouraging experiences within the film industry, DeVito decided to concentrate on stage work. During this time, he met actress Rhea Perlman, whom he later married in 1982. In 1972, the actor made his way back into films with a role in Lady Liberty, a comedy starring Sophia Loren. His first notable film part came three years later, when he reprised his stage role of Martini, a sweet-natured mental patient, in Milos Forman's screen version of One Flew Over the Cuckoo's Nest. Produced by DeVito's old friend Michael Douglas and co-scripted by Lawrence Hauben and Bo Goldman, the film won wide acclaim and nine Oscar nominations, eventually gleaning five statuettes (including Best Picture). Despite the adulation surrounding the film, DeVito's screen career remained lackluster, but he skyrocketed to fame three years later with his role as the obnoxious dispatcher Louie on the long-running television sitcom Taxi. From there, DeVito's career swung upward and he spent the next decade playing similarly repugnant characters with enormous success. He reunited with Douglas for Romancing the Stone (1984) and its 1985 sequel, Jewel of the Nile, teamed up with co-star Joe Piscopo and director Brian De Palma (as a scam artist on the run) in Wise Guys (1986), and signed with Disney's R-rated offshoot, Touchstone, for two comedies, the 1986 Ruthless People, and the 1987 Barry Levinson-directed Tin Men.Throw Momma from the Train (1987) marked DeVito's premier directorial outing. A madcap farce directed from a script by Benson and Soap scribe Stu Silver, Momma cast DeVito as Owen, a dim-bulb student living under the thumb of his loudmouthed mother, who is enrolled in a writing course taught by failing novelist Larry Donner (Billy Crystal). Stumbling into a repertory screening of Strangers on a Train one night, Owen has the not-so-bright idea of emulating the film, by bumping off Larry's conniving ex-wife in exchange for having Larry rub out his momma -- without asking Larry first.Throw Momma from the Train opened during the Christmas season of December 1987 and received mixed reviews. The picture nonetheless became a massive hit, grossing upwards of 57 million dollars, and thus paving the way for future DeVito-directed efforts. The War of the Roses (1989) recast DeVito with his Romancing the Stone and Jewel of the Nile co-stars, Michael Douglas and Kathleen Turner, but could not have been any more different in terms of theme, content, tone, or intended audience. Co-adapted by Warren Adler and Michael Leeson (from Adler's novel), this acerbic, black-as-coal comedy tells the story of Oliver and Barbara Rose, a seemingly happy and well-adjusted married couple whose nuptials descend into a violent hell when Barbara announces that she wants a divorce -- and Oliver refuses to give her one. DeVito plays the cherubic lawyer who relays their story to another client, and famously reflects, "If love is blind, then marriage must be like having a stroke." The picture instantly grossed dollar one, garnered legions of fans, and delighted critics across the board.Ida Random produced Momma, and DeVito's Taxi collaborator, James L. Brooks, produced War, but by the early '90s, DeVito gained additional autonomy by branching out into production duties himself, with the establishment of his own Jersey Films. Some of Jersey's more successful endeavors were 1994's Pulp Fiction (on which DeVito served as executive producer), Reality Bites (1994), Get Shorty (1995), Gattaca (1997), Out of Sight (1998), and Living Out Loud (1998). In the meantime, DeVito continued to act in a number of movies throughout the late '80s and '90s, his most notable being Twins (1988, in which he played the "twin" of Arnold Schwarzenegger), the disappointing Jack the Bear (1993), the delightful Other People's Money (1991, for which he took on the role of corporate monster Larry the Liquidator), Barry Sonnenfeld's Get Shorty, the screen adaptation of Roald Dahl's Matilda (1996, which he also directed and produced), L.A. Confidential (1997), and Living Out Loud. For the last of these DeVito won particular acclaim, impressing critics with his touching, sympathetic portrayal of a lonely elevator operator. In 1999, he added to his already impressive resumé with a role in Milos Forman's biopic of Taxi co-star Andy Kaufman, Man on the Moon, and a supporting turn in Sofia Coppola's The Virgin Suicides.Despite solid performances in a series of recent high-profile hits and decades of big-screen success, the millennial turnover found DeVito's star somewhat clouded as such efforts as Screwed (2000), What's the Worst That Could Happen? (2001), Death to Smoochy (2002), and Duplex (2003) failed to live up to box-office potential. DeVito fared