Trivia: A professional actress since the age of 16, when she moved to Los Angeles from Bellingham, WA, Hilary Swank first appeared onscreen in 1992's Buffy the Vampire Slayer. Two years later, she earned a rudimentary degree of fame when she was picked to star in The Next Karate Kid, but this recognition proved fleeting. Swank subsequently appeared in a number of minor films and did a year-long stint on Beverly Hills 90210. In 1999, however, she won both acclaim and recognition for her lead role in Kimberly Peirce's independent drama Boys Don't Cry. Based on the real-life story of Brandon Teena, a woman whose decision to lead her life as a man met with dire consequences, Boys Don't Cry was one of the year's most lauded films, with particular praise going to Swank for her stunning performance. She went on to win a number of honors for her work in the film, including Golden Globe and Academy Awards for Best Actress, at the mere age of 25.Predictably, Swank's workload increased significantly after her Oscar win in 2001, and the actress found herself starring in several lesser known but nonetheless challenging roles, including Sam Raimi's psychological thriller The Gift, as well as The Affair of the Necklace with future Oscar winner Adrien Brody. She also accepted a meaty supporting role as an eager-to-please rookie detective alongside Hollywood veteran Al Pacino in 2002's Insomnia. However, Swank did take a break from brooding period pieces and serious explorations of sexuality for one unapologetic big-budget summer blockbuster -- Jon Amiel's The Core (2003), in which she co-starred as one of several individuals chosen to journey to the Earth's core in hopes of jump-starting the collapsing electromagnetic forces.Though she may have cut loose in a few post-Oscar popcorn munchers in a bid to blow off some steam onscreen, Swank had already gained a reputation as a serious-minded actress whose quickly evolving onscreen talent pointed to many great things to come in the future. Meanwhile, Swank and then-husband Chad Lowe (brother of Rob Lowe) mounted Accomplice Films, a Big Apple-based production house, in early 2004. Swank inaugurated this triumph with an executive producer credit on the quirky, little-seen auto-accident drama 11:14. Swank took the lead in the Emmy- and Golden Globe-nominated 2004 HBO women's suffrage drama Iron Jawed Angels, which also featured Anjelica Huston and Frances O'Connor. Soon after, Swank starred as a South African-born attorney in Tom Hooper's political drama Red Dust. If audiences awaiting another knockout performance from Swank failed to catch her winning turns in Iron Jawed Angels and Red Dust, there was virtually no escaping her unforgettable evocation of a determined female pugilist in director Clint Eastwood's Million Dollar Baby (2004). As Robert De Niro did for another boxing picture over 20 years prior, the already tough-as-nails Swank physically transformed herself to an astonishing degree for the role, immersing herself in a holistic diet of egg-white shakes, fish, vegetables, and protein bars, and testing the barriers of endurance with 4 1/2-hour-a-day, six-day-per-week workouts. This harsh regimen enabled her to pack on 19 pounds of muscle. The gamble paid off onscreen as well. Swank's remarkable vitality and sincerity buoyed the film, which took home the Best Picture prize at the 77th Annual Academy Awards and netted Swank the highly coveted Best Actress award at the same ceremony -- a win that helped to bring Eastwood's critically lauded film a total of four well-deserved Oscars. Doubtless encouraged by the success of Baby, Warner Bros. extended a one-year production deal to Accomplice Films in March 2005 -- an offer that Swank and Lowe immediately embraced, even as they filed for divorce in early 2006.Meanwhile, if Swank stayed offscreen in 2005, she quietly geared up for a full slate of roles. The first in production was a Warners horror picture called The Reaping, produced by Joel Silver and Bob Zemeckis' Dark Castle Entertainment and directed by Stephen Hopkins. The film starred Swank as a professional defrauder of religious miracles overwhelmed by her inability to account for the Biblically overtoned horrors that plague a small town. In fall 2006, Swank co-headlined Brian De Palma's noir flop The Black Dahlia with Josh Hartnett, Scarlett Johansson, and Aaron Eckhart -- an adaptation of James Ellroy's novel based on the infamous, still-unsolved L.A. murder case of the title.More successfully, Swank also began a two-picture collaboration with director Richard LaGravenese (Living Out Loud, A Decade Under the Influence). The first, Freedom Writers, was adapted from Erin Gruwell's memoir. Essentially a reworking of Stand and Deliver and Dangerous Minds, the picture dramatized Gruwell's (Swank) successful attempts to turn "at risk" children around in the classroom. Swank's second LaGravenese effort, P.S., I Love You, was an adaptation of Cecelia Ahern's novel about a widow who is launched on a series of jaw-dropping adventures by some letters bequeathed to her by her dead husband.Swank took on the role of the legendary aviator Amelia Earhart in 2009's biopic Amelia, and in 2010 starred in the courtroom drama Conviction, for which Swank portrays the fiercely devoted Betty Ann Waters, a woman willing to go to extreme lengths to free her brother from an unjust prison sentence. She appeared in the ensemble romcom New Year's Eve in 2011 before taking a short break from acting. Swank returned in 2014 with You're Not You, which she also produced.

Trivia: Though Brenda Blethyn has enjoyed a long and successful career as an actress on the British stage and in television, it wasn't until the release of Mike Leigh's film Secrets and Lies in 1996 that she became well-known to moviegoers as well, earning a Golden Globe and an Academy Award nomination for what was only her third film.Blethyn's early stage experience included stints in the stock companies of the Bubble Theatre and the Belgrade Theater of Coventry. In 1975, she joined the Royal National Theater, where she worked with some of Britain's leading stage directors, including Peter Wood, Peter Hall, and Bill Bryden, and her roles ran the gamut from Nora in Henrik Ibsen's A Doll's House to Billie Dawn in Born Yesterday. With the Royal Shakespeare Company, she appeared under the direction of Maximillian Schell in Tales From the Vienna Woods and in Alan Ayckbourn's Wildest Dream. In 1991, she received the British Drama Awards' Best Actress prize for her role in Steaming and the Theatre World Awards' Outstanding New Talent prize for her role in the Broadway production of Absent Friends.Blethyn made her film debut in 1990, with a small part in Nicholas Roeg's The Witches. Robert Redford cast her as Brad Pitt's mother in A River Runs Through It in 1992, but 1996's Secrets and Lies provided Blethyn with her first substantial screen role. In a story developed through six months of improvisations with Leigh and the cast, Blethyn's performance as a woman getting to know the daughter she had given up made her an international sensation almost overnight. Blethyn received another Oscar nomination in 1999, for her role as the overbearing mother in Little Voice; her nomination complemented her growing popularity in Hollywood, reflected by her casting in such high profile projects as Billy Bob Thornton's Daddy and Them (1999). The actress would go on to appear in such films as Beyond the Sea, Pride & Prejudice, and Atonemen.On television, Blethyn would also make splashes in BBC productions like King Lear, Henry VI, Part One, The Labours of Erica, The Buddha of Suburbia, War and Peace, and Vera.