only slightly better as producer of the critically acclaimed 2003 television series Karen Sisco and the ugly Get Shorty sequel, Be Cool. He also acted as executive producer for the acclaimed Zach Braff dramedy Garden State and could be spotted in director Tim Burton's imaginative fable Big Fish. As 2005 rolled around, audiences could spot DeVito in films such as The OH in Ohio, as well as on television as the actor found himself accepting a role in the quirky, taboo-busting series It's Always Sunny in Philadelphia.During 2006, DeVito balanced a full plate of work, temporarily retiring from the director's chair, but juggling small roles in no less than three A-list features. These included Brad Silberling's 10 Items or Less, a drama about the unlikely friendship that evolves between a has-been Hollywood star (Morgan Freeman) and a supermarket checkout clerk (Paz Vega); Jake Paltrow's directorial debut, The Good Night, a slice-of-life dramedy starring Gwyneth Paltrow and Penélope Cruz; and the holiday comedy Deck the Halls. The latter starred DeVito and Matthew Broderick as neighbors who go to "war" with competing decorations at Christmastime to see who can be the first to make his house visible from space. The film co-starred Kristin Davis and Kristin Chenoweth. Meanwhile, Jersey Films geared up to produce the 2007 Freedom Writers, directed by Richard LaGravenese -- a kind of retread of Stand and Deliver and Dangerous Minds, with Hilary Swank as a teacher determined to break through to her difficult students. Also in 2007, DeVito starred in Randall Miller's violent black comedy Nobel Son, DeVito joined longtime friend and collaborator Michael Douglas with a supporting role in the 2009 Solitary Man, then in 2012 voiced Dr. Seuss's title character in the classic animated fable The Lorax. DeVito and Perlman have three children.

Trivia: Sean Astin had starred in ten movies, directed a short film, and formed his own production company all before his 21st birthday. The elder son of actress Patty Duke and actor/director John Astin, he knew the hazards of Hollywood life: As a popular child star, Astin refrained from drinking, drugs, and narcissism. He juggled acting with attending classes at Crossroads High School for the Arts and Los Angeles Valley College, eventually graduating cum laude from the University of California at Los Angeles with dual degrees in History and American Literature and Culture. When his younger brother, fellow kid actor Mackenzie Astin, temporarily fled Los Angeles to pursue journalism, Astin doggedly remained in town -- he once half-heartedly considered a law career, but could never part with being an entertainer. Astin was born in Santa Monica, CA, on February 25, 1971. His famous parents actively supported his childhood ambition to become an actor, and Astin was cast in TV specials, movies, and even series until 1983. Barely a year later, screenwriter Steven Spielberg handpicked the 13-year-old Astin to star as Michael "Mikey" Walsh in Richard Donner's children's adventure film The Goonies (1985). Astin earned his first Young Artist Award for his work on the film and went on to act in a host of teen pictures. He headlined the Disney Channel television movie The B.R.A.T. Patrol (1986), joined Kevin Bacon for the wilderness adventure White Water Summer (1987), and appeared with Dudley Moore and Kirk Cameron in the comedy Like Father, Like Son (1987).In 1988, Astin directed his first short film, a Vietnam picture about the unexpected relationship between an American GI and a Viet Cong soldier titled On My Honor. Astin's own production company, Lava Entertainment, financed the film. While continuing to develop projects through Lava Entertainment, Astin starred with Dermot Mulroney in 1989's Staying Together. He won his second Young Artist Award for his performance in the picture. Also in 1989, Astin portrayed the teenage son of feuding couple Kathleen Turner and Michael Douglas in Danny DeVito's The War of the Roses. He finished off the '80s by enlisting in the all-star cast of Michael Caton-Jones' World War II drama Memphis Belle (1990). The film -- which also features Matthew Modine, Harry Connick Jr., Billy Zane, and Eric Stoltz -- followed the crew of the Memphis Belle bomber on their harrowing final run over Germany. Astin's stocky build and comic timing lent well to his incarnation as the group's tail gunner, Sergeant Richard "Rascal" Moore. When Astin initially lost the lead role in his next picture, Toy Soldiers (1991), to Wil Wheaton, he treated the film's director, Dan Petrie Jr., to a screening of Memphis Belle. Petrie was so impressed by his work that he relegated Wheaton to a supporting part and cast Astin as Toy Soldiers' hero, a rebellious student who saves his prep school from South American terrorists.In the spring of 1992, Astin starred with Pauly Shore and Brendan Fraser in Encino Man, a comedy about two California high school students who discover a caveman. He then reunited with Dermot Mulroney in the drama Where the Day Takes You (1992), which also stars Will Smith, Christian Slater, Lara Flynn Boyle, and Ricki Lake. 1993 saw Astin play the title character in Rudy, the memorable film about a tenacious boy determined to play football for Notre Dame despite the fact that he is too small. Football coaches around the United States still show the film before games to inspire their players, and, to this day, strangers still chant "Rudy! Rudy!" when they spot Astin on the street.After filming Safe Passage (1994) with Susan Sarandon and Sam Shepard, Astin appeared in the independent film The Low Life (1995), for which he won the Best Actor Award at the 1995 Fort Lauderdale Film Festival. That same year, he wrote, directed, and produced his second short film, Kangaroo Court. The picture tells the story of a police officer who is put on trial by an inner-city gang and stars Gregory Hines and Michael O'Keefe. It earned Astin an Academy Award nomination for Best Short Film (coincidently, John Astin was nominated in the same category for his film Prelude in 1969).Astin continued to work steadily throughout the '90s. In 1995, he starred in Showtime's adaptation of Kurt Vonnegut Jr.'s futuristic short story Harrison Bergeron. In 1996, he made a cameo as a doomed soldier in the first feature film to depict Desert Storm, Edward Zwick's Courage Under Fire. In 1997, he directed and starred in an episode of HBO's Perversions of Science called "Snap Ending" and was one of several narrators in the Academy Award-winning Holocaust documentary The Long Way Home. In 1998, Astin took a small role in Warren Beatty's Bulworth and began work on a string of independent films -- including Boy Meets Girl (1998), Dish Dogs (1998), Kimberly (1999), Deterrence (1999), and Icebreaker (1999). The decade also brought changes to Astin's personal life. On July 11, 1992, he married Christine Astin (born Harrell) at Patty Duke's Idaho farm. The couple met when she worked at Astin's talent agency and they co-founded Lava Entertainment together. Then, in 1994, Astin underwent DNA testing that revealed rock promoter Michael Tell to be his biological father (Patty Duke and Tell had been briefly married before her engagement to John Astin). Though the actor is friendly with Tell, he still considers those who raised him to be his parents. Two years later, Astin and his wife had their first child, Alexandra Louise, in November of 1996. In the summer of 1999, Astin landed the coveted part of portly hobbit Samwise "Sam" Gamgee in Peter Jackson's highly anticipated three-film adaptation of J.R.R. Tolkien's The Lord of the Rings trilogy. Auditions for the role were held over several months in every English-speaking country in the world. Astin's father had appeared in Jackson's horror film The Frighteners, and the veteran actor's fondness for the director made Astin determined to get the part. When he found that his only competition was an overweight English thespian, Astin gained 30 pounds to secure the role. All three installments of the trilogy -- The Fellowship of the Ring (2001), The Two Towers (2002), and The Return of the King (2003) -- were filmed simultaneously over an 18-month period in New Zealand. Astin's wife and daughter accompanied him to the shoot and Alexandra made her acting debut as a young hobbit in Sam Gamgee's family. The couple had a second child, Elizabeth Louise, between the release of the first and second films.After the success of the Lord of the Rings franchise, Astin kept busy with a slew of projects throughout the 2000s, like 50 First Dates, Click, and an arc on the TV series 24. Astin would also do extensive voice acting in the 2000s and 2010s, on kids shows like Special Agent Oso and Teenage Mutant Ninja Turtles.

Trivia: Before making his career switch to acting, G.D. Spradlin had been a prosperous Texas business tycoon and a highly respected history teacher. In films from 1968's Will Penny, the actor is perhaps best remembered for his work as on-the-take Senator Pat Geary in The Godfather, Part 2 (1974). His regal, assured bearing made him a natural for such forceful characterizations as LBJ in the 1990 TV movie Robert Kennedy and His Times. Spradlin has also played his share of high-ranking military officers, most memorably in Apocalypse Now (1979). A somewhat more avuncular G. D. Spradlin was seen in the role of Baptist minister (and erstwhile movie producer) Reverend Lemon in Ed Wood (1994).