Trivia: One of Hollywood's most intense supporting and leading actors, James Woods has built a distinguished career on stage, screen, and television. Early in his career, Woods, with his lean body, close-set eyes, and narrow, acne-scarred face, specialized in playing sociopaths, psychopaths, and other crazed villains, but in the 1990s, he added a sizable number of good guys to his resumé.The son of a military man, Woods was born in Vermal, UT, on April 14, 1947. Thanks to his father's job, he had a peripatetic childhood, living in four states and on the island of Guam. As a young man, he earned a scholarship to the Massachusetts Institute of Technology; after obtaining a degree in political science, he set out to become a professional actor in New York. While in school he had appeared in numerous plays at M.I.T., Harvard, and with the Theater Company of Boston, as well as at the Provincetown Playhouse on Rhode Island. After working off-Broadway, Woods debuted on Broadway in 1970, appearing in Borstal Boy. Off-Broadway, he earned an Obie for his work in Saved.In 1971, the actor made his first television appearance in All the Way Home, and the year after that debuted in Elia Kazan's thriller The Visitors (1972). He then played a small part in The Way We Were (1973), but did not become a star until he played a vicious, remorseless cop killer in The Onion Field (1979). Subsequent film appearances quickly established Woods as a scene stealer, and though not among Tinseltown's most handsome actors, he developed a base of devoted female fans who found his rugged, ruthless appearance sexy. This appearance would serve him well throughout his career, notably in one of his first major films, David Cronenberg's Videodrome (1983). Cast as the film's morally ambiguous hero, Woods gave a brilliantly intense performance that was further enhanced by his rough-hewn physical attributes. Throughout the 1980s, Woods continued to turn in one solid performance after another, earning a Best Actor Oscar nomination for his portrayal of an American journalist in South America in Oliver Stone's Salvador (1986). He gave another remarkable performance as a Jewish gangster in Sergio Leone's Once Upon a Time in America (1984), and in 1989 tried his hand at playing nice in the adoption drama Immediate Family. That same year, he won an Emmy for his portrayal of Alcoholics Anonymous co-founder Bill Wilson in My Name Is Bill W. After beginning the subsequent decade with an Emmy and Golden Globe-nominated performance in the title role of the made-for-TV Citizen Cohn (1992), Woods appeared in a diverse series of films, playing a boxing promoter in Diggstown (1992), H.R. Haldeman in Nixon (1995), a drug dealer in Another Day in Paradise (1998), and a vampire slayer in John Carpenter's Vampires. In 1996, he won his second Oscar nomination for his portrayal of Medger Evers' suspected assassin in Ghosts of Mississippi. In 1999, the actor continued to demonstrate his versatility in a number of high-profile films. For The General's Daughter, he played a shady colonel, while he appeared as a newspaper editor in Clint Eastwood's True Crime, the head of an emotionally disintegrating Michigan family in The Virgin Suicides, and a football team orthopedist in Oliver Stone's Any Given Sunday.As the 21st century began, Woods could be seen as a doctor in the medical/hostage thriller John Q., and he lent his voice to a number of documentaries and animated projects including the sequel Stuart Little 2. He was part of the ensemble in the Polish brothers' Northfork, and appeared in Be Cool, the sequel to Get Shorty. In 2007 he began work as the lead on the TV series Shark, and in 2011 he appeared in the remake of Straw Dogs and the well-reviewed made-for-HBO docudrama about the collapse of the American economy, Too Big to Fail.

Trivia: Worked as a paper boy for three years when he was growing up. Cited the 1985 Steven Spielberg adventure-comedy Goonies as his favorite film in an interview with Idol Magazine. Aspired to become a professional football player before suffering a serious leg injury as a teenager. Professional acting debut was on the 2010 TV mini-series The Pillars of the Earth. In 2011 he received a nomination in the 17th Empire Awards for Best Male Newcomer.

Trivia: As a character player of Italian extraction, Frank Grillo found himself cast, almost by default, in tough, slick, street-smart roles specializing in urban cops, detectives, and assorted mafia types. Actually, Grillo's onscreen aura -- so often perceived as "unmistakably New York" -- was somewhat misleading: he grew up not in the Bronx or Brooklyn but in upstate New York, and gravitated to sports prior to drama, weighing his options and finding himself torn between a full-time career as an athlete and life as a full-time actor. Grillo's parents, it seems, would have neither, and sent him to business school at NYU; as soon as Grillo ended up on Wall Street, however, fate intervened: his path criss-crossed with that of a casting agent, and he promptly landed a role in a beer commercial. That marked the first of over 25 similar assignments, plugging various products and services. He took a massive step up in prestige and exposure when cast as regular Hart Jessup on the soap The Guiding Light, then enjoyed multi-episode runs and guest spots on such primetime series as The Shield, CSI, Las Vegas, and Without a Trace. Grillo's feature roles include The Mambo Kings (1992), April's Shower (2003), and Pride and Glory (2008). As the yers rolled on, Grillo would find himself cast in memorable projects like Blue Eyes, Edge of Darkness, Warrior, and The Grey.