Trivia: Canadian-born, Yale-trained Peter Donat made his mark on the theatrical world with his rich portrayals of such larger-than-life characters as Cyrano de Bergerac. Donat brought some of this grandiosity into his film work, which includes appearances in films as diverse as The Godfather II (1974), The China Syndrome (1979), War of the Roses (1987), Tucker: The Man and His Dream (1988), and The Babe (1992). His TV-series roles include Arthur Raymond in Rich Man, Poor Man -- Book 2 (1977) and Elmo Tyson in Flamingo Road (1980). Peter Donat was making occasional appearances on the syndicated TV sci-fier Time Trax (1993), gesticulating his way through the role of Dr. Mordecai (Mo) Sahmbi, the ee-vil scientist who used the time-traveling TRAX machine for his own nefarious purposes.

Trivia: Forever associated with his ongoing voice work as Homer J. Simpson on Matt Groening and James L. Brooks' long, long-running Fox animated sitcom The Simpsons, Dan Castellaneta is well-reputed for his modest, unassuming presence in real life and his paradoxical ability to spin characters -- seemingly from out of nowhere -- that instantly take on lives of their own. Groening once famously remarked that "Dan can do everything, and he practically does....You might never notice him, but then he opens his mouth and he completely creates one character after another.'' Born in 1957, Castellaneta grew up in the small town of Oak Grove, IL, in the northwestern corner of the state, near the Iowa border. As a self-described introvert who developed and honed a facility for slipping into the guise of characters to entertain and make social situations easier (read: class clown), Castellaneta nevertheless diverged from this path in college and worked toward a career as a high-school art teacher via his studies at Northern Illinois University. Then, one of Castellaneta's professors (perhaps sensing some dissatisfaction) wisely admonished him to only work at a field, and in a job, that he loved. Castellaneta reasoned that acting fit the bill, and auditioned for the infamous sketch comedy troupe Second City shortly after graduation. The troupe hired him, and in time, the skills that the actor projected led to his involvement on the then-fledgling Fox network's sketch comedy series The Tracey Ullman Show, which premiered on Sunday, April 5, 1987. Castellaneta joined Ullman, Julie Kavner, Joe Malone, Sam McMurray, and for a time Anna Levine in live-action skits that parodied all aspects of Western culture.As a most unusual aspect of her program, Ullman opted to feature crudely animated, offbeat segments as Monty Python-style transitions between the individual sketches. The episodes in question were drawn by Gabor Csupo and Groening (at that time, comic-strip artist of growing infamy known for his Life Is Hell series starring a buck-toothed, bug-eyed rabbit named Bucky). Although the subjects of the shorts initially varied, within a few months they began to focus exclusively on a hyper-dysfunctional blue-collar family called the Simpsons; Kavner and Castellaneta voiced parents Homer and Marge Simpson, respectively. Those segments gained such massive popularity that they eventually outshone that of the Ullman show itself (which wrapped in September 1990), and executive producer James L. Brooks, following this cue, decided to spin off the Simpsons into their own weekly animated series. Kavner and Castellaneta, of course, followed Brooks to the new program, joined in time by longtime Brooks acquaintance Harry Shearer, as well as Nancy Cartwright, Yeardley Smith, Hank Azaria, and numerous others.The Simpsons premiered on Fox on December 17, 1989, and became not simply a hit but a phenomenon. It shot up to instantly become one of the highest-rated series on television, and attained iconic status. The program scored as a cause célèbre not simply with children (as expected) but with adult viewers as well, who appreciated the show's ability to skewer all aspects of society and culture. (It generated a billion-dollar marketing boom as well -- an onslaught of Bart Simpson-themed T-shirts, watches, dolls, beach towels, and everything else under the sun.) The program also drew an onslaught of celebrity guests -- everyone from Larry King to Tony Bennett to Beverly D'Angelo and Linda Ronstadt. Castellaneta himself will forever be tied to Homer Simpson -- the lunkheaded, potbellied, beer-swilling, donut-loving nuclear-plant worker with not a whole lot upstairs, and a thoroughly crass lifestyle, but also a big, soft heart (a quality which Castellaneta's co-workers insist that he alone brought to the character). But hardcore Simpsons cultists and even its less attentive devotees will realize that Castellaneta voices not only Homer (as mentioned), but also the gravelly voiced, booze-swilling, womanizing clown Krusty; local drunk Barney Gumble; Scottish elementary-school groundskeeper Willie; the octogenarian family patriarch Grampa Simpson; and innumerable others. Certainly, it would be difficult to imagine a program that took fuller advantage of Castellaneta's versatility with characterizations.Alongside The Simpsons, Castellaneta has also pursued a career as a live-action film and television performer, and spent most of the late '80s, '90s, and 2000s vacillating between the two mediums. His career on the big screen began at least a year prior to his involvement with Ullman and co., when he debuted with a bit part as Brian in the now-forgotten Garry Marshall dramedy Nothing in Common (1986), starring Jackie Gleason, Tom Hanks, Eva Marie Saint, and Sela Ward. In 1989, Castellaneta landed bit parts in two wildly different films: one as a maître d' in the Jim Belushi cop comedy K-9, and another (as one of Danny DeVito's clients) in the James L. Brooks-produced jet-black marital farce The War of the Roses. Castellaneta temporarily withdrew from live-action cinematic work in the early '90s, before returning to audiences as the narrator in Super Mario Bros. (1993) and Phil in Warren Beatty's Love Affair (1994). As the Castellaneta's career continued, he then segued into cinematic animated voice-over work (doubtless encouraged by the ongoing success of The Simpsons), doing voices in such features as 2000's Rugrats in Paris (under the aegis of old colleague Gabor Csupo) and Hey Arnold! The Movie (2002). In 2007, Castellaneta extended his Homer characterization to the big screen with his work on The Simpsons Movie -- the first cinematic appearance of Groening's famous animated family.As for television, Castellaneta appeared as a supporting actor in numerous sitcoms during the 1990s. These included ALF (as Steve Michaels in the 1990 episode "Stayin' Alive"), Married...with Children (as Pete in the 1990 episode "The Dance Show"), Wings (as George Wexler in the 1994 episode "Moonlighting"), and Murphy Brown (as Tony Lucchesi in the 1995 episode "Specific Overtures.") He also voiced Genie (inheriting the role from Robin Williams) on the animated Aladdin TV series. Of the Simpsons cast, Castellaneta is one of the only actors to regularly do on-stage comedic improvisation alongside his series work. He is married to Simpsons writer Deb Lacusta, whom he wed in 1987.He continued to work steadily in animated films such as Rugrats in Paris: The Movie and Hey Arnold! The Movie, and landed traditional acting parts every once in a while in movies as diverse as the indie comedy I Want Someone to Eat Cheese With and the Will Smith drama The Pursuit of Happyness. In 2007 he voiced nearly 20 different parts in The Simpsons Movie. He also landed a part in JJ Abrams 2011 Spielberg-influenced family sci-fi film Super 8.

Trivia: Stage actor Peter Brocco made his first film appearance in 1932's The Devil and Deep. He then left films to tour in theatrical productions in Italy, Spain and Switzerland. Returning to Hollywood in 1947, Brocco could be seen in dozens of minor and supporting roles, usually playing petty crooks, shifty foreign agents, pathetic winos and suspicious store clerks. His larger screen roles included Ramon in Spartacus (1960), The General in The Balcony (1963), Dr. Wu in Our Man Flint (1963), and the leading character in the Cincinnati-filmed black comedy Homebodies (1974). The addition of a fuzzy, careless goatee in his later years enabled Brocco to portray generic oldsters in such films as One Flew Over the Cuckoo's Nest (1977), The One and Only(1977), Throw Momma From the Train (1989) and War of the Roses (1983). In 1983, Peter Brocco was one of many veterans of the Twilight Zone TV series of the 1950s and 1960s to be affectionately cast in a cameo role in Twilight Zone: The Movie (1983).

Trivia: Danitra Vance was a highly regarded stage actress who occasionally ventured into films and television. Vance debuted on stage in the early '80s and subsequently worked closely with New York Shakespeare Festival producer George C. Wolfe. Her stage work won her some prestigious awards, including two Dramalogues, an NAACP Image Award, and an Obie. On television, she spent the 1985 season in the cast of the long-running sketch comedy series Saturday Night Live. She was the first black woman to become a cast regular. She played supporting roles in a handful of feature films, including Little Man Tate (1991) and Sticky Fingers (1988). She played a lead in her final film, Jumpin' at the Boneyard (1992). Vance was diagnosed with breast cancer in 1990 and incorporated the experience into a solo skit The Radical Girl's Guide to Radical Mastectomy. Despite her efforts to fight the disease, Vance passed away on August 21, 1994.